JOE
FARNSWORTH QUARTET - MY HEROES
Drummer
Joe Farnsworth pays tribute to the greats of the 50s and 60s – Elvin Jones, Roy
Haynes, Art Blakey, Max Roach, and others – in a smoking set that features his
longtime musical companions Eric Alexander on tenor, Harold Mabern on piano,
and Nat Reeves on bass! There's a vibe here that's different than other recent
dates from this well-matched team – as the players are definitely trying to
skew their sounds differently with each number dedicated to a different drummer
– especially Alexander and Mabern, who really match Farnsworth's energy as he
changes things up. Titles include "Syeeda's Song Flute", "Two
Bass Hit", "Reflection", "George's Dilemma", and
"Cute". ~ Dusty Groove
BRADFORD / GJERSTAD QUARTET – SILVER CORNET
The
great Bobby Bradford recorded famously for the Nessa label backin the 70s – but
here he's heard in the company of some younger players on a contemporary
recording – one that shows that his fire hasn't dimmed at all! The group's a
quartet – with Frode Gjerstad on alto and clarinet, Ingebrigt Haker Flaten on
bass, and Frank Rosaly on drums – and the three tracks are all relatively long
and quite free – but have this organic sense of building that really matches
some of Bradford's energy from the early days – a style that's not as rhythmic
or modal as before, but partly because Rosaly and Flaten are such amazingly
complex musicians! Titles include "The Silver Cornet tells", "A
Story About You", and "And Me Me & You". ~ Dusty Groove
HORACE
TAPSCOTT QUINTET – THE GIANT IS AWAKENED
An
incredible album – one of the few rare early sides cut by pianist Horace
Tapscott, a seminal figure in the LA underground of the 60s and 70s! The record
is as pure Tapscott as you could ever get – experimental, but not too free;
spiritual, but never too sappy; progressively political, but never overwrought
– and Tapscott is playing with a strong quintet that includes Black Arthur
Blythe on alto, David Bryant and Walter Savage on bass, and Everett Brown on
drums. The lineup is great – and Blythe is a real revelation, with a tone and
style that's different than some of his later work, but equally soulful – and
the use of two basses makes for some wonderful rhythmic elements that really
drive the modal energy of the music. The set includes an important early
version of "The Dark Tree" – a modal groover that's one of Tapscott's
lasting legacies – plus the tunes "Niger's Theme", "For
Fats", and "The Giant Is Awakened". ~ Dusty Groove
No comments:
Post a Comment