KEN PEPLOWSKI - MAYBE SEPTEMBER
Master
clarinetist and saxophonist Ken Peplowski's Maybe September featuring an
A-list band with pianist Ted Rosenthal, bassist Martin Wind and drummer Matt
Wilson, Ken Peplowski's new CD is a mainstream treasure. Maybe September brings together bedrock
composers including Irving Berlin, Harry Warren, and Percy Faith; the jazz
titans, Duke Ellington and Artie Shaw; and pop giants Brian Wilson, Nilsson,
and the unparalleled team of John Lennon and Paul McCartney, while also finding
space for the celebrated French composer, Francis Poulenc ("Romanza"
from his Sonata for clarinet and piano) and the less celebrated Bill Trader
("Now and Then). There's a Fool Such As I" - a hit for both the
C&W stalwart Hank Snow, and later, the legendary Elvis Presley.
ALI RYERSON JAZZ FLUTE BIG BAND - GAME CHANGER
Working in
tandem with sympathetic arrangers including Michael Abene, Mike Wofford and
Bill Cunliffe, Ryerson directs a 16-flute section bolstered by such prominent
stylists as Jaime Baum and Ryerson herself, as well as such celebrated guest
soloists as Hubert Laws, Nestor Torres and Holly Hofmann. By taking on such
cherished jazz compositions as "Stolen Moments," "Impressions,"
"Con Alma," "Lil' Darlin'" and "Daahoud," the
JFBB proves that, in the right hands, a cadre of flutes can have the power,
force and drive of a conventional horn-driven ensemble. In that respect, the
album is indeed a game changer.
COLORADO CONSERVATORY FOR THE JAZZ ARTS - HANG TIME
If Greg
Gisbert and Eric Gunnison are the most recognizable names associated with Hang
Time - the new recording by the ensembles of the Colorado Conservatory for the
Jazz Arts - that's perfectly understandable. While Gisbert is a widely admired
trumpeter with numerous albums that carry his credit, and Gunnison is an
accomplished pianist who has worked with the likes of Carmen McCrae and The
Dizzy Gillespie All-Star Big Band and a respected Denver-based educator, the
other members of the two CCJA bands featured on Hang Time are comprised of
student musicians who have yet to make established names for themselves. Hang
Time is yet more hard evidence that jazz is still issuing a siren's call to
young players, and that the music remains brimming with promise.
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