Reverend Peyton's Big Damn Band Unveils New Album "Honeysuckle" Set for February 21, 2025 Release

The new album from Reverend Peyton's Big Damn Band, Honeysuckle, is scheduled for release on February 21, 2025, via Family Owned Records/Amplified Distribution.

Often called "the greatest front-porch blues band in the world," the Big Damn Band is led by Reverend Peyton, who is considered to be the premier finger picker playing today. Rev has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi, to study under such blues masters as T-Model Ford, Robert Belfour, and David "Honeyboy" Edwards. Reverend Peyton is accompanied by his wife, the washboard virtuoso, Washboard Breezy Peyton, and kept on time by the deep rhythms of Jacob "The Snakob" Powell. 

The new record, Honeysuckle, was produced and recorded by Reverend Peyton and mixed by six-time Grammy winner Vance Powell (Chris Stapleton, Jack White). The record features many special guests, including gospel music group The McCrary Sisters on the song "Manger," Blues Music Hall of Famer and Grammy-nominated harmonica player Billy Branch who plays on the Blind Lemon Jefferson song "Nell (Prison Cell Blues)," Grammy award-winning and IBMA's 10-time Fiddle Player of the Year Michael Cleveland plays on "Freeborn Man" and Colton Crawford from The Dead South plays banjo on "The Good Die Young." The album artwork features classic wet plate photography by Bill Steber, the legendary photographer who has documented blues culture in Mississippi for the last 30 years.

"This record is a bit of a return to my roots, a very personal mix of old and new songs that shaped me or that I'm currently shaping. It's the most acoustic record we've made in years, using all vintage equipment: microphones, guitars, and recording gear, and a lot of me and my National guitar. There is a smattering of Big Damn Band thrown into the mix to spice things up, and a short list of legends that I've always dreamed of collaborating with", said Reverend Peyton.

The first single/video, Honeysuckle, features Rev. Peyton solo acoustic on an old National Guitar. The video was shot in beautiful Brown County, IN by Tyler Zoller. The second single is “Looking For A Manger” and the video for this song will be released soon. Here is what Reverend Peyton had to say about the song, “I’m so honored to have my friends, The McCrary Sisters, singing on this song. They truly elevate it beyond what I had dreamed possible. When I was a kid, my Mom told me that sometimes strangers you encounter were angels in disguise. Inspired by that memory, and gospel songs like Blind Willie Johnson’s “Everybody Ought to Treat a Stranger Right,” I built the song up from a riff I had been working on. I had been doing walking bass lines on the low strings while keeping triplets on the high strings. I was so proud that the McCrary Sisters liked the song enough to be a part of it. They certainly sing like angels.”The Big Damn Band is going to be appearing on TalkShop Live Wednesday February 19 at 8PM ET. The internet based platform presents live interviews with artists and the chance for fans to ask questions and buy an autographed Honeysuckle, CD or LP. They have previously featured artists such as Ringo Starr, Dolly Parton, Kane Brown, Ed Sheeran, Kelly Clarkson, Def Leppard and many more. You can tune in here.

TOUR DATES

In Store Performances

• 2/20/25 Landlocked Music Bloomington, IN
• 2/21/25 Indy CD & Vinyl Indianapolis, IN
• 2/22/25 Shake It Record, Cincinnati, OH
• 2/23/25 Vintage Vinyl St. Louis, MO

See The Reverend Peyton's Big Damn Band Live Supporting Gaelic Storm

• 2/28/25 Dekalb, IL Egyptian Theatre
• 3/1/25 Dubuque, IA Diamond Jo Casino Dubuque
• 3/2/25 Northwood, IA Diamond Jo Casino & Hotel
• 3/3/25 Des Moines, IA Hoyt Sherman Place
• 3/5/25 Iowa City, IA The Englert Theatre
• 3/6/25 Omaha, NE Steelhouse Omaha
• 3/7/25 Minneapolis, MN Pantages Theatre
• 3/8/25 Madison, WI The Barrymore Theatre
• 3/9/25 Wassau, WI Grand Theater
• 3/12/25 Milwaukee, WI Pabst Theater
• 3/13/25 Menomonie, WI The Mable Tainter
• 3/14/25 Chicago, IL House of Blues
• 3/15/25 Chicago, IL House of Blues
• 3/16/25 Akron, OH The Goodyear Theater
• 3/23/25 WIlmington, DE The Grand Opera House
• 3/25/25 Harrisburg, PA XL LIVE
• 3/26/25 Northampton, MA Academy of Music Theatre
• 3/27/25 Boston, MA The Wilbur
• 3/28/25 Troy, NY Troy Savings Bank Music Hall
• 3/29/25 Patchogue, NY Patchogue Theatre for the Performing Arts
• 3/30/25 Alexandria, VA The Birchmere

Headlining

• 4/12-13 Clarksdale MS Juke Joint Festival
• 4/24 Lexington, KY Manchester Music Hall
• 4/25 Nashville, TN Exit/In
• 4/26/25 Cookeville, TN Spring Awakening 2025
• 5/2/25 Forest Park, IL Robert's Westside
• 5/3/25 Dubuque, Iowa Vintage Torque Fest
• 8/8 Duluth, MN Bayfront Blues Festival
• 8/23 Morgantown, IN Southern Indiana Blues Festival

European Tour

• 6/5 Bensheim, DE Musiktheater Rex
• 6/6 Karlsruhe, DE Kohi
• 6/7 Oud-Turnhout, BE Goezot in 't Hofke
• 6/8 Schöppingen, DE Grolsch Blues Festival
• 6/9 Raalte, NL Ribs & Blues
• 6/12 Bergen, NO Bergenfest
• 6/13 Lillehammer, NO Hunky Dory
• 6/14 Dokka, NO HÆLJ
• 6/15 Oslo, NO Cosmopolite
• 6/16 Malmö, SWE Annelundsgården
• 6/18 Heilbronn, DE Waldhaus
• 6/19 Düsseldorf, DE The Pitcher
• 6/20 Aschaffenburg, DE Colos Saal
• 6/21 Nijmegen, NL Kids ’n Billies Festival
• 6/22 Stembert, BE Fête de la Musique
• 6/24 Newcastle, UK Cluny
• 6/25 Glasgow, UK Mono
• 6/26 Leeds, UK Brudenell Social Club
• 6/27 London, UK The 100 Club
• 6/28 Norwich, UK Norwich Arts Centre
• 6/29 Sheffield, UK Greystones
• 7/2 Terneuzen, NL Porgy & Bess
• 7/3 Groningen, NL Vera
• 7/4 Rotterdam, NL Rotterdam Bluegrass Festival
• 7/5 Emmen, NL Roots Ribs & Brews

Arthur Thompson’s New Single “I’m Free” Inspires Self-Love and Empowerment Ahead of Debut Album Release

R&B/Jazz vocalist-drummer Arthur Thompson continues his commitment to spreading joy through music and to pay it forward with the release of his new single, “I’m Free.” Released on Valentine’s Day, the invigorating track that began collecting playlist adds on Monday (February 17) serves up an affirmational message of self-love and being unapologetically you. Thompson cowrote the song that he produced with two-time GRAMMY® winner Jon Gilutin. 

“I’m Free” in the fourth single from Thompson’s forthcoming debut album, “Arthurized Volume 1,” which is slated to arrive this summer. Each one of his singles – “Smile,” “We Can BEAT Cancer,” “Oasis,” and now “I’m Free” - has provided a positive, optimistic message with a purpose.

Written by Thompson, Fred Smith, and Jaconell Mouton, “I’m Free” is primarily a sunny instrumental groove riding a rhythm etched by Thompson’s drums and percussion and Kamaal Malak’s bass. Tenor saxophonist Tom Braxton dispenses lyrical leads amidst motivational melodies crafted by Gilutin’s piano and keyboards, David John’s guitar, and happy horn section parts played by the Monkey Fist Horns comprised of Rod Clark (trombone), Dave Johnson (trumpet), and Victor Anderson (saxophone). Thompson croons the choruses with glee in the company of backing vocalist Erin Stevenson.

“I had been going through some personal things that had me depressed and second guessing myself. Through meditation and prayer, I began to break through, and in doing that I was able to see myself, understand my worth and believe that all things are possible if you believe in yourself. ‘I’m Free’ is a self-awareness, feelgood song. It’s about learning to be happy with yourself, learning to walk in your own shoes, being unapologetic about who you are, and the things that you have overcome,” said Thompson, a Tulsa, Oklahoma native who is based in Nashville.

Last year, Thompson reimagined the uplifting “Oasis,” which was a number one hit for Roberta Flack. A single released to benefit and raise money for Breast Cancer Awareness Month, “We Can BEAT Cancer” featured 9-time GRAMMY® nominated saxophonist Dave Koz and Stevenson. Thompson’s second single spent four months on the national chart. His 2023 debut single, “Smile,” featured saxophonist Mindi Abair with whom Thompson regularly tours. The success of the latter two singles led to Thompson being named Breakout Artist of the Year from BEATS Magazine.

Thompson is an in-demand drummer who tours and performs with contemporary jazz luminaries. He’s a mission-based musician who advocates for multiple causes, from mental health awareness to creating educational programs and nonprofit organizations – Where Are You Now, Music & Math; Build a Life, Save A Life Foundation; and Drums Speak - designed to serve children and at-risk youth.

While Thompson continues to assemble the material for “Arthurized Volume 1,” he hopes to empower listeners with the message in “I’m Free.” 

“I hope this song makes you feel good and inspires you to believe in yourself and walk proud.”

 

Takuya Kuroda's EVERYDAY is a Masterful Blend of Modern Jazz, Hip-Hop, and Neo-Soul

Kobe-born, Brooklyn-based trumpeter Takuya Kuroda’s eight studio album, EVERYDAY is a stunning demonstration of his dedication and skill. Since the release of his soulful seventh album , 2022’s Midnight Crisp –– a record praised by PopMatters as a “future classic” –– Kuroda has not missed a beat. In his desire to achieve the “perfect blend of production and organic performance” the 45-year-old musician has continued to throw himself into his practice daily, nearly thirty years into his musical life. EVERYDAY builds on and dives ever deeper into the hip hop and neo-soul elements of his previous work. It is a triumph of genre-blending modern jazz. Kuroda’s playing is sure-footed and pure –– whether on the horn, synth, or Rhodes–– and he virtuosically dances among infectious rhythms of his own creation.

Kuroda’s twenty-one years in the United States have been fruitful. After studying composition at The New School, he began performing  with DJ Premier’s Badder Band, Jose James and Akoya Afrobeat, and has recorded as a sideman and bandleader for records on the likes of Blue Note and Concord. But as Kuroda himself says, “the only way to make the music that I want to make is to work hard, every day.” And so we have EVERYDAY, a title which reflects, as Kuroda puts it, “that simple message.”

There is a certain duality to the title that taps into something profound about this music. “Everyday” of course means both daily and commonplace. While Kuroda’s music is anything but average, there is something about the intrinsic and embedded nature of the day-to-day, the incidental rhythms of life, that is reflected and seductively expounded on here. Kuroda describes the process of recording Everyday like this: “Make tracks at home, bring them to the studio, add or replace sounds, invite musicians, repeat the process to polish the track –– as I hear it.” There is both a no-nonsense work ethic here and also a sort of embeddedness, an everydayness, that Kuroda achieves through this practice which perhaps cannot be accessed if one simply waits to get to the studio to begin work. Kuroda builds, tweaks, plays and polishes until what’s coming through the speakers matches what’s been playing in his head everyday. This is exactly what ensures Kuroda’s skillful synthesis of influences which Dean Van Nguyen noted while reviewing 2020’s Fly Moon Die Soon for Pitchfork. One is left with that sense that Kuroda has been tapping it all out everywhere he goes, drumming his fingers on the diner counter, shuffling his feet along the pathway in the park, manifesting the rhythms of his mind. “Groove,” Kuroda says, “is the foundation for all the tracks on EVERYDAY.”

And atop that strong foundation, brought to life by the energy of David Frazier’s drumming, Kuroda’s shimmering lyricism dances all over EVERYDAY. His trumpet playing pops and weaves and rings on the title track and his melodies are, as he puts it, “singable” –– profoundly so on the album closer, “Curiosity,” on which Kuroda trades trumpet for flugelhorn. Before that, “Bad Bye” is a glittering and classic sounding neo soul effort, featuring a stunning performance from vocalist FiJA. It’s as though Kuroda plucked this track from a dream of Mama’s Gun –– but, unmistakably, it’s Kuroda’s dream and so the song is Kuroda’s, entirely. Likewise with “Iron Giraffe,” in which Kuroda makes space for tenor saxophonist Craig Hill to weave a contemporary reverie of Night Music.

EVERYDAY is hyperaware of a panoply of old ideas and a pantheon of old gods but as Kuroda engages these tropes and personalities day in and day out, he turns it all around in a style that’s undeniably cool and personal. As Pitchfork put it, “Kuroda’s skill is not drawing influence from so many different forms, it’s radiating joy in doing so.” And as Kuroda puts it, “I’m still learning everyday and trying to express myself more clearly in the form of music that I love.” It’s this sterling dedication that makes Takuya Kuroda and EVERYDAY anything but commonplace.

Janiva Magness Announces New Single "Holes" and Tour Dates Ahead of Upcoming Album Back for Me

Janiva Magness is gearing up for the release of her new single "Holes" on February 14th, a collaboration with Grammy-nominated guitarist Sue Foley. Reflecting on the track, Janiva shared, “Careful y’all, this one might hurt… Owww! It’s that shock of finding out the hole we find ourselves in again… is the one we dug ourselves!” The single offers a punchy, groove-driven experience, with Foley's guitar work at the heart of the track’s bold energy.

"Holes" is the first taste of Magness' upcoming album Back for Me, which is set to drop on March 28, 2025 via Blue Élan Records. Produced by long-time collaborator Dave Darling, the album features a dynamic cast of musicians, including ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton. Magness dives deep into a treasure trove of lesser-known songs from artists such as Bill Withers, Ray LaMontagne, and Allen Toussaint, capturing raw, emotional blues with a fresh spin. The album, she says, is a tribute to her love for the B-sides, “there’s a freshness to doing a B-side rather than a well-known hit.”

Janiva Magness has earned a distinguished reputation in the blues world, receiving seven Blues Music Awards, including the prestigious B.B. King Artist of the Year award in 2009. She was also nominated for a Grammy for her 2016 album Love Wins Again. Throughout her career, Janiva has demonstrated a rare combination of powerful vocal delivery and emotionally driven songwriting, which connects deeply with her audience. In 2019, she published her memoir, Weeds Like Us, which explores her traumatic childhood experiences—including the loss of both parents to suicide and her troubled years in the foster care system—alongside the hard-earned triumphs that shaped her career. Her resilience and authenticity have made her a beloved figure in the blues community, and she continues to evolve as an artist with each new project.

To accompany the new album, Magness will be hitting the road with a series of live performances. Check out the upcoming tour dates below to catch her live:

Tour Dates:

• Feb 19: Montreal, Quebec – FAI
• Mar 19: Pawling, NY – Daryl’s House
• Mar 20: Philadelphia, PA – World Café Live
• Mar 21: Rochester, NY – Mountain Stage
• Mar 23: Syracuse, NY – 443 Social Club (SOLD OUT)
• Mar 23: Syracuse, NY – 443 Social Club (Matinee)
• Mar 26: Petaluma, CA – Mustic Theater (Krush on the Road)
• Mar 27: Bakersfield, CA – World Records Live
• Mar 28: San Francisco, CA – Biscuits & Blues
• Mar 29: Santa Monica, CA – McCabe’s
• Apr 2: Seattle, WA – The Triple Door
• Apr 3: New York, NY – Cafe Wha
• Apr 4: Derry, NH – Tupelo Music Hall

Gerardo Frisina Unveils 'Mindoro' - First Track from Upcoming Project 'In Sight' Vol. 1

 Italian Latin jazz maestro Gerardo Frisina is back with a brand-new project, sharing the first track, "Mindoro," from his upcoming double EP In Sight, set for release in 2025. The track, driven by a dynamic percussive groove and infectious energy, showcases Frisina's signature Latin soul with congas evoking the spirit of Giovanni Hidalgo. Cuban trumpeter Gendrickson "Pucci" Mena channels the vibrant style of Arturo Sandoval, while the incisive piano rhythm keeps the dance floor alive. Mindoro promises to be a captivating prelude to the full project.

Gerardo Frisina is an acclaimed Italian jazz musician, composer, and producer, widely recognized for his work that blends jazz with Latin, Afro-Cuban, and world music influences. Born in Italy, Frisina's music spans a wide range of genres, showcasing his deep passion for jazz, traditional rhythms, and electronic elements. He has established himself as a significant figure in the Italian jazz scene, particularly for his innovative fusion of jazz with the vibrant sounds of Latin America.

Frisina’s musical journey began at an early age, and his interest in jazz grew during his studies at the conservatory. Over the years, he developed a distinctive style marked by his ability to integrate various musical traditions into his jazz compositions, creating a sound that resonates globally. His early works, notably his album “Gerardo Frisina” (1997), gained attention for its combination of jazz improvisation with rhythmic Latin elements, capturing the essence of both genres.

As a composer, Frisina’s versatility is evident in his diverse discography, which includes albums such as "Essenza" (2004) and "Ginseng Roots" (2014). His productions blend traditional jazz instrumentation with electronic beats, offering a dynamic sound that appeals to both jazz enthusiasts and a wider audience. His music is often described as warm, rhythmic, and smooth, with a deep respect for traditional jazz while pushing the boundaries of genre.

In addition to his music career, Frisina is known for his work as a producer and a prominent figure in the Italian jazz scene. He has collaborated with various musicians and ensembles, contributing to the growth of jazz culture in Italy and internationally. Through his label, Schema Records, he has been instrumental in bringing innovative sounds to the forefront of the jazz and electronic music scenes.

Gerardo Frisina continues to influence the world of jazz with his boundary-pushing approach, blending cultures, rhythms, and genres in ways that challenge listeners to experience music in new, exciting ways.

Rodney Jordan Pays Tribute to Memphis with "Memphis Blue," Coming March 14th

Rodney Jordan, born and raised in Memphis, the “Home of the Blues,” channels his city’s heritage on Memphis Blue, a deeply personal tribute to the soulful people of Memphis, set for release March 14th via Baxter Music Enterprises. Now residing in Tallahassee, Florida, Jordan is joined by fellow Memphian trumpeter Melvin Jones, along with top-tier collaborators: Louis Heriveaux on piano (Atlanta), Mark Sterbank on saxophone (Charleston), and Quentin E. Baxter on drums (Charleston).

The album includes original compositions by Jordan and Jones, as well as classic standards by Gigi Gryce, Johnny Mercer, and Mulgrew Miller. It captures the flavor and essence of the blues in a fresh and powerful way.

“Memphis Blue isn’t your typical blues album, but if you listen carefully, you’ll find the blues thread woven through every track,” says Jordan. “The optimism we bring to the music embodies the spirit of the blues.”

Jordan’s original compositions offer deep, emotional reflections: Melvin Jones’s “The Storm Will Pass” carries a hopeful mood, while Jordan’s own “Escapatoria” evokes sweetness and yearning. His track “The Art of Blakey” is a soulful celebration. These pieces convey the raw power of the blues, enhanced by a haunting rendition of “Autumn Leaves” that transforms the standard with a Bessie Smith or Robert Johnson-style, deconstructive arrangement.

The album also includes Mulgrew Miller’s “Small Portion,” a composition that infuses Miller’s blues and soul influence, and Gigi Gryce’s “Minority,” which provides ample room for the musicians to express their unique takes on the song.

The essence of Memphis blues, rooted in community, honesty, and plainspoken messages, shines through in this album. Jordan reflects, “We play without pretense. It’s always about the group, and the chemistry between us is something special. This album is a salute to Memphis.”

Jordan’s musical journey began in Memphis, where he played bass in church, participated in the Memphis Youth Symphony, and studied under legendary educators Charles Harris and Emerson Able. He later honed his craft while studying at Jackson State University in Mississippi, where he also became assistant principal bassist for the Mississippi Symphony Orchestra.

Jordan’s diverse education—blending classical music with the experimental spirit of jazz—helped shape his distinctive sound. He later became an educator, leading the string program at Dougherty County (Georgia) Public Schools and playing bass with the Albany Symphony Orchestra. His jazz career blossomed as a freelance bassist in Atlanta.

In 2001, Jordan moved to Tallahassee to join Florida State University’s Jazz Studies program as Professor of Jazz Bass and Coordinator of Jazz and Commercial Music. He became a member of the Marcus Roberts Trio, performing with drummer Jason Marsalis for over 15 years. Jordan also tours regularly with vocalist Rene Marie.

A composer in his own right, Jordan’s most recent work includes The Medgar Evers Suite, a 2024 commission. His debut album, Playing Jazz, was released in 2017, and Memphis Blue marks his second project as a bandleader.

Ultrablue’s “New York Stories” EP: A Soulful, Jazz-Infused Tribute to the Big Apple, Out March 21

New York City, a global hub of commerce, finance, technology, academia, and the arts, teems with millions of people and endless stories. For keyboardist, composer, and producer John Smatla—who records under the name Ultrablue—the city serves as an infinite source of inspiration. Drawing from his own experiences, Smatla has created a six-song EP titled New York Stories, set to release on March 21 via SRS Records. The EP blends contemporary jazz, soulful R&B grooves, Latin rhythms, and vibrant pop sensibilities, offering a musical snapshot of the city’s electric energy.

This marks Ultrablue’s third collection and its first in nineteen years. The EP’s foundation was laid with “Until We’re All Free,” a single released years ago, followed by three others that set the stage for the new project. The fifth single, “The Girl with the Sunflower Tattoo,” will be released on Valentine’s Day, featuring poetic piano melodies and strong, dynamic rhythms. Smatla’s layered instrumentation creates intricate textures and harmonies, with New York City’s energy as a vivid backdrop for the stories within. His piano and keyboard work serve as a guide to his musical journey.

Opening the EP, “New York Story” offers a musical homage to Manhattan’s architecture and mystique, inspired by Smatla’s Cleveland roots. The horn-heavy track, featuring David Mann and the New York Voices, nods to the theme songs of 1960s detective shows composed by Henry Mancini, Quincy Jones, and Oliver Nelson, with a retro twist.

Smatla’s “Until We’re All Free” was written during the social justice protests of 2022, capturing the passion of the movement. He explains, “In the absence of traditional lyrics, the harmonies and melody lines needed to convey a sense of resolution and determination.” The track features wordless vocals from Philip Hamilton (Pat Metheny Group), brass from James Hodsonhast, bass from Hubert Eaves IV, and drummer Joel Rosenblatt (Spyro Gyra).

On “Herbie,” Smatla pays tribute to jazz legend Herbie Hancock and his roots in New York’s jazz scene. Hancock’s drummer Trevor Lawrence guests on the track, which also features bassist Cornelius Mims, The Chop Horns, and a soprano saxophone solo by Eric Knight. Smatla explains, “I created funky riffs that could’ve come from Hancock’s 1970s albums, mixing contemporary jazz with his signature bluesy piano licks.”

“Maria in Blue” features expressive acoustic guitar by Bernd Schoenhart and Smatla’s sensual piano, telling the story of a passionate love affair with a woman from his past. “She was a statuesque beauty, wearing a blue dress one warm evening. Our eyes locked, and it was the start of something unforgettable,” recalls Smatla.

“We Were in Love” explores the bittersweet theme of lost romance. With seven-time Grammy winner Randy Brecker on flugelhorn, Grammy-nominated guitarist Chieli Minucci, and Brazilian guitarist Romero Lubambo, Smatla’s impassioned piano leads a tune that shifts from brooding to hopeful, with celestial vocalizations from Darmon Meader (New York Voices).

The EP concludes with the downtempo “The Girl with the Sunflower Tattoo,” featuring Minucci’s electric guitar and Mann’s horns over a taut rhythm section. The track is inspired by a real woman from a tough neighborhood, whose rough exterior hid a vulnerable side symbolized by her single sunflower tattoo.

Ultrablue debuted in 2003 with Dusk 2 Dawn, featuring performances by notable NYC musicians like Dave Stryker, Rachel Z, and Kevin Mahogany. The follow-up album peaked at No. 4 on Amazon’s bestsellers list, with the hit song “Shiver” leading to a growing fan base. Smatla continues to evolve as Ultrablue, planning live performances this summer with a revolving cast of musicians.

Strata-East Records Partners with Mack Avenue Music Group for Exciting 2025 Reissues & New Releases

Last month, Mack Avenue Music Group announced its partnership with Strata-East Records, the influential jazz label known for artistic freedom and high production standards founded in 1970 by Charles Tolliver and Stanley Cowell.

Following the digital-only anthology Strata-East: The Legacy Begins, available February 21, 2025, Strata-East will reissue Pharoah Sanders’ Izipho Zam (My Gifts) as a Record Store Day exclusive vinyl release on April 12, 2025. Pressed at Record Technology Inc. (RTI) on 180-gram vinyl and mastered by Kevin Gray at Cohearent Audio with audio transferred directly from the original analog tapes, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Harmony Holiday and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike. 

On April 25, 2025, Strata-East will release vinyl and CD reissues of Charlie Rouse’s Two Is One, Charles Tolliver’s Music Inc.’s Live at Slugs’, Vol. I & II, and Stanley Cowell’s Musa: Ancestral Streams, also pressed at RTI on 180-gram vinyl and mastered by Kevin Gray at Cohearent Audio with audio transferred directly from the original analog tapes. Pharoah Sanders’ Izipho Zam (My Gifts) will also be released on CD at this time and all 4 albums will be available digitally for the first time ever. 

Also April 25, 2025, Mack Avenue Music Group will digitally release, for the first time, 32 albums from the Strata-East catalog.

Strata-East: The Legacy Begins celebrates the revolutionary spirit of one of the most influential artist-owned independent jazz labels in history. This anthology brings together iconic tracks that embody Strata-East’s commitment to artistry and creative freedom. Featuring the explosive brilliance of Charles Tolliver and Stanley Cowell, the soulful expressions of The Heath Brothers, Charlie Rouse, Shamek Farrah, Pharoah Sanders, and more, the collection showcases cult classics from the label’s deep catalog while honoring the extraordinary artists who shaped its legacy.

This release not only marks the launch of the partnership between Strata-East and Mack Avenue Music Group but also delivers the label’s highest-quality audio anthology and is available digitally for the first time. A reflection of Strata-East’s dedication to spiritual jazz and social consciousness, this compilation invites listeners to rediscover classics or experience them anew. Strata-East: The Legacy Begins celebrates the timelessness of this music while marking the start of an exciting new chapter.  

"Strata-East Records is very proud to be partnering with Mack Avenue Music Group, whose passion, values, total commitment, and deep love for the music, mirror ours," Tolliver said. "This is an exciting time and together with Mack Avenue we can’t wait to bring you, our fans around the world, new essential high-quality masters of the Strata-East catalog. We’ve gone back to the origins so that you can totally immerse yourself in this great music, the emotions, artistic and creative freedom that exemplifies Strata-East. There is a lot more to come and to be announced, so stay tuned!”

Will Wakefield, Senior Director of A&R for Mack Avenue Music Group, said: "We are excited to partner with Charles, Ched, and the Strata-East team to bring this beloved music to the world with the highest quality audio and care taken to preserve its purest form. We can't wait for everyone to hear what we have coming."

Specializing in avant-garde and post-bop jazz, Strata-East’s notable albums include Tolliver's Music Inc, Cowell’s Musa: Ancestral Streams, Charlie Rouse’s Two is One and Billy Harper's Capra Black. Strata-East addressed social and political themes resonant with the Black Arts Movement. Its pioneering approach to artist rights has inspired generations of musicians and independent labels, cementing its place in jazz history.

Strata-East's roster featured timelessly influential musicians who intertwined music with spoken word in response to their cultural moment. This includes Sanders, known for his spiritual and avant-garde explorations that inspired a shift in mainstream jazz offerings.

Despite its short period of recorded music output, Strata-East's commitment to artistic freedom and high production standards earned it a revered place in jazz history. Its pioneering approach to artist rights and control has inspired generations of musicians and independent labels, contributing to a vibrant and diverse musical landscape.

More information on individual albums:

Pharoah Sanders | Izipho Zam (My Gifts)

Pharoah Sanders' Izipho Zam (My Gifts) is a groundbreaking jazz masterpiece. Recorded in 1969, two years after John Coltrane's passing, and released in 1973 on Strata-East, the album features a 13-member ensemble, including Sonny Sharrock, Lonnie Liston Smith, Cecil McBee, and Leon Thomas. Blending Eastern influences with expansive jazz, Sanders’ genius is highlighted with "Prince of Peace,” showcasing Thomas' unique vocals, and the 28-minute title track, offering an exploration of dissonance and harmony with West African percussion and meditative chants. For the first time ever, this seminal work from a legendary saxophonist will be available on CD and digital platforms, as well as on 180-gram vinyl. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Harmony Holiday and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Charles Tolliver | Live at Slugs’, Volume I & II

For the first time ever, Charles Tolliver’s Live at Slugs’, Volumes I & II will be released together in one set, presenting the full power of these historic performances in a unified collection. Recorded live in 1970 at the legendary Slugs' in New York City, the albums feature Tolliver’s fiery trumpet alongside an all-star lineup: Strata-East co-founder Stanley Cowell on piano, Cecil McBee on bass, and Jimmy Hopps on drums. These high-energy recordings capture the raw intensity and innovation of the Music Inc. quartet, showcasing their technical brilliance and cohesive interplay. Remastered in stunning detail, this release unites two of the most celebrated live albums in jazz history for the first time on CD and digital platforms, as well as on 180-gram vinyl. The digital release features 3 never-before-released bonus tracks, totaling 41 minutes of unreleased music. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Marcus J. Moore and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Stanley Cowell | Musa: Ancestral Streams

Featuring stunning solo piano work by Strata-East co-founder Stanley Cowell, Musa: Ancestral Streams is a landmark album in jazz, celebrated for its intimacy and innovation. Recorded in 1974, it stands as one of the most significant solo piano albums of its time, blending jazz with classical, African, and Eastern influences. Cowell’s pioneering use of both electric and acoustic piano expands the expressive range of the instrument, creating a deeply personal and spiritual experience. Musa: Ancestral Streams is a cornerstone of the Strata-East discography, reflecting the label’s commitment to artistic freedom and genre-defining works. It not only highlights Cowell’s extraordinary vision as a musician but also exemplifies Strata-East’s role in championing boundary-pushing, artist-produced records. For the first time ever, this pioneering solo work from the famed pianist will be available on CD and digital platforms, as well as on 180-gram vinyl. The digital release features an alternate take on the classic “Travelin’ Man” as well as 3 additional never-before-released bonus tracks. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Nate Chinen and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Charlie Rouse | Two Is One

Charlie Rouse’s groundbreaking album Two Is One is a funk-infused exploration of jazz that embodies the innovative spirit of Strata-East Records. Originally recorded in 1974 and transferred from the original analog tapes, Two Is One fuses sophisticated soul jazz with post-bop and spiritual influences while highlighting stellar collaborations with guitarists George Davis and Paul Metzke, Cal Scott on electrified cello, and the incomparable Stanley Clarke on electric bass. For the first time ever, this classic from a saxophone legend will be available on CD and digital platforms, as well as on 180-gram vinyl. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Syd Schwartz and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Pasquale Grasso: Honoring the Past, Defining the Future of Jazz Guitar

Pasquale Grasso is quickly establishing himself as one of the most remarkable jazz guitarists of his generation. Born in Ariano Irpino, Italy, Grasso honed his craft with early influences from jazz legends and soon found himself making a pilgrimage to New York City to further his studies under the tutelage of Barry Harris. Drawing from the rich traditions of the 1940s and '50s jazz scene, Grasso has cultivated a sound that blends technical virtuosity with heartfelt emotion, paying homage to icons like Charlie Parker, Thelonious Monk, and Bud Powell. With a career that spans work with Grammy-winning vocalist Samara Joy and acclaimed albums dedicated to jazz titans, Grasso’s playing has earned him high praise from jazz greats, including Pat Metheny, who called him “the best guitar player I’ve heard in maybe my life.”

Now, with the release of Fervency on February 7, 2025, Grasso continues his exploration of the jazz tradition, diving into lesser-known gems alongside beloved standards. Recorded in 2021, Fervency showcases Grasso’s mastery alongside bassist Ari Roland and drummer Keith Balla, with whom he has worked since moving to New York in 2009. The album spans from classic tracks like Miles Davis' "Milestones" and “Cherokee” to original compositions like "A Trip with C.C." and the emotional title track, “Fervency,” inspired by the powerful emotions captured in jazz ballads.

Grasso’s playing is often recognized for its connection to piano greats, as he skillfully translates their complexities into his guitar work. His deep ear for music allows him to replicate the sounds of legends, but he also brings his own unique voice to every note. This dedication to jazz’s roots, while continuing to push its boundaries, has made him one of the most exciting young guitarists today.

Beyond his recording work, Grasso is an active performer. He will be performing at venues like Birdland and Mezzrow in NYC and appearing at SF Jazz in April 2025. Grasso is also set to tour various festivals this summer, bringing his virtuosic, emotion-filled performances to stages worldwide.

The Cookers: A Legacy of Jazz Mastery

Step into the unparalleled world of jazz with The Cookers! This all-star septet, featuring over 250 years of collective experience, leads you on a musical journey like no other. With jazz legends Eddie Henderson, David Weiss, Donald Harrison, George Cables, Cecil McBee, and Billy Hart, The Cookers redefine post-bop jazz.

Experience is key in jazz, and these musicians bring a depth of articulation through years of collaboration. Their work shines through in their six critically acclaimed albums, including Warriors, Cast the First Stone, Believe, Time and Time Again (iTunes Jazz CD of the Year 2014), The Call of the Wild and Peaceful Heart, and Look Out!. Their expansive post-bop originals embody the bold spirit of the '60s and demonstrate virtuosic playing and powerful improvisation.

The core of The Cookers emerged from the influential '60s era, with Henderson, McBee, Cables, and Hart playing pivotal roles in shaping jazz. Each was a member of iconic groups like Herbie Hancock’s Mwandishi, Charles Lloyd’s quartet, and Lee Morgan's ensemble. Meanwhile, younger members Weiss and Harrison bring their own expertise, having performed with jazz greats like Art Blakey, Roy Haynes, and Herbie Hancock.

While each member leads their own groups, it’s the powerful teamwork that defines The Cookers. Together, they combine over 250 years of experience and more than 1,000 recordings, delivering a unique and resonant sound that speaks to their collective history. The Cookers’ live performances, including headline shows at renowned festivals worldwide, showcase their seasoned artistry.

Now, after 17 years together, The Cookers have released their latest album, Look Out!, continuing to push boundaries with new, challenging music. This veteran septet continues to embody the commitment and passion that define their legendary status in jazz.

George Porter Jr. Unveils Porter’s Pocket—A Funk-Fueled Instrumental Journey with the Runnin’ Pardners

Celebrated New Orleans bassist George Porter Jr. has dropped his highly anticipated new instrumental album, Porter’s Pocket, available today via Color Red. Known for his foundational work with the legendary funk band The Meters, Porter Jr., now 77, continues to push the boundaries of music with his longstanding quartet, the Runnin’ Pardners. The album features Porter’s longtime musical collaborator, keyboardist Michael Lemmler (Jubilation, TriFunctA), drummer Terrence Houston (The Funky Meters, Toubab Krewe), and the newest addition to the group, guitarist Chris Adkins (Raphael Saadiq, Mark Broussard).

Porter’s Pocket is a vibrant return to the funky instrumental roots that made Porter a household name in the 60s and 70s. Renowned for his signature bass lines on iconic tracks like “Cissy Strut” and “Hey Pocky A-Way” with The Meters, Porter has firmly cemented his place as one of the architects of funk music. As a sought-after session musician, his impressive career spans collaborations with artists like Patti LaBelle, Robert Palmer, Warren Haynes, David Byrne, John Scofield, Tori Amos, and Devon Allman, among others. Even at 77, Porter’s enduring legacy continues to thrive through his prolific touring schedule, performing over 100 live shows a year at some of the world’s most prestigious venues and festivals.

On Porter’s Pocket, Porter and his bandmates revisit the raw, improvisational energy that originally defined his career. With eight instrumental tracks, the album returns to the free-flowing, groove-heavy funk that Porter pioneered with The Meters. The rhythm section, anchored by Porter and Houston, provides a powerful backbone for Adkins’ soulful guitar riffs and Lemmler’s colorful keyboard work. Tracks explore a variety of musical landscapes—from the quintessential New Orleans street beats to jazzy swing, and even the spacey, minimalistic blues of the album’s closing track, “Latenighter.”

The album’s freeform approach captures the essence of the New Orleans funk scene, paying homage to the roots of Porter’s sound while offering a fresh and contemporary take on it. Porter’s Pocket marks an exciting chapter in the bassist’s storied career, showcasing his timeless ability to craft unforgettable grooves while maintaining a deep sense of musical exploration.

Rondi Charleston & Fred Hersch's Suspended in Time—A Song Cycle Offers a Soul-Stirring Reflection on Time's Fragility

Highly celebrated vocalist and lyricist Rondi Charleston, along with master pianist and composer Fred Hersch, have come together to create Suspended in Time—A Song Cycle, a powerful and introspective meditation on the loss of time itself. The seven-song cycle, featuring the talents of vocalists Kate McGarry and Gabrielle Stravelli, the Crosby String Quartet, clarinetist Bruce Williamson, bassist Matt Aronoff, drummer Kush Abadie, and percussionist Rogerio Boccato, is now available for streaming through Resilience Music Alliance (RMA).

This extraordinary album, which marks Charleston’s seventh release, is an intimate reflection of her experience during the COVID-19 pandemic, capturing the emotional nuances of a world thrown into disarray. Drawing from her personal journal entries, Charleston worked alongside Hersch to bring these words to life, ultimately transforming them into songs that delve into the fragility of time, the disorientation caused by the pandemic, and the need for human connection in an ever-changing world.

Suspended in Time takes listeners on a journey through the seasons, starting with the suspended moment of spring 2020, when everything came to a halt. Through songs like “Sea of Eyes” and “Lullaby,” Charleston shares her vulnerability, her fears, and her longing for moments with loved ones, all while exploring the elasticity of time itself—how some days felt endless while others seemed to vanish in a flash. The album culminates in the hopeful optimism of “Here We Are,” where Charleston reflects on newfound resilience and the lessons learned from living through one of the most uncertain periods in modern history.

In this collaboration, Charleston reflects on how the pandemic caused us all to rethink how we value our time. “We experienced time under a giant magnifying glass,” she shares. “It exposed us to our most vulnerable selves and made us question—how do we choose to spend the time we have left? Who do we spend it with?” This introspection is woven into the heart of the music, a powerful call to reconsider our relationship with time and how we move forward.

What is especially remarkable about Suspended in Time is that Charleston, who has suffered from diminished lung capacity as a result of a two-year battle with Long Covid, does not sing the songs she wrote. Instead, she entrusted the vocal performances to her friends and fellow artists, Kate McGarry and Gabrielle Stravelli. Both singers, who are also label mates on RMA, bring Charleston's poignant lyrics to life with grace and passion. McGarry’s rendition of the opening track “Suspended in Time” is a perfect blend of elegance and melancholy, while Stravelli’s portrayal of “Sea of Eyes” evokes a deep sense of longing and introspection.

The album also features moments of personal vulnerability. In “Lullaby,” Charleston reflects on the isolation of not being able to visit her 90-year-old mother during the height of the pandemic, a deeply personal song that exemplifies the heartbreaking realities faced by many families. Another key moment is Charleston’s only vocal appearance, in the spoken-word piece “Fever Dreams,” where she shares her longing for human contact during the long, isolated months of the pandemic.

Hersch’s arrangements throughout the album are simply exquisite, providing a rich, dynamic backdrop to Charleston’s evocative lyrics. "When Rondi started sending me her lyrics, it gave me a sense of purpose,” Hersch says. “It was a way to make use of a terrible time to do something inspiring, and I hoped it would channel what we were all going through."

Beyond the personal narratives, Suspended in Time also speaks to the collective experience of navigating uncertainty and searching for meaning amid chaos. With songs like “Awakenings,” which captures the euphoria and relief of the vaccine rollout, and “Patience,” which reflects the lessons learned in the long stretch of lockdown, the album offers a poignant and reflective soundtrack for our times.

Fans of both Charleston and Hersch will not want to miss this deeply moving and intimate musical experience. The combination of Charleston’s soul-searching lyrics and Hersch’s virtuosic piano playing creates a timeless reflection on human resilience, connection, and the passage of time.

Upcoming Performance: Don’t miss the opportunity to experience this remarkable collaboration live! Join Rondi Charleston, Fred Hersch, Kate McGarry, Gabrielle Stravelli, and the Crosby String Quartet at Joe’s Pub in NYC on March 30, 2025, at 6 PM.

Praise for Suspended in Time—A Song Cycle: “Charleston’s richly detailed lyrics move the story forward with the precision of a musical production.” — Downbeat

Stream Suspended in Time Today: Now available for streaming on all major platforms, including Spotify, Apple Music, and more.

Vince Broomfield – The Best of Vince Broomfield: A Retrospective Compilation of Hits and Deep Cuts from the Master of Soul and R&B

Vince Broomfield, a name synonymous with timeless soul and R&B, has long been revered for his smooth, evocative vocals and the emotional depth he brings to his performances. The Best of Vince Broomfield is a carefully curated retrospective that encapsulates the essence of his storied career. Spanning his years of musical evolution, the album features a handpicked selection of his most beloved tracks, as well as rare gems that capture the diverse range of his artistry.

The album showcases Broomfield's ability to transcend the typical boundaries of soul and R&B. With a career that has included chart-topping hits, collaborations with legendary artists, and a reputation for delivering raw emotional performances, this compilation offers a front-row seat to his musical journey. From the tender ballads that tug at the heartstrings to the upbeat grooves that keep the listener dancing, The Best of Vince Broomfield is a tribute to his mastery as both a vocalist and a songwriter.

The compilation includes tracks from throughout his career, beginning with some of his early standout hits, which earned him widespread acclaim and cemented his place as a key figure in the soul music scene. His smooth delivery and heartfelt lyrics are on full display throughout, with each song offering a different side of his multi-faceted talent.

What makes this compilation particularly special is the inclusion of deep cuts—those rare tracks that only true fans might recognize. These songs, often overshadowed by the artist's more commercial hits, offer a more intimate look at Broomfield's growth as an artist. Whether through introspective songwriting or innovative production, these lesser-known gems add another layer to his legacy.

Broomfield’s unique blend of traditional soul influences and contemporary sensibilities shines in every song. His collaborations with other artists are also integral to his journey. Having worked with some of the biggest names in the industry, Broomfield's ability to complement the sounds of others while remaining true to his own distinctive style is evident across the album. His ability to seamlessly incorporate different musical elements—from classic Motown vibes to modern funk and soul—helps him stand apart as an artist capable of bridging past and present.

For those who may not be as familiar with his catalog, The Best of Vince Broomfield offers an accessible starting point to explore his music. For long-time followers, it serves as a reminder of the power of his voice, his songwriting skills, and the enduring nature of his music.

This compilation is more than just a collection of songs—it’s a reflection of Vince Broomfield’s influence and a celebration of his contributions to the world of soul and R&B. As Broomfield continues to inspire generations of music lovers, The Best of Vince Broomfield is the ultimate tribute to a true legend of the genre.

Album Tracklisting: The Best of Vince Broomfield

1. Today Is Gonna Be My Lucky Day
2. I Can't Wait (The Whoopie Song)
3. Who's That Beautiful Lady
4. You're Late Again Cinderella
5. I've Been Watching You
6. You're My Everything
7. Won't Somebody
8. I Don't Know Why
9. I'm Ready For A Love Of My Life
10. I'm Falling To Pieces
11. Go Live The Fun Life
12. Whenever You're With Me
13. Don't Move A Muscle
14. Does Everybody Really Know
15. A Beautiful Beginning

Tanika Charles Announces New Album Reasons To Stay and Drops First Single "Don't Like You Anymore"

Toronto soul sensation Tanika Charles is set to release her highly anticipated fourth studio album, Reasons To Stay, on May 16, 2025, via the independent soul label Record Kicks. To give fans a taste of what's to come, Charles has unveiled the first single from the album, "Don't Like You Anymore," which is now available on all major digital platforms. The track will also be released as a limited edition clear 45 vinyl on March 21. Pre-orders for Reasons To Stay are now open, offering an exciting look into the artist’s evolution.

With Reasons To Stay, Tanika Charles embarks on a new chapter of musical expression, building on the successes of her previous albums Soul Run (2017), The Gumption (2019), and Papillon De Nuit (2022). Widely regarded as one of the standout voices in Canadian soul, Tanika’s music blends authenticity, passion, and attitude, delivering timeless songs that connect with audiences around the world. The new album features a raw, honest, and deeply personal collection of songs that reflect Tanika’s journey both as an artist and as an individual.

The first single, "Don't Like You Anymore," is a fiery and heartfelt mid-tempo gospel-funk stormer that showcases Tanika’s powerful voice and fearless songwriting. In this deeply personal track, she addresses her complex relationship with her mother, reflecting on the emotional labor that she has carried throughout her life. "I know this will come across harsh to some, but this is an honest reflection of my relationship with my mother. She was unavailable emotionally for me my entire upbringing, and eventually unavailable physically too. I’ve tried to understand. I’ve tried to make amends. I’ve tried to assist where I can. But the emotional labour is too heavy, and the reciprocation is too faint to justify trying anymore," Tanika explains.

This candid exploration of family dynamics is accompanied by a powerful instrumental arrangement, driven by boom-bap drums and chunky basslines that infuse the track with a captivating groove. The song’s vibe is sure to resonate not only with soul music fans but also with listeners in the hip-hop and rap communities, thanks to its undeniable sample potential.

Produced by Scott McCannell and mixed by Kelly Finnigan of Monophonics, Reasons To Stay captures the unique energy and collaboration between Tanika Charles and her trusted team. This album, which was created over the past year, showcases the evolution of her sound and the deepening of her emotional and artistic maturity. As Tanika puts it, Reasons To Stay is a collection of intimate letters—written not just to her family, but to herself and to the listeners who have supported her on her journey. Through these songs, she connects with her audience in an even more vulnerable and personal way.

Tanika’s rise to international prominence has been nothing short of remarkable. Her earlier releases have earned her multiple Juno Award nominations, with Soul Run and The Gumption both earning recognition for R&B/Soul Recording of the Year. Tanika has also been long-listed for the prestigious Polaris Music Prize three times. Known for her high-energy live shows and endearing stage presence, she has gained a loyal following across North America and Europe, playing to packed crowds at festivals such as Trans Musicales in France, Fusion Festival in Germany, and the Canarias Jazz Festival in Spain.

Her musical journey has also seen her share the stage with iconic artists such as Estelle, Lauryn Hill, Macy Gray, and Bedouin Soundclash. Her powerful voice and fearless attitude continue to win her new fans with every performance and every album release.

With Reasons To Stay, Tanika Charles solidifies her position as one of the brightest stars in the soul music world. Her dedication to honesty and artistry, combined with her unmatched vocal talent, ensures that this upcoming album will be yet another milestone in her already impressive career. Fans who have followed her journey will find much to connect with in this next chapter, as she continues to push the boundaries of what it means to create authentic, heartfelt soul music.

Reasons To Stay is available for pre-order now. Fans can also look forward to further singles and a slew of live performances in support of the album later in the year.

The Doobie Brothers Announce New Album Walk This Road, Reunite with Michael McDonald and Mavis Staples

Iconic rock band The Doobie Brothers have announced their upcoming studio album Walk This Road, set for release on June 6, 2025, via Rhino Records. This highly anticipated 10-track album marks the return of former Doobie Brother Michael McDonald, joining Patrick Simmons, Tom Johnston, and John McFee in both the recording studio and the songwriting process. The band will also embark on a global tour, with the album serving as a centerpiece for their live performances.

Today, The Doobie Brothers released two new tracks from the album: the title track “Walk This Road” and “Call Me,” in addition to the previously released song “Lahaina.” Fans can preorder the album now.

In other exciting news, the band’s extraordinary songwriting legacy was recognized with an announcement from the Songwriters Hall of Fame, revealing that The Doobie Brothers will be inducted in June 2025 in New York. Michael McDonald, Tom Johnston, and Patrick Simmons will be honored in the Performing Songwriters category for their contributions to music that has resonated worldwide.

Walk This Road: A Journey of Hope and Recovery

Walk This Road was recorded in the winter of 2024 with producer John Shanks, known for his work with artists like Bon Jovi and Sheryl Crow. The album’s creation captures The Doobie Brothers' creative chemistry, with each of the three principal songwriters—McDonald, Johnston, and Simmons—working closely with Shanks. The result is a cohesive album that combines their diverse musical styles into a sound that is uniquely Doobie Brothers.

The band explores recurring themes of recovery, enlightenment, and finding the right path forward. “Waking up to see the important things you’ve been missing,” says Simmons, reflecting on the album’s thematic focus. The title track, "Walk This Road," is a collaboration with the legendary Mavis Staples, adding a powerful layer of hope and unity to the song’s message.

“We all sang on ‘Walk This Road,’” Johnston shares. “It’s a different kind of track for us to do, but it’s good to try new things.” The collaborative spirit that emerged during the recording sessions at Shanks' studio mirrors the band's longstanding philosophy of camaraderie and mutual respect, a mentality that has allowed The Doobie Brothers to maintain their musical brilliance for over 50 years.

A Band Built on Friendship and Musical Legacy

Despite the individual differences in their musical styles, The Doobie Brothers have continually found ways to blend their distinct approaches into a cohesive sound that has captivated fans for decades. Their ability to work together, complementing each other’s strengths, is part of what has made them a beloved institution in rock music. McDonald’s return to the band is particularly special, as he expressed, “In my heart, I’ve always been a Doobie Brother. We’ve all remained friends over the years, and it’s been wonderful getting back together and playing again.”

The Doobie Brothers have always maintained a deep friendship that transcends the music business, and their upcoming global tour promises to bring new music and classic hits to fans across the world.

Tracklisting:

• Walk This Road (featuring Mavis Staples)
• Angels & Mercy
• Call Me
• Learn to Let Go
• State of Grace
• Here to Stay
• The Kind That Lasts
• New Orleans
• Speed of Pain
• Lahaina

About The Doobie Brothers

Formed in 1970, The Doobie Brothers quickly became one of the most influential rock bands of their era. Known for their harmonized vocals, multi-instrumental arrangements, and genre-blending sound, the band found mainstream success with hits like “Listen to the Music,” “Black Water,” and “What a Fool Believes.” The group has gone through several lineup changes over the years but has always maintained its signature sound. Michael McDonald, whose soulful voice and songwriting talents defined the band’s 1970s and 1980s hits, returns for Walk This Road, marking a significant reunion with his former bandmates.

About Mavis Staples

Mavis Staples is a living legend whose career spans over six decades. Born into the iconic Staple Singers, Mavis became known for her powerhouse voice and socially conscious music, blending gospel, soul, and R&B into an unforgettable sound. Staples is a Grammy Award winner and was inducted into the Rock & Roll Hall of Fame in 1999. Her unique voice and message of hope and unity make her a perfect collaborator on Walk This Road.

Elton John & Brandi Carlile Collaborate on New Album Who Believes In Angels?

Elton John and Brandi Carlile are teaming up for their highly anticipated album Who Believes In Angels?, set to be released in 2025. The album marks an exciting collaboration with producer Andrew Watt, who previously worked with Elton on the Oscar-nominated song “Never Too Late.” Now available for preorder, Who Believes In Angels? offers a first taste with the title track, which is already out, along with a "making of" video showcasing the creative process behind the album.

A unique offering, the album was recorded in just 20 days starting in October 2023, featuring a mix of powerful duets and individual performances from both Elton and Brandi. It also features lyrics co-written by Brandi and Bernie Taupin, Elton’s longtime collaborator. Backing them up on the album are some of the music world’s finest, including Chad Smith of the Red Hot Chili Peppers on drums, Pino Palladino on bass, and Josh Klinghoffer on guitar.

Elton, reflecting on the creation of the album, shared, "This record was one of the toughest I’ve ever made, but it was also one of the greatest musical experiences of my life. It has given me a place where I know I can move forward. Who Believes In Angels? feels like going into another era and I’m pushing the door open to come into the future." He went on to say, "I have everything I’ve done behind me and it’s been brilliant, amazing. But this is the new start for me. As far as I’m concerned, this is the start of my career Mark two."

Brandi echoed the sentiment, adding, "The world is a wild place to live in right now. It’s hard to find peace and triumph. It’s a radical act to seek out joyful and euphoric happenings. And that is what this album represents to me."

Fans who preorder Who Believes In Angels? will have the chance to purchase tickets to a special, one-night-only concert, An Evening with Elton John & Brandi Carlile, at The London Palladium on March 26, 2025.

Elton John, one of the most iconic musicians of all time, has a career spanning over five decades. Known for his flamboyant style, powerful voice, and legendary songwriting, he has sold over 300 million records worldwide. With numerous chart-topping hits like “Rocket Man,” “Tiny Dancer,” and “Your Song,” his impact on the music industry is undeniable. Elton's music has earned him multiple Grammy Awards, an Academy Award for Best Original Song, and the title of Sir by the Queen of England in 1998. He has also been a major philanthropist, particularly with his work to raise awareness for HIV/AIDS.

Brandi Carlile is a multi-Grammy Award-winning singer, songwriter, and musician who has become one of the most respected voices in contemporary Americana and rock music. With a raw, powerful voice and deeply personal lyrics, Brandi’s work has captivated audiences worldwide. Her 2018 album By The Way, I Forgive You earned her critical acclaim, including several Grammy Awards. She has also been a strong advocate for LGBTQ+ rights and social justice causes.

The album’s track listing includes:

• “The Rose Of Laura Nyro”
• “Little Richard’s Bible”
• “Swing For The Fences”
• “Never Too Late”
• “You Without Me”
• “Who Believes In Angels?”
• “The River Man”
• “A Little Light”
• “Someone To Belong To”
• “When This Old World Is Done With Me”

Omer Avital Announces New Album New York Now & Then Set for Release on April 8, 2025

Renowned jazz bassist, composer, and bandleader Omer Avital is set to release his latest album, New York Now & Then, on April 8, 2025. This new project pays tribute to the vibrant and dynamic jazz scene of New York City, blending Avital’s deep mastery of rhythm, melody, and improvisation. The album captures the essence of New York, reflecting Avital’s personal journey as an artist while celebrating the city's musical legacy.

New York Now & Then mirrors Avital’s evolution as an artist, incorporating his Israeli roots alongside the multicultural influences that define New York City. The album features a stellar lineup of musicians, creating a seamless bridge between jazz’s rich history and its exciting future. With each track, Avital brings to life the spirit of the city — a place where the energy is ever-present, and where jazz thrives, constantly evolving and attracting new talent and immigrants from all corners of the globe.

“The feeling of New York City is everywhere in this music. The pulse of possibility, the 'anything can happen' vibe,” says Avital. “New York Now & Then is both a reflection and reinvention of the city’s jazz scene. It’s my love letter to the city, its diversity, and its transformative energy.”

The album was recorded between 2020 and 2024 at Avital’s own jazz club, Wilson Live in Bushwick, Brooklyn, where the music was captured during a period of social distancing and masked performances due to the pandemic. The energy from these sessions is palpable, with the sounds of great friends, soulful music, and street food adding to the club's vibrant, lively atmosphere.

With a mix of nostalgia and modernity, New York Now & Then is a powerful testament to the living history of jazz and Avital’s continuing influence in shaping its future.

The album features contributions from a talented group of musicians, including:

Eviatar Slivnik – drums (tracks 1, 2, 3, 6)

Itay Morchi – drums (tracks 4, 5)

Edo Gur – trumpet and flugelhorn

Yonathan Guedj – alto saxophone

Alexander Levin – tenor saxophone

Evan Amoroso – trombone

Lucy Wijnands – vocals (track 5)

New York Now & Then will be available for streaming on all major platforms starting April 8, 2025. The first single, “Sheikh Ali,” will be released on January 30, 2025.

About Omer Avital

Omer Avital is a visionary composer and bandleader whose work transcends traditional jazz boundaries. Praised by critics as "extraordinary" (New York Times) and "roaringly inventive" (Jazziz), Avital has earned global acclaim for his genre-defying ensembles and innovative compositions, blending jazz with Middle Eastern, European classical, and traditional Sephardic music. His work with the Omer Avital Quintet and his project Yemen Blues exemplifies his ability to fuse different musical influences into cohesive, emotionally resonant pieces.

Steven Bernstein's Millennial Territory Orchestra Marks 25th Anniversary with Special Retrospective at Carnegie Hall

Steven Bernstein’s Millennial Territory Orchestra (MTO) will celebrate its 25th anniversary with an epic career retrospective at Carnegie Hall’s Zankel Hall on Friday, March 14. This milestone marks MTO’s first-ever headline performance at the iconic venue, and it promises to be an unforgettable evening. The concert will span the full history of the legendary downtown New York City band, featuring Bernstein's favorite arrangements from MTO's six studio albums as well as his work with Butler, Bernstein & The Hot 9.

Throughout the night, MTO’s nine-piece "little big band" will be joined by an array of special guests: Grammy-winning jazz vocalist Catherine Russell, guitar legend Vernon Reid, and the remarkable pianist and organist John Medeski. These guests have been close collaborators with MTO over the years, contributing their musical magic to some of the band's most beloved tracks.

“Arranging is a rarified and misunderstood art form. It requires equal parts imagination and mathematics," says Bernstein. “Having the opportunity to revisit some of my favorite arrangements, a few that haven’t been played in years, with some of my favorite musical compatriots is a special treat. And doing it at Zankel Hall, in the home of NYC's most storied venue, Carnegie Hall, is truly extra special. There will also be a world premiere, and I’ve learned from Hal Willner to never waste an opportunity to create something new and embrace the beautiful chaos.”

MTO originated when Bernstein was asked by the late Hal Willner to be the music director for the 1930s jazz “territory” band in Robert Altman’s film Kansas City. The project’s success led Bernstein to form MTO, which quickly became a top priority. Over the years, the band’s repertoire expanded from ’20s and ’30s swing standards to bold, genre-defying interpretations of music by The Beatles, Charles Mingus, Sly Stone, and Prince. MTO's unique sound and rebellious spirit captured the essence of New York's downtown music scene, even as the city faced increasing corporate pressures. MTO went on to play prestigious festivals like Bonnaroo and the Newport Jazz Festival.

Bernstein, who was raised in Berkeley, CA, moved to New York City in the late '70s, where he built a reputation as an innovative arranger and virtuoso on the slide trumpet. Throughout his career, he has collaborated with major artists like Lou Reed, Lee "Scratch" Perry, Marianne Faithfull, and Bill Frisell. He’s also known for his leadership of the musical subversives, Sexmob, and his role in Levon Helm’s Midnight Ramble Band, which won multiple Grammy Awards.

Now, Bernstein brings the Millennial Territory Orchestra to Carnegie Hall to celebrate its remarkable legacy. The concert promises a rich blend of past and future, with unforgettable performances and surprises along the way.

Details:

Who: Steven Bernstein's Millennial Territory Orchestra (featuring special guests Catherine Russell, Vernon Reid, and John Medeski)

When: Friday, March 14, 9:00 PM

Where: Zankel Hall at Carnegie Hall, 881 7th Ave, New York, NY 10019

Mona Lissa Chanda’s “Professional Victim” Sets the Stage for Her Bold New Album Queen of Games

Montreal-based singer-songwriter Mona Lissa Chanda is gearing up to release her much-anticipated debut full-length album, Queen of Games, this spring. The lead single, “Professional Victim,” dropped on January 31, 2025, and it's already making waves with its infectious Motown groove and sharp commentary on boundary-setting and self-love.

With a voice that resonates with the emotional depth of icons like Amy Winehouse, Sade, and Tracy Chapman, Mona Lissa’s music blends timeless jazz, blues, and soul influences with catchy pop hooks. Her latest track is an unapologetic anthem for those who have learned the importance of putting their own needs first, especially after giving too much to people who take advantage of their kindness.

“Professional Victim” was inspired by Mona Lissa’s personal experiences with codependent relationships and her frustration with those who manipulate others for sympathy or control. The song offers a clever twist, blending heavy subject matter with humor, as seen in the playful music video where Mona Lissa triumphs over a manipulative partner in a satisfying, poetic ending.

Produced by Paul Cargnello, who also co-composed and performed on the track, "Professional Victim" is a perfect preview of Queen of Games, which showcases Mona Lissa’s love for blues-rock, soul, R&B, and Americana. The album promises to be a timeless collection of songs that will transport listeners to the golden age of vinyl, with fresh and captivating melodies.

Mona Lissa’s creative journey is just as unique as her music. Raised in the culturally rich environment of Sept-Îles, Quebec, she has an educational background in fine art and neurosciences, in addition to training in vocal jazz and Italian Bel Canto singing. Her eclectic upbringing, which included immersion in French Canadian culture and the musical treasures of Europe and Asia, has deeply influenced her artistry. In fact, Mona Lissa’s scientific background includes research on the neurochemistry of music, conducted under the mentorship of Dr. Daniel J. Levitin, a renowned neuroscientist and best-selling author.

With Queen of Games on the horizon, Mona Lissa is ready to shine brighter than ever. The album’s launch party is set for April 12 at Casa Del Popolo in Montreal, QC.

Lee’s Musical Journey: From Hip-Hop Roots to Global Soundscapes with The Reprieve

Lee, a gifted musician from Clewiston, FL, has spent decades honing his craft and evolving into one of the most unique voices in contemporary music. His career began in the 1990s as part of the dynamic hip-hop duo Straight Coffee For George, alongside his longtime friend Antonio “T-Lyfe” Humphrey. The pair quickly gained recognition in the local scene for their innovative sound and thought-provoking lyrics. As Straight Coffee For George, Lee learned the ropes of the music industry, developing a distinct style that blended the raw energy of hip-hop with thoughtful musical arrangements.

After the duo disbanded, Lee sought new creative directions, forming The Square Egg, a collective known for its eclectic fusion of hip-hop, funk, jazz, and soul. The group gained traction not just in Florida, but in New York as well, where Lee would ultimately spend much of his musical life. In New York, Lee’s career took a new turn. He began performing in some of the city’s most prestigious venues, drawing crowds with his electrifying stage presence and his ability to seamlessly mix genres.

As a solo artist, Lee’s sound continued to evolve, creating music that is both expansive and intimate. His solo debut, Naked (2010), was a testament to his ability to blend influences from around the world while staying true to his own soul-driven sound. He followed that with Reasons To Buy This Album (2014) and 2+2=5 (2017), both of which earned him acclaim for their depth and musical complexity.

In 2022, Lee released Maybe Now, an album that marked a profound shift in his sound. Deeply influenced by his life in Buenos Aires, the album infused rich Latin rhythms and textures into his already diverse musical palette. The lush arrangements and layered vocals on Maybe Now demonstrated Lee’s growing mastery of blending genres and cultures, further solidifying his reputation as a boundary-pushing artist.

Now, with his latest release, The Reprieve, Lee has once again raised the bar. The album is his most ambitious to date, featuring a dizzying array of world-class musicians, each adding their unique voices to Lee’s adventurous and soulful compositions. The album was organically recorded at LeChateau Studio and Aguaribay Espacio Musical in Buenos Aires, Argentina, capturing the raw energy and collaborative spirit of the session. The result is an album that feels as much like a global celebration as it does an intimate reflection of Lee’s artistic vision.

One of the standout tracks from The Reprieve is the sublime “Perfect,” a song that perfectly encapsulates Lee’s musical versatility. The track is featured here in its original album version, along with three exclusive mixes that offer new takes on the song’s haunting melodies and soulful grooves. Each mix provides a fresh perspective, showcasing Lee’s ability to experiment with sounds while maintaining the emotional depth and complexity that is central to his artistry.

As Lee continues to evolve and explore new sonic territories, The Reprieve stands as a testament to his journey—one that has taken him from the hip-hop underground to the farthest reaches of the global music scene. With this album, Lee proves that he is not just a musician, but an artist who continues to push boundaries and redefine what it means to create truly genre-defying music.