Brooklyn’s
Los Hacheros, modern-day torchbearers of the Golden Age of Latin music,
recorded their sophomore album Bambulaye (February 26 / Chulo / Daptone Records) live to vintage analog
tape, giving the music a raw, but warm and open sound similar to the Latin
legends that have inspired them.
Their debut
album Pilon was a well-received introduction to the band and received critical
praise from tastemakers including Wax Poetics, Vibe Magazine, and The
Washington City Paper, amongst others. Wax Poetics states, “The groove to this
music is deep,” while The City Paperboasts, “…its solid arrangements and lively
original songs have impressed old-school salseros and young music fans alike.”
“Bambulaye
was recorded to be gritty, driving, and infectious, with the goal to get you up
and dancing from first listen.” says producer / guitarist Jacob Plasse, also
founder of the Daptone-distributed Latin revival label, Chulo Records. “I wanted this record to feel and sound the
way it does when we play our final sets at 3am, exhausted in East Harlem
dives. Suddenly the band comes to life
and all the old dancers are at it like it was 1970 again. In those moments, we feel like we could play
all night.”
Los Hacheros
revives folkloric styles like son montuno, guaracha and salsa, and often
combine them with Bomba, a fiery rhythm from the mountains of Puerto Rico. “Los Hacheros has the magic of group
improvisation,” adds bassist William Ash.
“We play in a style that is swing oriented and emphasizes the Cuban
clave like great ones of old: Arsenio,
Reve, Ritmo…”
A band of
only 5 musicians, Los Hacheros can sound like a conjunto of 12. Eddie Venegas
(Marc Anthony, Orquestra Broadway), who plays violin and sings chorus,
improvises mambos on the trombone, Itai Kriss
(Edmar
Castaneda, Grupo Latin Vibe) sings, plays flute, campana, and guiro, while
Papote Jimenez is in charge of lead vocals, soulful soneos (improvised verses)
and congas. William Ash (Alfredo de la Fe, Brenda K Starr) holds down the
tumbaos on baby bass while Jacob Plasse plays the tres, a guitar-like instrument
originating from the Oriente Province in Cuba.
“There are a
million tiny cues on Bambulaye that let you know it is a live band,” describes
Plasse. “It feels like it could both
fall apart and explode at any moment.”
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