Damn! The first volume in this series of rarities cut by George Jackson for Fame Studios really blew our minds around here – and Kent has gone and somehow topped it with Volume 2! Let The Best Man Win features 2 dozen songs, most of which are originals by Fame staff writer Jackson – and not one one of these was officially released back in the day. A bunch were cut to demo the material for prospective artists, but it's truly hard to imagine anyone bettering these versions – not even Candi Staton or Wilson Pickett! The backing is top notch, too – with that unshakable Fame southern soul rhythm that's just raw enough – and each track feels fully-formed – not at all like a demo! As essential a trip into the Fame archives as any we've had to date! Includes "Mini Skirt Mini", "Get It When I Want It", "Forbidden Love", "Save Me", "Let The Best Man Win", "Soul Lovin'", "I'm Livin' Good", "Your Love Lifted Me", "You Got A Lot To Like", "Ain't That Some Good Lovin'L, "The Darkest Hour Is Before The Dawn" and many more. ~ Dusty Groove
A real lost treasure on Hi Records – one of the few albums ever cut by Don Bryant, a singer whose talents seemed to be eclipsed by the rising stars of Al Green and Ann Peebles – but who was every bit as great! Bryant's got a sound here that's still firmly in the Hi style forged by Willie Mitchell – who produces this set – but there's also some nicely rougher edges too, a sound that's almost more Stax than Hi – and which certainly features a bit of a nod to Wilson Pickett down in Muscle Shoals – not exactly funk, but with some nice grit in the grooves! The whole thing's great – and titles include "Try Me", "Cry Baby", "Funky Broadway", "Soul Man", "Land Of 1000 Dances", "She's Looking Good", and "Slip Away". ~, Dusty Groove
We've been digging the keyboard grooves of James Taylor for decades – and still, after all that time, he's one of the tightest, most soulful cats around! This sweet set takes Taylor back to the groove he was first hitting in the mid 90s – that blend of Hammond with funky 70s modes – somewhere in the late Prestige Records, or sublime Fantasy soul style – served up here by a core quartet, with added horns, flute, harmonica, and male vocals on a few tracks. Taylor's keys are wonderfully tight and soaring – very much in Hand Of The Inevitable territory, with a 70s Johnny Hammond vibe – and titles include "Loneliness", "Koko", "Song For My Dad", "Light Up Your Soul", "Woman", "Home Is Where The Hatred Is", and "The Template". ~ Dusty Groove
No comments:
Post a Comment