Shades of Sound – A Vivid Tribute to Gil Evans' Legacy

In a world saturated with musical tributes and live recordings, few manage to capture the brilliance, intensity, and sophistication of the original composer quite like Shades of Sound: Ryan Truesdell Presents the Gil Evans Project Live at Jazz Standard Vol. 2. This remarkable album is not just a nostalgic throwback—it's a masterfully curated experience that reintroduces the genius of Gil Evans to a contemporary audience, recorded live at one of New York City’s most iconic jazz venues.

Who Was Gil Evans?

Gil Evans was a revolutionary figure in modern jazz—a composer, arranger, and pianist who was perhaps best known for his legendary collaborations with Miles Davis, including Miles Ahead, Sketches of Spain, and Porgy and Bess. Evans had a unique approach to orchestration that blended jazz with classical elements, rock, and even Brazilian music. His legacy is expansive, challenging genre boundaries and paving the way for generations of big band and orchestral jazz.

Ryan Truesdell: The Torchbearer

Grammy-nominated producer, composer, and conductor Ryan Truesdell has long been an advocate for preserving and expanding Gil Evans' legacy. Through his Gil Evans Project, Truesdell has unearthed and revived many of Evans’ lesser-known works, giving them new life on the modern jazz stage. Volume 2 of the live recording at the Jazz Standard continues this mission with fervor, artistry, and reverence.

A Feast for the Ears—and Eyes

The album cover for Shades of Sound is as evocative as the music it represents. Bold, almost theatrical typography meets a dreamy, kaleidoscopic burst of colored lights floating across a deep black background—suggesting both the improvisational spontaneity of live jazz and the layered complexity of Evans' arrangements. The upward-reaching hands at the bottom hint at both performance and transcendence—a visual metaphor for the act of catching or releasing sound into the ether.

The Music: Dynamic and Diverse

While the exact tracklist may not be available from the cover alone, listeners familiar with the Gil Evans Project can expect:

• Previously unrecorded or rarely performed Evans compositions

• Meticulously reconstructed charts from original manuscripts

• Breathtaking solos from some of today's leading jazz musicians

• Lush, cinematic arrangements that highlight Evans’ harmonic genius

Why This Album Matters

In an era when digital streaming often dilutes the immersive experience of jazz, Shades of Sound reminds us of the transformative power of live music. It doesn’t just revisit the past; it reclaims it with passion and precision. Truesdell and his ensemble don’t imitate Evans—they illuminate him.

This album is not just for jazz purists or historians. It's for anyone who appreciates artistry, innovation, and the enduring power of sound to transcend time and space.

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Recommended If You Like:

• Miles Davis’ orchestral recordings

• Maria Schneider Orchestra

• Charles Mingus

• Wynton Marsalis’ big band work

The Pete McGuinness Jazz Orchestra Swings Into New Territory with Mixed Bag

A milestone nearly 20 years in the making, the Pete McGuinness Jazz Orchestra returns with its most spirited and stylistically diverse recording to date. Mixed Bag, out May 23, 2025 via Summit Records, showcases the band’s signature blend of classic big band swagger and modern jazz innovation, all brought to life by a roster of elite NYC musicians — with a special guest appearance by Grammy-winning pianist Bill Charlap.

The album’s title perfectly captures its eclectic range. From lush ballads and simmering bossa novas to raucous swing and adventurous 12-tone writing, Mixed Bag presents a full spectrum of moods and approaches, unified by McGuinness’ deep experience and vibrant imagination as both a composer and vocalist.

“Variety has always been the spice of life,” says McGuinness. “I don’t like being pigeonholed into one musical bag — and this album really reflects that.”

A Band with History — and Chemistry

What sets the Pete McGuinness Jazz Orchestra (PMJO) apart is its longevity and cohesion. Formed nearly two decades ago, the orchestra has retained most of its original lineup, a rarity among big bands. These musicians — many of whom played together in NYC's jazz trenches for decades — bring a seasoned depth to McGuinness’ inventive charts.

Despite the loss of his trombone playing due to embouchure dystonia, McGuinness channels that energy into his writing and vocals, turning personal adversity into creative evolution. This release is his most ambitious yet, and a deeply personal one.

Vocal Highlights & Emotional Moments

McGuinness shines vocally throughout the album. The sultry bossa nova version of Cole Porter’s “So In Love” is dedicated to his wife, Joan, while the elegant “Where Do You Start?” features a stirring vocal performance with Bill Charlap on piano and Mike Holober conducting a lush 16-piece string section.

The album also includes a swinging rendition of “From This Moment On” and an emotionally charged take on “’Round Midnight,” an arrangement that dates back to McGuinness’ early days studying under jazz legends Bob Brookmeyer and Manny Albam.

Original Works & Collaborations

Highlights from the originals include:

• “The Dark Hours” – a haunting exploration of tension and turmoil

• “The Sly Fox” – a nod to the late great arranger Bill Holman, full of clever musical references

• “Lilac Blues” – a sophisticated twist on the classic blues

• “Down the Rabbit Hole” – a bold leap into 12-tone terrain

Additionally, longtime bandmate Chris Rogers contributes “Rebecca,” reimagined with a Brazilian flavor.

A Celebration at Birdland

To mark the release of Mixed Bag, the PMJO will take the stage for a special album release concert on May 25, 2025 at 5:30 PM at Birdland Jazz Club in NYC — a chance to hear this powerhouse ensemble bring their latest work to vibrant life in one of jazz’s most iconic venues.

Pete McGuinness

A Grammy-nominated composer/arranger and award-winning jazz vocalist, Pete McGuinness has been a pillar of the New York jazz scene since 1987. A former trombonist with credits including Maria Schneider and Lionel Hampton, he now focuses on composing and singing with his own orchestra. McGuinness also serves as Professor of Jazz Studies at William Paterson University

Mixed Bag is more than an album — it’s a culmination of 20 years of camaraderie, creativity, and growth. Pete McGuinness and his orchestra continue to prove that great big band jazz is timeless — and always ready to evolve.

Mixed Bag drops May 23, 2025 via Summit Records
Album Release Concert: May 25 at Birdland, NYC

John Yao & His 17-Piece Instrument Return with Points in Time – A Big Band Revival 10 Years in the Making

After a decade-long hiatus, trombonist, composer, and bandleader John Yao is back with his acclaimed large ensemble, John Yao & His 17-Piece Instrument, affectionately dubbed JY-17. Their long-anticipated sophomore album, Points in Time, arrives July 11, 2025, via See Tao Recordings, and it's a powerful, deeply personal celebration of Yao’s 20-year musical journey in New York City.

But fans won't have to wait until the release to experience the music: an Album Preview Concert will be held June 26, 2025, at Culture Lab LIC—a must-see event for lovers of bold, modern big band jazz.

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A Two-Decade Story in Sound

Points in Time is more than just a new big band record. It’s a musical memoir. From the early excitement of arriving in NYC, to the trials of personal adversity, to the joy of fatherhood, each composition captures key moments from Yao’s life.

“So much of what’s happened over the last 20 years has definitely sparked different emotions that I’ve wanted to express in my music,” Yao shares. “Sometimes those experiences and complex emotions take time to marinate, but ultimately they find their way into my writing and playing.”

That introspection can be heard throughout the album. The elegant and emotional “Early Morning Walk” reflects on his wife Natalie’s fight against cancer, while the joyful “Song for Nolan” celebrates the birth of their son.

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Revisiting Roots, Reinventing Sound

In the years since his 2015 debut Flip-Flop, Yao explored other musical avenues—co-leading a sextet and developing his adventurous three-horn group Triceratops. Yet the big band itch never left him.

“I fell in love with big band music playing in the Vanguard Jazz Orchestra,” says Yao. “There’s just something special about the sound, the camaraderie—it lifts the music in a way that’s hard to describe.”

On Points in Time, Yao revisits and reinvents earlier small-group pieces for the full force of a 17-piece ensemble. Highlights include:

• “Not Even Close” – A nod to Thad Jones and the classic big band interplay of brass and saxes

• “First Step” – A long-shelved composition finally getting the big band treatment it was always destined for

• “Triceratops Blues” – The brooding first composition for his three-horn project, now expanded in scope and depth

The album also features updated versions of two student commissions: “Upside” and a big-band arrangement of Herbie Hancock’s “Finger Painting”—a testament to Yao’s connection with the next generation of jazz musicians.

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The Ensemble: A Band Built Over Time

JY-17 isn’t just a band—it’s a timeline of Yao’s career. Many members have played pivotal roles in his life:

• Tim Armacost – a fellow Queens College alum

• Matt McDonald – a friend from Yao’s early Chicago days

• Billy Drewes, Rich Perry, Nick Marchione, Andy Watson – veterans of the Vanguard Jazz Orchestra, where Yao often subbed

Several musicians return from Flip-Flop, including Perry, McDonald, trumpeter David Smith, and bassist Robert Sabin—bringing both history and chemistry to the sessions recorded in February 2024.

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Why It Took So Long

Yao admits that recording a big band album is a herculean effort.

“The funny thing about recording a big band album,” he writes in the liner notes, “is that it makes you want to never do it again! Every note somehow feels worth the struggle, but after the first album I was burned out from pushing that boulder up the hill.”

Yet the creative fire never died. And with Points in Time, Yao delivers a record that’s at once steeped in big band tradition and unafraid to push boundaries—evident in tracks like “The Other Way,” which explores twelve-tone technique in a jazz context.

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A Career Still Ascending

In 2023, Yao was recognized in the DownBeat Critics Poll in both the Rising Star Trombone and Rising Star Big Band categories. In April 2025, he was appointed to the 100th class of Guggenheim Fellows in Music Composition—proof of his continued evolution as an artist.

As Alan Young of Lucid Culture puts it:

“John Yao is one of New York’s elite trombonists and is also a first-class, ambitious, and witty composer and leader.”

And as All About Jazz notes:

“Boldly diverse, Yao’s compositions cut across the swath of contemporary jazz’s field.”

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Final Thoughts

Points in Time is not just a big band comeback—it’s a moving, sonically rich tapestry of a life lived in jazz. Whether you’ve followed John Yao since the early days or are discovering his work for the first time, this album promises an unforgettable experience.

Mark your calendars:

• Album Release: July 11, 2025 (See Tao Recordings)

• Album Preview Concert: June 26, 2025 at Culture Lab LIC

Don’t miss your chance to witness the evolution of one of modern jazz’s most innovative composers and his triumphant return to the big band stage.

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Mindi Abair's Based On a True Story: A Genre-Defying Journey of Love, Life, and Music

On June 13, 2025, acclaimed saxophonist, vocalist, and songwriter Mindi Abair is set to release her 14th solo album, Based On a True Story, under her label, Pretty Good For A Girl Records. This highly anticipated album marks a significant evolution in Abair's musical journey, blending sleek pop production with the timeless soul of retro grooves. Inspired by her real-life experiences, the album conveys moments, memories, and emotions through music, offering a deeply personal collection of songs.

Born on May 23, 1969, in St. Petersburg, Florida, Mindi Abair was immersed in music from an early age. Her paternal grandmother was an opera singer, and her father was a saxophonist and B3 player in a blue-eyed soul group called The Entertainers. By age five, she was playing piano, and by eight, she had transitioned to the saxophone. Abair attended Berklee College of Music in Boston, graduating magna cum laude in 1991 with a degree in Woodwind Performance. She quickly made a name for herself in Los Angeles, performing with artists like Adam Sandler, Duran Duran, and Aerosmith. Her solo career has produced ten No. 1 radio singles, two No. 1 Billboard Jazz CDs, and four more solo CDs that have landed in the top five on the Billboard Contemporary Jazz Charts. Abair was also the featured saxophonist on American Idol and has appeared on The Late Show with David Letterman and The Tonight Show Starring Jimmy Fallon 

Based On a True Story: An Album of Personal Narratives

Based On a True Story is a bold, modern album that blends sleek pop production with the timeless soul of retro grooves. Inspired by Mindi’s real-life journey, this deeply personal collection of songs conveys moments, memories, and emotions through music.

Produced by multi-platinum producer/songwriter Wayne Rodrigues and Mindi Abair, and mixed by Grammy-winning engineer Tony Maserati, the album is rich with lush arrangements and heartfelt storytelling. With special guest appearances by legendary bassist Marcus Miller, R&B icon Kenny Lattimore, keyboard virtuoso Bobby Lyle, hit-maker vocalist Delisha Thomas, and rising star Arthur Thompson, Based On a True Story is a genre-blending experience—pop-driven with Contemporary Jazz and Soul undercurrents—that’s as authentic as it is unforgettable.

Full Tracklist

1. Day Dreaming
   A floating, groove-laced escape where Mindi’s saxophone floats effortlessly, like sunlight streaming through sheer curtains on a lazy afternoon.

2. A Thousand Miles
   A sultry, road-trip-ready rhythm—a sophisticated pulse that beckons you to chase something, or someone, far away.

3. Oooh-Aah (Catalina)
   A sun-kissed homage to carefree days on the coast. With a retro vibe and wind-in-your-hair charm, it feels like summer bottled into a song.

4. The Way That You Love Me (featuring Delisha Thomas)
   Struts in with a funky pop swagger, with shimmering vocals from Delisha Thomas—best known for writing hits for Beyoncé, Janet Jackson, and Justin Bieber.

5. 3rd Street Promenade (featuring Bobby Lyle)
   A hypnotic duet where piano and saxophone weave an effortless conversation—historic, heartfelt, and alive.

6. Siena Sunrise
   Captures the magic of Tuscany. Written during Mindi’s Wine & Jazz Adventure in Tuscany, it’s a love letter to the ancient buildings, slow mornings, and the golden hush of dawn.

7. Nouveau Soul
   A bold, brass-laced celebration of ‘70s funk. Joyful, defiant, and dripping with vintage cool, it radiates the freedom of a dancefloor that never ages.

8. Fool’s Gold (featuring Kenny Lattimore)
   A sleek and modern meditation on love’s authenticity. Mindi’s saxophone winds around him like a heartbeat—raw, real, and achingly beautiful.

9. Falling In Love (featuring Delisha Thomas)
   A joyful, up-tempo gem that feels like dancing in the kitchen with someone you adore. The chorus is contagious—you’ll be humming it long after the last note fades.

10. Everything’s Gonna Be All Right (featuring Arthur Thompson)
    An understated standout, written for Mindi’s daughters. With Arthur Thompson’s smooth vocals anchoring the emotion, it’s a song of quiet strength and hope, whispering reassurance straight to the soul.

11. The Rundown (featuring Marcus Miller)
    A funk-driven thrill ride featuring legendary bassist Marcus Miller. With breakbeat swagger and cinematic energy, it’s a car chase in sound—fast, gritty, and undeniably cool.

Mindi reflects on the creation of the album:

“My life over the past few years has felt like a fairy tale. I created WineandJazz.com with my husband Eric, and we now take people around the world to beautiful destinations where we immerse in the culture, the food, the wine and of course the music. These experiences have shaped me and expanded my mind in so many ways. This record and these songs are a direct reflection of this beautiful journey.”

Upcoming Tour Dates

To celebrate the release of Based On a True Story, Mindi Abair will be performing at various venues across the country. Here are some of the upcoming tour dates:

• Highworth Jazz Festival – May 31, 2025

• Dunkerton’s Jazz Sessions – June 5, 2025

• Gloucester Docks Warehouse Four – June 18, 2025

• Ronnie Scott’s Jazz Club – July 13, 2025

• Tetbury Goods Shed – July 26, 2025

• Ross on Wye Corn Exchange – October 9, 2025

• Pizza Express Jazz Club, Soho – November 10, 2025

Mindi Abair is a 2x GRAMMY-nominated saxophonist, vocalist, author, and wine entrepreneur. With a career spanning over two decades, she has recorded with some of the biggest names in music and has built a substantial following among jazz and blues audiences with her soaring melodies and powerhouse style. In 2018, Mindi Abair and The Boneshakers won 8 Independent Blues Awards including Artist of the Year, and an Independent Music Award for Best Blues Song Fan Award for “Pretty Good For A Girl” featuring Joe Bonamassa. They won the 2019 LA Critics Award for Best Holiday Album for All I Got For Christmas Is The Blues. In 2019, 2020, and 2021, Mindi was nominated by the Blues Music Awards as the Best Instrumentalist: Horn.

Kim Cypher Announces 'LIVE and Smiling' Album, New Single 'On My Own Again', and 2025 UK Tour Dates

Renowned UK saxophonist, vocalist, and composer Kim Cypher has unveiled plans for her upcoming live album, LIVE and Smiling, set for release on July 11, 2025. This vibrant collection captures the energy of her recent performances, including sellout shows at Peggy’s Skylight in Nottingham and her standout appearance at the Cheltenham Jazz Festival. The album features an eclectic mix of jazz, Latin, blues, reggae, swing, and funk, showcasing Cypher's dynamic stage presence and connection with audiences.

Complementing the live album, Cypher will release a new original single, "On My Own Again," on July 26, 2025. This soulful track delves into themes of isolation and introspection, offering a contrast to the exuberant live recordings. The song features Cypher's signature raspy tenor saxophone and includes a notable guitar solo by Clem Clempson.

In addition to these releases, Cypher is set to return to the iconic Ronnie Scott’s Jazz Club in London on Sunday, July 13, 2025, following her previous sellout performances in 2021 and 2024. Tickets for this highly anticipated show are available now.

Kim Cypher 2025 UK Tour Dates:

• May 31 – Highworth Jazz Festival, Highworth

• June 5 – Dunkertons Jazz Sessions, Charlton Kings

• June 18 – Gloucester Docks Warehouse Four, Gloucester

• July 3 – Dunkertons Jazz Sessions, Charlton Kings

• July 13 – Ronnie Scott’s Jazz Club, London

• July 26 – Tetbury Goods Shed Arts Centre, Tetbury

• October 9 – Ross on Wye Corn Exchange, Ross-on-Wye

• November 10 – Pizza Express Jazz Club, Soho, London

GoGo Penguin Unveil 'Necessary Fictions' and Announce 2025–2026 Tour Dates

Manchester-based trio GoGo Penguin is set to release their seventh studio album, Necessary Fictions, on June 20, 2025, via XXIM/Sony. Known for their fusion of jazz, classical, and electronic elements, the band—comprising pianist Chris Illingworth, bassist Nick Blacka, and drummer Jon Scott—continues to evolve their sound. This album marks a significant development, incorporating modular synthesizers and collaborations with artists like the Manchester Collective and British-Ugandan musician Daudi Matsiko. 

The album's lead single, "What We Are and What We Are Meant To Be," showcases the band's genre-blending approach, featuring melodic simplicity and electronic textures. The accompanying video, directed by Illingworth and Blacka, pays homage to Manchester's iconic Toast Rack building, reflecting the band's deep connection to their hometown. 

Following the album release, GoGo Penguin will embark on an extensive tour across Europe and North America. The tour kicks off in Europe in June 2025, with performances at Jazz Middelheim in Antwerp and Jazz à la Défense in Puteaux. The North American leg begins in October 2025, featuring shows in cities like Boulder, Minneapolis, New York City, and Toronto. The band will return to the UK in December, with performances at London's Barbican Hall and Manchester's Albert Hall. Additional dates in France and Switzerland are scheduled for early 2026.

June 2025 – Europe

• June 9 – Jazz Middelheim, Antwerp, Belgium

• June 23 – La Défense Jazz Festival, Puteaux, France France

October 2025 – North America (East & Midwest)

• October 5 – Boulder Theater, Boulder, CO

• October 7 – Fine Line, Minneapolis, MN

• October 8 – SPACE, Evanston, IL

• October 10 – Ardmore Music Hall, Ardmore, PA

• October 11 – Le Poisson Rouge, New York, NY

• October 12 – The Birchmere, Alexandria, VA

• October 14 – Crystal Ballroom at Somerville Theatre, Somerville, MA

October 2025 – Canada

• October 15 – MTELUS, Montreal, QC

• October 16 – Palais Montcalm, Québec City, QC

• October 17 – National Arts Centre Babs Asper Theatre, Ottawa, ON

• October 18 – Koerner Hall, Toronto, ON

November 2025 – Canada (West)

• November 12 – The Palace Theatre, Calgary, AB

• November 13 – Festival Place, Sherwood Park, AB

• November 14 – Vernon & District Performing Arts Centre, Vernon, BC

• November 15 – Centre In Vancouver For Performing Arts, Vancouver, BC

• November 17 – Royal Theatre, Victoria, BC

November 2025 – U.S. West Coast

• November 18 – The Neptune, Seattle, WA

• November 19 – Aladdin Theater, Portland, OR

• November 21 – The Fillmore, San Francisco, CA

• November 22 – El Rey Theatre, Los Angeles, CA

• November 23 – Belly Up, Solana Beach, CA

December 2025 – UK

• December 2 – Albert Hall, Manchester, UK

• December 3 – Barbican Centre, London, UK

February 2026 – Europe

• February 3 – Salle Pleyel, Paris, France

Sam Dickinson's 'Gemini Duets': A Solo Guitar Odyssey

Guitarist Sam Dickinson returns with his sophomore album, Gemini Duets, a bold and introspective project that redefines the boundaries of solo jazz guitar. Released under TQM Recording Co., this album showcases Dickinson's innovative approach to guitar performance, blending traditional jazz elements with modern soundscapes.

A Solo Endeavor with Expansive Horizons

Originally conceived as a minimalist solo guitar album, Gemini Duets evolved into a richly textured collection featuring multi-tracked duets and unaccompanied vignettes. Dickinson's use of effects and electronics adds depth without overshadowing the core melodies, reflecting his careful balance between experimentation and musical integrity. He explains, "I've always been interested in how differently I play depending on my instrument and setup of choice. That said, I'm amply careful not to stray from the core of the music itself just to 'experiment' with new gadgets and gizmos."

Capturing Sound in a Historic Space

The album was recorded at the historic Sharon Temple in Aurora, Ontario, with Ron Skinner engineering the sessions. The venue's unique acoustics contribute to the album's atmospheric quality, enhancing the intimate and expansive feel of the tracks.

Highlight Tracks

• "Uncle Gismonti": An improvised solo piece that navigates syncopated rhythms without adhering to a single time signature.

• "Shadwell": An overdubbed duo rendition that explores complex post-bop harmonies, creating a labyrinthine musical journey.

• "É Preciso Perdoar": The album's sole cover, this track features five layered guitar parts, maintaining the intimate essence of bossa nova.

About Sam Dickinson

Toronto-born Sam Dickinson began playing guitar at eight and pursued formal studies at institutions like the New England Conservatory, Humber College, and McGill University. He earned his Doctorate of Musical Arts from the University of Miami in 2019. Dickinson has performed across North America and Europe, sharing stages with notable artists such as Donny McCaslin, Jerry Bergonzi, and Jack DeJohnette. In addition to his solo work, he remains an active sideman in various ensembles throughout Canada.

Gerald Clayton's 'Ones & Twos: Expanded Edition'—A Sonic Experiment in Coexistence

Pianist and composer Gerald Clayton is set to release Ones & Twos: Expanded Edition on May 30, 2025, via Blue Note Records. This digital release builds upon his third Blue Note album, Ones & Twos, and presents the culmination of a unique musical experiment inspired by the art of turntablism.

Clayton's concept involves creating a record where the A side can be played simultaneously with the B side, emulating the moment in a club when a DJ transitions between songs, allowing two separate pieces to coexist. This idea challenges traditional notions of musical structure and harmony. As Clayton explains, "Is it really possible for two separate melodies to coexist harmoniously? Does one inevitably become a counter melody to the other—a support of the more dominant melody? What does the experiment teach us about coexistence more broadly?" 

The original Ones & Twos album, released on April 11, featured separated tracks with contributions from vibraphonist Joel Ross, flutist Elena Pinderhughes, trumpeter Marquis Hill, and drummer Kendrick Scott, with post-production by Kassa Overall. The Expanded Edition includes two bonus tracks and a second disc comprising the combined overlaid tracks, revealing the end result of Clayton's experiment.

Listeners can experience the concept through the 3-track single: "Glass Half Warm," "Glass Half Cool," and the combined "Glass Half Warm / Glass Half Cool." These tracks exemplify the project's exploration of harmony, tension, and the possibility of coexistence within music.

Ones & Twos: Expanded Edition invites audiences to reflect on broader themes of coexistence, not only in music but in human relationships and cultures. As Clayton notes, "One of the lessons we may gain from the music is that there will be moments of friction/tension, and there will be moments where two things fit together smoothly/peacefully."

The album will be available for digital download and streaming on May 30.

Charlie Musselwhite's 'Look Out Highway': A Masterful Blend of Tradition and Innovation

Charlie Musselwhite's latest album, Look Out Highway, set to release on May 16, 2025, via Forty Below Records, marks a significant moment in his illustrious career. Known for his mastery of the harmonica and a voice that resonates with the soul of the blues, Musselwhite delivers an album that intertwines tradition with contemporary flair.

This project is particularly notable as it's the first time Musselwhite has recorded with his long-standing touring band: guitarist Matt Stubbs (GA-20), drummer June Core (Robert Lockwood Jr.), and bassist Randy Bermudes (James Cotton). The sessions took place at Kid Andersen's Greaseland Studio in San Jose, California, and Clarksdale Sound Stage in Musselwhite's adopted hometown of Clarksdale, Mississippi. Andersen, a frequent collaborator, contributed both as a musician and recording engineer, adding depth to the album's sound .

The album opens with the title track, "Look Out Highway," a song inspired by a gospel rhythm Musselwhite heard years ago outside a Memphis church. He describes the creative process as, "I caught the scent and found the trail that led to the melody and lyrics," highlighting the organic nature of his songwriting .

Throughout the eleven tracks, Musselwhite's storytelling prowess shines. "Storm Warning" uses weather metaphors to depict turbulent relationships, while "Sad Eyes" delves into the complexities of doomed love affairs. "Baby Won’t You Please Help Me" stands out with its autobiographical lyrics and a searing harmonica solo that underscores Musselwhite's virtuosity . The album also features "Ghosts in Memphis," where rapper Al Kapone adds a contemporary edge, and "Ready for Times to Get Better," a duet with emerging singer Edna Nicole, offering a hopeful perspective amidst challenging times .

Look Out Highway encapsulates Musselwhite's journey through the blues, reflecting his roots and his evolution as an artist. With a blend of Delta and Chicago blues infused with Memphis soul, the album is a testament to his enduring influence in the genre. For those interested in exploring this latest work, the album is available for pre-order in various formats, including limited edition vinyl, CD, and digital download, through Forty Below Records .

Ethan Margolis, aka Emaginario, Bridges Cultures with 'Interlude of the Duende'

Guitarist Ethan Margolis, known by his stage name Emaginario, exemplifies an artist deeply committed to authentic cross-cultural musical dialogue. His compositions reflect a profound understanding of Afro-Caribbean rhythms and Roma (Gitano) stylings, cultivated over a 24-year mentorship within Spain’s Roma community. This journey has led him to develop a modal harmony approach, fostering an open, creative interplay between guitar and drums.

Margolis's distinctive style is showcased in his album, Interlude of the Duende, released via Ropeadope Records. The album features a trio format with jazz luminaries Larry Grenadier on upright bass and Eric Harland on drums. The term "duende," often associated with a heightened state of emotional expression in Spanish music, aptly captures the album's essence—an improvisational, stream-of-consciousness exploration where Margolis's guitar dialogues with Harland's tribal percussion and Grenadier's subtle bass lines.

Initially composed with a vision for congas, bongos, batá drums, claps, and shakers, Margolis adapted these ideas for the trio setting. He notes, “Eric Harland and Larry Grenadier worked hard with me to harness the ceremonial essence of the album and of the sketch-like compositions.” The result is a unique sound that emphasizes an open and free listening environment over grandiose compositions.

Grenadier's contribution is particularly noteworthy. Margolis describes his playing as "masterful accompanist-mentality," staying naturally "out of the way" of the guitar while maintaining the groove. Tracks like “Solace and Descent” and “A Beating Heart” highlight Grenadier's ability to complement Margolis's guitar work seamlessly.

The album's production emphasizes clarity and space, allowing the acoustic guitar to shine. Margolis's sensitivity to frequency clashes between acoustic guitars, cymbals, and upright basses informed his deliberate choices in tunings and keys. He aimed to highlight the acoustic guitar as a world jazz instrument, balancing fingerstyle and picking techniques to create a distinctive sound.

Interlude of the Duende is a continuation of Margolis's exploration of diverse musical traditions. His previous works include the 2014 world jazz album Soleángeles, the 2015 flamenco-Delta blues fusion Sonikete Blues, and the 2023 vocal-centric Songs of Mind, which earned critical acclaim from JAZZIZ and Goldmine magazine. Margolis's ability to blend genres and cultures reflects his ongoing journey to redefine musical identities.

With Interlude of the Duende, Emaginario invites listeners into a space where music transcends boundaries, offering a rich tapestry of sound that reflects his deep cultural connections and artistic evolution.

Bill Banfield’s Take Time to Listen: A Tribute to Legacy and Craft

Jazz guitarist Bill Banfield's latest album, Take Time to Listen, is a deeply personal project inspired by a moment with his father, who recently celebrated his 100th birthday. During a conversation, his father advised, “Bill, I will talk to you, but you must take time to listen.” This profound statement became the album's title and its guiding principle: to encourage listeners to delve into the stories embedded within music.

Born and raised in Detroit, Banfield honed his craft at Cass Technical High School, studying under jazz legends Kenny Burrell and Earl Klugh. He further refined his skills through interactions with masters like Joe Pass, George Benson, and Pat Metheny. Banfield describes his approach as "solo-voiced guitar," emphasizing the importance of imagination and emotion in music. Take Time to Listen is dedicated to Burrell and Klugh, acknowledging their significant influence on his early development.

In a musical landscape often dominated by fleeting social media clips, Banfield opts for a more contemplative approach. He structured the album like a live performance, with most tracks captured in single takes and minimal overdubbing. The 16-track collection features a blend of Banfield's originals and interpretations of classics such as Sting's "Fragile," Elton John's "Your Song," and Carole King's "You've Got a Friend," alongside jazz standards like "Summertime" and "Autumn Leaves." Banfield's renditions hint at familiar melodies, capturing their essence without strict adherence to the original compositions.

Original compositions like "AM Song for Birdie" and "Song for Earl" showcase Banfield's ability to weave personal narratives into his music. "Pass Me the Blues" stands out with its rhythmic complexity and soulful expression. The recording process was intentionally intimate, with microphones placed close to the guitar to capture its natural acoustics and nuances. Banfield aimed for a sound that felt authentic and raw, embracing imperfections as part of the musical journey.

Beyond his musical endeavors, Banfield is an accomplished composer with 12 symphonies, 7 operas, and 9 concertos to his name. He has served as a professor at Berklee College of Music and is currently an Artist-in-Residence at Longy School of Music. Banfield's contributions extend to education, having developed a national music curriculum commissioned by Quincy Jones. His work has been recognized by esteemed figures like Dr. Cornel West, who described him as "one of the last grand Renaissance men in our time."

Take Time to Listen is more than an album; it's an invitation to pause, reflect, and truly engage with music. Banfield's dedication to his craft and his mentors is evident in every note, offering a timeless listening experience.

Zizi Returns with 'Levitate': A Bold Fusion of Folk, Soul, and Avant-Garde Jazz

Billie Zizi's latest album, Levitate, marks a triumphant return for the Edmonton-based artist, blending her signature fusion of folk, soul, R&B, and avant-garde jazz into a tapestry of introspective and experimental melodies. Following her 2015 debut Gun Metal Dress and the 2016 follow-up Moon of Honey, Levitate showcases Zizi's evolution as a solo artist, embracing both personal vulnerability and artistic risk-taking.

The title track, "Levitate," opens with ethereal pedal steel swells and introspective lyrics that delve into themes of transcendence and self-discovery. Zizi's vocal performance is both intimate and expansive, carrying an emotional weight that resonates deeply. The arrangement is expertly curated, with each instrument weaving in and out of the mix, adding depth and texture to the song's reflective tone. 

"Midnight Sun," another standout track, captures the essence of fleeting love under the continuous daylight of the northern summer. Co-produced with Austin Parachoniak, the song features a groove that gradually deepens in intensity, mirroring the song's lyrical exploration of love's ephemeral nature. 

Throughout the album, Zizi's poetic lyricism shines, with tracks like "A Picture of a Picture" offering haunting reflections on memory and identity. The song's dreamy and transcendent quality transports listeners into a contemplative space, showcasing Zizi's ability to evoke deep emotion through her music. 

Levitate is a testament to Billie Zizi's growth as an artist, seamlessly blending diverse musical influences into a cohesive and emotionally resonant album. Her ability to navigate complex themes with vulnerability and creativity makes this record a compelling addition to her discography.

Abi Flynn's 'Get Deep' Album Launch: A Triumph of Resilience and Artistry

On May 8, 2025, the music industry witnessed a poignant and powerful moment as Abi Flynn launched her debut album, Get Deep, at an exclusive event held at Kobalt's London office. The album, set for release on May 23 under the Splash Blue label, marks a significant milestone in Flynn's career and serves as a testament to her resilience and artistic vision.

A Journey from Adversity to Art

In her late twenties, Flynn faced a life-altering challenge when she was diagnosed with aggressive blood cancer. Doctors discovered an 11cm tumor in her chest, which grew to 21cm after two years of unsuccessful treatments. Given mere months to live and advised she might never carry a child, Flynn chose a path of creation over despair. Instead of succumbing to the prognosis, she poured her experiences, emotions, and survival into her music, resulting in the creation of Get Deep.

In a candid statement, Flynn shared, "I was told I had months to live. So, I wrote an album instead." Each track on the album was crafted during her chemotherapy sessions, serving as both a therapeutic outlet and a declaration of her unwavering will to live. She describes the album as "medicine," a collection of songs that provided solace and strength during her darkest moments.

An Evening of Music and Meaning

The launch event at Kobalt was an intimate gathering, offering attendees a first listen to the album in its entirety. Flynn performed live with her band, delivering renditions of the album's tracks that resonated deeply with the audience. Following the performance, Flynn engaged in a heartfelt Q&A session, sharing insights into her creative process and the profound experiences that influenced her music.

The evening also highlighted the work of the Cancer Awareness Trust, a charity close to Flynn's heart. She recently collaborated with the organization, joining notable figures like Sir Chris Hoy and Professor Sir Chris Evans to discuss hope, healing, and the role of creative expression in the face of illness. Flynn's partnership with the Cancer Awareness Trust, Evamore, and Cancer Platform underscores her commitment to raising awareness and supporting others on similar journeys.

Gifts from the Dark: A New Initiative

In conjunction with the album release, Flynn introduced Gifts from the Dark, an initiative designed to provide a platform for individuals to share their personal stories of adversity and transformation. The project aims to foster a community of support and understanding, allowing others to find strength in shared experiences.

Looking Ahead

As Flynn prepares for the official release of Get Deep on May 23, she continues to inspire with her story of resilience and creativity. Her journey from a cancer diagnosis to becoming a voice of hope and empowerment serves as a reminder of the healing power of music and the human spirit's capacity to overcome even the most daunting challenges.