Rounder Records has announced the release
date for Gregg Allman's final studio album. SOUTHERN BLOOD arrives everywhere
on Friday, September 8th. A special and unique part of the deluxe package and the first
run of the vinyl will be the inclusion of a painting that Allman and his
daughter Layla commissioned from visual artist Vincent Castiglia. The beautiful
portrait Castiglia painted was made with Gregg's actual blood in the paint. The
process served as inspiration for the album title.
SOUTHERN BLOOD serves as a remarkable final testament from
an artist whose contributions have truly shaped rock & roll throughout the
past four decades. Allman's first all-new recording since 2011's GRAMMY®
Award-nominated solo landmark, LOW COUNTRY BLUES, the album is among the most
uniquely personal of the Rock & Roll Hall of Famer's career, an emotionally
expansive collection of songs written by friends and favorite artists including
Jackson Browne, Willie Dixon, Jerry Garcia & Robert Hunter, Lowell George
and Spooner Oldham & Dan Penn, meant to serve as a salutary farewell to his
legion of devoted fans and admirers. Allman collaborated on his closing project
with manager and dear friend Michael Lehman and GRAMMY® Award-winning producer
Don Was, a longtime acquaintance and staunch supporter committed to helping the
rock icon actualize his very specific aspirations.
"As his producer, I was dedicated to helping Gregg
crystallize his vision for the record and to help make sure that this vision
made it to the tape," says Was. "He was a musical hero of mine and,
in later years, had become a good friend. The gravitas of this particular
situation was not lost on me. Gregg was a sweet, humble man with a good heart
and good intentions and it was a great honor to help him put his musical
affairs in order and say a proper farewell."
Allman, well aware his time was short, approached the
project with an unambiguously realistic agenda. High atop his list of goals was
to capture the sound of the ultimate Gregg Allman Band in full flight,
considering them the tightest knit combo of all the line-ups that had backed
him over his 40+ year solo career. Despite his ongoing health issues, the Gregg
Allman Band had picked up right where the Allman Brothers Band left off in
2015, spending nearly two years on the road with tour highlights including the
now-annual Allman-curated Laid Back Festival. 2015's two disc CD/DVD set, BACK TO
MACON GA, immortalized Allman and his eight-member band's floor-shaking live
power but their leader was determined to see what the group could do within the
confines of the studio.
"Gregg was very excited to be in the studio," says
Lehman. "He was especially thrilled to be recording this studio album with
his solo band - he was so proud of them and loved the sound that they produced
together. Gregg felt close to every single one of them. The Gregg Allman Band
was like a family or a well oiled machine, always knowing what the other band
members were thinking and doing."
"The Gregg Allman Band enabled him to realize a sound
that he'd been hearing in his head for decades but was previously unable to
achieve. We talked a lot about his first solo LP, LAID BACK - what would that
type of album sound like in the modern era played by these cats and fronted by
an older and wiser Gregg Allman?"
A further key to Allman's vision for SOUTHERN BLOOD was his
decision to record at the world-renowned FAME Studios in Muscle Shoals, AL.
Alongside its own fabled history, the legendary studio occupied a momentous
place in Allman's personal back pages.
"A constant discussion during all of my nearly 15 years
working with Gregg was his desire to return to Muscle Shoals," Lehman
says. "He always would talk about how he needed to get back to FAME
Studios to bring him full circle."
"Muscle Shoals is hallowed musical ground," says
Was. "FAME was the place where Gregg's brother Duane first started making
waves in the music world and where the earliest seeds of The Allman Brothers
Band were sown in a back room during their first, seminal rehearsals. Duane's
presence is still ubiquitous in that building. Recording there was Gregg's way
of making his spirit a part of this album, in the same way that his spirit
continued to be part of Gregg's life."
Brother Duane's presence courses through SOUTHERN BLOOD,
from Jackson Browne's "Song For Adam" - the final verse of which Was
says reminded Gregg of his older brother's premature passing - to the
funk-fried "Blind Bats and Swamp Rats," originally found on the
Duane-produced TON-TON MACOUTE!, a lost classic from left-handed blues
guitarist Johnny Jenkins. Allman, Was, and Lehman spent significant time
plotting out SOUTHERN BLOOD, carefully selecting material that would capture
the moment and simultaneously serve as a synopsis of an undeniably
extraordinary life. Songs like Bob Dylan's haunting "Going, Going Gone"
and Tim Buckley's immortal "Once I Was" allowed Allman a chance to
look back over his time on Earth while also pondering the journey that lay
ahead.
"Gregg, Don and I listened to a lot of material,"
Lehman says. "We went back and forth with each other to ultimately come up
with songs that Gregg felt reflected his mood, where he was presently in life
both on a personal level and professional level, as well as what would be on
his fans' minds later on."
Allman was of course a gifted and evocative tunesmith in his
own right, the award-winning author of such modern standards as "Midnight
Rider," "It's Not My Cross To Bear," "Dreams," and
"Whipping Post." SOUTHERN BLOOD is highlighted by one of the most
candid tracks of his long songwriting career, "My Only True Friend,"
co-written with Gregg Allman Band guitarist/musical director Scott Sharrard.
"'My Only True Friend' was Gregg's attempt to
contextualize the course of his life," says Was. "The man that his
fans saw performing onstage was the essential Gregg Allman - he was whole and
truly satisfied when he was up there playing music. The trials and troubles he
faced in life were mostly the result of not knowing what to do with himself in
between shows. In this song, he's addressing a woman and explaining that,
although he loves her and doesn't want to face living his life alone, being
away on the road and performing every night is his lifeblood. If you understand
this about Gregg Allman, every other aspect of his life makes complete
sense."
Sharrard - who also contributes his own show-stopping
"Love Like Kerosene" - led the Gregg Allman Band through two weeks of
recording, with all nine musicians playing together in the same room and Allman
singing live vocals. Despite the undeniable "overtones of finality,"
the sessions proved both relaxed and fun for all involved. Though Allman's
diminishing stamina caused the daily sessions to be shortened, he filled each
moment in-studio with every ounce of signature Gregg fire and enthusiasm -- an
intensity that prevailed to the very last note.
"Gregg was not feeling great," Lehman says,
"but being a true professional, he gave it his all as usual. He hit the
studio every day for about four or five hours and would typically nail one or
two of the songs."
"Gregg was thrilled that the sound in his head was
manifesting itself on the tape," Was says. "He didn't have all the
lungpower of his younger self, but we felt that these raw, weathered
performances were honest and compelling. We all agreed to leave them as they
were on the day they were recorded. In the spirit of LAID BACK, Gregg wanted to
hear things like background harmony vocals and reverb on his voice but this
album is essentially a documentary of our two weeks in the studio.
"Even though I'd known Gregg for a while, I was still
blown away to be there with him and to witness his genius up close. I can still
remember being swept away by his performances. He was so deeply engaged with
the music! Working closely with him reinforced and further enhanced my view
that Gregg Allman was one of the greatest artists of this or any time."
Rich with emotional texture, historical connectivity, and
purity of performance, SOUTHERN BLOOD would be a landmark Gregg Allman record
under any circumstance, its powerful subject matter and passionate presentation
as emblematic an expression of his distinctive art as any prior work in the
Allman canon. Though his loss leaves a vast musical space that can never truly
be filled, SOUTHERN BLOOD stands tall as a remarkable valedictory and memorial
to a true giant of American music, now and forever.
Gregg Allman was undoubtedly among rock and roll's greatest
and most significant artists, his soul-fired and still utterly distinctive
voice one of the defining sounds in all of American music. From his founding
role in the one and only Allman Brothers Band to his long and storied solo
career, Allman consistently proved himself to be an iconic singer/songwriter
and exceptional practitioner of the American blues tradition. Allman accrued a
remarkable list of honors over his five decade career, including the ABB's 1995
induction into the Rock and Roll Hall of Fame and 2012 Lifetime Achievement
Award at the 54th Annual GRAMMY® Awards. Allman detailed his brilliant career
in 2012's acclaimed memoir, My Cross To Bear. Now available in both hardcover
and paperback, the New York Times bestseller chronicles an astonishing life and
creative journey burdened by unimaginable loss, alcohol and drug addiction,
told with clear-eyed wisdom and sharp hindsight.
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