Sabeth Pérez Embarks on a Lyrical Journey with Searching for Beauty

New album out June 1, 2025

Vocalist and composer Sabeth Pérez has long been recognized for her crystalline voice, genre-defying musicality, and her ability to fuse jazz with South American folk traditions. On Searching for Beauty, her most personal and profound statement to date, Pérez invites listeners into a meditative exploration of presence, memory, and grace. The album will be released worldwide on June 1, 2025.

A fluid mix of Argentine folkloric rhythms, impressionistic harmonies, and jazz improvisation, Searching for Beauty is more than a collection of songs—it’s an invitation to slow down and discover the poetry hidden in everyday moments.

“Her bell-like voice creates lyrical imagery.” – Jazzthetik
“The crystal clear timbre of Pérez’s voice floats and dances.” – All About Jazz
“A virtuosic singer has arrived.” – Shara Nova

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A Sound Both Timeless and Forward-Thinking

Following standout collaborations with the WDR Big Band, Frankfurt Radio Big Band, EOS Chamber Orchestra, and artists such as Billy Childs and Ingrid Jensen, Pérez now presents a project that is wholly her own. Searching for Beauty reimagines folkloric textures through a modern lens, crafting a sound that is at once rooted and transcendent.

“Sabeth’s ensembles display a rich bouquet of harmonies and arrangement concepts, brought to life by intuition and skill.” – Jazzthing

With compositions by Pérez and collaborators including Gabriel Pérez and Jon Cowherd, the album draws listeners into a world of nuanced emotion, spiritual reflection, and intimate storytelling.

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A Message in Stillness

At the heart of Searching for Beauty lies a deep artistic and philosophical message. “I see it as my everlasting duty to spend my life searching for beauty,” Pérez writes. “Beauty to absorb my mind. Solace in the thought this is not caused (but just is).”

The album is an ode to impermanence, to nature’s quiet endurance, and to the gentle clarity that emerges when we pause to reflect. As Pérez describes, “This album is more than music—it’s an invitation. To listen deeply. To see beauty in what’s fleeting. To hold on to moments of light, however brief.”

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An All-Star Ensemble

Joining Pérez on this sonic journey is an exceptional lineup of musicians:

• Ingrid Jensen – trumpet

• Nicola Caminiti – saxophone

• Gabriel Pérez – flute/saxophone

• Charles Altura – guitar

• Jon Cowherd – piano

• Ben Tiberio – bass

• Keita Ogawa – percussion, drums

• Martin Bruhn – percussion (track 10)

• Henry Cole – drums (select tracks)

The ensemble’s synergy provides a rich and dynamic backdrop for Pérez’s radiant voice and evocative compositions.

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Track Listing:

1. Familiar

2. Dream Boat

3. Nos Da

4. Eco (lyrics by Jorge Luis Borges)

5. Reconciliation

6. Convertidos en Perfume Intro

7. Convertidos en Perfume

8. Petrichor

9. Peripheral Visions

10. Wayra

11. Si Pudiera Vivir Nuevamente Mi Vida (lyrics by Don Herold)

12. Yearning to Punish

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“Sabeth Pérez is a stellar musician whose endless possibilities land her in a rich wheelhouse with endless places to explore... Her music leads to clarity, peace, harmony, and beauty.” – Ingrid Jensen

“Beautiful! Wonderfully composed, structured, recorded, and performed. Bravo!” – Billy Childs

Mark Masters Reimagines the Music of Billy Harper and Sam Rivers on Two Powerful New Albums

Two bold new releases from arranger Mark Masters pay tribute to saxophone visionaries Billy Harper and Sam Rivers, highlighting their distinct musical legacies through inventive orchestrations and dynamic ensemble performances. Sam Rivers 100 and Dance, Eternal Spirits, Dance! will be released June 6, 2025, on Masters' longtime label, Capri Records. Both albums feature Harper as guest soloist, bringing his unmistakable voice to the fore.

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Celebrating Sam Rivers and Billy Harper

On Sam Rivers 100, Masters commemorates the 100th birthday of avant-garde trailblazer Sam Rivers by diving into material from Rivers’ early Blue Note period, particularly the 1964 classic Fuchsia Swing Song. The album evolved from a 2023 concert series and includes arrangements of all six tracks from that debut album, plus additional selections performed by a chamber-sized version of the Mark Masters Ensemble.

Meanwhile, Dance, Eternal Spirits, Dance! explores Harper’s powerful and melodic catalog, spanning works written between 1972 and 2000. Known for his singular compositional voice, Harper’s music is treated with deep reverence and fresh perspective by Masters, whose orchestrations retain the spiritual force at the heart of Harper’s work.

“Each of [Harper’s] compositions is so different from the others. He doesn’t compose from a formula, so each of his tunes has a very distinct personality.” – Mark Masters

These projects reflect not only the contrasting styles of Rivers and Harper—Rivers with skeletal frameworks inviting improvisation; Harper with defined structures and deep melodic roots—but also the brilliance of Masters as an arranger capable of honoring both.

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A Longstanding Creative Partnership

Masters' association with Harper goes back to 1990’s Priestess, his debut on Capri Records. Over the past 35 years, Masters has produced 15 albums with the Denver-based label, known for its support of jazz composers and arrangers.

“Billy Harper is a longtime hero of mine,” Masters explains. “He is a very gifted composer whose music is singular, and I also love his playing.”

Capri Records founder Tom Burns adds, “Mark and I have similar tastes in almost everything, but most importantly the music. He has a unique voice and never ceases to surprise me with his creativity.”

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Ensemble Highlights

Sam Rivers 100 features a leaner lineup from the 13-piece ensemble and includes two fully improvised tracks that reflect Rivers’ freer inclinations. Dance, Eternal Spirits, Dance! expands to a 17-piece orchestra with appearances by pianist Francesca Tanksley and trumpeter Tim Hagans—both longtime collaborators of Harper and Masters respectively.

Each album reveals different compositional and interpretative challenges. With Rivers, Masters restructured melodies and chord changes into larger forms, while Harper’s music required orchestrations that complemented his deeply written frameworks.

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Mark Masters: Arranger, Educator, Visionary

Mark Masters has spent more than four decades shaping modern big band music with tributes to Dewey Redman, Clifford Brown, Jimmy Knepper, and others. He founded the non-profit American Jazz Institute and has collaborated with top-tier musicians including Gary Smulyan, Peter Erskine, Steve Kuhn, and Oliver Lake.

His recent projects include Sui Generis, a trumpet concerto for Tim Hagans; Masters & Baron Meet Blanton & Webster with Art Baron; and Blue Skylight, reinterpreting music by Mingus and Mulligan.

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Album Info

Mark Masters Ensemble featuring Billy Harper
Sam Rivers 100
Capri Records – Capri 74173 – Recorded October 16, 2023

Dance, Eternal Spirits, Dance!
Capri Records – Capri 74176 – Recorded July 26, 2024

Release Date: June 6, 2025

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Azymuth Announce New Album Marca Passo + Share First Single “Andaraí” European, UK & North American Tour Dates Confirmed for 2025

In the ever-evolving landscape of global music, few names resonate with such lasting influence as Azymuth. Marking the 50th anniversary of their groundbreaking 1975 debut Azimuth, the Brazilian jazz-funk pioneers are set to release their new album Marca Passo on June 6, 2025. The announcement arrives with the release of their hypnotic lead single, "Andaraí".

Marca Passo was recorded in Rio de Janeiro and represents a deeply personal and powerful evolution of the band’s iconic sound. It’s their first full-length project since the passing of legendary drummer Ivan "Mamão" Conti in 2023 and keyboardist José Roberto Bertrami in 2012. Bassist and founding member Alex Malheiros remains the group’s driving force, joined by longtime collaborator Kiko Continentino on keyboards and new drummer Renato Massa.

The album is produced by Daniel Maunick, who also helmed their acclaimed Fênix (2016) and Aurora (2011) albums. Known for his work with artists like Marcos Valle, Sabrina Malheiros, and Terry Callier, Maunick brings his signature blend of analog warmth and forward-thinking production to this new chapter in Azymuth’s storied career.

Marca Passo will be available in limited edition blue, red, and black vinyl, as well as on CD and digital platforms. 

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2025 Tour Dates

Europe

• May 7 – Het Bos, Antwerp, Belgium

• May 8 – Reflektor, Liège, Belgium

• May 10 – Jassmine, Warsaw, Poland

• May 13 – Stadtgarten Köln, Cologne, Germany

• May 14 – Korjaamo Culture Factory, Helsinki, Finland

• May 16 – Fasching, Stockholm, Sweden

• May 17 – Kunstverein Familie Montez, Frankfurt, Germany

• May 19 – Bremen Teater, Copenhagen, Denmark

• May 21 – Musicbox, Lisbon, Portugal

UK

• May 23 – Norwich Arts Centre, Norwich

• May 25 – Jazz Cafe, London

• May 27 – Room 2, Glasgow

North America

• June 20 – Amsterdam Bar & Hall, St. Paul, MN

• June 21 – Shank Hall, Milwaukee, WI

• June 22 – Lincoln Hall, Chicago, IL

• June 24 – Pyramid Scheme, Grand Rapids, MI

• June 26 – Lee’s Palace, Toronto, ON

• June 27 – Montréal Jazz Festival, Montréal, QC

• June 28 – Follow The Arrow, Palenville, NY

• June 29 – Sony Hall, New York, NY

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Marca Passo is not just a tribute to Azymuth’s legacy—it’s a celebration of their continued evolution. With a new lineup, a revitalized sound, and live shows across three continents, Azymuth once again proves why their cosmic samba remains in a league of its own.

Milena Casado’s Reflection of Another Self: A Bold Jazz Debut Rooted in Identity and Innovation

With her debut album Reflection of Another Self, Spanish trumpeter and composer Milena Casado delivers a fearless and emotionally charged introduction to the modern jazz landscape. Co-produced with drummer and activist Terri Lyne Carrington and multi-instrumentalist Morgan Guerin, the record seamlessly blends ethereal electronic textures with virtuosic improvisation to explore themes of identity, trauma, and transformation.

Casado’s music moves with intention. Drawing from the spirit of Miles Davis while expanding into new sonic territory, she crafts a deeply personal sound—fluid, expressive, and unapologetically honest. Through sampled conversations, textured soundscapes, and layered horns, Reflection of Another Self examines the tensions between vulnerability and empowerment, fear and resilience.

Born and raised in Spain, Casado’s experiences as a Black woman navigating predominantly white spaces have shaped her artistry. Music became her refuge, her language, and eventually her platform. She earned a scholarship to Berklee College of Music, where she studied with jazz legends like Carrington and Jack DeJohnette, later building a reputation on the New York jazz scene for her emotionally rich performances and compositional voice.

The album is a true collaborative effort. It features contributions from harpist Brandee Younger, flutist Nicole Mitchell, pianist Kris Davis, and bassist Meshell Ndegeocello, among others, while her core ensemble holds the emotional center of the project. Casado’s arrangements provide space for exploration, giving each musician room to express, respond, and elevate the material.

Highlights include the opening track “THIS IS MY HAIR (!),” a defiant and deeply personal meditation on cultural identity and beauty standards. “Lidia y Los Libros” pays homage to Casado’s mother and her love of literature. “O.C.T (Oda To The Crazy Times)” and “Circles” push rhythmic and harmonic boundaries, blending acoustic jazz with experimental electronic elements to capture moments of chaos, reflection, and clarity.

What makes Reflection of Another Self so compelling is its intimacy. Casado invites listeners into her inner world—not just through her horn, but through spoken words, samples, and layered storytelling. Each piece functions as a chapter in a narrative that’s both personal and universal.

With critical recognition from The New York Times and performances at major festivals and institutions already under her belt, Milena Casado is not just a promising new voice—she’s a vital force in the evolution of contemporary jazz. Reflection of Another Self is a bold and necessary debut from an artist poised to leave a lasting imprint.

Yves Brouqui's Mean What You Say: A Jazz Album That Lives Up to Its Name

For his SteepleChase debut, Mean What You Say, French guitarist Yves Brouqui delivers a straight-ahead jazz album that is both timeless and personal. Blending the rhythmic soul of American modern jazz with the refined touch of Parisian cool, Brouqui presents a confident and mature voice—one that swings hard, listens closely, and speaks with intention.

Recorded in March 2024 in New York City, Mean What You Say features a world-class rhythm section: pianist Spike Wilner, bassist Paul Gill, and drummer Anthony Pinciotti. Together with Brouqui, the trio creates a dynamic yet intimate atmosphere, grounded in post-bop tradition but brought to life with sharp precision and emotional depth.

Though Brouqui has long split his time between Paris and New York, this record isn’t a cross-cultural pastiche—it’s pure straight-ahead jazz. His tone is warm and articulate. His solos, lyrical and uncluttered, call to mind players like Wes Montgomery, Jim Hall, and Joe Pass—not in imitation, but in spirit. Brouqui’s voice is fully his own: clear, seasoned, and deliberate.

Brouqui honed his craft in the Paris jazz circuit—playing at legendary venues such as Duc des Lombards and Sunset—and later deepened his artistry in the jazz clubs of New York. Over the years, he’s performed alongside jazz greats like Steve Grossman, Peter Bernstein, Emmanuel Bex, and Joe Magnarelli. That experience shows. Mean What You Say is not a debut in spirit, even if it marks his first project with SteepleChase. It’s a confident, thoughtful statement from a player who knows exactly what he wants to say—and says it with elegance.

The album’s repertoire leans into the post-bop idiom, with swinging tempos, blues-infused moments, and melodic sophistication. But what sets it apart is the effortless interplay between musicians. The group moves as one, capturing the essence of a conversation more than a performance. Brouqui leads not by force, but through feel, giving space for the music to breathe.

With previous projects that include tributes to Horace Silver and collaborations with gypsy jazz violinist Florin Niculescu, Brouqui has shown a wide range of interests, always anchored in deep respect for tradition. Mean What You Say continues that thread—rooted in the lineage of jazz guitar, yet unmistakably his own.

For listeners craving authentic, straight-ahead jazz with heart, clarity, and craft, Mean What You Say is a standout release—one that affirms Yves Brouqui as a voice worth hearing.

Dusty Springfield’s Long-Lost Masterpiece Finally Arrives on Vinyl

In the early 1970s, Dusty Springfield—a powerhouse vocalist best known for her blend of British soul and pop—relocated from England to Los Angeles, seeking fresh inspiration and new opportunities. She signed with ABC/Dunhill Records and released the 1973 album Cameo, a sophisticated and emotionally resonant record that, despite showcasing her iconic sound, didn’t gain the commercial traction it deserved outside of the Billboard Adult Contemporary charts.

For her next project, Dusty took a different route—both creatively and geographically. In 1974, she traveled to New York City to work with producer Brooks Arthur, known for his work with Phil Spector and many of the era’s girl group luminaries. This time around, the sound leaned into the 1970s singer-songwriter aesthetic. Arthur curated a set of deeply introspective and moving songs written by artists including Janis Ian (“In the Winter”), Melissa Manchester & Carole Bayer Sager (“Home to Myself”), Colin Blunstone (“Exclusively for Me”), Stephen Schwartz (“Corner of the Sky”), Chi Coltrane (“Turn Me Around”), and Barry Manilow (“I Am Your Child”).

Many of the writers joined the sessions, playing keys on their own songs at Arthur’s 911 Studios. Even Bruce Springsteen was known to drop by in admiration. These sessions captured Dusty’s voice at its most emotionally raw and artistically refined.

However, despite the quality of the material and the strength of her performances, Dusty was grappling with emotional exhaustion and a growing sense of professional uncertainty. As a result, the album was shelved, and she parted ways with ABC/Dunhill before its completion. A few of the songs were revisited during her later stint with United Artists, but most remained unheard by the public.

That changed in 2001 when nine of the tracks resurfaced as part of a CD anthology of Dusty’s ABC/Dunhill work. Now, over 50 years after the original sessions, the complete album finally makes its debut on vinyl—with all ten tracks, including a new solo mix of “Corner of the Sky,” previously only available as a duet with Petula Clark.

This dual CD and vinyl release features new mixes of eight songs and comes with vintage artwork, rare images, and detailed track-by-track notes by Dusty biographer Paul Howes. The vinyl is pressed on eco-conscious PET black plastic, combining sustainability with a long-overdue celebration of Springfield’s brilliance.

Tracklist:

Side One

1. Turn Me Around

2. In the Winter

3. Exclusively for Me

4. A Love Like Yours

5. I Am Your Child

Side Two

1. Home to Myself

2. Make the Man Love Me

3. Beautiful Soul

4. Angels

5. Corner of the Sky

From the haunting melancholy of “In the Winter” to the spirited soul of “Turn Me Around” and the tender optimism of “Home to Myself,” this collection offers a portrait of an artist at the height of her interpretive power, even while facing personal crossroads. It is both a time capsule and a revelation—showing us once again why Dusty Springfield remains one of the most compelling vocalists in pop history.

Veteran Tenor Saxophonist Jed Levy to Release 11th Album Faces and Places

Known for his rich tone and deeply informed improvisation, saxophonist and composer Jed Levy returns with Faces and Places, his 11th album as a leader, set for release on April 25, 2025 via A Life in Music Records. With a four-decade presence on the New York City jazz scene, Levy has long been regarded as a “modern master,” praised for both his original compositions and commanding saxophone work.

Faces and Places features 12 original tracks, each one offering a glimpse into Levy’s life through a variety of musical vignettes, from introspective ballads to high-energy grooves.

Over the course of his career, Levy has toured globally—from Jazz at Lincoln Center’s Rhythm Road Program in South and Central America to a 16-city run through China and numerous appearances across Europe. He has released ten prior albums as a leader, eight of them on SteepleChase, and has appeared as a sideman on more than 40 recordings. His collaborators have included jazz legends such as Jaki Byard, Jack McDuff, Chico O'Farrill, Jack Walrath, and Peter Leitch, as well as top-tier rhythm sections featuring Marvin “Smitty” Smith, Geoffrey Keezer, John Hicks, George Cables, Ray Drummond, and more.

According to The Penguin Guide to Jazz, "Levy's broad-shouldered tone and confident delivery give him the kind of full-on swing one associates with an earlier generation, but he's soaked in bebop and hard-bop practice."

The Band

On Faces and Places, Levy is joined by a stellar lineup of long-time collaborators and NYC heavyweights:

• Luis Perdomo, piano (Tom Harrell, Miguel Zenón, Ravi Coltrane)

• Peter Slavov, bass (Joe Lovano, Quincy Jones, Paul Winter)

• Alvester Garnett, drums (Abbey Lincoln, Betty Carter, Regina Carter)

After a series of live dates in New York, the chemistry among the quartet inspired Levy to bring the music into the studio. The result is a collection of compositions with strong melodies, modern voicings, and room for each player’s unique voice to shine.

The Music

Each track on Faces and Places tells a story:

• “Email”: Inspired by the AOL inbox chime, this track journeys from a rubato intro to Afro-Cuban grooves and a rock-infused finale—symbolizing the range of emotions email messages can trigger.

• “Danza de Berrios”: A tribute to the late drummer Steve Berrios, featuring rhythms passed down to Garnett directly by Berrios.

• “Calcata”: Named after a mysterious Italian village, the tune captures its enigmatic charm through a haunting slow groove.

• “Twiddle Twaddle”: A playful homage to a friend in Rome, full of lively chatter and musical banter.

• “Coming to Terms”: A ballad about acceptance and resilience, blending jazz harmony with a singer-songwriter sensibility.

• “Saint Simons”: A straight-ahead swinger dedicated to a serene island getaway off the Georgia coast.

• “Personable”: Influenced by West Indian rhythms and 70s fusion, it contains a hidden melodic quote that remains undiscovered by listeners.

• “Tenerife”: Inspired by a planned vacation to the Canary Islands, cut short by volcanic activity.

• “Leading Tone”: Built on a counter-melody between bass and sax, the solo sections break free from the tune’s form.

• “Haiku”: Modeled after the five-syllable structure of Japanese poetry, using restraint and elegance to powerful effect.

• “Partido Tenor”: A playful nod to Brazil’s partido alto rhythm, filtered through Levy’s melodic and harmonic language.

• “Postscript”: A reflective album closer that recalls “Email”’s motif but with new rhythmic and harmonic framing.

A Complete Artistic Statement

From bebop to Afro-Cuban rhythms, West Indian grooves to introspective jazz ballads, Faces and Places encapsulates Jed Levy’s range as a composer and bandleader. His music is sophisticated yet accessible, rooted in tradition but with a forward-looking vision. This album is essential listening for anyone passionate about contemporary jazz with depth, soul, and substance.

Watch:

Jed Levy talks about Faces and Places in his "Living Liner Notes"

The 45th Festival International de Jazz de Montréal: A Celebration of Legacy, Innovation, and Global Groove

The city of Montréal is once again set to become the global capital of jazz as the Festival International de Jazz de Montréal (FIJM) unveils its complete program for its landmark 45th edition, taking place from June 26 to July 5, 2025. Presented by TD Bank Group in collaboration with Rio Tinto, this year’s festival promises to be one of the most ambitious, inclusive, and celebratory editions to date.

With over 350 concerts, two-thirds of which are completely free, FIJM 2025 will immerse downtown Montréal in a vibrant spectrum of musical styles rooted in jazz while boldly stretching its boundaries. From legends and Grammy winners to genre-defying newcomers, this 10-day celebration is a testament to the power of jazz to evolve, inspire, and unite.

A Musical Lineup that Crosses Generations and Borders

The 2025 edition is anchored by major headliners such as Nas, the iconic hip-hop figure whose lyrical prowess changed the game, and rising Afro-pop star Ayra Starr, whose meteoric rise represents the global fusion of contemporary sound and cultural heritage.

Jazz purists and contemporary music lovers alike will find plenty to savor. Highlights include:

• Dianne Reeves, the legendary American jazz vocalist, returning to Théâtre Maisonneuve.

• Mon Laferte, the Chilean-Mexican sensation, gracing the Salle Wilfrid-Pelletier stage.

• Bonobo, British DJ and master of atmospheric electronic-jazz fusion at MTELUS.

• Esperanza Spalding, the first jazz musician to win the Grammy for Best New Artist, performing on the TD Stage.

• Trombone Shorty & Orleans Avenue, bringing New Orleans funk and high energy to the outdoor stage.

This year’s program shines in its ability to blend the local with the international. Montréal talents like Elisapie, Salin, and Tyreek McDole will stand alongside globally acclaimed acts such as The Sun Ra Arkestra, Camille Thurman, Isaiah Collier, and BALTHVS.

Oscar Peterson Centennial: Honoring a Jazz Titan

A key theme of this year’s festival is the Oscar Peterson Centennial, commemorating what would have been the 100th birthday of the legendary Montréal-born pianist. A series of special tributes and events will honor his legacy, including:

• Oscar Peterson Centennial Gala: Canadiana Suite, performed at Maison symphonique.

• Montreal Thanks OP Concert, a free show featuring the Oscar Peterson Centennial Quartet.

• “Through Oscar’s Lens”, a compelling outdoor photography exhibition featuring rare images taken by Peterson himself.

• A special screening of the film Oscar Peterson: Black + White at Cinéma du Parc.

• An exclusive vinyl release, Oscar Peterson Live at the Festival International de Jazz de Montréal, available only at the Festival and during the commemorative tour.

Rising Stars and Fan Favorites

FIJM is also renowned for showcasing future stars. In 2025, keep an eye on:

• Samara Joy, whose talent has taken her from Festival newcomer to household name.

• Tyreek McDole, opening for Jeff Goldblum & The Mildred Snitzer Orchestra, bringing youthful energy and soulful depth.

• Yasmin Williams, the genre-blurring guitar phenom known for her NPR Tiny Desk performance.

• Tommy Emmanuel, world-renowned Australian guitar virtuoso.

For more adventurous listeners, the Festival recommends Clown Core, a mysterious duo blending jazz, grindcore, and electronica, and Nate Smith collaborating with Lalah Hathaway, James Francies, and Derrick Hodge for a one-time supergroup performance.

Cinema, Culture & Community

Beyond the stages, the Festival will offer:

• A film series celebrating jazz greats, including screenings of In Cold Blood, The Wiz, and The Color Purple as part of a tribute to Quincy Jones.

• The return of the PHONO pop-up bar, featuring curated DJ sets and immersive nightlife.

• Académie sessions, providing in-depth artist interviews, live performances, and musical masterclasses.

• Ongoing surprises yet to be announced, keeping the anticipation alive through the coming weeks.

A City That Swings with Jazz

As always, the Festival thrives through partnerships that bring the vision to life. FIJM extends thanks to TD Bank Group (celebrating 15 years as presenting sponsor), Rio Tinto, Rogers, Molson, Uber, SAQ, Lavazza, Le Groupe Maurice, and various levels of government including Canadian Heritage, the Canada Council for the Arts, and the City of Montréal.

Whether you're a seasoned jazz aficionado or a curious newcomer, the 45th edition of the Festival International de Jazz de Montréal offers an unparalleled opportunity to discover the soul of jazz and its many modern evolutions.

Mark Your Calendar

Festival Dates: June 26 – July 5, 2025

Vince Guaraldi’s It’s the Easter Beagle, Charlie Brown Soundtrack Released for the First Time

Legendary jazz pianist and composer Vince Guaraldi's long-lost soundtrack to the 1974 animated Peanuts® classic It’s the Easter Beagle, Charlie Brown is finally available—for the first time ever—in its full remastered glory.

This historic release, presented by Lee Mendelson Film Productions, marks a major addition to Guaraldi’s celebrated Peanuts® discography, joining the ranks of A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown.

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A Lost Jazz Masterpiece, Unearthed

Originally broadcast on CBS-TV on April 9, 1974, It’s the Easter Beagle, Charlie Brown was the twelfth animated Peanuts® special and received an Emmy® nomination for Outstanding Children’s Program. But until now, its joyous, jazz-infused soundtrack remained unreleased and unheard—buried beneath dialogue, sound effects, and the passage of time.

Now, thanks to meticulous restoration and mixing by Grammy® and Emmy® Award-winning engineer Clark Germain and producer team Sean and Jason Mendelson, this timeless music has been brought back to life, clearer and more vivid than ever.

“Holy Moly! This was recorded in 1974?!” — Secrets of Home Theater and High Fidelity

“It’s always a treat to hear vintage jazz for the first time. This is another glimpse into Vince Guaraldi’s brilliance.” — Audiophile Audition

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Available in Multiple Formats

Standard Edition

• Black 12” 45 RPM LP (BioVinyl)

• CD

• Digital streaming & download

Limited Edition Easter Purple Vinyl

• 2000 hand-numbered 12” 45 RPM LPs

• Available only at independent record stores

• Pressed on sustainable BioVinyl

• Foil-stamped and perfect for collectors

Record Store Day 2025 Exclusive

• 10” die-cut, egg-shaped vinyl

• Features 8 essential tracks

• Available in five mystery colors

• Limited edition, individually numbered

• Arrives April 12, 2025 — just in time for Easter!

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Track Highlights & Bonus Material

The album includes 19 remastered tracks from the original 1974 score and one brand-new recording:

• “Easter Theme” – The joyful title track

• “Woodstock’s Dream” (four variations) – A dreamy, jazz-pop masterpiece

• “Linus and Lucy”, “Peppermint Patty” – New arrangements of Guaraldi’s classics

• “Bach’s Piano Sonata no. 3”, Beethoven’s 7th Symphony – Given the “Guaraldified” jazz treatment

• “Snoopy and Woodstock”, “Easter Egg Soup”, and “Marcie’s Song” – Deep cuts now finally spotlighted

Bonus Track: “Woodstock Medley”

A special tribute performance by:

• David Benoit (Grammy®-nominated jazz pianist)

• Mike Clark (Guaraldi’s original drummer)

• Seward McCain (Guaraldi’s longtime bassist and flutist)
  Recorded in the same San Francisco studio where the original score came to life 50 years ago.

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Liner Notes & Legacy

Each physical copy includes extensive liner notes by:

• Derrick Bang – Author of Vince Guaraldi at the Piano

• Sean & Jason Mendelson – Producers and sons of Peanuts® producer Lee Mendelson

The notes feature:

• Track-by-track insights

• Rare photos

• Tape box scans from the 1974 sessions

💬 “Guaraldi favored electric keyboards on this score, with varied cues that are as larkish as the on-screen action.” — Derrick Bang

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Sustainable Packaging: BioVinyl LPs

All LP editions are pressed on BioVinyl, an eco-conscious alternative that replaces petroleum with recycled cooking oil and industrial waste—making your listening experience as green as it is groovy.

Learn more about LMFP’s sustainability commitment at Lee Mendelson Film Productions

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Celebrating the 75th Anniversary of Peanuts®

2025 marks the 75th anniversary of the Peanuts® comic strip created by Charles M. Schulz, and this release honors that legacy. The Easter Beagle soundtrack joins a growing collection of archival Guaraldi releases including:

• It’s the Great Pumpkin, Charlie Brown (2022)

• A Charlie Brown Thanksgiving (2023)

• It Was a Short Summer, Charlie Brown (2024)

• You’re Not Elected, Charlie Brown (2024)

• Be My Valentine, Charlie Brown (2025)

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About Vince Guaraldi

Vince Guaraldi (1928–1976) was a pioneering jazz pianist best known for composing the iconic “Linus and Lucy” and scoring more than a dozen Peanuts® television specials. His playful, soulful, and deeply human compositions continue to captivate generations.

"Woodstock’s Dream happens to be one of my favorite Guaraldi cues. With just a few chord changes, he makes a vibrant and memorable melody." — Sean Mendelson

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Final Notes

This release is a must-have for Peanuts® fans, vinyl collectors, jazz lovers, and soundtrack enthusiasts alike. Celebrate Easter, Peanuts, and the artistry of Vince Guaraldi with this historic, lovingly restored album.

Christoph Irniger's Quintet PILGRIM Releases Captivating New Album Human Intelligence Live

The acclaimed Swiss jazz ensemble Pilgrim, led by visionary tenor saxophonist Christoph Irniger, unveils its sixth album, Human Intelligence Live, available now in CD and digital formats via Intakt Records. Recorded live at Red Horn District in Bad Meinberg, Germany, this deeply immersive album showcases the quintet at its most raw, expressive, and unified.

A Bold Live Statement from One of Europe’s Premier Jazz Ensembles

Formed in 2010, Pilgrim has evolved into one of the most dynamic groups in contemporary European jazz. The band—featuring Christoph Irniger (tenor sax), Stefan Aeby (piano), Dave Gisler (guitar), Raffaele Bossard (bass), and Michael Stulz (drums)—creates music that straddles the line between composition and improvisation, embracing ambiguity and spontaneity as creative tools.

“The power of this live album lies in the fact that the listener can hear how things evolve,” says Irniger in the liner notes. “Composition melts into improvisation—and vice versa—like a living, breathing conversation.”

Human Intelligence: A Journey Through Emotion, Improvisation, and Sound

Human Intelligence Live is not just a live album—it's a full concert experience, recorded in one uninterrupted session. There are no overdubs, no rearranged setlists—just the pure energy of a band communicating in real time.

From the Hendrix-inspired opener to the cinematic closer, each track tells a story:

Track Highlights:

• "Hendrix" – A tribute to the genius of Jimi Hendrix and Thelonious Monk, built around a meditative guitar solo by Dave Gisler.

• "Calling the Spirits" – A spiritual anthem of community and collective energy, originally featured on Ghost Cat.

• "Secret Level" & "Emergency Exit" – Conceptually linked tracks that play with the idea of hidden depths and emotional escape routes, evoking video game metaphors and life’s unexpected twists.

• "Human Intelligence" – A reflective, minimalist interlude offering a moment of introspection amidst the improvisational chaos.

• "Seven Down Eight Up" – A groove-based tribute to resilience, inspired by Listening by Nik Bärtsch and Irniger’s personal health journey.

• "The Kraken" – A nod to Wayne Shorter, merging myth and musical mastery into a compact, improvised statement.

• "Back in the Game" – Inspired by the Clint Eastwood film, this finale offers hope and resolution with cinematic flair.

Full Tracklist:

1. Hendrix – 5:31

2. Calling the Spirits – 14:27

3. Secret Level – 3:38

4. Human Intelligence (Interlude) – 2:18

5. Seven Down Eight Up – 13:06

6. The Kraken – 1:48

7. Human Intelligence – 6:14

8. Emergency Exit – 12:25

9. Back in the Game – 5:23
   Total Runtime: 64:04

Deep Chemistry and Human Connection

Critic Kevin Le Gendre describes the album as “a triumph of advanced ensemble chemistry,” noting the seamless interaction and emotional depth of each performance. Whether through fiery improvisation or delicate, meditative pauses, Human Intelligence Live explores the emotional spectrum of modern jazz with honesty and grace.

Max Romeo, Revolutionary Reggae Icon and Cultural Torchbearer, Dies at 80

“I chase the devil out of earth—he's never coming back.”

Max Romeo, the reggae singer whose music challenged political corruption, colonial trauma, and spiritual disconnection, died on April 11, 2025, at the age of 80, reportedly due to heart complications. With a career spanning over five decades, Romeo’s contributions made him one of the most fearless and poetic voices in Jamaican music, bridging the cultural divides between rebellion and redemption.

From Alexandria to the World

Born Maxwell Livingston Smith on November 22, 1944, in the rural hills of Alexandria, St. Ann Parish, Romeo’s journey began in hardship. Leaving school at 14, he moved to Kingston in search of work, eventually falling in with local sound system culture. In 1965, he joined The Emotions, scoring his first success with “(Buy You) A Rainbow.”

However, it was his controversial 1969 single “Wet Dream” that catapulted him to international infamy. Banned by the BBC but embraced by fans, the song satirized British prudishness while showcasing his knack for irony and subversion.

The Perry Years and Reggae Renaissance

In the 1970s, Romeo teamed up with legendary producer Lee “Scratch” Perry. Together they created War Ina Babylon (1976), a landmark roots reggae album that blended militant lyrics with Perry’s haunting dub production. It became an anthem for a Jamaica gripped by political violence and economic disparity. Songs like “One Step Forward” and “Chase the Devil” (later sampled by The Prodigy and Kanye West) brought spiritual fire and revolutionary fervor to dancehalls and international stages alike.

Romeo also stood as one of the few artists to openly support Michael Manley's socialist-leaning People's National Party, writing campaign songs such as “Let the Power Fall” and “No Joshua No.” He wasn’t just an artist—he was a cultural warrior.

Personal Life and Late-Career Battles

In his later years, Romeo remained a fierce advocate for artist rights. In 2023, he filed a lawsuit against Universal Music and Polygram over royalties for War Ina Babylon, claiming he never received proper compensation. The case highlighted broader industry struggles faced by foundational reggae artists.

Despite health setbacks and the loss of close collaborators like Scratch Perry and Robbie Shakespeare, Romeo continued to perform, record, and mentor. His 2023 farewell tour included 56 stops across Europe and the UK, where he performed alongside his children—Azizzi and Xana Romeo, both reggae artists carrying on his legacy.

Legacy

Max Romeo leaves behind a body of work that resonates beyond rhythm and rhyme. His lyrics tackled colonialism, religion, mental liberation, and black consciousness, often drawing from Rastafarian philosophy. Whether confronting Babylon or calling on Jah, he articulated the pains and dreams of a postcolonial people in transformation.

He is survived by his wife Charm and several children, including his musical heirs. Tributes from around the world describe him as “a prophet,” “a rebel with soul,” and “the poet of the people.”

Max Romeo now joins the pantheon of reggae greats—Burning Spear, Peter Tosh, and Bob Marley—not just for his music, but for his unwavering truth-telling.

Adja Fassa Releases Bold Debut Album Golden Retrieve Her: A Soulful, Satirical Exploration of Society

Brussels-based artist Adja Fassa has officially released her long-awaited debut album Golden Retrieve Her, a striking follow-up to her critically acclaimed EP IRONEYE (2022). With this ambitious 11-track project, Adja steps fully into her power as a storyteller, vocalist, and sonic explorer.

Two years in the making, Golden Retrieve Her dives deep into the emotional and societal undercurrents of modern life, offering up intimate stories shaped by capitalism's grip on our private moments. Adja crafts dystopian neo-soul scenes where Deliveroo drivers are stalked by telemarketers selling dreams, transforms jazz standards into critiques of transactional relationships, and even delivers a cheeky anti-establishment anthem with “Sucking on my Emphatitties.”

At the heart of the album is the title track, “Golden Retrieve Her” — a metaphor-laden meditation on the pressure to conform to the ideal of the "perfect" nuclear family.

"It’s a wordplay on retrieving my kindness in a violent social system," Adja explains. "We're asked to be naive or pretend to be. The Golden Retriever became a symbol of the polished life we’re sold as success."

Each track is rich in sonic texture and narrative complexity, guided by Adja’s deep collaboration with jazz guitarist and composer Alexis Nootens, and shaped by producers Adam Scrimshire (named one of the UK’s top soul producers by The Guardian) and Koen Gisen, a fixture in the Belgian music scene.

Adding a mystical edge to the album, Adja designed four tarot cards that thematically mirror the music:

• The Wheel of Fortune: The struggle for control in an unfair system

• The Mirror: Reflection and recognition in lost relationships

• The Dark Wheel: A descent into moral chaos

• The Cave: A return to self—painful, but honest

Recorded with 13 musicians, including 8 session players from across Europe, the album is a genre-bending journey rooted in soul, jazz, experimental pop, and rich lyrical philosophy.

Golden Retrieve Her is out now on Sdban Ultra — available via streaming, vinyl (with collectible tarot cards), and CD.

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Tracklist:

1. Happiness and Butterflies

2. Package Delivered by Tomorrow

3. A Moment

4. Unfriend

5. Better Bitter

6. The Sound of a Mother (interlude)

7. Sucking on my Emphatitties

8. Golden Retrieve Her

9. Be Patient (outro)

10. Nook

11. Rest our Hearts

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NITE KITE Releases Debut Album Erratic Erosion – A Fusion of Acoustic, Ambient, Jazz & Neoclassical Sounds

Brussels-based collective NITE KITE drops their first full-length album, Erratic Erosion, out today – April 11, 2025 – on vinyl and all streaming platforms.

Blending neoclassical, acoustic, ambient, jazz, and electronic textures, NITE KITE's Erratic Erosion marks a bold new chapter for the formerly solo project of Belgian artist Dieter Boels. After years of producing and recording music alone, Boels invited a group of close collaborators into the creative process, transforming NITE KITE into a full-fledged collective.

The result? A deeply human, genre-defying album recorded live in a natural studio setting—complete with imperfections, spontaneity, and even a 3D-printed toy octopus doubling as an instrument.

“The making of this album has been a many-sided adventure, alternating regular forest walks with eating pasta arrabiata, and when there was time, playing some music,” says Boels. “Listening back, a smile appears on my face. It encompasses our musical friendship and playful interplay.”

🎧 Erratic Erosion Features:

• Nine richly textured tracks, ranging from jazz-infused pieces to ambient soundscapes

• Collaborators: Emma Bierens (double bass), Joannes Van Duffel (drums), Léo Gaucher (live electronics), Ruth Kennivé, Niels Boutsen (Stoomboot), Ruben Lefever (Float Fall), István Fazakas (saxophone/bansuri)

• Highlights:

  • The Dancer (ft. Ruth Kennivé)

  • Laat me achter (ft. Stoomboot)

  • Innuendo – a noir jazz dreamscape

  • Doelloos – with soaring bansuri melodies

  • Inktvis – featuring the aforementioned toy octopus

📍 Upcoming Live Shows

• May 23 – Brasserie Illegaal, Bruxelles

• May 24 – Popmonument (Ambitus presents), Oss (NL)

• Sept 5 – Indian Summer Fest, Grupont

• Oct 24 – Silencefestival, Hoeilaart

🔗 Erratic Erosion is available now:

• Independently released

• On vinyl and streaming platforms worldwide

• Visit NITE KITE’s official page for links, tickets, and more info

🌍 For fans of:

Nils Frahm, Cinematic Orchestra, Ólafur Arnalds, Portico Quartet, ambient jazz & acoustic electronica