Keith Mitchell Reclaims His Voice and His Faith with Soul-Stirring Gospel Debut, “He’s Alive”

In a moving and spirit-filled leap from chart-topping R&B to gospel, veteran singer Keith Mitchell—formerly of Grammy-nominated group After 7—steps into the spotlight as a solo artist with his debut single “He’s Alive.” Overflowing with praise, testimony, and an undeniable groove, the track marks a powerful return to the spiritual roots that shaped him long before the limelight ever found him.

A Journey Full Circle

Though best known for his role in After 7, the acclaimed R&B trio formed in 1987 alongside Melvin and Kevon Edmonds, Keith’s spiritual journey began far earlier. Raised in Indianapolis, Mitchell met Christ at the age of seven at Zion Tabernacle Pentecostal Church, where he was baptized in the Name of Jesus and spoke in tongues shortly thereafter. He performed with his siblings as The Stars of Zion and became the director of the young adult choir by age 13. But perhaps most remarkably, his mother recalled a night when a six-week-old Keith—barely old enough to coo—was heard speaking the phrase “I’m walking in the light” from his crib. That light has followed him ever since.

From Platinum Success to a Higher Calling

With After 7, Keith helped craft timeless romantic anthems like “Ready or Not” and “Can’t Stop,” songs that soared up the R&B and Billboard charts. Yet, even during his musical high points, there remained a deeper calling. After years of touring, recording, and navigating the industry, Mitchell left After 7 in January 2025 to answer that call with full conviction. His debut gospel single, “He’s Alive,” is the result—a song born from decades of lived experience, spiritual searching, and heartfelt praise.

The Message in the Music

“He’s Alive” is both a declaration of personal faith and an invitation to others to experience the living presence of Christ. With his rich vocals and dynamic delivery, Keith offers lyrics that speak to the core of the believer’s journey. From the opening line—“No need to feel despair…God will meet you on the road”—to the energetic rap bridge that asks, “When you find the Lord…Will you testify what he did with your life?” the track offers encouragement, clarity, and truth in equal measure.

It’s the first single from Mitchell’s upcoming gospel album Food for Your Life, a collection of mostly up-tempo praise and worship songs that reflect the transformation he’s undergone and the faith he now boldly shares. Tracks like “The Kingdom,” “I Owe Him My Life,” and “I Just Love to Love the Lord” are poised to become anthems for the faithful. A standout, “Virtuous Woman,” inspired by Proverbs 31:10, pays tribute to women of noble character and spiritual strength.

From Wandering to Witness

Mitchell’s return to gospel is not just artistic—it’s deeply personal. Despite his early spiritual foundation, Keith drifted from the church in his teenage years, spending decades chasing success in finance and music while feeling spiritually unmoored. Everything changed when he encountered the ministry of Creflo Dollar in Atlanta. Through those teachings, Mitchell found clarity, understanding, and a renewed purpose.

“Taking His Word and putting it into words and melodies has truly helped me find answers to who I am, what my purpose is and why God is such an all-encompassing Presence in my life,” Mitchell says.

A Voice Reborn

“He’s Alive” is more than just a single—it’s the sound of a soul awakened, an artist reborn, and a man fully walking in his calling. Keith Mitchell may have once been known for serenading the brokenhearted, but now his voice resounds with something greater: hope, truth, and an unshakable love for the Lord.

As he prepares for the full release of Food for Your Life later in 2025, one thing is clear—Keith Mitchell is no longer singing about love between people. He’s singing about a higher love. And with “He’s Alive,” he invites us all to lift our voices in praise right along with him.

Pianist/Composer Mike Prigodich to Release Electrifying Live Album Stage Magic

Acclaimed jazz fusion pianist and composer Mike Prigodich is set to unveil his latest recording, Stage Magic, a dynamic live album that captures the high-energy brilliance of his music in its purest form. Recorded live on November 23, 2024, at Classic Pianos in Portland, OR, Stage Magic showcases Prigodich's innovative artistry and the masterful synergy of his all-star ensemble.

The album features an extraordinary lineup:

• Mike Prigodich – Piano

• John Nastos – Sax

• Damian Erskine – Bass

• Reinhardt Melz – Drums

• Carmelo Torres – Percussion

With Stage Magic, Prigodich returns to the intimate intensity of a live performance setting—something that fans and critics alike have long praised for its energy, improvisational flair, and emotional resonance.

"This band is top shelf; they were super tight and super exciting."
– George Colligan (Jack DeJohnette, Lenny White)

"Prigodich speaks a musical language all his own, one born of a voice that elevates his instrument far beyond its realm into one where mystery and magic meet."
– All About Jazz

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🎶 Track Listing (All Compositions by Mike Prigodich)

1. Ferryland – 7:46

2. A Measure of Luck – 10:02

3. The Spice of Life – 9:25

4. Kate's Antic (for Rob Lucke) – 9:57

5. Haiku – 9:52

6. A Charmed Life – 8:07

7. Play Structure – 9:01

8. The Wizard of Odd – 11:06

Stage Magic is a sonic journey brimming with inventive melodies, rhythmic complexity, and a deep sense of play. From the mesmerizing syncopations of “The Wizard of Odd” to the reflective beauty of “Haiku,” the recording captures a group of top-tier musicians at the height of their improvisational powers.

Saxophonist/Composer Hillai Govreen to Release New Album Every Other Now

With Every Other Now, saxophonist and composer Hillai Govreen delivers a bold and emotionally rich sonic journey that pushes beyond convention. This deeply collaborative project—crafted alongside bassist and co-producer Ben Meigners—features an elite lineup of New York-based musicians including Steve Cardenas, Eric McPherson, Eden Ladin, and Café Da Silva. The result is an expansive, genre-defying collection that captures both the uncertainty and vitality of contemporary life.

The recording is an invitation to enter a space where vulnerability, improvisation, and technical prowess converge. Mitch Borden, a longtime observer of New York’s jazz scene, perfectly captured the magic:

“Something in my heart leapt the first time I heard this music live… The atmosphere on stage gets heavy as someone begins to stretch… The music presented here is quite real. It is streetwise and intuitive. Its imagery is fashioned by bare passion and powerful imagination.”

Govreen's compositions do more than simply challenge the standard jazz idiom—they reshape it. While much of modern jazz grapples with precision and technical mastery, Govreen embraces the fluidity of expression. Every note feels lived-in. Every phrase feels personal. Original works on the album are more than compositions—they’re emotional reflections, raw sketches of life's uncertain, beautiful moments.

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Track Personnel

• Hillai Govreen – Tenor Saxophone, Clarinet

• Noah Stoneman – Piano, Rhodes (tracks 1–4, 8, 9)

• Eden Ladin – Piano, Synth (tracks 5, 6)

• Steve Cardenas – Guitar (tracks 1–3, 5, 6)

• Ben Meigners – Upright Bass, Electric Bass

• Eric McPherson – Drums (tracks 1–3, 5–7, 9)

• William West – Drums (tracks 4, 8)

• Café Da Silva – Percussion (tracks 3, 4, 8)

• Greg Glassman – Trumpet (track 8)

Hillai Govreen is a clarinetist, saxophonist, and composer based in New York City. Known for her lyrical phrasing and genre-blending approach, Govreen is a dynamic voice on today’s jazz scene. Every Other Now is her second full-length project, following her debut album Allusions (2021), a duet with pianist Nitsan Kolko that explored spontaneous musical storytelling.

A graduate of The New School for Jazz and Contemporary Music, Hillai studied under jazz greats including Anat Cohen, Chris Cheek, Tony Malaby, Billy Harper, and Steve Cardenas. She has performed at some of New York’s most revered venues, such as Smalls, Mezzrow, Birdland, Dizzy’s Club, National Sawdust, and Ornithology. Her international tours have taken her across Europe, the U.S., Israel, and India.

Before relocating to the U.S., Hillai was raised in Israel, where she began classical piano studies at age six and later focused on clarinet under the mentorship of Professor Michael Gurfinkel. She received full scholarships and awards from the American Israel Cultural Foundation and was the principal clarinetist for the Young Israeli Philharmonic Orchestra.

Hillai is also an endorsing artist for P. Mauriat saxophones and clarinets.

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With Every Other Now, Hillai Govreen stakes a powerful claim as a visionary artist deeply attuned to the emotional and philosophical resonance of music. It’s a recording that speaks to our shared humanity—with all its contradictions, improvisations, and fleeting beauty.

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Joshua Redman Announces New Album Words Fall Short – A Journey of Collaboration and Innovation

Jazz saxophonist Joshua Redman is set to release his highly anticipated second album on Blue Note, Words Fall Short, on June 20, 2025. The album features an exciting new chapter in Redman's career, with a collection of original compositions brought to life by his new quartet. The quartet—comprising pianist Paul Cornish, bassist Philip Norris, and drummer Nazir Ebo—was formed as a working band during the world tour for Redman’s 2023 label debut where are we. With steady performances on the road, Redman found inspiration and synergy within the band, leading to the creation of Words Fall Short.

A New Musical Direction for Redman

Words Fall Short marks a natural evolution for Redman, who has been a dominant force in jazz for decades. Unlike his previous album, which featured the collaboration with vocalist Gabrielle Cavassa, this new project embraces a more intimate, ensemble-based sound. The compositions for Words Fall Short were created during the pandemic, a time that brought about various emotions such as wistfulness, sadness, and resolve. These themes are especially present in the stunning opening track, “A Message To Unsend,” which captures a deep emotional resonance through Redman’s signature saxophone style.

In speaking about the album, Redman emphasizes that Words Fall Short was not a project he willed into being. “It’s impossible for me to will a project into being,” he shares. Instead, the album grew organically out of the chemistry formed during the quartet’s live performances. Words Fall Short features not just new compositions, but also special guest appearances by talented artists such as vocalist Gabrielle Cavassa, saxophonist Melissa Aldana, and trumpeter Skylar Tang.

The Quartet: A Perfect Balance of Youth and Experience

Redman’s new rhythm section is a standout feature of the album, bringing fresh energy to the compositions. In particular, bassist Philip Norris and drummer Nazir Ebo have made a significant impact on Redman, who praises their unique qualities. Norris, in particular, reminds Redman of the great Christian McBride with his ability to blend precision and creativity. Meanwhile, Ebo’s groove is flexible and dynamic, allowing him to navigate complex rhythms with ease while always serving the song.

By the summer of 2023, Paul Cornish completed the quartet’s transformation. Cornish brings a perfect balance of empathy and challenge to the group, helping the band push boundaries while keeping the music grounded in a natural flow. This synergy within the quartet is evident throughout Words Fall Short, as each member has their moment to shine while contributing to the collective sound.

Redman’s approach to bandleading remains consistent with his previous work—surrounding himself with virtuoso musicians who excel not just in their technique but also in their ability to collaborate and listen. The ensemble’s dynamic is one of spontaneity and sensitivity, creating a fluid yet cohesive musical experience.

The Tracklist: A Fusion of Emotion and Improvisation

The eight tracks on Words Fall Short each reflect different aspects of Redman’s emotional and creative journey. As a listener, you'll experience a rich tapestry of sounds, from heartfelt melodies to adventurous improvisations. Redman’s compositions, though rooted in personal experiences, are not fully explained, allowing the music to speak for itself and enabling listeners to find their own meaning in each piece.

The special guest appearances also add depth to the album, particularly the contributions from Melissa Aldana and Skylar Tang. Their collaborations bring additional layers of creativity to Redman’s already rich compositions.

Celebrate Words Fall Short at the Blue Note

To celebrate the release of Words Fall Short, Joshua Redman and his quartet will perform at the legendary Blue Note Jazz Club in New York City from June 20-22, 2025. The trio will bring their innovative sounds to the stage, showcasing the chemistry and collaboration that define this exciting new chapter in Redman’s career. In addition to the Blue Note performances, the quartet will be touring across the U.S. and Europe this summer, so be sure to check out their schedule and catch them live.

Julian Shore Unveils His Stunning New Trio Album Sub Rosa – A Journey into Beauty, Mystery, and Meaning

Rising star pianist and composer Julian Shore is back with his highly anticipated second trio album, Sub Rosa, set for release on June 6, 2025, via Chill Tone. The album features Shore's remarkable trio, consisting of bassist Martin Nevin and drummer Allan Mednard, and builds on the deeply personal and intuitive chemistry they cultivated on their 2023 debut album. Known for his quiet sophistication and insightful musical voice, Shore once again brings forward a collection of evocative compositions that speak volumes in abstract form.

Sub Rosa—Latin for "under the rose," a symbol historically associated with secrecy and confidential discussions—serves as the perfect metaphor for the album's enigmatic nature. From its intricate melodies to the band’s seamless interplay, the music is a conversation between sounds, emotions, and unspoken narratives. Jazz has always been a coded language, and Shore embraces that concept to its fullest, using it as a tool to convey complex emotions and experiences without explicit explanation.

A Trio's Evolution: From the Debut to Sub Rosa

While their 2023 self-titled debut album was an informal affair recorded soon after the lifting of lockdown restrictions, Sub Rosa reflects over two years of shared experiences and growth. The trio’s remarkable fluidity and sense of trust have been honed over time, and the music flows with a rare sense of ease and precision. Shore’s compositions, though deeply personal, remain open to interpretation, allowing listeners to find their own connection with each track. As Shore explains, his titles hint at his life experiences, but he deliberately keeps their full meaning hidden. “The music is the talking,” he shares, echoing the sentiments of film director David Lynch who once expressed his frustration with explaining the cryptic nature of his work.

Wayne Shorter: A Key Influence on Sub Rosa

One of the most profound influences on Shore’s music is the legendary saxophonist Wayne Shorter, who passed on invaluable lessons about musical abstraction. Shore had the privilege of studying with Shorter at Berklee College of Music, and Shorter’s ethos of embracing the unknown is woven throughout Sub Rosa. The album’s opener, “Messenger,” is a direct nod to Shorter’s tenure with Art Blakey’s Jazz Messengers, while the reflective second track, “Mission,” draws inspiration from Shorter’s final words, “It’s time for me to get a new body and continue the mission.”

Shorter’s legacy is felt throughout the entire album, especially in the trio’s take on “All the Things You Are”—a jazz standard that has been endlessly deconstructed by musicians over the years. Shore’s rendition takes this well-known tune to new heights, offering a fresh, kaleidoscopic interpretation. Similarly, the trio’s rendition of Brian Wilson’s “Don’t Talk (Put Your Head on My Shoulder)” from The Beach Boys' Pet Sounds stays true to its heart while allowing the trio to explore and shape the song’s emotional depth.

Encapsulating the Personal and the Universal

The original compositions on Sub Rosa blend beauty with spontaneity, rooted in Shore’s personal experiences but leaving room for listeners to make their own interpretations. From health struggles close to home to moments of waking dreams, the music embodies a range of emotional landscapes. The trio’s impeccable chemistry is evident in every track, as each member brings their own sense of maturity, intuition, and humor to the table. Shore praises his bandmates: “Allan is one of the most in-demand drummers in New York, and Martin is the most mature musician I’ve ever played with.”

Despite the hidden meanings embedded in the music, the trio’s emotional and intellectual depth is immediately apparent. Sub Rosa rewards the listener who is willing to uncover the layers of complexity and emotion that Shore and his trio have carefully woven into every note.

Track Listing for Sub Rosa

• Messenger

• Mission

• All the Things You Are

• Don’t Talk (Put Your Head on My Shoulder)

• Blues in Blueprint

• Pegasus (Wayne Shorter tribute)

• Additional original compositions by Julian Shore

Julian Shore: A Rising Star in the Jazz World

Julian Shore has made a name for himself as one of New York’s most sought-after pianists. His versatile playing has garnered him the respect of his peers and led him to perform with jazz icons such as John Patitucci, Gretchen Parlato, Theo Bleckmann, and George Garzone. Shore has graced the stages of prestigious venues like Carnegie Hall, Jazz at Lincoln Center, and The Blue Note, and his performances continue to captivate audiences worldwide. In addition to his performing career, Shore is also an educator, serving as a faculty member at the New School and as an artistic consultant for Herbie Hancock’s Masterclass on masterclass.com.

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Julian Shore Trio – Sub Rosa Release Info

• Release Date: June 6, 2025

• Label: Chill Tone – CT0004

• Recorded: August 27-28, 2024

Seun Kuti Teams Up with Kamasi Washington on Revolutionary New Single “Move (Keep Moving Version)” + Full 2025 Tour Dates

Afrobeat torchbearer Seun Kuti has just dropped a new sonic powerhouse—“Move (Keep Moving Version)”, a bold and blazing collaboration with modern jazz visionary Kamasi Washington. Released today via Record Kicks, the single is available now across all digital platforms and offers a potent preview of the deluxe edition of Kuti’s acclaimed 2023 album Heavier Yet (Lays The Crownless Head), dropping May 28.

This new version of “Move” sees Kuti’s commanding voice and Afrobeat rhythms merged with Washington’s spiritual jazz firepower, creating an anthemic and revolutionary groove that pulses with urgency and purpose. As the son of legendary Fela Kuti, Seun carries a rich legacy of resistance and rhythm. With Kamasi—whose work has elevated the likes of Kendrick Lamar, Herbie Hancock, and the Michelle Obama documentary Becoming—the track becomes more than a collaboration; it’s a trans-genre call to action.

The deluxe edition of Heavier Yet will feature a host of new contributions, including appearances from De La Soul’s Pos, Adi Oasis, and more, continuing Kuti’s tradition of musical kinship with socially conscious innovators. The original album, produced by Lenny Kravitz, was praised as “his greatest and most powerful yet,” and this reissue promises to take things even further.

Following a high-energy set at Coachella, Seun Kuti & Egypt 80 are deep into their U.S. headlining tour, which includes a major appearance at the New Orleans Jazz & Heritage Festival and multiple dates across the East and West Coasts. Don’t miss your chance to catch this iconic band live—where the full power of Afrobeat erupts onstage with fiery brass, pulsating drums, and Kuti’s unrelenting energy.

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Seun Kuti & Egypt 80 2024 U.S. Tour Dates

• April 24 – New Orleans, LA @ New Orleans Jazz & Heritage Festival

• April 25 – Atlanta, GA @ City Winery

• April 26 – Charleston, SC @ Pour House

• April 27 – Mills River, NC @ Sierra Nevada Brewing Co.

• April 29 – Knoxville, TN @ Bijou Theatre

• April 30 – Charlotte, NC @ Neighborhood Theatre

• May 2 – Orlando, FL @ The Beacham

• May 3 – Hollywood, FL @ ArtsPark

• May 4 – Memphis, TN @ Riverbeat Music Festival

• May 6 – Seattle, WA @ Jazz Alley

• May 7 – Seattle, WA @ Jazz Alley

• May 8 – Portland, OR @ Aladdin Theatre

• May 9 – Fort Collins, CO @ The Armory

• May 10 – Basalt, CO @ TACAW

• May 11 – Denver, CO @ Cervantes’ Masterpiece Ballroom

• May 13 – Durango, CO @ Animas City Theatre

• May 15 – Rochester, NY @ Rochester Lilac Festival

• May 17 – Bentonville, AR @ FreshGrass Festival

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Track Info

• Title: Move (Keep Moving Version)

• Artists: Seun Kuti & Egypt 80 feat. Kamasi Washington

• Length: 5:46

• Label: Record Kicks

• Deluxe Album Release Date: May 28, 2024

Legacy in Harmony: Nathan and Noah East Deliver a Timeless Father-Son Jazz Collaboration

n the spirit of iconic family collaborations—think Bob and Jakob Dylan, Bob and Ziggy Marley, Joshua and Dewey Redman—comes Father Son, the long-awaited joint album from legendary bassist Nathan East and his son, Noah East, a gifted 25-year-old pianist and organist. The album is a celebration of generational talent and artistic intimacy, wrapped in warm jazz tones and classic soul stylings.

Nathan East is a household name among session musicians, known not only for his foundational role in the contemporary jazz supergroup Fourplay, but also for decades of touring and recording with the likes of Phil Collins, Daft Punk, and most notably, Eric Clapton. The latter returns the favor here, lending his guitar work to two standout tracks—adding both a nostalgic touch and a stamp of rock royalty to the project.

Produced by GRAMMY®-winner Moogie Canazio and recorded at EastWest Studios in Los Angeles, Father Son spans musical styles—from Great American Songbook standards to original compositions, to reimagined ‘70s soul tracks. It's an album rooted in jazz duo and trio dynamics but flavored with blues, classical, and straight-ahead swing.

Guest artists like Merry Clayton, Hubert Laws, and Billy Valentine provide seasoned texture to the arrangements, but it’s Noah East who truly shines as a revelation. His stylistic range—from subtle, contemplative jazz piano to punchy Hammond organ grooves—adds a freshness that signals a bright future.

For vinyl lovers, Father Son is a must-have. The warm analog press accentuates the album’s layered instrumentation and gives its heartfelt energy a tactile presence—perfect for late-night spins or quiet Sunday mornings.

At its core, Father Son is a narrative of connection—between a father and son, between tradition and innovation, between past and future. With stellar musicianship and emotional depth, Nathan and Noah East have created something more than just music. They’ve created legacy.

Emma-Jean Thackray Breaks Boundaries with "Weirdo" – A Bold Leap Into Sonic Stardom

If you’ve been following Emma-Jean Thackray’s journey from the fringes of experimental jazz to the frontlines of genre-defying groove, then her latest offering, Weirdo, is about to blow your mind—and quite possibly land her in the orbit of musical superstardom.

Dropping via Brownswood Recordings, Weirdo is a far cry from her earlier, more traditional jazz explorations. Here, Thackray leans fully into the eclectic—crafting tracks that blend soulful hooks, edgy textures, and head-nodding rhythms with a touch of cosmic flair. While jazz remains at the DNA level, the vocals take center stage, delivering a refreshing blend of vulnerability and confidence.

Collaborators like Reggie Watts and Kassa Overall bring even more unpredictability and depth to the album, helping shape a record that’s simultaneously catchy and complex. Think jazzy psychedelia meets soulful pop, filtered through the offbeat creativity that’s made Thackray a key figure in the UK scene.

Tracks like "Please Leave Me Alone", "Fried Rice", and "I Don’t Recognize My Hands" showcase her ability to balance introspection with playfulness. Meanwhile, "Thank You For The Day" might just be your next repeat-on-loop moment.

Available now for pre-order on CD  and a clear vinyl pressing for the collectors, Weirdo officially lands on Friday, April 25. Trust us, you’re going to want to hit play the second it arrives.

Herb Alpert Closes Out Historic Tijuana Brass Tour with Homecoming Show at L.A.’s Dolby Theater on November 15

After a whirlwind run across North America, legendary musician, artist, and music executive Herb Alpert will close out his long-awaited Herb Alpert & The Tijuana Brass & Other Delights tour with a triumphant homecoming performance at the Dolby Theater in Los Angeles on November 15. 

This once-in-a-lifetime tour—Alpert’s first with a Tijuana Brass ensemble in over 40 years—celebrates the 60th anniversary of the iconic album Whipped Cream & Other Delights. The reimagined band features Bill Cantos (piano/marimba), Kerry Marx (guitars), Ray Brinker (drums), Kris Bergh (trumpet), Ryan Dragon (trombone), and Hussain Jiffry (bass), performing timeless hits like “The Lonely Bull,” “Spanish Flea,” “Taste of Honey,” and “Rise.”

Since launching in February, the tour has played to sold-out audiences in Boston, Detroit, Orlando, and Buffalo, with more full houses on the way.

On March 31, Alpert marked his 90th birthday with back-to-back sold-out performances at Jazz at Lincoln Center in NYC and a sit-down with CBS’s Anthony Mason airing Friday, April 25. That same day, fans can grab the newly remastered 60th Anniversary vinyl edition of Whipped Cream & Other Delights, featuring the original analog recordings pressed on 180-gram vinyl and a collectible picture disc.

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Herb Alpert & The Tijuana Brass & Other Delights – 2025 Tour Dates

• 05/11 – Grand Rapids, MI @ DeVos Performance Hall (low ticket alert)

• 05/12 – Pittsburgh, PA @ Byham Theater (sold out)

• 05/13 – Cincinnati, OH @ Taft Theatre (low ticket alert)

• 05/15 – Philadelphia, PA @ Miller Theater (low ticket alert)

• 05/16 – Tysons, VA @ Capitol One Hall (sold out)

• 06/19 – Salt Lake City, UT @ Capitol Theatre (sold out)

• 06/20 – Las Vegas, NV @ Encore Theater at the Wynn (sold out)

• 06/22 – Denver, CO @ Paramount Theatre

• 06/23 – Colorado Springs, CO @ Pikes Peak Center

• 08/01 – San Antonio, TX @ Tobin Center for the Arts

• 08/02 – Dallas, TX @ Winspear Opera House (low ticket alert)

• 08/03 – Oklahoma City, OK @ Rose State College Performing Arts Center

• 08/05 – Kansas City, MO @ The Kauffman Center (low ticket alert)

• 08/06 – St. Louis, MO @ Touhill PAC (sold out)

• 08/07 – Carmel, IN @ The Palladium (low ticket alert)

• 08/09 – Chicago, IL @ Harris Theater (sold out)

• 10/02 – Winnipeg, Canada @ TBA

• 10/03 – Minneapolis, MN @ TBA

• 10/05 – Sioux Falls, SD @ Washington Pavilion

• 10/06 – Milwaukee, WI @ Bradley Symphony Center

• 10/07 – Omaha, NE @ Holland Center

• 11/09 – Seattle, WA @ TBA

• 11/10 – Portland, OR @ TBA

• 11/12 – Santa Rosa, CA @ TBA

• 11/13 – Sacramento, CA @ TBA

• 11/15 – Los Angeles, CA @ Dolby Theater 🎉

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Alpert's journey through music and beyond has been nothing short of extraordinary. A 9-time GRAMMY® winner, he’s sold over 72 million records, won a Lifetime Achievement GRAMMY, been inducted into the Rock & Roll Hall of Fame, and received the National Medal of Arts from President Obama. In addition to his music career, he’s also a celebrated visual artist, with exhibitions worldwide, and the co-founder of A&M Records, which launched artists like Janet Jackson, The Police, and Sheryl Crow.

His philanthropic efforts through the Herb Alpert Foundation have transformed arts education for countless young creatives, including the Harlem School of the Arts and the prestigious Herb Alpert Award in the Arts, which celebrated its 30th anniversary last year.

Following the tour and album reissue, Alpert shows no signs of slowing down. With new album concepts already brewing, he continues to prove that his artistry—and his curiosity—are as boundless as ever.

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Michika Fukumori Channels Light and Optimism on New Album Eternity and a Day

With each release, pianist-composer Michika Fukumori continues to shine brighter in the global jazz firmament. On her fourth album, Eternity and a Day (due June 6 from Summit Records), Fukumori not only affirms her artistry but also reveals an even deeper layer of creative confidence and emotional clarity.

Marking a significant milestone in her career, Eternity and a Day is the first album for which her original compositions outnumber the standards—a bold step that reflects her growth not just as a composer, but also as a self-assured producer steering the entire project. Featuring a deeply attuned trio with bassist Steve Whipple and renowned drummer Adam Nussbaum, the record carries a spirit of hope, beauty, and purpose.

“While an ordinary day can feel eternal, its fleeting nature reminds us to cherish and live each day deeply,” Fukumori says. “This idea permeates the entire album, offering a message of embracing each moment with light in our hearts and a sense of purpose.”

The music itself is an extension of that sentiment. Original pieces like “Another Tomorrow,” “Our Future (Reiwa),” and “There Is Always Light” radiate optimism through elegant melodies and emotive interplay. The title track, a delicate yet profound meditation, sets the tone for the album’s central theme: presence, gratitude, and the gentle passing of time.

Tracks like “Acaso” bounce with a lively Brazilian flair, while “Port (The Departure)” and “The Light of Dawn” evoke fresh beginnings and the quiet thrill of renewal. Even the selected standards are thoughtfully curated to echo the album’s emotional palette: the effervescence of Fats Waller’s “Jitterbug Waltz,” the tender swoon of “Be My Love,” and the imaginative fusion of Chopin’s Prelude Op. 28, No. 4 with Jobim’s “How Insensitive.”

Fukumori’s classical background remains a guiding force. Born in Iga, Mie Prefecture, Japan, she began playing piano at age three and composing at six. Though she studied classical composition formally, her heart gravitated to jazz. After studying in Tokyo under pianist Colgen Suzuki, she moved to New York in 2000, where she was mentored by jazz greats Geri Allen, Ron Carter, and longtime teacher Steve Kuhn.

With a master’s degree from City College of New York, Fukumori became a fixture in the New York jazz scene, performing at venues like the Blue Note, Zinc Bar, and Jazz at Kitano, all while maintaining close ties with her fans in Japan through annual tours.

Her discography reflects a steady evolution. From her 2004 debut Infinite Thoughts, to 2016’s Quality Time, to 2018’s Piano Images, Fukumori has gradually increased her focus on original material. Now, Eternity and a Day completes that journey—highlighting her voice as a composer as much as her finesse as a pianist.

To celebrate the release, Fukumori will perform at several NYC venues:

• Sun. 5/4 & 5/18 – Arturo’s, solo (7–11 PM)

• Sat. 5/17 & 5/24 – Antique Garage Tribeca, trio (7–10 PM)

• Sun. 6/1, 6/22, & 6/29 – Arturo’s, solo (7–11 PM)

A Japan tour is also scheduled from August 21 to September 21.

With Eternity and a Day, Michika Fukumori offers more than music—she offers a reflective, radiant lens through which to view each day as sacred. In a world hungry for light, her piano provides it—gently, purposefully, and profoundly.

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Kimberly Brewer Honors Quincy Jones with Heavenly Cover of “If I Ever Lose This Heaven”

With reverence and soul, acclaimed R&B and jazz vocalist Kimberly Brewer pays tribute to the late, great Quincy Jones through a shimmering new rendition of his classic track, “If I Ever Lose This Heaven.” Produced by two-time GRAMMY® nominee Chris “Big Dog” Davis, the single features the elegant flute stylings of Billboard chart-topping artist Ragan Whiteside.

Originally recorded by Jones for his 1974 album Body Heat, the song remains an enduring gem of romantic jazz-soul fusion. Brewer’s inspired take emerged after her longtime friend and collaborator, jazz-funk bassist Byron Miller, introduced her to Davis’s reimagined track. When Jones passed away shortly after, Brewer felt a calling to lend her voice to this timeless piece as a tribute to the legendary composer-producer-arranger.

“I was a child when Q’s version came out but always recognized the emotions behind this love song and how beautifully it was written,” Brewer reflects. “Chris sent me the track and I loved his arrangement and the impeccable background vocals of Devin Tiana. It was an honor to sing my version of ‘If I Ever Lose This Heaven’ to honor Q. My only regret is that he never got to hear it.”

Chris Davis, familiar with Brewer’s unique blend of jazz, R&B, and soul, crafted a sensuous and richly textured arrangement with jazzy horns, velvety grooves, and a nostalgic yet modern flair. Drawing inspiration from the original, Davis invited Ragan Whiteside to contribute her signature flute—a sonic nod to the classic intro that opened Jones’s version.

The result is a lush, dreamy soundscape where Brewer’s lead and backing vocals float effortlessly alongside Whiteside’s soulful flute lines. The chemistry between their performances creates a celestial harmony that not only honors Jones’s legacy but breathes new life into the track for a new generation.

The influential soul music platform SoulTracks premiered the single in their First Listen feature, praising Brewer’s work:

“Lo and behold, we have a slick cover of ‘If I Ever Lose This Heaven’ from Stevie Wonder backing vocalist Kimberly Brewer… Having Brewer embrace this Quincy Jones masterpiece is the moment that today’s jazz and adult R&B lovers have long waited for.”

The original song was written by the late Leon Ware and Pamela Sawyer, and famously featured vocals from Ware, Minnie Riperton, and Al Jarreau. Brewer’s personal connection to Ware—whom she met through vocalist Lynne Fiddmont—added another layer of meaning to this heartfelt remake.

“Leon invited me to his studio, and it was amazing hearing the music he was working on. He had such a gift,” Brewer shared.

A seasoned vocalist with an elite résumé, Kimberly Brewer has recorded and toured with some of music’s most celebrated names including Stevie Wonder, Elton John, Teena Marie, Rick James, Vanessa Williams, Will Downing, and Earth, Wind & Fire. Her 2020 EP Just That Sweet To Me featured Wonder, Walter Beasley, and JOE, among others. This summer, she will release a new EP titled Tasting Sunshine, executive produced by Miller and featuring collaborations with Mark Kibble (Take 6) and Gerald Albright.

With “If I Ever Lose This Heaven”, Kimberly Brewer does more than reinterpret a classic—she offers a loving, musical benediction to one of the greatest minds in music history. It’s not just a cover; it’s a spiritual tribute, delivered with passion, precision, and pure heart.

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Alan Pasqua Finds Solitude and Truth on New Hope

Alan Pasqua has long been a quietly powerful force in jazz — a pianist, composer, educator, and collaborator whose artistry has touched everything from jazz fusion and classical to pop, rock, and film. With New Hope, his latest solo piano album released via Blue Canoe Records, Pasqua strips away every layer except one: the pure sound of a master at the keys, playing exactly what he feels.

New Hope is not a concept album or a technical showcase. It’s a deeply personal meditation — reflective, spacious, and unhurried. “This is simply the music I wanted to make right now,” Pasqua explains. In that understatement lies the essence of the record. Recorded with the intimacy and clarity that only solo piano allows, the album invites listeners into the artist’s creative space, where melody, memory, and emotion all speak through the same voice.

A Steinway Artist, Grammy nominee, and Professor of Jazz Studies at USC’s Thornton School of Music, Pasqua brings a lifetime of musical experience to this recording. The album features original compositions — the hopeful title track “New Hope,” the contemplative “Agrodolce,” the lyrical “The Folks,” and the meditative “Contemplation” — all delivered with Pasqua’s trademark restraint and sensitivity.

Interwoven with these originals are intimate reinterpretations of beloved jazz standards: “There’s a Small Hotel,” “Our Love Is Here to Stay,” “Lullaby of Birdland,” and Ellington’s haunting “Star Crossed Lovers.” In each, Pasqua finds fresh emotional depth without ever straying from their essence.

Pasqua’s musical résumé is vast — from playing with Tony Williams at Carnegie Hall to recording with Bob Dylan, Aretha Franklin, Ray Charles, and Elton John, from co-composing the CBS Evening News theme to crafting improvisations for Bob Dylan’s Nobel Prize acceptance speech. His versatility is legendary, but New Hope stands out for its vulnerability. It’s just Pasqua, a piano, and the truth of the moment.

This release follows a string of critically acclaimed solo and ensemble albums including Twin Bill, Northern Lights, Day Dream, and the Grammy-nominated Standards with Peter Erskine and Dave Carpenter. But New Hope feels like a quiet turning point — a return to the center.

In a world of noise and spectacle, Alan Pasqua has offered something rare: stillness, honesty, and profound musical intimacy.

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Mira Choquette’s Hier Encore: A Jazz Album for Grownups

Mira Choquette’s voice has always had a kind of magnetic subtlety—warm, expressive, and rich with quiet intensity. On her new album Hier Encore, the multilingual vocalist delivers perhaps her most personal and mature recording yet. This is a jazz album that doesn’t shout—it leans in, reflects, and invites you to do the same.

Recorded in Armenia, Hier Encore finds Choquette in intimate musical dialogue with acclaimed Armenian jazz pianist Samvel Gasparyan, whose sensitive playing forms the emotional backbone of the album. Most tracks are spare, thoughtful duets, allowing Choquette’s vocal nuances and Gasparyan’s lyrical phrasing to shine in full. On select pieces, they’re joined by a seasoned rhythm section: bassist Dave Geodakyan (also a respected conductor and educator) and drummer Arman Mnatsakanyan, best known for his work with Tigran Hamasyan. A special highlight is the track “Just Friends,” featuring three of Yerevan’s top horn players, adding a brassy jolt of swing to an otherwise introspective album.

The repertoire on Hier Encore is as refined as the performances themselves. Choquette reimagines works by Michel Legrand, Charles Aznavour, Tadd Dameron, Thelonious Monk, Blossom Dearie, and Armando Manzanero—a tasteful blend of American and international jazz traditions. She moves gracefully between languages—English, French, and Spanish—with three tracks in French and a standout rendition of Manzanero’s “Contigo Aprendí” sung in Spanish.

Highlights include the hauntingly tender “If You Could See Me Now,” an elegant take on Monk’s ballad “Reflections,” and the aching nostalgia of Aznavour’s “Hier Encore (Yesterday When I Was Young),” from which the album takes its title. A bit of swing enters the scene with “Just Friends” and Blossom Dearie’s sly “Long Daddy Green,” offering a touch of playful contrast to the otherwise melancholic mood.

Following her earlier releases—Something Cool, the EP It Felt Like A Fall Affair, and In Reel Time—Hier Encore marks a new chapter in Choquette’s artistry. It’s thoughtful, quietly emotive, and deeply felt.

“Recording in Armenia with these amazing players was a great experience,” Choquette says. “The wet weather, the culture, and the atmosphere lent itself to melancholy songs and resulted in what I like to call a jazz album for grownups.”

Whether you're a longtime fan or discovering her for the first time, Hier Encore is worth a close listen. It's an album to sit with, to return to, and to feel your way through.

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Rediscovering a Baritone Jazz Gem: Serge Chaloff’s Blue Serge Gets the Tone Poet Treatment

Release Date: June 6, 2025
Format: 180g Mono Vinyl (Tone Poet Audiophile Vinyl Series)

Jazz fans, collectors, and audiophiles alike will want to take note: Blue Serge, the essential 1956 recording from baritone saxophone great Serge Chaloff, is receiving a deluxe reissue as part of Blue Note's celebrated Tone Poet Vinyl Series.

Though often overlooked in the pantheon of bebop legends, Chaloff was a pioneering voice on the baritone sax—agile, lyrical, and deeply expressive. A Boston native and early member of Woody Herman’s iconic “Four Brothers” saxophone section alongside Stan Getz and Zoot Sims, Chaloff’s career was marked by both brilliance and instability. But in 1954, following personal setbacks, he returned to the studio with a renewed fire, producing two landmark records for Capitol: Boston Blow-Up! and Blue Serge.

Blue Serge is widely regarded as Chaloff’s defining work. Recorded with a crack quartet featuring Sonny Clark (piano), Leroy Vinnegar (bass), and Philly Joe Jones (drums), the album is a masterclass in cool, cohesive interplay. The 7-track set includes timeless standards like “A Handful of Stars” and “All The Things You Are,” as well as Chaloff’s own composition, “Susie’s Blues.”

This Tone Poet Edition brings the album to life in stunning fidelity. Mastered from the original analog tapes by Kevin Gray at Cohearent Audio, pressed on 180g vinyl at Record Technology Inc., and packaged in a deluxe tip-on jacket, this is the definitive version of Blue Serge—a high watermark for both jazz reissues and audiophile listening.

Tracklist

Side A

1. A Handful Of Stars

2. The Goof And I

3. Thanks For The Memory

4. All The Things You Are

Side B

1. I've Got The World On A String

2. Susie’s Blues

3. Stairway To The Stars

That Sweet Sweet Music – Curated by Paul Weller

If you’re a soul music fan who craves more than just the usual classics, That Sweet Sweet Music is your next essential listen. Curated by none other than Paul Weller – the legendary frontman of The Jam and Style Council – this compilation dives deep into the soulful sounds that shaped his musical journey.

Released by the ever-reliable UK label Ace Records, this CD is a loving tribute to vintage soul, funk, and Northern Soul from the 1960s and ’70s. Weller personally handpicked every track, carefully digging through crates to bring together a rich mix of rare grooves and overlooked gems. This isn’t your typical greatest-hits package — it’s a heartfelt mix tape from one music lover to another.

Expect to be blown away by lesser-known tracks like:

• “Spanish Twist” – The IB Special

• “Pull My String” – The Joneses

• “You Got To Have Money” – The Exits

• “Search For The Inner Self” – Jon Lucien

• “Blackrock” – Blackrock

• “Hard Times” – Baby Huey

• “In The Bottle” – Brother To Brother

• “Black Balloons” – Syl Johnson

...and so many more, spanning deep soul, sweet soul, funk, and even a touch of psychedelic groove. The CD also includes track-by-track liner notes packed with context, making it a soulful history lesson as much as a sonic journey.

This compilation isn’t just a playlist — it’s Paul Weller opening up his musical diary.