On October 27, 2-time GRAMMY-winning vocalist Gregory Porter
will release his 3rd Blue Note album, Nat King Cole & Me, a heartfelt
tribute to his idol, the legendary singer, pianist and Capitol recording artist
Nat King Cole. With the help of 6-time GRAMMY-winning arranger Vince Mendoza,
the London Studio Orchestra, a core band featuring pianist Christian Sands,
bassist Reuben Rogers, and drummer Ulysses Owens, and special guest trumpeter
Terence Blanchard on two tracks, Porter revisits some of Cole’s most cherished
classics such as “Mona Lisa,” “L-O-V-E,” “Nature Boy,” “The Christmas Song,”
and the lead track “Smile” which is available today to stream, download, or
receive immediately with album pre-order.
For Porter, the influence of Cole on his life and music runs
deep, a through-line that reaches back into some of his earliest childhood
memories. “He was one of a kind. He left such great music – such beautiful
things to listen to that you can’t help but be influenced by that extraordinary
timbre, style, and ultimate cool,” Porter enthuses. “It’s only natural that I
go to the root of my inspiration and where I come from. And that root would be
my mother and gospel music and Nat King Cole,” Porter says.
“My mother said I wrote this little song when I was 5 and
put it on a tape and played it for her when she came home from work,” recalls
Porter. Upon hearing it his mother, Ruth Porter, exclaimed “Boy, you sound like
Nat King Cole,” a compliment that sent the curious young Gregory delving into
her record collection.
“I remember thinking how strange that name was, going
through her records, and first seeing his image: this elegant, handsome, strong
man sitting by a fire, looking like somebody's daddy. Then I put the vinyl on
the player and out of those speakers came that voice, that nurturing sound. It
filled a void in me. My father wasn’t in my life; he wasn’t raising me; he
wasn’t showing any interest in me. So Nat’s words, ‘pick yourself up, dust
yourself off, start all over again’ – all of these life lessons and words of
wisdom were like fatherly advice. They were coming out of the speakers like Nat
was singing those words just to me. I would listen to his albums and imagine
that Nat was my father.”
Earlier in Porter’s career – after his role in the
Tony-nominated musical It Ain’t Nothin’ But the Blues but before rising to
international acclaim as his solo artist – Porter dramatized his deep
appreciation for Cole in a semi-autobiographical musical, Nat King Cole &
Me, which premiered in 2004.
“That musical was a way of me trying to find my father,”
Porter explains. “I wrote it after my father [Rufus Porter] had passed. The
musical was of Nat King Cole; and half of the music was of my original writing.
But the story is how I came to Nat’s music in the absence of my father. So in a
way, it was some self-prescribed, self-written therapy and emotional medicine
for myself.”
That musical underpins Nat King Cole & Me, the follow-up
to Porter’s GRAMMY-winning Blue Note albums Liquid Spirit (2013) and Take Me to
the Alley (2016), which established Porter as a global superstar and his
generation’s most soulful jazz singer-songwriter. The album will be available
on the following formats: deluxe vinyl, deluxe/standard CD, deluxe/standard
download, and on streaming services.
“I went about selecting the songs like I always do – first
in a very emotional way,” Porter says. “I just gathered the songs that meant
something to me over the years. There was a period in college when I had an
injury to my shoulder and I needed music to soothe me at that time. So I ended
up going back to Nat’s records. Then I did the same thing during the passing of
my mother. In a way, there’s a familiarity and a calming effect to Nat’s music.
Recording Nat’s music was very personal because I could hear and feel my
mother. And I still feel myself searching for my father.”
The track listing for Nat King Cole & Me is as follows:
1. Mona Lisa (Ray Evans/Jay Livingston)
2. Smile (Charlie Chaplin/John Turner/Geoffrey Parsons)
3. Nature Boy (Eden Ahbez)
4. L-O-V-E (Milt Gabler/Bert Kaempfert)
5. Quizas, Quizas, Quizas (Farres Osvaldo)
6. Miss Otis Regrets (Cole Porter)
7. Pick Yourself Up (Jerome Kern/ Dorothy Fields)
8. When Love Was King (Gregory Porter)
9. The Lonely One (Lenny Hambro/ Roberto Heller)
10. Ballerina (Carl Sigman/ Bob Russell)
11. I Wonder Who My Daddy Is (Gladys Shelley)
12. But Beautiful** (Johnny Burke/Jimmy Van Heusen)
13. Sweet Lorraine** (Cliff Burwell/Mitchell Parish)
14. For All We Know** (J. Fred Coots/Sam M. Lewis)
15. The Christmas Song (Mel Tormé/Robert Wells)
**only available on deluxe edition
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