Ariane Racicot Ignites the Jazz World with Bold Fusion Album Danser avec le feu

​Montreal-based pianist and composer Ariane Racicot is making waves in the jazz scene with her innovative fusion of genres in her second album, Danser avec le feu (Dancing with Fire), released on February 21, 2025. ​

Album Overview

Following her acclaimed debut, Envolée, Racicot continues to push musical boundaries by blending jazz, Latin rhythms, classical influences, progressive rock, and metal. The album features eight original compositions that explore themes of resilience, environmental anxiety, and joie de vivre. Collaborating with electric bassist Antoine Rochefort and drummer Guillaume Picard, Racicot creates a dynamic and textured soundscape that reflects her diverse musical influences. ​

Track Highlights

• "Avant la tempête": This opening track transitions from melodic, classical-inspired piano to intense improvisations, setting the tone for the album's fusion of styles. ​

• "Going For A Walk": A playful melody where Racicot's piano intertwines with Rochefort's Latin rhythms, showcasing the trio's versatility. ​

• "Dancing With Fire": The title track exemplifies the group's energy, featuring rapid improvisations propelled by Picard's vigorous rhythms and Rochefort's robust basslines. ​

Critical Reception

The album has garnered positive reviews for its inventive approach and technical prowess. Paris-Move praises Racicot's artistry, describing the music as "a world fully formed, a bold assertion of personality," and notes the "astonishing precision of her arrangements." ​

Making A Scene highlights the blend of genres, stating that Racicot's compositions "paint pictures with sounds," offering listeners "great comfort and peace" alongside moments of "emotion, drama, beauty, and bluster."

Live Performances

To celebrate the album's release, Racicot and her trio held a launch event at Montreal's Cabaret Lion d'Or on February 26, 2025. The performance featured a mix of pieces from Envolée and new tracks from Danser avec le feu, delivering an engaging experience that captivated the audience. ​

About Ariane Racicot

Ariane Racicot's musical journey is characterized by a rich blend of classical training and diverse genre influences. Her work reflects a commitment to innovation and storytelling, drawing inspiration from artists like Tigran Hamasyan, Hiromi Uehara, and Avishai Cohen. In 2022-2023, she was honored with the Radio-Canada Revelation Prize in Jazz, a testament to her growing influence in the jazz community. ​

Track Listing for Danser avec le feu

1. Avant la tempête​

2. Going For A Walk​

3. Dancing With Fire​

4. There Is Some Hope​

5. Chez-moi​

6. Canicules​

7. I Have Doubts​

8. Après la tempête​

Danser avec le feu exemplifies Ariane Racicot's dedication to musical exploration and her ability to seamlessly integrate various influences into a cohesive and compelling jazz narrative.

Multi-Faceted Vocalist Deb Bowman Salutes Great Songwriters on Her 4th Jazz Album REFLECTION

Out April 11, 2025 on Mama Bama Records

Celebrated vocalist and actress Deb Bowman returns with her fourth jazz album, Reflection, an evocative and genre-blending tribute to timeless songwriting and emotional storytelling. Releasing April 11, 2025 on Mama Bama Records, the album showcases Bowman’s deep musical range and her commitment to honoring legendary composers like Stephen Sondheim, Michel Legrand, and Burt Bacharach—while also incorporating her signature style infused with jazz, gospel, pop, Broadway, and Latin flair.

Originally envisioned as a focused tribute to Sondheim, Legrand, and Bacharach following their passing between 2019 and 2023, Reflection evolved during its two-year recording journey across three states. The delay, due to life circumstances, became a creative blessing. With time to reflect and rework her vision, Bowman expanded the album’s scope to include works by Lorenz Hart, Henry Mancini, Howard Ashman, and Meredith Willson, among others.

“I realized this project wasn’t just about tribute—it was about connection. Each song started revealing something personal to me,” says Bowman.

Reimagined Classics with Emotional Depth

Bowman collaborated with musical director and pianist Dean Fransen to craft fresh, emotionally layered arrangements. Their version of Sondheim’s “Send in the Clowns” opens the album with a surprising Latin twist—honoring the song’s drama while infusing it with rhythmic elegance.

Other standouts include:

• A soul-infused take on “This Girl’s in Love with You” inspired by Aretha Franklin, anchored by Jim Donica on bass and Jakubu Griffin on drums.

• A cinematic, thunderstorm-bathed “Over the Rainbow” that seamlessly shifts into Latin rhythms, evoking Dorothy’s step into Oz.

• A tender duet version of “Baby Mine” that closes the album with heartfelt simplicity.

Bowman’s performance of “Moon River,” a song she holds close, offers a deeply personal interpretation, drawing listeners into the delicate ambiguity of Johnny Mercer’s lyrics. The haunting “She Was Too Good to Me” opens with a rarely heard verse, enriching its emotional weight.

A Voice with Theatrical Soul

Bowman’s Broadway roots and storytelling sensibility shine throughout Reflection. Known for acclaimed roles in Cabaret, Chicago, Sweeney Todd, and Evita, her performances carry a theatrical soul, allowing each lyric to land with meaning. Film and TV fans may recognize her from Francis Ford Coppola’s Megalopolis, Wall Street 2, or Stargirl.

Currently based in Atlanta, Bowman performs in both grand orchestral and intimate settings, while mentoring rising vocal talent as a professional voice coach.

Reflection cements Bowman’s position as a dynamic interpreter of song and an artist unafraid to take emotional and musical risks.

Northern Soul Icons The Flirtations Make a Powerful Comeback with Still Sounds Like The Flirtations—55 Years in the Making

The legendary Northern soul group, The Flirtations, is back after an astonishing 55 years with their highly anticipated album Still Sounds Like The Flirtations. Known for their 1969 smash hit “Nothing But A Heartache,” which spent 14 weeks on the Billboard Hot 100, the group has returned with a fresh collection of soul-stirring tracks that stay true to their timeless sound. This long-awaited album marks their first new material in over five decades and promises to captivate both longtime fans and new listeners alike.

A Legacy of Soul and Groove

In the late '60s and early '70s, The Flirtations were a vital force in the soul scene, sharing the stage with some of the greatest names in music, including Stevie Wonder, Tom Jones, the Four Tops, and the Temptations. Their infectious grooves and emotionally charged performances made them a standout act of the era, with “Nothing But A Heartache” becoming an anthem of Northern soul.

Now, after more than five decades, The Flirtations are back with Still Sounds Like The Flirtations, a powerful testament to their enduring influence in soul music. The album blends the group’s classic sound with a contemporary twist, featuring reflective, thought-provoking tracks alongside upbeat, dance-worthy anthems.

The Making of Still Sounds Like The Flirtations

Produced, engineered, and mixed by Ben Rice (Joan Osborne, Valerie June), Still Sounds Like The Flirtations delivers the same soulful authenticity that defined their early work. The album also benefits from the contributions of Grammy-nominated co-writer Gian Stone (John Legend, Meghan Trainor), who co-wrote several standout tracks, and includes vibrant horn sections from the famed Dap-Kings, adding a rich layer to the album's sound.

Opening with the stirring “Memories,” co-written by the legendary Stevie Wonder, the album quickly establishes its emotional depth, offering a call to action. Tracks like “Ain’t No Easy Way” and “Didn’t Anybody Tell You” serve up soulful messages of hope and resilience, while the upbeat, danceable “Love Somebody” and the energetic “Take It Back,” co-penned with Dave Sherman (Nick Cave & the Bad Seeds, Elle King), show that The Flirtations still have the fire and groove that made them icons of soul music.

The Return of The Flirtations: A New Era for Soul Music

With Still Sounds Like The Flirtations, the group reclaims their place in the soul music spotlight. The album offers a blend of the old and the new—capturing the spirit of their classic hits while introducing a sound that resonates with today’s audiences. From their reflective, socially conscious tracks to the grooves designed to make you move, the Flirtations’ return is a vibrant celebration of the timeless power of soul music.

As they once again step into the spotlight, The Flirtations are more than just a revival act—they are a living testament to the enduring influence of soul music across generations. Whether you're revisiting their music from the golden era of soul or discovering their sound for the first time, Still Sounds Like The Flirtations promises to sweep you off your feet with its irresistible charm and heartfelt grooves.

Stream and Purchase Still Sounds Like The Flirtations

Still Sounds Like The Flirtations is available now for streaming and purchase. Don’t miss out on the album that marks the long-awaited return of one of soul music’s most iconic groups.

WAR's Live in Japan 1974 Captures the Band at Their Peak: A Timeless Musical Journey

In the winter of 1974, WAR was at the height of their musical powers, riding the wave of their chart-topping success with The World Is a Ghetto. After an extensive tour of the United States and a series of groundbreaking European performances, the legendary funk rock band took their talents to Japan for their inaugural tour of the country.

More than five decades later, fans have the opportunity to relive this historic moment with the release of Live in Japan 1974, a live album that captures WAR during one of their most electrifying periods. This live collection showcases all seven original members of the band performing in Shizuoka, Tokyo, Osaka, and Kobe, delivering high-energy renditions of their iconic tracks. The album is available in both 2LP and 2CD formats, providing an immersive experience for fans of WAR’s timeless music.

An Electrifying Live Performance

Live in Japan 1974 allows listeners to experience WAR at their best—firing on all cylinders with their signature blend of funk, rock, and soul. The album features live versions of classic WAR tracks like “The Cisco Kid,” “The World Is a Ghetto,” and “All Day Music.” These live renditions capture the raw energy and charisma that made WAR one of the most influential bands of their time.

The album’s release is not just about the music. Liner notes by the acclaimed writer Cory Frye provide an in-depth look at WAR's groundbreaking tour through Japan. The notes include an exclusive interview with founding member Lonnie Jordan and longtime producer Jerry Goldstein, offering intimate insights into the band's journey and the atmosphere of their Japanese performances. These personal reflections provide a behind-the-scenes glimpse into the cultural and musical exchange between the band and their Japanese fans, who greeted them with enthusiastic standing ovations and numerous encores.

A Turning Point in WAR’s History

Reflecting on their experience in Japan, Lonnie Jordan shared, "It was a fun, exciting experience because we’d never gotten that amount of people loving what we did, especially during that time." Jerry Goldstein echoed Jordan's sentiment, adding, "They knew all the songs. It was pretty exciting, getting the vibe that everyone knew and loved what we were doing. They gave us a lot of standing ovations, and we did lots of encores."

The liner notes also reveal the origins of one of WAR’s most beloved anthems, “Why Can’t We Be Friends?” Inspired by the powerful connections the band made with their Japanese audiences, the song's creation was deeply influenced by the love and admiration they received during their concerts. This emotional connection between the band and their fans further highlights WAR’s global influence, which continues to resonate today.

WAR’s Enduring Legacy

As WAR celebrates its 55th anniversary, Live in Japan 1974 stands as a tribute to the band's remarkable legacy and their pivotal role in shaping the music landscape. The album captures a defining moment in the band's evolution, offering fans a chance to experience a moment in history when WAR’s sound was at its peak.

This release is a must-have for both long-time fans and newcomers to WAR’s music. Live in Japan 1974 is more than just a live album—it’s a time capsule of one of the greatest funk bands of all time, immortalized in their prime.

Stream and Purchase Live in Japan 1974

Live in Japan 1974 is available now on both 2LP and 2CD formats. Don't miss the chance to experience WAR at their best, as they perform some of their greatest hits to an adoring Japanese audience.

Carlos Jiménez Quintet Releases New Album Déjà Vu – A Fresh Take on Modern Jazz

The Carlos Jiménez Quintet is back with their highly anticipated new album Déjà Vu, released on Friday, February 28th, 2025. Following the success of their 2019 album Don’t Fall, the quintet has returned to the jazz scene with a collection of eight original compositions that showcase their dynamic blend of modern jazz and traditional influences. The album was officially launched at the Upstairs Jazz & Grill Club in Montreal, and the group will announce more concerts for Summer and Fall 2025.

An Exciting New Sound with Déjà Vu

Déjà Vu presents a refreshing and innovative approach to jazz, rooted in the tradition but forward-looking in its sound. Featuring seven compositions that employ the “contrafact” technique—a method where new melodies are created over existing chord progressions of classic jazz standards—the album brings a modern twist to time-honored jazz forms. With strong energy, diverse grooves, and impeccable musicianship, Déjà Vu is a testament to the quintet’s commitment to both preserving and pushing the boundaries of jazz.

The album features the combined talents of some of Montreal’s finest jazz musicians, including Carlos Jiménez on guitar and compositions, Alexandre Côté on alto saxophone, Pierre François on piano, Dave Watts on bass, and Alain Bourgeois on drums. The quintet’s sound is hard-swinging yet fresh, offering listeners a high-energy, melodic journey that highlights the deep connection to jazz tradition while embracing contemporary rhythms and textures.

The Band Behind Déjà Vu

• Carlos Jiménez (Guitar & Compositions): As the leader of the quintet, Carlos Jiménez is a well-established figure in Montreal’s jazz community. A versatile guitarist and composer, he’s known for his ability to seamlessly blend electric and classical guitar techniques across a range of genres. Jiménez’s previous works include four albums as a bandleader, as well as numerous collaborations with celebrated Canadian and international artists. His passion for jazz is matched by his dedication to teaching, as he currently holds a position as a faculty member at the Schulich School of Music at McGill University, where he teaches jazz guitar, ensembles, and improvisation.

• Alexandre Côté (Alto Saxophone): A highly skilled saxophonist, Côté’s playing brings an energetic and vibrant voice to the quintet’s arrangements. His ability to push the boundaries of his instrument while staying rooted in jazz tradition adds an exciting layer to the band’s sound.

• Pierre François (Piano): François’s piano work is a key element in shaping the group’s rich harmonic landscape. With his diverse musical background, he brings a unique voice to the ensemble, from lush chords to intricate improvisations.

• Dave Watts (Bass): Watts’s solid bass lines provide the perfect foundation for the quintet’s groove-oriented tracks. His ability to move seamlessly between supporting the rhythm and taking center stage during solos contributes to the band’s dynamic energy.

• Alain Bourgeois (Drums): Bourgeois’s drumming is an essential part of the quintet’s tight rhythm section. His inventive and precise drumming style drives the band’s momentum, contributing to the hard-swinging sound that defines Déjà Vu.

Carlos Jiménez: A Versatile and Acclaimed Artist

Carlos Jiménez has built a reputation as one of the most sought-after jazz guitarists in Montreal. His musical versatility allows him to excel in a range of styles, from jazz and Brazilian music to popular music. He has shared the stage with some of Canada’s most respected jazz musicians and has been involved in various recording and touring projects. As an educator, Jiménez is passionate about fostering the next generation of jazz talent. He holds a Doctorate in jazz performance and has received multiple grants for his work as a composer and performer.

His most recent projects include recording and touring with American jazz vocalist Ranee Lee, as well as performing with Quebec singer Florence K in her Brazilian music project. His commitment to jazz and education continues to shape his dynamic career, with Déjà Vu being his fifth album as a leader.

What's Next for the Carlos Jiménez Quintet?

Following the album launch in Montreal, the Carlos Jiménez Quintet is gearing up for a busy year ahead. Fans can expect more tour dates to be announced for Summer and Fall 2025, where they’ll have the opportunity to experience the quintet’s captivating live performances. Whether you're a long-time fan of the band or new to their music, Déjà Vu promises to be an album that continues to inspire and excite jazz listeners worldwide.

Conclusion: A New Era in Jazz

Déjà Vu represents the next step in Carlos Jiménez’s evolution as a bandleader, showcasing his skill as both a composer and a performer. With its fresh yet familiar sound, this album solidifies the quintet’s place as one of the leading groups in Montreal’s jazz scene. By blending modern jazz with a nod to the tradition, Déjà Vu is an exciting, innovative release that will resonate with jazz lovers everywhere.

Don’t miss the chance to catch the Carlos Jiménez Quintet live and experience the energy and passion of Déjà Vu for yourself!

Noah Preminger Celebrates His New Album Ballads with European Tour: A Journey of Soulful Tenor Saxophone

Acclaimed tenor saxophonist Noah Preminger is celebrating the release of his stunning new album Ballads with a European tour from May 3 to May 10, 2025. The album, released by Chill Tone Records, showcases Preminger’s unique ability to create lush, emotionally rich music. The European tour will see Preminger performing in Germany, Switzerland, Austria, and Luxembourg, bringing his exquisite sound to jazz lovers across the continent.

Tour Dates & Locations

The Ballads album release tour will feature performances with Preminger’s stellar ensemble, which includes pianist Julian Shore, bassist Phil Donkin, and drummer Leif Berger. Here’s where you can catch them live:

• Saturday, May 3: Birdland, Am Karlsplatz A 52, Neuburg, Germany

• Sunday, May 4: Stanzerei, Bruggerstrasse 37, Baden, Switzerland

• Tuesday & Wednesday, May 6-7: Bird’s Eye, Kohlenberg 20, Basel, Switzerland

• Friday, May 9: Stockwerk, Jakominiplatz 18, Graz, Austria

• Saturday, May 10: International Jazz Festival, Dudelange, Luxembourg

About the Album: Ballads

Released on February 21, 2025, Ballads is an exploration of lyrical beauty through the lens of jazz. The album pays homage to jazz legends like John Coltrane and Dexter Gordon, blending original compositions with carefully selected standards and even a surprising cover of a Sun Kil Moon song.

The album has garnered widespread acclaim. In DownBeat, Peter Margasak praised Preminger’s approach, saying the album "casts a mesmerizing spell." Similarly, Rick Anderson of CD Hotlist called it "heart-tuggingly beautiful," while Jeff Krow from Audiophile Audition noted Preminger’s ability to evoke the warmth and sophistication of jazz greats like Dexter Gordon and Stan Getz.

Preminger’s Vision for Ballads

Noah Preminger’s Ballads isn’t just a collection of slow-tempo tunes—it’s an artistic statement that invites listeners into a world of soulful improvisation. "I’ve always loved ballad playing," says Preminger, citing influences such as John Coltrane’s rendition of “Lush Life” and Michael Brecker’s “The Meaning of the Blues.” Ballads is an exploration of that tradition, where each note is delivered with intent, and every solo tells a story.

This project marks a new chapter in Preminger’s illustrious career, moving from the fiery and experimental paths he’s previously explored into a more intimate and contemplative realm. The result is an album that combines restraint and emotion, demonstrating Preminger’s mastery in both technique and expression.

Highlights of the Album

One of the standout moments of Ballads is Preminger’s haunting interpretation of “Carry Me Ohio,” a song originally by indie-folk band Sun Kil Moon. The track brings an emotional depth to the album, inspired by Preminger’s personal connection to the song. He recalls playing it repeatedly for his son while he was still in the womb, adding a layer of sentiment that resonates deeply within the performance.

The album also features the Gershwin classic “Someone to Watch Over Me,” which begins as a duet with Preminger and longtime collaborator Cass before the rest of the quartet enters, weaving a dream-like atmosphere around the timeless melody.

Recording Process & Collaborations

The album’s lush sound is the result of a close collaboration between Preminger and the team at Chill Tone Records, including Grammy-winning engineer Chris Leon. Founded in 2023, Chill Tone Records has quickly established itself as a label dedicated to high-quality jazz recordings, working with some of the finest contemporary artists in the genre.

“The quality of the sound for a record like this is hugely important to me,” Preminger explains. “Chill Tone really focused on bringing out the lush qualities of this music, and I think they did an amazing job.”

What Critics Are Saying About Ballads

Critics have been quick to praise Preminger’s approach on Ballads, highlighting his ability to balance modernism with tradition. Jack Kenny of All About Jazz noted that the album showcases Preminger’s ability to interpret songs with “economy, soul, and superior technique.” The production from Chill Tone Records is also lauded for its beauty, capturing the subtlety and nuance of the performance.

Noah Preminger’s Legacy in Jazz

Brooklyn-based saxophonist Noah Preminger is no stranger to critical acclaim. A two-time winner of DownBeat Magazine’s “Rising Star – Tenor Saxophonist” award, Preminger has released nearly two dozen albums as a bandleader, each showcasing his versatility and deep understanding of jazz. His previous works include bold explorations like Meditations on Freedom, a protest album released on Inauguration Day 2017, and Preminger Plays Preminger, a tribute to the music of filmmaker Otto Preminger.

With Ballads, Preminger offers a new chapter in his artistic journey, one that embraces the beauty of simplicity and allows his tenor saxophone to shine in its purest, most intimate form.

Noah Preminger’s Ballads is a deeply moving and masterfully crafted album that will resonate with jazz fans and music lovers alike. Through his soulful performances and impeccable technique, Preminger creates a sound that lingers in the heart, inviting listeners into a world where every note tells a story. Don’t miss the opportunity to experience this remarkable saxophonist live on his European tour from May 3-10.

Stay tuned for more updates and be sure to catch one of the tour stops to witness the beauty of Ballads in person!

Pat Metheny's MoonDial: A Serene Journey Under the Stars

When it comes to innovation in jazz, Pat Metheny has proven time and time again that he is a master of his craft. With MoonDial, Metheny returns to his roots with a deeply introspective and serene album that transports listeners to a tranquil night under the stars. Known for his genre-defying creativity, Metheny once again pushes the boundaries of sound with this album, bringing new depth to his solo guitar work while showcasing a unique instrument—his custom nylon-string baritone guitar.

A New Chapter in Metheny's Musical Journey

Metheny’s MoonDial marks a return to the solo guitar format, a style that has captivated fans in his previous works such as One Quiet Night (2003) and What’s It All About (2011). This time, however, Metheny introduces a brand-new tool in his musical arsenal: a custom nylon-string baritone guitar, crafted by the legendary luthier Linda Manzer. This instrument, paired with an innovative tuning inspired by a childhood memory from Missouri, gives Metheny the ability to express his musical ideas in ways he had never before achieved.

During a tour in the fall of 2023, Metheny experimented with the baritone guitar every night, gradually incorporating it into his performances. “The discovery of the perfect nylon strings from Magma in Argentina really opened up a new sound world for me,” says Metheny. By the end of the tour, the nylon-string baritone guitar had become a central feature in his performances, running for twenty to twenty-five minutes per concert.

The Making of MoonDial

After the success of his Dream Box album in the spring of 2023, Metheny took advantage of the winter break to record MoonDial in upstate New York. The serene, clear nights in December provided the perfect backdrop for his creative process, with the moon silently observing the music unfold. The album captures the essence of Metheny's journey—both a physical and emotional one—as he explores new sonic landscapes with his custom guitar.

“The central vibe of MoonDial is one of resonant contemplation,” says Metheny. “It’s a dusk-to-sunrise record, hardcore mellow. This guitar allows me to go deep, to a place I maybe have never quite gotten to before.”

The album is a beautiful mix of new originals, revisited older tunes, a piece dedicated to the late Chick Corea, and beloved songs by other composers. The intimate atmosphere of MoonDial invites listeners to join Metheny on his personal journey, offering a soundtrack to the stillness of the night. It’s an album that resonates deeply, connecting listeners to the quiet, reflective moments we all experience.

MoonDial—A Gift for Night Owls and Dreamers

For Pat Metheny, MoonDial is more than just an album. It’s a deeply personal expression, capturing the mood of solitary winter hours spent in creative reflection. Whether you’re an insomniac or a night owl, MoonDial provides the perfect soundtrack for those quiet, contemplative moments. “It seemed like the moon was checking out what I was searching for,” Metheny reflects. “This music is a reflection of those solitary winter hours, and it represents a new realm I hope everyone will enjoy as much as I have enjoyed exploring it.”

MoonDial is an album that takes you on a journey through Metheny's unique creative process, combining his profound musicianship with an atmospheric and contemplative sound.

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Tour Dates:

• May 9-11 – Blue Note Hawaii, Honolulu, Hawaii, USA

• August 9 – Sara kulturhus Stage 1, Skellefteå, Sweden

Chick Corea Elektric Band II's Paint The World Re-release: A Complete Package Featuring the Rare Track "Final Frontier"

The legendary Chick Corea, a 27-time Grammy Award winner and National Endowment for the Arts Jazz Master, continues to inspire generations of jazz lovers. In 1993, Corea introduced the second iteration of his iconic Elektric Band, a group that pushed the boundaries of jazz fusion with a fresh, innovative sound. Now, fans of Corea’s groundbreaking work have the opportunity to revisit one of the band’s finest moments with the re-release of Paint The World, which includes the rare track “Final Frontier,” previously available only in Japan and Europe.

A New Era for Chick Corea's Elektric Band

In 1993, Corea’s second Elektric Band lineup included Mike Miller on guitar, Jimmy Earl on bass, Gary Novak on drums, and Eric Marienthal on saxophone—the sole returning member from the original band. This new formation brought a new energy to Corea’s compositions, blending fusion, jazz, and a sense of musical adventure that had defined his career.

Recorded almost entirely in first takes at Mad Hatter Studios in Los Angeles, Paint The World showcases Corea’s commitment to spontaneity and musicianship. True to his innovative spirit, Corea crafted material specifically tailored to this ensemble's unique strengths, resulting in a fresh sound that combined complexity with accessibility.

While the focus of the album leaned more towards acoustic piano rather than synthesizers, the recording retained the hallmark proficiency, spontaneity, and flawless execution that defined the Elektric Band's legacy. Paint The World continued the tradition of pushing musical boundaries, blending genres and creating something entirely new.

The Rare Track "Final Frontier"

A standout addition to this re-release is the inclusion of “Final Frontier”, a track that was originally released only in the Japanese and European editions of the album. This high-energy fusion piece showcases Corea’s prowess on synthesizers and offers a direct response to the iconic “Got A Match” from the 1986 Chick Corea Elektric Band album.

“Final Frontier” serves as an uptempo platform for the band to shine, allowing each musician to demonstrate their technical skill and creative spontaneity. The track is a perfect example of the jazz fusion style that Corea and his bands have become famous for, featuring tight rhythms, intricate melodies, and a fierce level of musicianship. It’s a must-listen for fans of Corea and jazz fusion alike.

Why Paint The World is a Must-Have for Chick Corea Fans

With its re-release, Paint The World offers a complete and definitive listening experience for jazz fusion enthusiasts. The album not only represents a high point in Chick Corea’s career but also captures the thrilling, genre-defying energy of the second Elektric Band. By adding the rare track “Final Frontier” to this edition, the re-release completes the picture of this exceptional era in Corea’s illustrious career.

For long-time fans and new listeners alike, this album is an essential addition to any jazz collection, offering both a nostalgic trip down memory lane and a glimpse into the boundary-pushing vision that made Chick Corea one of the most influential jazz musicians of all time.

Bob Holz Returns with Night Watch: A Masterful Jazz Fusion Journey

Drummer and bandleader Bob Holz is back with his latest album, Night Watch, delivering a masterclass in jazz fusion that is a must-have for serious music enthusiasts. With his incredible technical skill and unique style, Holz has crafted a thrilling blend of jazz, blues, and rock, pushing the boundaries of fusion while maintaining a sound that is both intricate and accessible.

A Powerhouse Lineup and Stellar Performances

Holz has assembled an all-star cast of musicians for Night Watch, including saxophonist Brandon Fields, bassist Ralphe Armstrong, guitarist Alex Machacek, and keyboardist Billy Steinway. Together, they create an album that showcases the best of jazz fusion, each track a testament to their collective virtuosity. The album is not just a collection of songs—it’s a journey through complex musical landscapes, marked by electrifying solos and precise ensemble work.

Highlight Tracks: A Fusion of Virtuosity and Emotion

The album opens with a spirited rendition of Pee Wee Ellis's "The Chicken", with Holz diving into a fast-paced drum solo that sets the tone for the album. Night Watch continues with "Volta," a track that channels the spirit of McCoy Tyner, followed by the funk-infused "Side Scratch" that will surely get listeners moving. The smooth, melodic "Better Try," featuring Fields' standout saxophone, adds a more laid-back vibe, contrasting beautifully with the more intense tracks.

"Eleven High" features one of Holz's most virtuosic drum solos yet—an exciting display of both technical brilliance and musical depth. Night Watch also showcases compositions that are rich in rhythm and groove, with tracks like "Jemin Eye'n," a swinging, high-energy piece, and "Bob's Blues," a composition from Holz that gives bassist Armstrong a chance to shine with a jaw-dropping solo.

"Jammin Man" brings a reggae twist to fusion, offering a refreshing new angle on the genre. Meanwhile, "Silverthorne" highlights the exceptional guitar work of Alex Machacek, while the album closes with a heartfelt tribute to the late Larry Coryell with the soulful "Larry's Blues." This final track captures the essence of Holz's shared musical journey with Coryell, who greatly influenced Holz’s career.

A Legacy Cemented in Jazz Fusion

Night Watch is the latest chapter in Bob Holz's illustrious career, which includes collaborations with jazz legends like Larry Coryell, Mike Stern, John McLaughlin, Stanley Clarke, and Jean-Luc Ponty. Holz's work with the Larry Coryell Trio between 2015 and 2017 marked a significant milestone, and his continued success with top-tier jazz musicians has solidified his place as one of the leading figures in the genre.

Holz has earned recognition from Jazziz Magazine as one of the top drummers and bandleaders in the U.S., and he continues to light up stages across the country at iconic venues such as the Catalina Jazz Club, Blues Alley, and the Syracuse Jazz Festival. With Night Watch, Holz proves that his dedication to his craft remains unwavering, offering a timeless record that resonates with both musical innovation and emotional depth.

The Must-Have Album for Jazz Enthusiasts

With six solo albums and a Top 20 spot on the Jazz Week radio charts, Bob Holz has firmly established himself as one of jazz fusion's premier drummers. Night Watch is already receiving critical acclaim, including a glowing review in the September 2024 issue of DownBeat magazine. Featuring 10 expertly crafted tracks, the album offers an immersive listening experience for those who appreciate the intricate rhythms, technical proficiency, and emotional intensity that define jazz fusion.

MALIA’s One Grass Skirt To London – A Deeply Personal Journey Through Music and Memory

MALIA’s highly anticipated album One Grass Skirt To London is more than just a collection of songs—it's an intimate reflection on the singer’s extraordinary life journey. Spanning continents, cultures, and decades, the album tells the story of her personal evolution, from her childhood in Malawi to her teenage years in London, with each track serving as a poignant marker in the milestones that shaped her as both an artist and a person.

A Journey of Sound and Emotion: From Malawi to London

The title One Grass Skirt To London encapsulates the physical and emotional distance MALIA has traveled—8,200 kilometers between her birthplace in Malawi and her new life in London. However, the album is about much more than just geography. It’s a chronicle of growth, transformation, and self-discovery. Through 14 powerful tracks, MALIA reflects on the key moments in her life, brought to life by the timeless power of music.

Each song on this album is deeply connected to a specific memory or period in MALIA’s life. From childhood experiences in Blantyre to her teenage years in South London, these songs were not merely part of her soundtrack; they were emotional touchstones. These iconic film songs, which have resonated with MALIA at pivotal points in her journey, include classics like “Everybody’s Talkin’” from Midnight Cowboy, “Take My Breath Away” from Top Gun, “Pure Imagination” from Charlie and the Chocolate Factory, and “Here On My Own” from Fame. These tracks carry the emotions of youth, adolescence, and adulthood, each capturing a different chapter of MALIA’s personal and artistic evolution.

An Album Steeped in Memory and Tribute

MALIA’s deep connection to the songs she has chosen is evident in every note of One Grass Skirt To London. Each track is more than just a cover; it’s a heartfelt tribute to moments in her life. A particularly touching rendition of “When I’m Cleaning Windows,” originally by George Formby, serves as a tribute to her father, reminding listeners of the importance of family and memory in her artistry. This sentimental nod to the 1936 film Keep Your Seat Please adds an emotional layer to the album, making it not only a musical journey but a personal one.

As MALIA reflects, “Behind each of these songs is either a memory, a personal experience, or the feeling of being able to convey a part of myself.” The variety of genres explored on the album speaks to her identity as a true music lover—one who is unbound by genre and instead driven by music's power to move her, regardless of its form.

Collaborating with a Talented Trio

MALIA’s long-standing collaboration with her trusted trio—pianist Alexandre Saada, bassist Jean-Daniel Botta, and drummer Laurent Sériès—has helped bring One Grass Skirt To London to life in the most personal and emotive way possible. Their musical contributions have shaped a sound that blends intimacy with universality, creating a deeply moving listening experience that captures the emotional depth and diversity of MALIA’s journey.

The Power of Music and Memory

One Grass Skirt To London is more than just an album—it’s a tribute to the power of music to connect us to our past, our identities, and the people we’ve loved and lost. MALIA’s voice, combined with the timeless songs she has chosen to honor, serves as a reminder that music is an essential part of who we are. In her case, it’s the heartbeat of her soul.

With One Grass Skirt To London, MALIA invites listeners to embark on a deeply personal, yet universally relatable, musical journey. The album proves that no matter where life takes us, music will always be there to guide us back to our roots, our memories, and our true selves.

Youssou N’Dour Illuminates the World with Éclairer le Monde - Light The World

Youssou N’Dour, one of the most influential voices in world music, reinforces his iconic status with Éclairer le Monde - Light The World, an album that blends tradition and modernity in a way only he can. For over 45 years, N’Dour has represented Senegalese music globally, earning accolades such as a Grammy Award for Egypt and honorary doctorates from prestigious institutions like Yale and Berklee Valencia. With this new album, he once again proves why he remains one of the most vital and dynamic voices in music today.

A Fusion of Tradition and Innovation

Éclairer le Monde - Light The World is a masterful fusion of traditional African sounds and modern influences. The album features a carefully curated selection of instruments, including the kora, balafon, flute, and sokou, each chosen to create a sound that is both deeply rooted in heritage and strikingly fresh. The collaboration with American producer Michael League, co-founder of Snarky Puppy, adds a new layer of sophistication to the project. League’s precision and emotional depth shine through as he plays bass, guitars, ukulele, and keyboards, shaping the album’s rich sound.

A Global Collaboration

The international nature of Éclairer le Monde - Light The World is reflected in its diverse roster of musicians. The album features Atlanta’s Munir Zakee on drums, New York’s Frank Locrasto on piano, and Madrid’s Momi Maiga on kora, alongside longtime collaborators of N'Dour, including Mbaye Dieye Faye, Thio Mbaye, Assane Thiam, and Tapha Gaye. The album’s intricate rhythms are brought to life with the expert percussion of Weedie Braimah, a co-producer and native of Ghana, who adds a unique, jazz-inspired percussive heartbeat to the album.

An Intimate Recording Experience

Éclairer le Monde - Light The World was recorded in the Catalonian village of El Prats de Rei, inside a small stone house that fostered a close-knit, family-like atmosphere. The intimate setting allowed the music to flow naturally, and N’Dour reflects on the experience fondly, stating, “I enjoyed myself for three weeks, both in the studio and at the table!” This sense of joy and collaboration is evident in the album’s sound, which combines a rich texture of global influences that reflect the album’s overarching message of unity and light.

A Celebration of Global Music and Unity

At its core, Éclairer le Monde - Light The World is more than just an album—it is a message. With every note, N’Dour reinforces the importance of world music and its rightful place in the global landscape. His ability to blend African rhythms with international sounds showcases his role as a cultural ambassador, bridging gaps between continents and musical traditions.

This album serves as a testament to Youssou N’Dour’s ongoing influence on world music, cementing his legacy as a pioneering artist who continues to push boundaries and inspire new generations.

Butcher Brown’s Letters From The Atlantic – A Genre-Bending Journey in Jazz, Funk, and R&B

Richmond, Virginia's genre-defying collective, Butcher Brown, returns with their highly anticipated album, Letters From The Atlantic. This new release takes their signature blend of jazz, funk, rock, R&B, soul, bossa nova, and more to new heights, further pushing the boundaries of their eclectic sound. Following the success of their 2023 album Solar Music, Butcher Brown embraces a fresh indie groove, incorporating new voices and creative collaborations into their already expansive soundscape.

A Dynamic Soundscape with Diverse Collaborations

Letters From The Atlantic features a powerhouse lineup of guest artists, adding depth and richness to the album. Guests include Yaya Bey, Melanie Charles, Leanor Wolf, Mia Gladstone, Victoria Victoria, Nicholas Payton, and Neal Francis. This diverse roster of contributors elevates the band’s unique blend of genres, offering new perspectives and musical layers throughout the album.

One of the standout tracks, "Ibiza," showcases Butcher Brown’s deep house influences, merging smooth saxophone melodies with hypnotic beats. The band explains, “We recorded that joint with the idea of it tapping into something you’d hear in a dance club in New York or the UK. We’re all producers, so we’re thinking of the samples a DJ would find and chop up – but doing it all live, no samples, reimagining it in our own way.” The result is a track that shimmers with cosmic energy, taking listeners on a journey to a sun-soaked dancefloor.

A Musical Travelogue: Letters From The Atlantic

True to its title, Letters From The Atlantic feels like a musical travelogue, exploring the band’s journey from their Virginia roots to New York, down the East Coast, and even across the ocean. Butcher Brown describes the album as a "trip" that allows listeners to interpret each song through their own lens, offering a unique experience with every listen.

The album opens with "Seagulls," evoking the peaceful, coastal vibes of Virginia Beach. "Unwind," featuring Melanie Charles, captures the cool, vibrant energy of New York’s Lower East Side. “Something New About You” with Neal Francis brings yacht rock vibes straight from the Florida Keys, while “Hold You” feels like a meditative train ride through Europe. The album closes with “Infant Eyes,” a beautiful homage to jazz legend Wayne Shorter, reflecting the band’s deep respect for the genre’s legacy.

A Laid-Back, Immersive Groove

Moving away from the angular beats of Solar Music, Letters From The Atlantic adopts a more laid-back, intentional, and immersive feel. Butcher Brown's five-piece collective—DJ Harrison (keys), Corey Fonville (drums), Andrew Randazzo (bass), Marcus “Tennishu” Tenney (trumpet/sax/MC), and Morgan Burrs (guitar)—continues to refine their groove-driven sound. Letters From The Atlantic invites listeners to get lost in the music, taking them on a journey through smooth rhythms and layered textures.

Explore Letters From The Atlantic Now

Butcher Brown's Letters From The Atlantic is a genre-bending masterpiece that offers a unique blend of jazz, funk, R&B, and global influences. With its intricate collaborations and immersive grooves, the album is an invitation to explore the musical journey that the band has crafted.

Johnny Britt's Midnight in Paris – A Genre-Defying Tribute to His Artistic Journey

Midnight in Paris, the seventh studio album by Johnny Britt, is a deeply personal and musically rich tribute to the city that shaped him as an artist. Having studied and lived in Paris, Britt immersed himself in the city’s vibrant music scene, drawing inspiration from its global influences and timeless charm. With this album, Britt blends jazz, soul, and smooth R&B, all infused with the elegance of Parisian culture, creating a unique and genre-defying sound.

A Personal and Musical Tribute

The title track, "Midnight in Paris," captures the essence of Britt’s deep connection to the City of Light. His signature flugelhorn tone floats over a hypnotic groove, setting the mood for an album full of lush soundscapes. The single has quickly become a radio favorite, securing the most adds on Billboard’s smooth jazz charts.

However, Midnight in Paris isn’t just about crafting beautiful melodies; it also carries emotional depth and resonance. One standout track, "C’est La Vie," is a heartfelt tribute to Britt’s daughter, Mariah. Written as a beacon of hope for families navigating mental health challenges, the song delivers an uplifting message of resilience with the poignant lyrics, "Not every day the sun will shine, all it is a test of time..."

A Cultural Bridge of Sound

Britt’s ability to blend American jazz and soul with Parisian sophistication is what sets Midnight in Paris apart. As an African American artist fluent in French and deeply connected to Parisian musical traditions, Britt stands as a cultural bridge between two worlds. His fusion of genres and styles, drawing on both American jazz and European elegance, highlights his pioneering role in reshaping contemporary music.

A Journey of Evolution

Johnny Britt’s career has been one of constant evolution and significant impact. From his early years in Cleveland, where he first picked up the trumpet at age 12, to studying under Paris Opera trumpet master Roger Delmotte at the Conservatoire de Versailles, Britt’s musical journey has been defined by passion and dedication. After returning to the U.S., he became the youngest-ever musical director for the Temptations, a role that cemented his place in Motown history. His work on the Emmy-winning The Temptations TV miniseries further solidified his status as a versatile and influential artist.

In addition to his solo work, Britt’s group Impromp2 was one of the first to blend hip-hop and jazz on the West Coast. Their debut album Enjoy Yourself made waves in 1995, marking a significant milestone in the evolution of both genres. Now, with Midnight in Paris, Britt continues to push boundaries, revisiting his Parisian roots and infusing his music with the influences that have shaped his career over the past three decades.

A Legacy in the Making

Midnight in Paris is more than just an album; it’s a celebration of Johnny Britt’s artistic journey and a testament to his ability to bridge cultural divides through music. As he continues to push musical boundaries, Britt’s legacy grows, leaving a lasting mark on both the jazz and R&B worlds.

Erik Palmberg’s Faces Explores Collective Expression and Jazz Chemistry

Swedish trumpeter Erik Palmberg’s latest album, Faces, is a powerful exploration of collective expression. Featuring his quartet, the album moves effortlessly between tender, introspective moments and high-energy, surging passages, showcasing the band's dynamic range and exceptional chemistry.

Following the success of their 2021 album In Between, which earned the title of Sweden’s Jazz Album of the Year in Orkesterjournalen’s reader’s poll, Palmberg and his quartet have continued refining their craft both onstage and in the studio. This development is evident in Faces, where their electric interplay shines through every note.

A Fresh Wave of Inspiration

Palmberg’s vision for Faces took root after the band’s 2021 tour. The experience of countless performances and late-night conversations with his bandmates sparked a wave of fresh inspiration, leading to new compositions that reflect an evolved understanding of each musician’s unique voice. “This album is all about expression and creating a musical environment where we all can shine, both individually and as a group,” Palmberg explains. This vision has resulted in a record that thrives on musical interplay, where every band member plays a crucial role in shaping the sound.

The Quartet’s Telepathic Connection

The quartet, consisting of Erik Palmberg on trumpet and flugelhorn, Anton Dromberg on piano, Niklas Wennström on double bass, and Sebastian Voegler on drums, has been playing together since 2018. Over the years, they have developed an almost telepathic connection, one that drives the flow of Faces. Their performances feel both meticulous and spontaneous, with each member contributing not only as a player but as a co-architect of the sound.

In addition to Palmberg’s original compositions, the quartet reinterprets jazz standards such as Victor Schertzinger’s “I Remember You” and Alec Wilder’s “Moon And Sand.” These performances are imbued with emotional depth and nuance, showcasing the band’s ability to shape familiar material into something uniquely their own.

Organic Arranging and Collective Creativity

Palmberg describes the band’s arranging process as one that is deeply organic. Ideas are exchanged freely, reshaped collectively, and refined in real-time. “We’ve found a way of arranging music together that’s both effective and deeply creative,” he says. This creative process has evolved over the years, allowing the band to shape the final sound together, engaging each member’s unique voice.

Even in the quieter stretches of Faces, the music never loses its sense of movement. The seamless blending of improvisation and composition creates a dynamic, ever-shifting landscape. The result is an album with an effortless quality—a true testament to the years the quartet has spent honing their technical skills and, more importantly, their ability to listen, respond, and elevate one another's playing.

A Celebration of Collective Sound

Faces is more than just a showcase for Erik Palmberg’s expressive trumpet work; it’s a celebration of a quartet in perfect sync. With its melodic richness and organic, dynamic interplay, the album invites listeners into a living, breathing musical landscape—a testament to the power of collective sound.

Record Store Day 2025 Exclusive: Alts 'N Outs

Alts 'N Outs: The Other Side of Blue Note is a limited-edition compilation featuring alternate takes and outtakes from some of Blue Note Records' most iconic jazz sessions. This exclusive release will be available on vinyl for the first time as a Record Store Day exclusive on April 12, 2025. Find it at your local indie record store!

Side A

1. Bangoon (aka Alison’s Uncle) – An outtake from Cannonball Adderley's Somethin’ Else (1958). Recorded on March 9, 1958, with pianist Hank Jones, this track features Miles Davis as a sidema
2. Jean de Fleur – An alternate take from Grant Green's Idle Moments (1964). The original 8:09 take was recorded on November 4, 1964; a shorter version was later produced for the album.
3. Dance Cadaverous – An alternate take from Wayne Shorter's Speak No Evil (1966). Recorded on December 24, 1964, this track features a stellar lineup including Herbie Hancock, Ron Carter, Freddie Hubbard, and Elvin Jones.

Side B

1. Moanin’ – An alternate take from Art Blakey's Moanin’ (1958). Recorded on October 30, 1958, this session is one of the Jazz Messengers' most celebrated works. 
2. On The Sunny Side of the Street – An outtake from Jimmy Smith's Back At The Chicken Shack (1960). Recorded on April 25, 1960, this track is a rendition of the classic 1930 jazz standard composed by Jimmy McHugh and Dorothy Fields. 
3. Lover – An outtake from Sonny Clark's Cool Struttin’ (1958). Recorded on January 5, 1958, this version of the Rodgers and Hart composition features Art Farmer, Jackie McLean, Paul Chambers, and Philly Joe Jones.

These tracks, previously released as bonus content on CD editions, are now presented together on vinyl for the first time, offering collectors and enthusiasts a deeper insight into the rich legacy of Blue Note's jazz recordings.

Availability:

"Alts 'N Outs: The Other Side of Blue Note" will be available exclusively at independent record stores participating in Record Store Day on April 12, 2025. To locate a participating store near you, visit the Record Store Day website.

Please note that Record Store Day releases are typically limited in quantity and may sell out quickly. It's advisable to contact your local record store in advance to inquire about availability.

Shades of Sound: Gil Evans Project Live at Jazz Standard, Vol. 2

New Album from Grammy Award-Winning Producer Ryan Truesdell
Available May 30, 2025 on Outside in Music

Album Pre-Release Concerts at Birdland, NYC: May 13-17, 2025

Grammy Award-winning producer Ryan Truesdell unveils another monumental release with the highly anticipated “Shades of Sound: Gil Evans Project Live at Jazz Standard, Vol. 2,” scheduled for release on May 30, 2025, through Outside in Music. This new album offers an exciting continuation of the Gil Evans Project’s journey, featuring performances recorded live at the iconic Jazz Standard in New York City.

Building on the success of two Grammy Award-nominated albums, Centennial (2012) and Lines of Color (2015), Shades of Sound brings new life to the musical legacy of the legendary Gil Evans. This album marks the band’s debut on vinyl and features some of New York’s most celebrated jazz musicians, including Lewis Nash, Donny McCaslin, Steve Wilson, Ryan Keberle, Wendy Gilles, and the late Frank Kimbrough.

Album Features & Track Highlights:
Recorded live between May 13-18, 2014, during the Gil Evans Project's annual engagement at Jazz Standard, Shades of Sound includes both new compositions and iconic Gil Evans arrangements. The album showcases four never-before-recorded works ("Laughing at Life," "It’s The Sentimental Thing To Do," "I Had Someone Else Before I Had You," and "Neetie’s Blues") alongside Evans’ classic pieces such as "Spoonful," "The Ballad of the Sad Young Men," "Barbara Song," and "Buster’s Last Stand."

Truesdell’s decision to record live honors the essence of Gil Evans' work, capturing the unrepeatable magic of live performance, as musicians blend Evans’ iconic orchestrations with fresh, spontaneous energy. "Live recording captures an intangible energy that happens when the music is lifted off the page in front of an audience," Truesdell explains.

Notable Collaborators & Musicians:
The album features performances from some of the top jazz talent in New York, including Lewis Nash on drums, Donny McCaslin on tenor sax, and Frank Kimbrough on piano. Truesdell brings Evans' intricate arrangements to life with vocal contributions from Wendy Gilles and rich instrumental solos from the ensemble.

Special Focus on Lost Compositions:
The album includes rare gems like "Neetie’s Blues," a previously unknown Evans composition discovered by Truesdell from the late 1960s/early 1970s. Additionally, Truesdell’s team brings to light "Laughing at Life," a composition originally intended for Marcy Lutes' 1957 album Debut but left unrecorded until now.

Pre-Release Concerts in NYC:
To celebrate the release, the Gil Evans Project will perform at Birdland Jazz Club in New York City from May 13-17, 2025. The week-long residency will feature live renditions of the new album’s tracks, along with rare works from Evans' extensive catalog. The event also marks the 113th birthday of Gil Evans, adding a celebratory touch to the performances.