Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of eight, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility -- a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to redefine the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.
Metheny's versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich, Ornette Coleman, Herbie Hancock, Jim Hall, Milton Nascimento, David Bowie, and many more. He has been part of a writing team with keyboardist Lyle Mays for more than twenty years -- an association that has been compared to the Lennon/McCartney and Ellington/Strayhorn partnerships by critics and listeners alike. Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.
As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate in 1996, more than twenty years later. He has also taught music workshops all over the world, from the Dutch Royal Conservatory to the Thelonious Monk Institute of Jazz to clinics in Asia and South America.
He has also been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool. He has also been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez's PM-100 jazz guitar, and a variety of other custom instruments.
It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for (Still Life) Talking, Letter from Home, and Secret Story. He has also won 18 GRAMMY® Awards spread out over a variety of different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, and Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammys for seven consecutive albums. Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. At the time of this writing, he continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike, helping them to reach their audience as well as realizing their own artistic visions.
Upcoming Tour Dates:
Aug 9 - Kennet Square, PA, Longwood Gardens
Aug 10 - Pittsburgh, PA, Robert Morris University
Aug 11 - Highmount, NY, Belleayre Mountain
Sept 1 - Rochester, NY, German House Theater
Sept 2 - Detroit, MI, Detroit Jazz Festival Ampitheatre
Sept 4 - Minneapolis, MN, Dakota Jazz Club
Sept 5 - Minneapolis, MN, Dakota Jazz Club
Sept 6 - Kansas City, MO, Folly Theater
Sept 7 - Denver, CO, Botanic Gardens - York Street
Sept 8 - Aspen, CO, Wheeler Opera House
Sept 9 - Salt Lake City, UT, The State Room
Sept 11 - Portland, OR, Alladin Theater
Sept 12 - Spokane, WA, Martin Wodson Theater
Sept 13 - Seattle, WA, Jazz Alley
Sept 14 - Seattle, WA, Jazz Alley
Sept 15 - Seattle, WA, Jazz Alley
Sept 16 - Seattle, WA, Jazz Alley
Sept 18 - Napa, CA, Napa Valley Opera House
Sept 19 - San Francisco, CA, Yoshi's
Sept 20 - San Francisco, CA, Yoshi's
Sept 21 - San Francisco, CA, Yoshi's
Sept 23 - Monterey, CA, Monterey Jazz Festival
Sept 24 - Santa Monica, CA, The Broad Stage
Sept 26 - San Diego, CA, Anthology
Sept 27 - Santa Barbara, CA, Lobero Theater
Sept 28 - Costa Mesa, CA, Segerstrom Center for the Arts
Sept 29 - Mesa, AZ, Mesa Performing Arts Center
Oct 1 -Tucson, AZ, Fox Theater
Oct 2 - Santa Fe, NM, Lensic
Oct 4 - Austin, TX, Moody Theater
Oct 5 - Dallas, TX, House Of Blues
Oct 6 - Meridian, MS, MSU Riley Center
Oct 7 - Atlanta, GA, Playhouse
Oct 9 - Erie, PA, Mercyhurst College
Oct 10 - Syracuse, NY, Onondaga Community College
Oct 11 - Ridgefield, CT, Ridgefield Playhouse
Oct 12 - New York, NY, Town Hall
Oct 13 - Storrs, CT, University of Connecticut
Oct 14 - Boston, MA, Berklee College of Music
Metheny's versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich, Ornette Coleman, Herbie Hancock, Jim Hall, Milton Nascimento, David Bowie, and many more. He has been part of a writing team with keyboardist Lyle Mays for more than twenty years -- an association that has been compared to the Lennon/McCartney and Ellington/Strayhorn partnerships by critics and listeners alike. Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.
As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate in 1996, more than twenty years later. He has also taught music workshops all over the world, from the Dutch Royal Conservatory to the Thelonious Monk Institute of Jazz to clinics in Asia and South America.
He has also been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool. He has also been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez's PM-100 jazz guitar, and a variety of other custom instruments.
It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for (Still Life) Talking, Letter from Home, and Secret Story. He has also won 18 GRAMMY® Awards spread out over a variety of different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, and Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammys for seven consecutive albums. Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. At the time of this writing, he continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike, helping them to reach their audience as well as realizing their own artistic visions.
Upcoming Tour Dates:
Aug 9 - Kennet Square, PA, Longwood Gardens
Aug 10 - Pittsburgh, PA, Robert Morris University
Aug 11 - Highmount, NY, Belleayre Mountain
Sept 1 - Rochester, NY, German House Theater
Sept 2 - Detroit, MI, Detroit Jazz Festival Ampitheatre
Sept 4 - Minneapolis, MN, Dakota Jazz Club
Sept 5 - Minneapolis, MN, Dakota Jazz Club
Sept 6 - Kansas City, MO, Folly Theater
Sept 7 - Denver, CO, Botanic Gardens - York Street
Sept 8 - Aspen, CO, Wheeler Opera House
Sept 9 - Salt Lake City, UT, The State Room
Sept 11 - Portland, OR, Alladin Theater
Sept 12 - Spokane, WA, Martin Wodson Theater
Sept 13 - Seattle, WA, Jazz Alley
Sept 14 - Seattle, WA, Jazz Alley
Sept 15 - Seattle, WA, Jazz Alley
Sept 16 - Seattle, WA, Jazz Alley
Sept 18 - Napa, CA, Napa Valley Opera House
Sept 19 - San Francisco, CA, Yoshi's
Sept 20 - San Francisco, CA, Yoshi's
Sept 21 - San Francisco, CA, Yoshi's
Sept 23 - Monterey, CA, Monterey Jazz Festival
Sept 24 - Santa Monica, CA, The Broad Stage
Sept 26 - San Diego, CA, Anthology
Sept 27 - Santa Barbara, CA, Lobero Theater
Sept 28 - Costa Mesa, CA, Segerstrom Center for the Arts
Sept 29 - Mesa, AZ, Mesa Performing Arts Center
Oct 1 -Tucson, AZ, Fox Theater
Oct 2 - Santa Fe, NM, Lensic
Oct 4 - Austin, TX, Moody Theater
Oct 5 - Dallas, TX, House Of Blues
Oct 6 - Meridian, MS, MSU Riley Center
Oct 7 - Atlanta, GA, Playhouse
Oct 9 - Erie, PA, Mercyhurst College
Oct 10 - Syracuse, NY, Onondaga Community College
Oct 11 - Ridgefield, CT, Ridgefield Playhouse
Oct 12 - New York, NY, Town Hall
Oct 13 - Storrs, CT, University of Connecticut
Oct 14 - Boston, MA, Berklee College of Music
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