The pandemic, however, didn’t curb her creativity, as on March 4 Kearney is set to release a new EP titled Atlantic, a collection that bridges the space between her life in London and life in Boston. Across the EP’s four lived-in compositions, Kearney shows off a creative core that augments her eclectic amalgamation of sound combining elements of soul, R&B, funk, rock, and Latin music.
And true to a sign that we’re finally coming out of the past two years of unnaturally subdued living, Kearney takes the Atlantic EP and shows it off where it sounds best, on stage at The Burren in Somerville for the official release party on March 6.
“Like any album, the songs are observational of the times we’re living in,” says Kearney. “It’s a personal snapshot of the last few years looking deep within, but also observing what’s on the surface of society. I feel like I’ve taken some different turns musically and lyrically on ‘Atlantic.’ Living in two countries with completely different rhythms of life over the last few years influenced me for sure. I pushed myself out of some comfort zones.”
That shines through on Atlantic’s four bold and vibrant tracks, which were first conceived in London, and then recorded and finalized around Boston using a hybrid approach of home recording and studio production sessions at Charlestown’s A1 Productions and Chillhouse Studios, as well as Wonka Sound in Lowell. Both cities influenced the EP, furthering its oceanic theme.
Audiences received a taste of the EP last year, when Kearney released lead single “Writing on Water,” which was written after she watched the news and saw how doctors and caregivers were struggling to keep up with the pandemic, and how we need to look inward in order to heal. It's a soulful track where Kearney's warm songwriting acts as its core, and an updated version with live strings finds its home on Atlantic.
Elsewhere, “Spinning” finds Kearney reclaimed her soul through an unrequited love song, and tracks like “Magician” and “In The Neighborhood” show off a loose playfulness that belies their more serious lyrical nature, the former about how ageism and sexism intersect in both music and life, and the later about gentrification in cities that are becoming unrecognizable. Atlantic finds Kearney taking inspiration from a wealth of favorites across a musical spectrum.
“I think the evolution of a songwriter goes directly with the evolution of the person and every life circumstance, joy, lesson, interaction, heartbreak and loss gets absorbed,” admits Kearney. “I feel like I’ll never be finished learning or have anything in life or music really figured out, so my songwriting is always moving and hopefully growing in good ways.”
The band around Kearney keeps things moving as well, providing a diverse and comprehensive backbone that buoys the singer’s powerhouse vocals. As Kearney commands her Fender Rhodes, as well as holding court on her Wurlitzer, clavinet, and other keyboards and synths, she’s surrounded by a veritable arsenal of instruments – from brass to strings to everything in between – helmed by some of her closest collaborators.
“There have been so many great moments getting to work with everyone on the record,” Kearney says. “I am so lucky that I genuinely love all the people on this album. They all feel like a family that has my back and they just happen to be amazing musicians in their technical skills, but also far beyond in their soul, imagination, and creativity. I come from a stance that a good song should be able to stand strong when you play it solo or when you play it with a band, but there’s no doubt that the players on this all have such great taste and enhanced these songs in every way.”
Now they’re ready to be heard, from one side of the Atlantic to the other.
No comments:
Post a Comment