NEW RELEASES - MUDDY WATERS, JOE MCPHEE, MATS ALEKLINT QUARTET

MUDDY WATERS - CAN'T GET NO GRINDIN'

Muddy Waters can't get no grinding – but that's hardly a problem, given the strength of this sweet early 70s set! The album marks Muddy's return to more basic Chicago blues after his funky electric period on Chess – but the set's still got some of the trippier touches of a few years before – laid out in a much more spare, basic way! The guitar has a weird quality at times – possibly from the way the electric piano comes across at points – almost a bit like Sun Ra's rocksichord, with all the freaky fuzz that might imply! The harmonica almost feels electric too – and all three instruments come together with a nicely offbeat quality that's really head and shoulders above the usual from the Chicago scene. Titles include "Funky Butt", "After Hours", "Garbage Man", "Love Weapon", "Muddy Waters' Shuffle", and "Mother's Bad Luck Child".  ~ Dusty Groove

JOE MCPHEE - NATION TIME

A tremendous look at the early years of the legendary Joe McPhee – a set that's based around his classic Nation Time album, and which features other live material from the same time – including a Hat Hut album, and two CDs' worth of previously unissued work! The core album is legendary – a gritty set that features a mighty funky drummer, and some of the most soulful work that Joe ever recorded. Joe plays tenor and trumpet in sweet lineup that features bubbling organ, vamping rhythms, and some sweet modal elements mixed together in percussion, guitar, and Fender Rhodes. Titles include the hard wailing "Nation Time" – plus "Shakey Jake", an excellent 13 minute funk number – and the moodier "Scorpio's Dance". Next is the searing Black Magic Man album – an early release on the Hat Hut label, but recorded during the same December 1970 performance as Nation Time – almost showing the bolder, freer sound of the group – but still coming across with some surprising soulful elements too. The original album is expanded by the addition of the unreleased "Song For Lauren" alternate takes – and the core record includes "Black Magic Man", "Hymn Of The Dragon Kings", and "Song For Lauren". The next two CDs feature material recorded in 1969 and 1970 – at Vassar and in Poughkeepsie – with Joe and group working through some similar spiritual and soul jazz territory as on the Vassar CD issue from the same label. The music is heavy on elements you'd hear from the Nation Time album – Hammond, guitar, and even some electric bass and vibes – used in styles that run from soul jazz, to modal, to more experimental – all on very long tracks that have McPhee really stretching out on tenor and trumpet! Titles include "Cold Sweat", "Breakaway Theme", "Untitled", "Nation Time", "Sunshower", "Spring Street", and "Contemplation". All 4CDs come in very cool LP sleeves, in a slipcover box, aiwth a 60 page booklet of notes, photos, and information on the music!  ~ Dusty Groove

MATS ALEKLINT QUARTET - MATS ALEKLINT QUARTET

A beautifully bold session from trombonist Mats Aleklint – a player we don't know well at all, but who really steps out on this set as a leader for Moserobie Records! The sound is a bit looser than most of the recent work on the label – not entirely free, but nicely without any strong structures – so that Mats can stretch out on these amazing lines on both slide and valve trombone, with a sense of voice and vision on the instrument that we haven't heard since Roswell Rudd! The rest of the lineup is great too – a quartet with mighty nice tenor and bass clarinet from Per Texas Johansson, bass from Joe Williamson, and drums and synth from Christopher Cantillo. Aleklint also plays a bit of thumb piano and pump organ too – and titles include "Nattbuss", "Hur Eller Dur", "Braxen", "Algskog", "Landet Runt", and "Snabbt In Snabb Tut". ~ Dusty Groove

NEW RELEASES - HARRIS EISENSTADT / NICOLE MITCHELL, SHAULI EINAV, IAN O'BRIEN

HARRIS EISENSTADT / NICOLE MITCHELL - GOLDEN STATE

A really beautiful record from drummer Harris Eisenstadt – very different than most of his other work! The set comes out of a residence at Cal Arts by Eisenstadt, at the same time that flautist Nicole Mitchell was there too – and the result is a beautiful blend of Harris' unique sense of timing and spacing, and Mitchell's own sublime work on flute! The record still has lots of the spiritual undertones of Nicole's own records, thanks in part to work from Sara Schoenbeck on bassoon and Mark Dresser on bass – but there's also a different quality, too – a spirit that's very open and free – sometimes a bit dark and contemplative, but always basking in the glow of these newly discovered musical friendships. The rapport between the players comes through right away – and holds strongly over the course of tracks that include "It Is Never Safe To Be", "Sandy", "Unless All The Evidence Is In", "Dogmatic In Any Case", and "Flabbergasted By The Unconventional".  ~ Dusty Groove

SHAULI EINAV - GENERATIONS

A really wonderful set from reedman Shauli Einav – a player who's been around for a few years, but who we're only discovering with this album – an artist who really grabs us right away with his soulful work on tenor and soprano sax! As with many albums on the excellent Posi-tone label, there's a depth there that isn't immediately evident from the cover – a timeless approach to the music, but one that's really personal, too – immensely soulful in ways that remind us of some of our favorite indie jazz sets of years back, but with a vibe that's definitely Einav's own. Shauli has a slightly raspy touch to his tenor that really stands out – and he's set up wonderfully here in a quintet with Itai Kriss on flute, Don Friedman on piano, Or Bareket on bass, and Eliot Zigmund on drums – on titles that include a lot of classics by folks like John Coltrane, Harold Land, and Andrew Hill – tunes that include "Compulsion", "Land Of Nod", "Waltz For Zweetie", "Thermo Blues", "As You Like It", "Crescent", and "Renewal".  ~ Dusty Groove

IAN O'BRIEN - UNDERSTANDING IS EVERYTHING

A cosmic batch of keyboards from Ian O'Brien – including Fender Rhodes, Arp, moog, and more – served up in a sweet instrumental set that's got plenty of echoes from the best spacey scene of the 70s! Ian covers work by both Herbie Hancock and Lonnie Liston-Smith on the set – which will give you an idea of the righteous quality to the music – tunes that have a really rich, soulful vibe – one that's even different from O'Brien's earlier music, and which reflect a growing sense of social responsibility on this planet! The album's the sort that will have lots of new ears loving Ian's music – including our own – and titles include "Spiraling Prism", "The Explanation", "The Hexagon Of The Heavens", "Love Beams", "My Dreams Of Peace", and "Faded Memories".  ~ Dusty Groove

NEW RELEASES - JAMES BROWN, ALISON CROCKETT, KENNY WESLEY

JAMES BROWN - IT'S A MOTHER

A definite mother from James Brown – the kind of all-funky album that few of his contemporaries could ever hope to match! If you've ever doubted the sheer raw power of James at the end of the 60s, the first few notes of this one will definitely make you a convert – and the stretched-out grooves as the album rolls on will pull you even further into the fold. Most tracks roll on with that improvised studio jamming style that James was hitting at the time – a pre-JBs mode that's not as long as later years, but which still makes you feel that there probably was plenty more recorded on the dates that didn't make it into the two-part versions of the tracks! And although James is singing on most numbers, the real focus is more on the band – hitting hard, vamping sharp, and grooving massively under shouted calls and directions from Brown. Titles include two great instrumentals – "Popcorn With a Feeling" and "Top of the Stack" – plus "Little Groove Maker Me (parts 1 & 2)", "Mother Popcorn (parts 1 & 2)", "Mashed Potato Popcorn (parts 1 & 2)", "Any Day Now", "You're Still Out Of Sight", and "I'm Shook" – as well as the great mellower number "If I Ruled The World" – redone here as an African-American anthem of pride and power! (Limited edition.) ~ Dusty Groove

ALISON CROCKETT - MOMMY, WHAT'S A DEPRESSION?

Maybe the strongest, boldest album we've ever heard from Alison Crockett so far – a record that has the singer bursting forth with a sense of power that really blows away her previous albums! The album's a great reminder of Crockett's place in the soul underground over the past decade or so – and the record's got an even tighter conception than we might have expected – proud words in the lyrics from Alison, supported by great backings from Teddy Crockett too – with a small group lineup that also includes piano from both Orrin Evans and Marc Cary. And although the original songs are very powerful, the album also features some stunning remakes of other work – by Syreeta, Eden Abez, and even Bessie Smith – but done in ways that completely transform the tunes, and instantly make them Alison's own. Ursula Rucker guests on a few tracks – and titles include "Gentrification", "Depression", "My Man's Gone Now", "Ima Hustla", "Trouble In The Lowlands", "The Old Country", "Come Back As A Flower", and "Sack Full Of Dreams". ~ Dusty Groove

KENNY WESLEY - THE REAL THING

The first full album we've heard from Kenny Wesley – a singer with a heck of a great vocal range, and a strong sense of personality too! The album's got a depth that goes way past the goofy image on the cover – as Wesley brings a jazz vocal sense of range to his singing, but mixes things with a heavier funk approach too – some bassy bits and tight drums that keep the tunes tight and snapping, but never in a way that's poppy or commercial. Instead, the whole thing bristles with freshness – just the right sort of album to announce Kenny as a bold newcomer, with a vibe that's all his own. Titles include "The Real Thing", "Taffy", "Feels Good", "The Window", "Closer", "Woman", "Tangled", "Sophisticated", and "Missin You". ~ Dusty Groove

STING & PAUL SIMON TEAM UP FOR TOUR DATES

Live Nation Global Touring has announced that Paul Simon & Sting, two of music's most renowned and enduring artists, will embark on a concert tour throughout North America in February and March 2014. Both of these artists have explored world rhythms and pushed the boundaries of popular music, and through their music, continue to speak to generations of fans. Now, Paul Simon & Sting will perform a series of concerts On Stage Together. Tickets (itinerary below) will go on sale beginning Tuesday, Nov. 12.

As friends for many years, their collaboration on a tour is a natural fit. At each performance, audiences will be treated to the unique pleasure of experiencing these two innovative musicians On Stage Together, in addition to solo performances with their respective bands, in what will surely be one of the most highly-anticipated concert events of 2014.

"We are thrilled to be bringing together these iconic artists," said Arthur Fogel, president - global touring and chairman - global music, Live Nation. "As individual artists, Paul and Sting have had a diverse and unique history, and I suspect the challenge for both of these prolific songwriters will indeed be narrowing down the song choices."

Tickets for Paul Simon & Sting: On Stage Together will go on sale to the general public beginning Tuesday, Nov. 12. The artists' fans will have access to a pre-sale through their respective official websites, starting Wednesday, Nov. 6 at 10AM local time.  American Express® Card Members will have an opportunity to purchase tickets before the general public.

PAUL SIMON & STING: ON STAGE TOGETHER

North American Tour Itinerary 2014

Feb. 8 - Houston, TX / Toyota Center

Feb. 9 - Dallas, TX / American Airlines Center

Feb. 11- Denver, CO / Pepsi Center

Feb. 15 - Los Angeles, CA / Forum

Feb. 17 - San Jose, CA / SAP Center at San Jose

Feb. 19 - Seattle, WA / Key Arena

Feb. 20 - Vancouver, BC / Rogers Arena

Feb. 23 - St. Paul, MN / Xcel Energy Center

Feb. 25 - Chicago, IL / United Center

Feb. 26 - Detroit, MI / The Palace of Auburn Hills

Feb. 28 - Montreal, QC / Bell Centre

March 1 - Toronto, ON / Air Canada Centre

March 4 - New York City, NY / Madison Square Garden

March 7 - Philadelphia, PA / Wells Fargo Center

March 9 - Hershey, PA / Giant Center

March 13 - Washington, DC / Verizon Center

March 15 - Ft. Lauderdale, FL / BB&T Center

March 16 - Orlando, FL / Amway Center

THE REBIRTH OF ALICE SMITH

There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself.

The NYC-bred singer, songwriter and producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.

For a young performer who had until recently cut her teeth within the New York Afro-Punk scene—where she sang with Black Rock Coalition and Tamar Kali, and collaborated with Zero 7’s Sia Furler and Imani Coppola—the spotlight attention was a surprise. The glow dimmed rather quickly, however, when it came time to record her sophomore album.

She signed to Epic Records after a bidding war and re-released For Lovers in 2007. The next four years were dedicated to writing and recording new material. Meanwhile, the label went through numerous, well-documented changes to its executive staff. For an artist who had always been self-reliant, Alice suddenly found herself at an impasse. Though she was producing new material at a steady clip, it was being held back by the inner workings of her label.

“It was painful,” explains Alice of the process of recording her unreleased album. Though she recorded countless tracks, they lingered on the shelf. While her reps tried to mold her into something she was not, fans showed that they love her as she is—they packed her performances, demanding new music. It was a wake-up call for the fiercely independent singer. “It’s almost embarrassing, to be performing a sold-out show and people are asking me where the new music is,” recalls Alice, adding that she had so little control over her own music, that she didn’t even know when her fans might get the chance to hear it.

Though her fans may have wondered what happened to Alice Smith, she was hardly silent during those years. She performed new material for sold-out crowds at top venues like New York’s Highline Ballroom, SOB’s and Blue Note Jazz Club, and Los Angeles’ Wiltern Theater. Meanwhile, she experienced huge shifts in her personal life, giving birth to a baby girl, and moving her new family to Los Angeles for a sunny but serious change of pace. With a new pair of trusted collaborators—producer Syience and singer/songwriter Rebecca Jordan—she put these experiences into song.

Today, Alice looks forward to finally giving her fans a hotly anticipated dose of new music. “It’s an exciting time, but it’s a really calm excitement,” she explains. “I feel really inspired to get where I’m going musically. I'm excited to get back to work and continue examining what it is and what it takes to be a powerful woman, happy and fulfilled.”

The new collection reveals the same passions of the “country at heart” singer, raised between Washington DC and Augusta, Georgia. Surrounded by everything from go-go, to gospel, to pop, she crafted her own stories blending elements from her favorite genres. By the time Lovers debuted in ’06, Alice was known for a unique approach to soul, tempered by a heady dose of rock and her own personal take on matters of the heart. It’s the same appeal that she brings to her new material.

>“I've always written about and been interested in relationships,” says Alice, musing over her songwriting process. “I'm still interested in those things, because I think they are most important. However, I'm just as interested in how they relate to the self. I've been more consciously applying what I've learned about relationships in my outward life, to my relationship with myself inside.”

With notes of ‘60s pop, Burt Bacharach-style melodies and that intoxicating element ofattitude, Alice’s upcoming collection has something for die-hard followers and new fans alike. Her sound has evolved, adding lush, orchestral arrangements and multi-hued melodies. Though she has always been an artist at heart, Alice is now a mother, and she’s been through some powerful experiences over the past few years. She emerges with new insights to realize through song. Still singing, of course, but today, stepping out independently, she has all the more reason to give ‘em something they can feel.

~ alicesmith.com

NEW RELEASES - THE SOFTONES, CHAKACHAS, BRAINSTORM

THE SOFTONES - THE SOFTONES / BLACK MAGIC

Harmony soul heaven – and two great albums back to back in a single set! The initial Softones album is a stellar first set from The Softones – labelmates of The Stylistics in their early years, and a group who really share a similar sense of east coast harmony soul! There's a nicely fragile approach to the group at all the best moments – a style that's better than shakey indie soul, but which is still quite personal – even amidst some really well-penned charts by Van McCoy! The strings have all these sweet and subtle touches and changes – never detracting from the vocals, but instead really underscoring the unique appeal that makes the group this great. A wonderful set to file next to your New Jersey classics by The Moments and Whanauts – with tracks that include "The First Day", "Extra Ordinary People", "Why Why Baby", "Never Let A Woman Like That Go By", and "Everybody Knew But Me". Black Magic is a funkier set than the first one by The Softones – and a record that has the group picking up a bit more confidence in their groove! The style is never too tight or slick – and even amidst full arrangements from Horace Ott, the vocals really come through nicely – mixing with the studio help at a level that recalls some of the hipper Philly productions of the time, or maybe the second generation of New Jersey group soul. Those fragile lead vocals still entrance us wonderfully – and titles include the Landy McNeal tracks – "Maybe Tomorrow", "Laundromat", and "Call It Love" – plus versions of "That Old Black Magic", "Love Story", and "Love Child". ~ Dusty Groove.

CHAKACHAS - CHAKACHAS

The coolest, funkiest, and most soulful set ever issued by Chakachas – a record that's way different than most of their Latin-based music – with a strong American funk vibe all the way through! There's still lots of percussion in the mix, but it's often used in ways that echo more of a pan-global and African approach – plenty of congas at the bottom, next to some riffing guitars, sweet reed lines, and some occasional strong soulful vocals. The cut "Jungle Fever" isn't on here, but the whole album definitely feels like that one – with that killer sense of spacing and percussion that makes the group really funky on that hit. Titles include the killer "Stories", plus "Oye Mi", "Bantu", "Love Love Love", "Oye Mi Guaguaco", "Soledad", and "By The Way".~ Dusty Groove 

BRAINSTORM - FUNKY ENTERTAINMENT

They're not lying with the title of this album from Brainstorm – because this classic late 70s set has the group moving into some very funky territory – stepping up the basslines even more than before, and really finding a great way to focus on the groove! The approach is right on the money throughout – and sparkles with some deeper touches than usual for a group of this nature – thanks in part to work from key guests like Ernie Watts on reeds, Phil Upchurch on guitar, and Harvey Mason on drums – plus a bit of guest vocals from Syreeta too! The grooves grow up nicely from the energy at the bottom – filled out with lots of quick-stepping instrumentation over the top – and maestro Jerry Peters produced the whole thing with that great mix of sophistication and groove that can make his records so great. The album's definitely one of the clubbiest moments ever from the group – and titles include "Hot For You", "Don't Let Me Catch You With Your Groove Down", "Popcorn", "Funky Entertainment", "A Case Of The Boogie", and "You Put A Charge In My Life". CD features a cool book-style cover, new notes, and bonus tracks that include "Hot For You (12" version)" and "Popcorn (edit)".~ Dusty Groove

NEW RELEASES - ROBBIE WILLIAMS, CHAKA KHAN, MUSIC FROM AND FEATURED IN 12 YEARS A SLAVE

ROBBIE WILLIAMS - SWINGS BOTH WAYS

Following in the rhythmic footsteps of Robbie's most successful album to date, 2001's Swing When You're Winning, this new release features a mix of classic covers and new material as well as duets with some of pop's biggest names, including Lily Allen, Michael Bublé, Kelly Clarkson, Olly Murs and Rufus Wainwright.The album features cover versions of well known songs, as well as six new tracks written by Williams and Guy Chambers, who also produced the album. Williams stated "First of all, I wanted to do a swing album because I wanted to do a swing album. I always knew I'd do another and I think now is the perfect time to do it. I'm enjoying showbiz and I'm enjoying my life and my understanding of where I am now is that there needs to be an event every time I bring out a record. The album this time is a definite ode and a loving glance towards a period on the planet that I was never invited to 'coz I wasn't there… I wanted to be, which I feel still very strongly linked to." The album comes in two editions - standard and deluxe, which features three extra tracks and some very special bonus studio footage.

CHAKA KHAN - ORIGINAL ALBUM SERIES: CHAKA / NAUGHTY / WHAT CHA' GONNA DO FOR ME / CHAKA KHAN / I FEEL FOR YOU

Large-lunged R&B diva Chaka Khan’s first five solo albums for Warner Bros – 1978’s Chaka, 1980’s Naughty, the following year’s What Cha’ Gonna Do For Me, ’82’s Chaka Khan and ’84’s I Feel For You – are now available in a single package as part of Rhino’s Original Album Series. The downside for collectors is that none of the albums have been remastered and there’s a conspicuous absence of sleenenotes and bonus tracks. On the plus side, however, all the albums are presented in replica mini-LP sleeves and, with an enticing mid-price sales tag, they represent a good opportunity for Chaka Khan novices to pick up the singer’s best work in one fell swoop. Though I Feel For You – featuring Chaka’s combustible reworking of the Prince-penned title track – is the best known LP of the bunch, her first three albums (all helmed by the late, great Arif Mardin) undoubtedly contain her best work. Her debut includes the anthemic I’m Every Woman, but the killer cuts are Some Love, a gargantuan slab of churning symphonic funk, and Sleep On It. Naughty – perhaps Khan’s most overlooked album – is also packed with memorable cuts that showcase her incredible vocal range, including the disco-inflected Clouds and the soaring mid-tempo groover, Move Me No Mountain. ~ Charles Waring

MUSIC FROM AND FEATURED IN 12 YEARS A SLAVE (VARIOUS ARTISTS)

12 Years a Slave is a 2013 British-American historical drama film based on the 1853 autobiography Twelve Years a Slave by Solomon Northup, a free black man who was kidnapped in Washington, D.C. after being lured from Saratoga Springs, New York in 1841 and sold into slavery. He worked on plantations in the state of Louisiana for 12 years before his rescue and release. The critically acclaimed film was directed by Steve McQueen and written by John Ridley, and it received the People's Choice Award at the Toronto International Film Festival. The film opens here in the US in limited release October 18th. Music From and Featured in 12 Years A Slave is a compilation of songs of freedom inspired by the story of Solomon Northup. The album includes new music from John Legend, Alicia Keys, Alabama Shakes, Gary Clark, Jr., Chris Cornell w/ Joy Williams of The Civil Wars, and more; plus selections of the original movie score by Hans Zimmer.

TIM WARFIELD - INSPIRE ME! FEATURES HERB HARRIS, ANTOINE DRYE, KEVIN HAYS, GREG WILLIAMS, RODNEY GREEN

A smoker from reedman Tim Warfield – working here on tenor sax with a tight group that comes across with plenty of fire! The entire lineup here is great – and they include Antoine Drye on trumpet, Kevin Hays on piano, Greg Williams on bass, Rodney Green on drums, and Herb Harris on vocals and tenor sax – all of whom are top notch here. Warfield is wonderfully sharp – blowing a batch of late night ballad grooves with a soulful vibe throughout.

Warfield is a master saxophonist with over 20 years of experience on the jazz scene.  His 1995 debut recording "A Cool Blue" was selected as a top ten recording in a New York Times critics poll, as was his 1998 recording "Gentle Warrior" (featuring Cyrus Chestnut, Taurus Mateen, Clarence Penn, Terrell Stafford, and Nichlolas Payton), proclaiming him "possibly the most powerful saxophonist of his generation". In 1999, he was awarded "Talent Deserving Wider Recognition" in Downbeat Magazine's 49th Annual Critics poll. In 2000, alongside crooner Loston Harris, Warfield performed at the MTV GQ Men of the Year Awards in New York City."

In 2012, Warfield released "Tim Warfield's Jazzy Christmas." Edward Blanco, at All About Jazz says, "Performing a selection of familiar songs with a heavy contemporary flavor, the music is so straight-ahead in nature that such seasonal tunes like "Let It Snow," "Joy To The World," and "Silent Night," are almost unrecognizable as Christmas music and could easily be part of any playlist throughout the year."

The album is produced, written, and arranged by Herb Harris who spent a short period with the Wynton Marsalis Septet with whom he toured the states, Europe, and South America; he’s appeared on the soundtrack to "Tune In Tommorow" and he was also featured in the group of saxists dubbed the "Tough Young Tenors" on the album "Alone Together” which reached #5 on Billboard's Jazz Chart. 

Full tracklisting: Monkee See Monkee Doo;  Robert Earl; Ny Daze Ny Knights; When I'm Alone With You; Inspire Me!; What If's; A Tinge of the Melancholy; and. Monkee See Monkee Doo(Alternate Take).

NEW RELEASES - CHARLES XAVIER, MARVIN TRAVIS, REGGIE WASHINGTON

CHARLES XAVIER - PEFECT MOLD

Perfect Mold, the fourth release from Happy Note Records, features Charles Xavier, a multi-instrumentalist and composer who plays genre-fusing original compositions and puts his unique spin on rock and pop classics including Hey Jude, Blowing in the Wind, The Beat Goes On, Fire and Rain, Eleanor Rigby, and Leaving on a Jet Plane. Xavier, who arranged and performed all the parts on vibraphone, piano, and percussive batterie, designs his percussive arrangements to induce a “soothing but intriguing vibe, a kind of meditative soundscape.” Xavier’s music appeals to listeners with a wide range. Longtime DownBeat columnist Frank-John Hadley has reported, “Playing vibes, keyboards, and drums, joined by guitarist Russell Golub and Tina Murray on vocals, Xavier fills his wassail bowl with electronic sounds, samplings, Gary Burton-like abstractions, elements of world-music, and quirky allusions to maybe Gong’s vibes player Pierre Moerlen. A dozen carols and holiday favorites drift together as one trippy soundscape. Recommended.” DownBeat has elsewhere called Charles Xavier a “Rara Avis,” which is Latin for “rare bird.”

MARVIN TRAVIS - INTRODUCING MARVIN TRAVIS

Marvin's first encounter with the guitar was at the tender age of four years old. Being the son of a Pastor Bishop Marvin Travis Sr, and seeing his father play the guitar inspired Marvin to want to learn more. Marvin listened to the radio and cassette tapes his Father had around their home, picked his guitar up and attempted to play all of the cords he had heard, over and over again until he could master those cords. Seeing Marvin's talent grow, his dad bought him a guitar and the rest is history. As a child Marvin played for visiting artist such as Dorinda Clark Cole, Jay Moss, Vanessa Bell Armstrong, and many others. Marvin knew at an early age that God had given him a gift to play the guitar and vowed to give that gift back to God and others.Marvin has been known for playing cords that only keyboard players could play. Having played in his dad's church there was only a lead guitar and the drums for a season. Marvin learned to play all the parts both rhythm and cords. During his formative years in High School he was called nick names such as: "Thunder Thumbs" and "Marvelous Marv". After over 40 years of playing, Marvin's ability to play with such precision and skill has opened many doors for him within the music industry. Marvin is well known for his ability to "flow" with his guitar. Marvin has played on many projects with artist such as commission's own Marcus Cole and Mitchell Jones, world renown Motown legend Kim Weston along with the legendary Jazz composer and pianist Teddy Harris Jr, Tim Bowman, Charles Laster II, Ernest J Lee, The Powell Brothers, La June Travis, and has also graced the stage with Bishop Paul Morton, Bishop William Murphy, Marvin D Travis III aka Bam Travis. Marvin has also played alongside the innumerable bass player and vocalist Mr. Fred Hammond as they shared the same church home "Great Faith Ministries" for a season. There are host of other artist to namely to mention.His new debut CD entitled Introducing Marvin is a project that has been long awaited for by his audience and peers. With his smooth jazzy style and skillfully played precise cords, it is Marvin's prayer that this CD takes you into a place of peace and serenity. Enjoying every cord, this compilation of music is sure to leave you wanting more.  

REGGIE WASHINGTON - FREEDOM

Reggie is a bassist of rare sobriety and efficacity. His savant bass lines are legible andthey always serve the music. He has a certain form of exigence and great musical taste.His list of collaborations is infinite in addition to being a participant in the revolution of Modern Jazz during the 90's. In 2005, he stepped out as a leader for the first time in his career with "A Lot of Love, LIVE !", on the Jammin'colorS label. The CD has received stellar reviews from journalists and colleagues worldwide in the music business. It is being played on U.S.A. and European radio to touch a wider audience. "My music represents the cutting edge of jazz today. It's a healthy musical mix paying hommage to our forefathers and exploring our craft by journeying down new roads to help pave the way for the future." says Reggie. For him, the music must evolve and he feels he's among the select group of musicians capable and dedicated to keeping MUSIC alive and strong. Reggie has toured with his bands through Europe and the U.S. A to very receptive andappreciative audiences. Bass Player magazine presented Reggie in its August 2007 issue entitled "The Eternal Internal" by journalist Bill Milkowski. In 2008, Reggie was among the winners of the Rising Stars electric bassist category in DownBeat magazine's International Critics Poll. He was also featured in the April 2008 issue ofJazz Times magazine in an article entitled "Overdue Ovation; Groove Instincts". He hasalso appeared in Jazz Magazine, Jazzman, De Bassist, Jazz Hot, Le Soir. Aside from holding down the groove for Steve Coleman's Five Elements, Reggie has alsoplayed for such notable groups as Roy Hargrove's RH Factor, Branford Marsalis's Buckshot LeFonque and Oliver Lake Steel Quartet. His extensive list of credits includes work with African drum master Babatunde Olatunje, calypso star Mighty Sparrow, jazz singer Cassandra Wilson, R&B singer D'Angelo, guitarist Jean-Paul Bourelly, pianist Uri Caine,trumpeter Lester Bowie, clarinetist Don Byron, alto saxophonist Arthur Blythe,the World Saxophone Quartet, Mike Mainieri's Steps Ahead, saxophonist Jacques Schwarz-Bart, bassist-vocalist Meshell Ndegeocello and cabaret diva Ute Lemper.

 

10 CLASSIC RANDY CRAWFORD ALBUMS REISSUED

RANDY CRAWFORD - EVERYTHING MUST CHANGE / MISS RANDY CRAWFORD

Two early gems from Randy Crawford – back to back in a single set! Everything Must Change is the sublime first album from Randy Crawford – a set that's got a very strong jazzy vibe throughout – and which really shows the great place from which Randy started! There's a careful and classy mix of jazz, soul, and modern R&B throughout – never overdone, but often filled out with just the right sort of larger charts to match that incredible range of Crawford – that singing style that few other artists could match! Arrangements are by William Eaton and Larry Carlton – both with lots of jazzy undercurrents – and titles include a killer live version of "Everything Must Change", plus the tracks "I Had To See You One More Time", "I've Never Been To Me", "I Let You Walk Away", "Something So Right", and "Don't Let Me Down". Miss Randy Crawford is one of the hippest, tightest albums ever from Randy Crawford – a set that's got a great blend of jazz, funk, and soul – all with the kind of poise and polish she brought to her famous work with The Crusaders! Crawford's wonderful vocals are wrapped up perfectly in some cool combo backings which are then augmented by larger strings – a blend that's got a great sort of richness right from the start, but also that special late 70s LA style that never has things getting too soppy or commercial, even when tight. Randy's the perfect sort of singer to make a record like this come out right – and titles include "I Can't Get You Off My Mind", "Over My Head", "Single Woman Married Man", "Half Steppin", "This Man", and "At Last". ~ Dusty Groove

RANDY CRAWFORD - RAW SILK / NOW WE MAY BEGIN

Two early classics from the great Randy Crawford! Raw Silk is a really wonderful little album from Randy – a lot jazzier than previous work, and done in a style that has Randy's vocals backed by small electric combo work on most cuts! Players on the set are a great batch of top-shelf fusion players – and include Don Grusin, William D Smith, Leon Pendarvis, and John Tropea – all playing in different combos from track to track, but keeping things nicely together to match Randy's increasingly soulful vocals. The sound's a real hint at the greatness Randy would hit with The Crusaders – but in a mellower mode – and titles include "Endlessly", "Declaration Of Love", "Blue Mood", "Love Is Like A Newborn Child", "Nobody", and "Just To Keep You Satisfied". Now We May Begin is a great album cut by Randy during the height of her career! She'd just broken big with her vocals on "Street Life" by the Crusaders – and although that track's not on here, the Crusaders team of Wilton Felder, Stix Hooper, and Joe Sample produced the album, and have given it a very similar sound to that track. There's a few weak moments where Randy's singing in a mellower style that lets her voice wobble a bit too much – but the stronger tracks have a good jazz funk groove, and these include "Blue Flame", "Last Night At Danceland", and "My Heart Is Not As Young As It Used To Be". ~ Dusty Groove

RANDY CRAWFORD - SECRET COMBINATION / WINDSONG

A Randy Crawford double-header – with bonus tracks too! First up is the album Secret Combination, rich, proud work from Randy Crawford – sung with the mature mix of jazz and soul that made her one of the more sophisticated mainstream singers of her generation! The album's heavy on mellower cuts, but it's never too sleepy – thanks to a slow-burning sensibility that Randy uses to keep things cooking on the low burners – a style that brings out some good vocal force even when the backings are somewhat gentle. Production's by Tommy LiPuma, and somewhat slick, and tracks include "You Might Need Somebody", "That's How Heartaches Are Made", "Two Lives", "You Bring The Sun Out", "Rio De Janeiro Blue", "Time For Love", "Trade Winds", and "When I Lose My Way". Windsong features Randy singing with relatively full arrangements – smooth, but never too slick – and done in a way that really lets her vocals take command of the entire set. Titles include "Look Who's Lonely Now", "Letter Full Of Tears", "He Reminds Me", "Windsong", "One Hello", "Don't Come Knockin", "We Had A Love So Strong", and "This Night Won't Last Forever". Bonus tracks include a live version of "Street Life" and a duet with Al Jarreau on "Your Precious Love". ~ Dusty Groove

RANDY CRAWFORD - NIGHTLINE / ABSTRACT EMOTIONS

Two 80s gems from Randy Crawford – with bonus tracks too! Niteline is a great crossover moment for Randy Crawford – a set that's filled with catchy little numbers that really helped to break her big to a larger audience, yet still with all the jazzy class of her earlier records too! Linda and Cecil Womack contributed a number of excellent songs to the set, and these balance out the soul component nicely – rounding things out alongside a few of the more crossover tracks. Backings are polished, but still never too clunky or commercial – leaving lots of room for those classic Crawford vocals – and titles include "Nightline", "Living On The Outside", "The Bottom Line", "In Real Life", "Happy Feet", "Lift Me Up", and "Ain't No Foolin". Also features bonus cuts – "Nightline (special version)" and "Nightline (inst dub)". On Abstract Emotions, Randy Crawford's working with arrangements and production from Reggie Lucas – all very much in that sweet 80s style he was bringing to work with other artists at the time! There's plenty of beats, guitars, and keyboards in the instrumentation – pushing an overall sound that's more electric than some of Randy's jazzier sides from the early days. But Ms Crawford's vocals come out strongly on top of it all – with a poised presence that's clearly the main focus of the set. Lucas plays guitar, and also wrote a few of the tracks – and titles include "Can't Stand The Pain", "Actual Emotional Love", "World Of Fools", "Betcha", "Desire", "Getting Away With Murder", and "Almaz". CD features bonus tracks – "Getting Away With Murder (ext)", "Desire (edit)", "Desire (Victor Flores rmx)", "Desire (Victor Flores ext)", and "Desire (acappella)".~ Dusty Groove

RANDY CRAWFORD - RICH AND POOR / THROUGH THE EYES OF LOVE

Randy Crawford at the cusp of the 90s – served up here on two very big albums from the CD generation! On Rich & Poor, Randy Crawford's really pushing her range nicely – still very much in the jazzy soul mode that brought her big notice right from the start, but also working towards some warmer moments that helped the record cross over nicely too! Randy's range is always amazing – able to inflect feeling into songs, even where you might not expect it – which keeps things interesting, even when some of the tracks are clearly going for the charts. Titles include "Every Kind Of People", "This Is The Love", "Separate Lives", "Love Is", "Cigarette In The Rain", "Wrap U Up", and "All It Takes Is Love". Also features a bonus track – "Wrap U Up (edit)". Through The Eyes Of Love is filled with sweet grooves from Randy Crawford, and is a set that does a really nice job of bringing back some of the jazzier elements from her roots – some warm Crusaders-like inflections that bring Crawford right back to her best sort of style! Instrumentation is nicely laidback at points – still smooth, but maybe a bit more relaxed than some of Randy's late 80s efforts – showing that return to classic elements that was coming into a lot of mainstream soul at the time. The approach works better here with Crawford than it does with most of her contemporaries – some of whom were caught out in the open without any studio tricks to help them out. Titles include "It's Raining", "Who's Crying Now", "When Love Is New", "Diamonte", "Just A Touch", "Like The Sun Out of Nowhere", and "Hold On Be Strong". ~ Dusty Groove

NEW RELEASES - REMIXED WITH LOVE BY JOEY NEGRO, M1, BRIAN JACKSON & THE NEW MIDNIGHT BAND, DIGGIN' P-VINE PLANET FUNK MIXED BY MURO

REMIXED WITH LOVE BY JOEY NEGRO (VARIOUS ARTISTS)

Upcoming remix album from Joey Negro featuring: Mass Production - Welcome To Our World (Joey Negro Funk In The Music Mix); Patrice Rushen - Haven't You Heard (Joey Negro Extended Disco Mix); Roxy Music - The Same Old Scene (Joey Negro Disco Scene Mix); TW Funkmasters - Love Money (Joey Negro Dubwise Revision); Karen Young - Hot Shot (Joey Negro Sure Shot Mix); Narada Michael Walden - Tonight (I'm Alright) (Joey Negro Spirit Of ‘79 Mix); Loleatta Holloway - Hit And Run (Joey Negro Dub Sensation); Kleeer - Tonight's The Night (Good Time) (Joey Negro Partytime Tonight Mix); Phreek Feat. Donna McGhee - May My Love Be With You (Joey Negro Tribute To Patrick Adams); Kleeer - I Love To Dance (Joey Negro Extended Disco Mix); Mass Production - Cosmic Lust (Joey Negro 7 Minutes Of Jazz Funk Mix); Ashford & Simpson - Over And Over (Joey Negro Find A Friend Mix); Roy Ayres - Get On Up Get On Down (Joey Negro Revibe); Narada Michael Walden - I Should’ve Loved Ya (Joey Negro Should've Dubbed Ya Mix); Matt Bianco - Half A Minute (Joey Negro Sunburnt Mix); Electric Empire – Always (Joey Negro Classic Mix); Princess Freesia – Freesia (Joey Negro Cookie Dough Mix); and Bobby Caldwell - Down For The Third Time (Joey Negro Down For The 4th Time Edit).

M1, BRIAN JACKSON & THE NEW MIDNIGHT BAND - EVOLUTIONARY MINDED FEATURING THE LEGACY OF GIL SCOTT-HERON

Brian Jackson re-ignites the righteous magic he forged back in the 70s with Gil Scott-Heron on a set of legendary albums that we'll treasure forever – but he does so here in a richly collaborative spirit that takes the message and the music even farther than ever! Jackson's keyboards and sense of composition really holds the whole thing together – but the sound also includes contributions from a whole host of others – including MC M1, vocalists Martin Luther and Gregory Porter, percussionists Bill Summers and Airto, speakers Bobby Seale and Abiodun Oyewole, drummer Stanton Moore, and guest MCs Chuck D and Dead Prez. Some tracks are remakes of older Gil Scott-Heron numbers, but most are new grooves that really offer up a 21st Century take on the combination of knowledge and rhythm that Brian and Gil forged back in the 70s. Titles include "Go Ahead On Bobby", "Winter In America", "Opponent", "Liberation Psychology", "All We Got", "Tradition", and "Song Of The Wind". ~ Dusty Groove

DIGGIN' P-VINE PLANET FUNK MIXED BY MURO (VARIOUS ARTISTS)

DJ Muro normally mixes it up with classic funk and soul – but this time around, he's turned his mighty talents to a host of contemporary tracks from the deep funk underground – work from labels like Timmion, Record Kicks, and other hip indies – woven together here in a totally great blend of heavy drums and raw funky instrumentation! The tracks are all great on their own – but Muro's work really shows us what the right sort of DJ can do with the material – lining up the best breaks and tightest riffs – to come up with a stunning tapestry of sound that's even better than the sum of its funky parts! Tracks include "Soul Investigators Theme" by Nicole Willis & The Soul Investigators, "Kool & The Gang" by Speedometer, "Truck Turner" by Undercover Express, "Purification (parts 1 & 2)" by Funkshone, "Pambiche" by New Cool Collective, "Midnight Feast Of Jazz" by Nick Pride & The Pimptones, "The Ghetto There's No Way Out" by The Soul Immigrants, "With Time" by Katzuma, "Got To Let My Feelings Show" by Bluey, "Stompin Joe" by Mountain Mocha Kilimanjaro, and "Break The Fast" by Eddie Roberts West Coast Sounds. 24 tracks – and 70 minutes of music! ~ Dusty Groove

DIANA KRALL, CARMEN LUNDY, HANK JONES, CAROL WEISMAN & OTHERS FEATURED ON FIFTEEN SHADES OF JAZZ

Justin Time Records is set to release Fifteen Shades of Blue Jazz on November 12, a collection of tunes that will put you in the mood for love! Featuring standards and originals in a variety of styles to satisfy every soul, with music that creates an air of romance from playful melodies to the sweetest sounds of jazz.

From swinging to slow and sultry, these 15 thematic gems are performed by some of the biggest names in jazz, included are Diana Krall's captivating performance of this "This Can't Be Love," Hank Jones' thoughtful "Because I Love You" and the timeless talents of Oliver Jones and Oscar Peterson. You'll be charmed by the subtle vocal stylings of Angela Galuppo from the jazz/pop band St. Ange and sway to Carol Welsman's "Hold Me."

  

Swing out to Fraser MacPherson's "You Took Advantage Of Me," sink into Ranee Lee's lovely rendition of "When A Woman Loves A Man," Brian Hughes' oh so smooth "Promise You," and the great Johnny O'Neal asks "Why Try To Change Me Now?"  Also featured are stellar performances by the world renowned Rob McConnell Tentet, celebrated vocalists Carmen Lundy and Susie Arioli and pianists extraordinaire Taurey Butler and Paul Bley. This is one tantalizing compilation that is sure to please.

Fifteen Shades Of Blue Jazz - Tracklist

"This Can't Be Love" / Diana Krall

"You Took Advantage Of Me" / Fraser MacPherson

"When A Woman Loves A Man" / Ranee Lee

"Lady Be Good "/ Oliver Jones feat. Josée Aidans

"Why Try And Change Me Now" / Johnny O'Neal

"Because I Love You" / Hank Jones

"Foolin' Myself" / Susie Arioli Band

"Alone Together" / Oscar Peterson

"Promise You" / Brian Hughes

"I Could Almost Love You" / St. Ange

"I'll Never Stop Loving You" / Rob McConnell Tentet

"Hold Me" / Carol Welsman

"The Lady Is A Tramp" / Taurey Butler

"This Is The End Of A Love Affair" / Carmen Lundy

"Pleasing You" / Paul Bley

 

TOM KENNEDY - JUST PLAY!

In the hands of a master, the bass can become as commanding an instrument in jazz as any horn or keyboard. Yet mastery is not just a case of conspicuous technical prowess. What makes a bassist truly special is a rare combination of imagination, taste and empathy -- all mated with monster chops. Tom Kennedy, an in-demand player who has recorded or performed with a vast range of artists including Michael Brecker in Steps Ahead, Tania Maria, Al DiMeola, Mike Stern, David Sanborn, Joe Sample, and Lee Ritenour, among others, is just such an inspiring bassist. 

An all-star event, Just Play features drummer Dave Weckl, with whom Kennedy has a long friendship and recording history; guitarists Mike Stern and Lee Ritenour; pianist Renee Rosnes, tenor saxophonists George Garzone and Steve Wirts, trombonist John Allred, and trumpeter Tim Hagans.

Recorded in one day at the legendary Nola Studios in NYC, with most of the tunes captured on the first take, Kennedy's fourth CD as a leader is a testament to the prowess and virtuosity of all the musicians involved. The album is also a testament to the transformative power that occurs when superior players find themselves in a shared comfort zone. Goading each other to new heights on classic material that can bring out the best in a committed improviser, the song standards "What is this Thing Called Love" and "The Night Has a Thousand Eyes," as well as such jazz standards as "Airegin" (complete with a wailing solo by Garzone), "Moanin'" (a slow and soulful rendition featuring Ritenour), "In a Sentimental Mood," Lee Morgan's "Ceora" and Cedar Walton's "Bolivia" inspire both snapping solos and deeply in-the-pocket support by the rhythm section. Throughout, Kennedy acts as both the rock-solid foundation on which the action rides and, when he steps into the spotlight, an imposing soloist.

As Thomas Burns, President of Capri Records states, "I first worked with Tom Kennedy on Ken Peplowski's In Search ofŠ recording. I was astounded with his playing and his ability to link up with all the other cats on the date. Most bassists I've heard emulate another's style.  But while Tom is deeply rooted in the tradition of legendary bassists like Ray Brown and Paul Chambers, he solos more like a horn player."

A personal project that tellingly exhibits the trust and creative interaction that Kennedy enjoys with his A-list musician friends, Just Play also speaks of the St. Louis native's deep respect for his brother Ray, with whom Kennedy has previously recorded. "I've dedicated this recording to my brother for so many reasons. He has always been such an inspiration to me, as a phenomenal pianist, composer and arranger, and even more, through his incredible spirit of giving. Music has always been such a sharing, nurturing experience between Ray and anyone he performed with. The beauty of what music really is remains in his soul to this day, despite his inability to perform after the onset of multiple sclerosis in 2008. Ray Kennedy is a true hero to me and everyone else having the good fortune to share in his music."

Just Play makes it obvious that Tom Kennedy shares with his brother - and each of the excellent players who enliven the project -- a similar understanding of the essence of music. Beauty and excitement are in plain sight -- just play the album and hear it for yourself.

JIMI HENDRIX AMERICAN MASTERS DOCUMENTARY - HERE MY TRAIN A COMIN' - TO PREMIERE NATIONWIDE ON PBS NOV 5, 2013

Hear My Train A Comin' unveils previously unseen performance footage and home movies taken by Hendrix and drummer Mitch Mitchell while sourcing an extensive archive of photographs, drawings, family letters and more to provide new insight into the musician's personality and genius.

A pioneering electric guitarist, Hendrix had only four years of mainstream exposure and recognition, but his influential music and riveting stage presence left an enduring legacy. Hear My Train A Comin' traces the guitarist’s remarkable journey from his hardscrabble beginnings in Seattle, through his stint as a US Army paratrooper, unknown sideman to R&B stars such as Little Richard, Joey Dee and the Isley Brothers and his discovery and ultimate international stardom.

Presented as part of a year-long celebration around his 70th birthday year--the guitarist was born November 27, 1942--the two-hour Hear My Train A Comin' tells the definitive story, illustrated by interviews with Hendrix and illuminated with commentary from family, well-known friends and musicians including Paul McCartney, Noel Redding, Mitch Mitchell, Billy Cox, Eddie Kramer, Steve Winwood, Vernon Reid, Billy Gibbons, Dweezil Zappa and Dave Mason as well as revealing glimpses into Jimi and his era from the three women closest to him Linda Keith (the girlfriend who introduced Jimi to future manager Chas Chandler), Faye Pridgeon (who befriended Hendrix in Harlem in the early 1960s) and Colette Mimram (one of the era's most influential fashion trendsetters who provided inspiration for Hendrix's signature look and created such memorable stage costumes as the beaded jacket Hendrix famously wore at Woodstock). 

The film details the meteoric rise of the Experience, the creation of his groundbreaking music, the building of Electric Lady Studios, his state-of-the-art recording facility in Greenwich Village, and concludes with poignant footage from his final performance in Germany in September 1970, just 12 days before his death at age 27.

Janie Hendrix, President and CEO of Experience Hendrix LLC and the sister of Jimi Hendrix commented, "Hear my Train a Comin' is an in-depth look at the life and legacy of Jimi with his own words as well as the words and memories of those that knew him well and were close to him. His impression on the world through his genius, music and talent continue to magically touch the lives of ensuing generations."

American Masters: Jimi Hendrix - Hear My Train A Comin' is directed by the award winning director Bob Smeaton (Festival Express; The Beatles Anthology; Jimi Hendrix: Voodoo Child; Hendrix 70: Live at Woodstock). Susan Lacy is series creator and executive producer of American Masters. The expanded DVD features an array of special features highlighted by never before released film footage featuring performances filmed at Miami Pop, the July 1970 New York Pop Festival and the September 6, 1970 Love & Peace Festival at the Isle Of Fehmarn in Germany—the final performance by the Jimi Hendrix Experience. The high definition DVD features new stereo and 5.1 surround mixing by Hendrix's engineer Eddie Kramer. The documentary is a production of Fuse Films and THIRTEEN's American Masters in association with WNET.