Tuesday, June 06, 2017

NEW RELEASES: ANGELA BOFILL - I TRY: THE ANTHOLOGY 1978-1993; RIVERSIDE – THE NEW NATIONAL ANTHEM; WILLIE CLAYTON – CROSSROAD OF THE BLUES

ANGELA BOFILL - I TRY: THE ANTHOLOGY 1978-1993

Angela Bofill's not just a hell of a singer – she's also got a great record for collaboration too, which is as well-documented on this collection as her own classic work from the time! The package focuses strongly on the late 70s/early 80s stretch when Bofill's music was soaring on a series of albums and singles for Arista – but it also extends past those tracks to include contemporary and later collaborations – with artists who include Narada Michael Walden, Carl Anderson, Johnny Mathis, Stanley Clark, Marion Meadows, Boz Scaggs, and Kirk Whalum – tracks that are every bit as important to Angela's career as her own catalog. We love this series of collections from Soulmusic.com for the way they bring together all the right moments from an artist's career – as you'll hear on this set of 34 tracks that includes "Is This A Dream", "Never Wanna Be Without Your Love", "Too Tough (long version)", "Can't Slow Down (ext rmx)", "Holdin Out For Love", Baby I Need Your Love", "Love Was Never", "Ain't Nothing Like The Real Thing", "Tonight I Give In", "I Wanna Love Somebody (single edit)", "Let Me Be The One", "A Woman In Love", "You're A Special Part Of Me", "Break It To Me Gently", "Where Do We Go", "Always A Part Of Me", "Heavenly Love", "Song For A Rainy Day", "No Love In Sight", "Tonight I Give In", "Love & Marriage", "Love Light", and "All The Reasons Why".  ~ Dusty Groove

RIVERSIDE – THE NEW NATIONAL ANTHEM

Dave Douglas has always been a hell of a trumpeter, but he's also always been smart enough to realize that he sometimes hits some of his greatest strengths in collaboration – as he does working here with the excellent Riverside quartet! The group's first record was inspired by the music of Jimmy Giuffre – but this time around, they seem to have expanded their vision – working with some tracks by Carla Bley, but also some great work of Dave's, too – in a style that really finds a new space for the trumpet of Douglas, alongside the saxes and clarinet of Chet Doxas, drums of Jim Doxas, and electric bass of Steve Swallow! The legendary Swallow works here in a way that's sometimes subtle, but extremely effective – often creating this gentle pulse around which the horns are free to circulate in space – soaring together, shaping new sounds, and really pulling an amazing performance out of both players. Jim Doxas' drums are equally understated, in a really great way – and titles include "King Korn", "View From A Bird", "Old Country", "Never Mind", "New National Anthem", and "Enormous Tots". ~ Dusty Groove

WILLIE CLAYTON – CROSSROAD OF THE BLUES

Always-great work from Willie Clayton – a blues singer in scene, but one who often works with a sound that's equal part southern soul – especially that late 70s moment when some of the older southern soul singers moved onto the Malaco Records blues scene! Willie's recorded with Otis Clay in the past, and you can definitely hear a level of vocal phrasing that lives up to Clay's legacy – set to instrumentation that's a bit more Chicago electric blues overall, but well-crafted, without any sense of cliche. Titles include "We Had A Good Thang", "Keep On Loving Me", "Two Wrongs Don't Make It Right", "Backside Of Fifty", "Bartender Blues", and "Sneaking & Creeping".  ~ Dusty Groove


Binker and Moses' new release, Journey To The Mountain Of Forever

The story begins in the "realm of the now," a high-fantasy location set in a fictional universe with an epic stature of characters, themes and discoveries for the listener to interpret literally but most importantly metaphorically. With each unfolding and ethereal track, the subjects make their way through the secondary world on a hero's journey, meant to be up to the listener to determine the ultimate goal, to by all means necessary make it to the Mountain of Forever.

Finally, after a six "chapter" voyage, the listener discovers the "realms of the infinite," a location where anything from your wildest dreams can occur, a place of self-discovery and universal mystery. The Mountain of Forever is obtainable, but its path is dangerous and the journeymen are met with seemingly impossible tasks and challenges along its course while making new companions essential to completing the journey.

This is a universe meant to challenge the very fabric of our meaning, the very nature of our existence, and the opening of the mind in the purest sense.

This Tolkien-esque adventure is described by the saxophone and drums duo of Binker and Moses as "traveling with us from the 'realm of the now' to the 'realms of the infinite' meeting along the way Shamans, the great Besbunu, the Ultra Blacks and various other tribes, monsters & characters while immersing yourself in their strange rituals, potions, music, and a world which has no end."

Binker and Moses' new release, Journey To The Mountain Of Forever is a 15-track, two-record set concept album available now on Gearbox Records: the first disc features the duo on their own while for the second they are joined throughout by saxophonist Evan Parker, trumpeter Byron Wallen, harpist Tori Handsley, tabla player Sarathy Korwar and drummer Yussef Dayes. Tenor saxophonist Binker Golding and drummer Moses Boyd's creation is as surrounded in mystery as much as grounded in the experimental resurgence of spiritual jazz, weaving in-and-out of tradition while pushing the boundaries of instrumental music to it's fullest potential.

Binker and Moses started playing together through the Tomorrow's Warriors jazz development program and the late American trumpeter Abram Wilson. They are both full members of Zara McFarlane's band where they started developing their duo improvisations during sound checks, and also perform in Moses' expanded Exodus lineup. Their debut album Dem Ones was recorded in October 2014 from the live room at Mark Ronson's Zelig Studio to the 1/4" tape machine at Gearbox Studio next door, with no edits, overdubs or mixing.

When Dem Ones was released in the summer of 2015, it kick-started a sensational year for the young duo. They won a string of awards including 2015 MOBO Awards: Best Jazz Act, Jazz FM Awards 2016: UK Jazz Act of the Year and Breakthrough Act of the Year and the 2016 Parliamentary Jazz Awards: Jazz Newcomer of the Year. Their festival and club performances received rave reviews and ever-growing audiences, culminating in the November 2016 UK tour with US trio The Bad Plus.

Sessions for Journey to the Mountain of Forever took place on July 21 and 22, 2016, resulting in 10 reels of tape filled with over five hours of music. Like it's predecessor Dem Ones, the new album was recorded completely live from Mark Ronson's Zelig studio' direct to a 1960's Studer C37 1/4" tape machine at Gearbox's studio in the building next door.

 Disc One: The Realm of Now

1.     The Departure
2.     Intoxication From The Jahvmonishi Leaves
3.     Fete By The River
4.     Trees On Fire
5.     The Shaman's Chant
6.     Leave The Now Behind

Disc Two: The Realms Of The Infinite

1.     The Valley of the Ultra Blacks
2.     Gifts From The Vibrations Of Light
3.     Mysteries and Revelations
4.     Ritual Of The Root
5.     The Voice Of Besbunu
6.     Echoes From The Other Side Of The Mountain
7.     Reverse Genesis
8.     Entering The Infinite
9.     At The Feet Of The Mountain Of Forever


Monday, June 05, 2017

NEW MUSIC: LIGHT MELLOW - ONE DAY (VARIOUS ARTISTS/3-CD SET); OMAR – LOVE IN BEATS; DE-LITE 45s: DJ’S CHOICE 1969-1976 – SELECTED BY DAISUKE KURODA

LIGHT MELLOW - ONE DAY (VARIOUS ARTISTS/3-CD SET)

Step on over to AOR City, and discover some great music you might have missed otherwise – in this fantastic 3CD collection of AOR gems from the 70s and 80s – one that mixes familiar tunes with some real overlooked gems! The collection was put together in conjunction with the fantastic AOR City series of reissues – and features key tracks from those titles and other smooth, sublime pop cuts from the same 70s stretch – the kind of work that might have hit the radio at the time, but which often got lost to the shifting sands of time. Some artists are ones you might know from other work in rock and soul – others are artists who only got a brief chance to reach for the brass ring – getting strong studio help and top-level production that makes them fit right in with the hits here. 57 tracks in all – including "Angel Heart" by Jimmy Webb, "So So Happy" by Valerie Carter, "Personally" by Karla Bonoff, "Nothin You Can Do About It" by Airplay, "I Go Crazy" by Paul Davis, "Only A Lonely Heart Sees" by Felix Cavaliere, "On & On" by Stephen Bishop, "Stephanie" by John Valenti, "I Need You" by Maurice White, "Nightwalker" by Gino Vanelli, "Waiting For A Star To Fall" by Boy Meets Girl, "Don't Talk" by Larry Lee, "Hearts On Fire" by Randy Meisner, "Seeing You" by Jimmy Messina, "Casablanca" by Dane Donohue, "Lazy Nina" by Greg Phillinganes, "Wait For Me" by Hall & Oates, "Next To You" by Dan Siegel with Kenny Rankin, "What Good Is Love" by Bill Champlin, "Runnin & Hidin" by Fools Gold, "You Are" by Niteflyte, "Lovin & Losin You" by Dwayne Ford, "Eldorado Escape" by Far Cry, and "Song For A Sucker Like You" by Ben Sidran. (Part of the great AOR City series from Japan!)  ~ Dusty Groove.

OMAR – LOVE IN BEATS

Omar's been blowing our minds for years now – turning out some of the freshest soul music on the global scene – from his tremendous debut at the start of the 90s, to a range of crucially-overlooked albums that should have made the singer huge! The man's a hell of a singer, and a really great songwriter – easily a modern-day Stevie Wonder, right down to his skills on the keyboards and cosmic sense of soul! This album's got Omar sounding especially wonderful – working with a few key guests, like Robert Glasper, Leon Ware, Natasha Watts, and The Floacist – but reminding us again that it's the man at the core who makes all the music so great – as the guests appear only as key added elements, but the Omar sound is more than enough to make the record great. Titles include "Vicky's Tune", "Feeds My Mind", "Insatiable", "Gave My Heart", "Girl Talk", "I Want It To Be", "Hold Me Closer", "This Way That Way", "Destiny", and "Doobie Doobie Doo". ~ Dusty Groove

DE-LITE 45s: DJ’S CHOICE 1969-1976 – SELECTED BY DAISUKE KURODA

A great collection of funky 45s from the De-Lite family of labels – most of which were never issued on any sort of full-length album! In addition to singles issued by De-Lite – best known as the key home of Kool & The Gang – the set also features tracks from the related Vigor and Red Coach labels – two excellent east coast imprints that were filled with funky combos who were just bursting with talent – very much tuned to the fast-funk styles that exploded in the years before disco! Titles include "Chick A Boom" by Pazant Brothers, "How Do You Feel" by The New Cymbals, "RRAWJ" by Reggie Sadler Revue, "Stand Up (part 2)" by Maskman & The Agents, "Funky Generation" by Everyday People, "Spread The Word" by Yvonne Daniels, "Hard To Handle" by Dennis Robinson, "I Smell Trouble" by Johnny De'Vigne, "Lady" by Shalong, "Far Out" by Crown Heights Affair, "Jackie" by Mebeus, "Party Music" by Pat Lundi, "Be Real" by Tomorrow's Edition, "I Wanna Give You Tomorrow" by Benny Troy, "It Really Hurts Me Girl" by The Carstairs, "LC Funk" by The New Cymbals, "Mboga Chakula" by Pazant Brothers, and "My Baby's Coming Home To Stay" by Janice Saddler. ~ Dusty Groove


NEW RELEASES: JEFF TAIN WATTS – BLUE VOL. 2; EDU LOBO / ROMERO LUBAMBO / MAURO SENISE – DOS NAVEGANTES; MONIQUEA - BLACKWAVEFUNK

JEFF TAIN WATTS – BLUE VOL. 2

Drummer Jeff Tain Watts really takes the title here seriously – and maybe brings in more bluesy soulful currents to his music than ever before! Part of that quality comes from the guests – a wonderful lineup that includes vocals from Sy Smith, Kurt Elling, and Frank McComb – but even without those singers, the groove is wonderful – and Watts seems to hit a funkier sound than usual on his drums! Most of the album is instrumental – and other guests include Robert Hurst on bass, Kevin Eubanks on guitar, and Steve Coleman on alto sax – but whatever the instrumental lineup, Jeff's clearly the driving force of the record, in a really wonderful way. Titles include "Cleo", "Waltz For Marvin", "Chicken Ballet", "Lenalane", "Water", "Sons Of The Jitney Man", "You're Mine & I Want You", and "Uh Uh". ~ Dusty Groove

EDU LOBO / ROMERO LUBAMBO / MAURO SENISE – DOS NAVEGANTES

Beautiful sounds throughout – and exactly the kind of record that shows why the right sort of Brazilian music can be so different than anything else on this planet – not really jazz, not really folk, nor straightforward pop – but the kind of special sounds that define a genre unto themselves! The record's a warmly collaborative effort from the trio of Romero Lubambo on guitar, Mauro Senise on saxes and flute, and the great Edu Lobo on voice and compositions – songs pulled from his decades-long contribution to Brazilian music, given a very special, very personal performance by the group! Lobo always had a way of balancing up-close performance with loftier arrangements – and here, that latter side of his music is pulled away, to bring the singer even more strongly into the limelight – as he gets very warm accompaniment from both of the other lead players. The set also features some guest work from Cristovao Bastos on piano, Bruno Aguilar on bass, and Mingo Araujo on percussion – and titles include "Toada", "A Morte De Zambi", "Gingado Dobrado", "Considerando", "Dos Navegantes", and "O Circo Mistico".  ~ Dusty Groove

MONIQUEA - BLACKWAVEFUNK

Sweet bassy soul from Moniquea – a record that's got as many basslines and keyboard riffs as some of our favorite early 80s underground work – but which also has a nicely lean, contemporary vibe too! Moniquea's vocals have a great way of fitting into this setting, too – almost electric at times, as if she's a natural vocoder – but at a level that also gives her a deeper sense of soul than just another processed voice – a really unique approach that makes the record sound quite different than anything else we can think of! Hardly just another 80s retro soul effort – and instead something really unique – on titles that include "Checkin Out", "I Just Don't Know", "Make You Feel My Love", "Check Your Sources", "Famous", and "Knew It".  ~ Dusty Groove


NEW RELEASES: MARVIN PARKS; OLLIE HOWELL – SELF-IDENTITY; AL SUNNY – TIME TO DECIDE

MARVIN PARKS – MARVIN PARKS

A dream of a record from Marvin Parks – a hell of a jazz singer, and one that we'd place in an elite legacy that runs from Oscar Brown up through Jose James! The work here is wonderful – as Nicola Conte produced the record, and gives it the same sort of jazzy sparkle as his own sublime records of the past decade – a groove that's never too overstated, but is also a reworking of an older 60s soul jazz mode – but refitted with all the right sort of sophistication to match Marvin's wonderful voice! There's no programmed rhythms at all – all the instrumentation is live jazz – and titles include a great new take on the Conte tunes "Sea & Sand" and "Awakening" – plus the original "African Other Blues", and versions of "Charade", "How Insensitive", "The Very Thought Of You", "Brother Where Are You", "Nature Boy", "If I Should Lose You", and "Swingin Shepherd Blues".  ~ Dusty Groove

OLLIE HOWELL – SELF-IDENTITY

A beautiful voyage of self-discovery from drummer Ollie Howell – but a set that also clearly gets its strength his collaboration with the other members of the session too! Ollie adds in a bit of electronics with his drums, but the core energy here mostly comes from the acoustic exchange between the tenor of Duncan Eagles, trumpet of Henry Spencer, piano of Matt Robinson, and bass of Max Luthert – players who often create these building blocks of sound that soar to the sky with sort of an understated spiritual vibe – very contemporary in approach, yet also with much deeper roots of inspiration. The group also features Ant Law on guitar, and Robinson plays a bit of Fender Rhodes – but the most haunting elements, to us, come from that acoustic core that really drives the sound. Titles include "Almost Tomorrow", "Rise & Fall", "Shadows", "Knew", "Balancing Stones", "In Truth", and "The Unknown". ~ Dusty Groove

AL SUNNY – TIME TO DECIDE

Guest what? They DO make 'em like they used to – at least in terms of 70s AOR – which seems to be having a wonderful comeback in the hands of singers like Al Sunny! The record's contemporary, but could have easily been crafted in the LA studios of the mid 70s – as Al's got a wonderful ear for easygoing grooves, top-shelf instrumentation, and just the right sort of production polish to put the whole thing together without ever making things sound too slick! The great Florian Pellissier is on board to help out on all the tracks – playing some excellent Fender Rhodes, clavinet, and other keyboards – and showing us yet another side of his surprisingly wide talents. Titles include a great remake of the Ned Doheny track "Get It Up For Love" – plus "Open Up Your Eyes", "Supervision", "Time To Decide", "Beautiful Lady", and "Since I've Been Loving You". ~ Dusty Groove


NEW MUSIC: GERARDO FRISINA – BLUE LATIN; ADAM BEN EZRA – PIN DROP; LUCA MANNUTZA QUINTET - REMEMBERING

GERARDO FRISINA – BLUE LATIN

A great small combo set from percussionist Gerardo Frisina – a set that feels as if it's got some programming in the rhythms, a bit like some of his earlier singles – but which also features a fair bit of live jazz instrumentation too! The album's got a sound that really fits the color of the title – tunes that are upbeat, but nicely chromatic too – thanks to some excellent piano lines, balanced alongside trumpet, tenor, and flute – plus some warm acoustic basslines, and a bit of Fender Rhodes as well! As always with Frisina, even when the rhythms are programmed, they're never too stiff – as the man draws more inspiration from classic Latin sounds than most of his producer contemporaries, and really knows how to make things sound great. Titles include "Mulata", "Blue Latin", "Incanto", "Baracoa", "Naquela Base", and "Olympia (part 2)".~ Dusty Groove 

ADAM BEN EZRA – PIN DROP

Pretty wonderful sounds from Adam Ben Ezra – an artist who works here completely solo, but with a flowing range of sounds that's completely hypnotizing overall! Ezra's a bassist at heart, but also plays piano and clarinet on the record – and also vocalizes a bit, and adds in some foot stomps too – all with this earthy, organic approach to his instruments that really opens up their sonic possibilities, while still also keeping things in a forward-moving, always-swinging style! The work on bass is especially wonderful – as Adam's strong, deep notes are extremely powerful – and often offset by more unusual touches on the strings – not in a gimmicky way, but just fresh sonic expressions. Titles include "Prayer", "Silk Road", "Balagusto", "Can't Stop Running", "Brown Piano", and "India Time".  ~ Dusty Groove

LUCA MANNUTZA QUINTET - REMEMBERING

Great work from a jazz quintet who really knows how to make things soar – a group that's led by pianist Luca Mannutza, who we've really loved on previous records – and who seems to hit new heights with this album! The group have a very round, rolling sound – one that fuses Mannutza's piano with the alto of Paolo Recchia and guitar of Enrico Bracco, in these swirling lines that are pushed along by tremendous work on bass by Luca Bulgarelli, whose warmth really makes the music shine. The elements are familiar, but the way they fuse together is very unique – on titles that include "Blake Runner", "Dedalo", "Circles", "Silent Prayer", "Solar", "Vortex", and "Gira Mondo Gira".  ~ Dusty Groove

 



NEW MUSIC: JOAO SELVA – NATUREZA; SEAN JONES – LIVE FROM JAZZ AT THE BISTRO; ERIK JEKABSON – ERIK JEKABSON QUINTET

JOAO SELVA – NATUREZA

A fantastic album of Brazilian funk, and one that's got a great contemporary twist, too – given that the whole thing is a collaboration between singer Joao Selva and Bruno "Patchworks" Hovart! Patchworks handles most of the instrumentation here – apart from some percussion from Selva – and the groove is right in the very best samba soul modes of the early 70s – that slinky, funky territory that you'd find on the best records by Jorge Ben and some of the many artists he influenced – presented here in a perfect style that feels far more vintage than you'd expect, and which has none of the clubbier touches of other Patchworks projects! Selva's a great singer too – with a raspy charm that's beautiful – and which, again, is very much in the spirit of the sound he's going for. Titles include "Pessoas", "Se Foi", "Maria", "Perto De Ti", "Babado Forte", and "Natureza".  ~ Dusty Groove

SEAN JONES – LIVE FROM JAZZ AT THE BISTRO

Live From Jazz At The Bistro, Sean Jones’ eighth album for Mack Avenue Records and arguably the most dynamic, playful and loose-limbed excursion of his career. He brings a stalwart poise, the fire of ecstasy and a whimsy in motion. “In a nutshell, I’ve been wanting to do a live album for a while,” he says. “I wanted to capture the band’s energy live and record what it’s like to go to one of my gigs. Granted, recording in a studio creates a polished sound where the music is all tied up. But this album, it’s real raw.” Includes: Art’s Variable; Lost, Then Found; Piscean Dichotomy; Doc’s Holiday; The Ungentrifed Blues; Prof; and BJ’s Tune.

ERIK JEKABSON – ERIK JEKABSON QUINTET

Sharp trumpet from leader Erik Jekabson – but a set that seems to draw equally as much energy from guitarist Dave MacNab – whose curving, colorful lines really shape the sound of the record! The rhythm core is also pretty great too – bassist John Wiitala and drummer Hamir Atwal, the latter of whom has a nice snap in his approach, which makes even some of the mellower moments bristle nicely – which Jekabson matches strongly with his well-phrased notes, as does saxophonist Dave Ellis, who plays both tenor and soprano sax here. Ellis seems maybe a bit more in the background at times, but only because some of the other players are so bold – and the set features all original tunes by Erik, including "Maintain", "Zig Zag", "Little Z's Strut", "Emily Jane", "Nasty Woman", "Detective Work", "A Piece Of The Action", and "The Rising Tide".`  ~ Dusty Groove


The San Francisco String Trio releases single "Being For The Benefit If Mr. Kite" for 50th Anniversary of Sgt. Pepper's Lonely Hearts Club Band

San Francisco String Trio's full album May I Introduce to You, a Kaleidoscopically Creative Reimaging of the Beatles' Epochal Album will be available September 8, 2017 via Ridgeway Records

The San Francisco String Trio - the Bay Area super-group featuring guitarist Mimi Fox, bassist/vocalist Jeff Denson, and violinist Mads Tolling - will release the single "Being For The Benefit If Mr. Kite" on June 1, 2017 for 50th Anniversary of Sgt. Pepper's Lonely Hearts Club Band.  The single will be available via all digital outlets such as iTunes and Amazon.  This track is also featured on the trio's debut album May I Introduce to You, a loving homage to the classic Beatles record on its 50th anniversary and slated for release on Ridgeway Records on September 8, 2017.

The SF String Trio brings together three celebrated masters who have each recorded critically acclaimed albums as bandleaders. Much like the Beatles drew on an array of traditions and styles in crafting Sgt. Pepper's, the cooperative ensemble approaches each track as an opportunity to imbue supremely familiar songs with a sense of delight and surprise. "The idea was to do something different to shake up these fantastic songs, but not just for the sake of doing something new," says Fox. "We're all coming from a jazz background and we like to mix things up."

"We love to blend genres and you can hear tango, R&B, pop and classical influences too," Tolling adds. "We're all arrangers and we'd work on pieces individually then bring them in and work on them as a group and really make them come to life."
Though the musicians grew up in different generations (and different countries), they're united by vaunted reputations as improvisers, abiding love of the Fab Four, and faculty positions at the California Jazz Conservatory. As the senior member of the ensemble, Fox remembers the explosive impact of Sgt. Pepper's release as a child growing up in New York. Tolling, a classical prodigy, fell in love with the Beatles as his gateway to pop music as a teenager coming of age in Denmark in the mid-90s. And Denson heard the album in regular rotation amidst his mother's records while growing up outside Washington D.C. in the 1980s. The universally beloved album left a deep and enduring impression on each of them that has continued to provide inspiration in their work as jazz artists.

"When I first moved out here I taught a class on the Beatles at the California Jazz Conservatory," says Denson, who became the first full professor in the CJC's newly accredited Bachelor of Music program in 2011. "When I first went to Berklee, where Mads and I met, I took an arranging class and wrote a chart for 'She's Leaving Home.' It's always been a really special album to me and part of my life."

The trio's emotional connection to Sgt. Pepper's is evident throughout May I Introduce to You, and every track sheds a bright and revealing light on the genius of the Beatles. Tolling transfuses some of Joe Cocker's gospel fervor into his ballad arrangement of "With A Little Help From My Friends," and sets a good deal of "Lucy In the Sky With Diamonds" to a crunching 5/4 beat. Fox evokes George Harrison's sitar with a sleek modal interpretation of "Within You Without You" and delivers a ravishing solo rendition of "She's Leaving Home." Denson's arrangement of "Fixing A Hole" incorporates his striking vocals, as does his multilayered unpacking of "A Day In the Life," another tour de force that distills the song's essence while winding its way to a surprising climax, with Fox's twang replacing the famous last crashing chord. "Essentially we have three drummers in the group, as we're all comfortable with our instruments' percussive qualities," Fox says, "as well as the harmonic and melodic possibilities."

It's hard to overstate the wealth of experience the trio brings to this project. An internationally acclaimed touring artist for the past quarter century, Fox has performed/recorded with horn heavy weights (Branford Marsalis, David Sanchez, Houston Person), fellow fret masters (Charlie Byrd, Stanley Jordan, Charlie Hunter), Hammond B-3 greats (Joey DeFranceso, Barbara Dennerlein, Dr. Lonnie Smith), and vocal stars (Abbey Lincoln, Diana Krall, Kevin Mahogany). She's shared the stage with legends Stevie Wonder and John Sebastian and Patty Larkin featured her on the Vanguard Records project La Guitara. Fox has released 10 critically acclaimed albums as a leader, including three on Steve Vai_s Favored Nations label. Her YouTube videos have received hundreds of thousands of views. In conjunction with Heritage's 30th anniversary, the Kalamazoo guitar company has rolled out the Mimi Fox Artist signature model.

Born and raised in Copenhagen, Tolling was on his way to a successful career as a classical soloist when he discovered Miles Davis. His growing passion for jazz brought him to Berklee in 2000, where at the recommendation of Jean-Luc Ponty bass luminary Stanley Clarke recruited him for his touring band. He moved to the Bay Area in 2003 to join the pioneering crossover string ensemble Turtle Island Quartet, an eight-year run that included two Grammy Awards for 2006's 4+Four, and 2008's A Love Supreme: The Legacy of John Coltrane (both on Telarc). Since setting out on his own in 2012, Tolling has established himself as an ambitious bandleader, accomplished composer, and daring improviser committed to expanding the violin's sonic parameters. A Yamaha clinician who's given workshops in the US, Canada, Japan and Dubai, Tolling earned the #1 slot as Rising Star Violinist in the 2016 DownBeat Critic's Poll. His latest album, 2017's Playing the 60s (Madsman Records), mines the New Frontier era for powerfully engaging but oft-overlooked material while introducing an ardently grooving group sound.

Denson first gained international attention in the cooperative trio Minsarah with Israeli drummer Ziv Ravitz and German pianist Florian Weber. It was the group that caught the ear of alto sax legend Lee Konitz, who adopted the combo as his rhythm section on 2007's Deep Lee, 2009's Live at the Village Vanguard, which earned the 2010 Album of the Year Award from France's Jazzman Magazine, and 2014's Standards Live: At the Village Vanguard (all on Enja). A prolific composer and arranger, he's written music for an array of jazz settings, from big band to trio, as well as for string ensembles, solo bass, and a chamber opera. Since settling in the Bay Area, Denson has released five solo albums in six years and continued to tour internationally with Lee Konitz and his own projects along with forging new creative alliances with some of the West Coast's most prodigious improvisers. He's explored intricate harmonic soundscapes with drummer Alan Hall and bassoon and electronics virtuoso Paul Hanson, and recorded with Konitz again, this time under his own name, on 2015's The Jeff Denson Trio + Lee Konitz. The album introduced Denson's Ridgeway Records label, which over the last two years has become an essential outlet for brilliant young artists and established masters in the Bay Area and beyond.

Denson first met Fox shortly after he arrived in the Bay Area and was immediately impressed by her musicality. "We started getting together and playing duo, and talking about different possibilities," Denson says. "Mads and I had met at Berklee but really got a chance to play together after I moved here and I did some things with his band. Mads and Mimi had also been talking about playing together. Finally, we connected all the dots and we had great musical chemistry right away."

Their formidable chemistry ignites on May I Introduce to You, a project that sets a new standard for jazz interpretation of the Beatles. Inspired by each other and an era-defining album, the San Francisco String Trio pays the ultimate compliment to the Liverpool lads by treating their songs as an extension of the Great American Songbook. "The Beatles have spanned generations," Fox says, "and their melodies, particularly Paul's ballads, hold their own with Irving Berlin and Cole Porter. Musically, emotionally and creatively, this project has everything going for it."



“The PGS Experience” by Robert Miller’s Project Grand Slam with 2 time Grammy Nominee Mindi Abair

The brainchild of acclaimed bassist/composer Robert Miller, Project Grand Slam’s signature sound fuses Jazz, Rock, Funk, Latin and reimagined Classic Rock covers, while earning over one million video views and defying genres, languages and geographic boundaries.

The band’s new, 5th CD, ‘The PGS Experience’, is a combination of five new studio tracks and four live performances. The album features Special Guest Artist Mindi Abair, renowned saxophonist and two-time Grammy nominee, on two of Robert’s new original studio songs: ‘Fishin’, with its laid back Island vibe, and ‘Metro Shuffle’, a funky ode to Robert’s hometown of New York City and it’s wonderfully hectic pace. About her appearance on the album Mindi Abair says: "I loved playing on Project Grand Slam's CD! Robert's songs are terrific and the band has such incredible energy and great musicianship!"

Other new studio tracks include ‘Hollywood’, an upbeat, driving song by Robert that captures the frenetic Tinseltown pace, and two new unique PGS-style covers arranged by Robert: Cream’s ‘I’m So Glad’, coinciding with the 50th anniversary of Cream’s debut album containing that song, and ‘Free’ by the jam band super group Phish.

The live tracks are songs that have previously been released as studio cuts by PGS and which capture the amazing energy and musicianship of the band in concert. They include two of Robert’s originals: ‘Gorilla’, a powerhouse “arena” song, and ‘The Queen’s Carnival’, a Latin fiesta, and two of Robert’s reimagined Classic Rock covers: The Kinks’ ‘You Really Got Me’, praised by Dave Davies, and Jimi Hendrix’s ‘Fire’, PGS’s incredible concert closer song.

Robert says; “I feel like ‘The PGS Experience’ captures the band better and more fully than any of our previous albums. Our music drives the line between rock and jazz. The power and emotion of the music, the diversity of the songs, and the studio tracks together with the live performances, all combine to showcase the band better than ever before. I am thrilled to have the incredibly talented Mindi Abair as our Special Guest.”

Gashouse Radio says: “Robert Miller’s Project Grand Slam deserves mentioning as among the best musical acts produced by American culture in the last quarter century!”

All songs written and arranged by Robert Miller and published by Cakewalk Global Publishing (BMI) except Free written by Ernest Anastasio and Thomas Marshall and published by Who Is She Music Inc.; I’m So Glad written by Nehemiah Curtis “Skip” James and published by Wynwood Music Co. Inc.; You Really Got Me written by Ray Davies and published by Sony/ATV Songs LLC OBO Jay-Boy Music Corp.; and Fire written by Jimi Hendrix and published by Experience Hendrix LLC.

Release Date
June 30th 2017

Track List:

1. Metro Shuffle (3:16) ft. Mindi Abair
2. Free (4:23)
3. Fishin (5:51) ft. Mindi Abair
4. Hollywood (4:57)
5. I’m So Glad (4:11)
6. Gorilla (Live) (3:33)
7. You Really Got Me (Live) (4:17)
8. The Queen’s Carnival (Live) (4:48)
9. Fire (Live) (4:56)

Electric Bass – Robert Miller
Saxophone – Mario Castro
Keyboards - Marcello Casagrandi
Drums – Joel E. Mateo
Guitar – Tristan Clark and Flavio Silva
Percussion – Guillermo Barron Rios
Singer – Ziarra Washington
Guest artist - Saxophone: Mindi Abair

Produced by Robert Miller and Lou Holtzman
Engineered and Mastered by Lou Holtzman
Recorded at EastSide Sound, NYC

Instagram: @projectgrndslam


Larry Coryell And The Eleventh House New Album "Seven Secrets"

Legendary jazz fusion pioneers The Eleventh House's all new album, "Seven Secrets" was released on June 2 on Savoy Jazz.  43 years after their iconic debut album "Introducing The Eleventh House with Larry Coryell," Coryell had reunited with original players Randy Brecker on trumpet, the late Alphonse Mouzon on drums, John Lee on bass and son Julian Coryell on second guitar on this recording.  Produced by the band with the help of engineer Luciano Rubio, "Seven Secrets" is a striking return to form that taps into the magic of The Eleventh House and takes them to the next level. Said Larry prior to his heartbreaking and untimely passing this year: "It's still jazz the way we envision it, unique, exciting and open to genre-busting adventures. It won't turn off any jazz lovers and we know it will excite people who aren't quite sure if they like jazz – just as the vibe we and those other bands did in the 70's. We're still taking jazz to another level without disrespecting it – and having an incredible time doing it!" The album captures the unbridled energy and joy of a band reunited--a beautiful work and joyous moment in the legacies of Coryell and Mouzon.

"Seven Secrets" Track Listing:

Alabama Rhap Corollary
Mr. Miyake
Dragon's Way
The Philly Flash
Molten Grace
Seven Secrets
The Dip
Having Second Thoughts
Some Funky Stuff
Mudhen Blues
Zodiac


Carlos Santana & The Isley Brothers team up on Power of Peace, a New Album Celebrating the Timeless Sounds of Funk, Soul, Blues, Rock, Jazz and Pop

Legacy Recordings, a division of Sony Music Entertainment, has announced the release of Power of Peace, a new studio album from Santana (Carlos Santana and Cindy Blackman Santana) and The Isley Brothers (Ronald and Ernie) coming Friday, August 4. 

Recorded last year, Power of Peace is the fulfillment of a dream, a new musical studio collaboration connecting Santana and The Isleys on a mind-bending journey through some of the immortal soul, funk, blues, rock, jazz and pop songs that continue to inspire them.

About the Power of Peace, Carlos Santana observes, "I feel a deep sense of gratitude, appreciation, and thankfulness. There is a spirit of creativity that came knocking and presented itself as a golden opportunity to do something with and for a supreme musician, who I consider to be the best in the world. Brother Ronnie Isley has been in the center of collective unity and harmony on the radio around the world since 1962 with 'Twist and Shout,' the song that the Beatles chose to invade America with. Like Michael Jackson, John Lennon, and Bob Marley, he's an iconic supreme of the highest order. Cindy and I feel very blessed to offer him this gift. From God, through us to you, for the world…Mr. Ronnie Isley."

"It was an absolute joy working on this album with Carlos!" exclaims Ronald Isley. "I hope this record carries the spirit of hope, love, and peace to the world that it brought to me, my brother and Carlos!"

Ernie Isley shares his brother's enthusiasm, saying, "Doing this project with Carlos Santana was fun and illuminating. I hope all music lovers enjoy what we have done."

Led by the legendary Ronald Isley on lead vocals and the album's main producer/arranger Carlos Santana on lead guitar, rhythm guitar, percussion and background vocals, Power of Peace covers songs first made familiar by the Chambers Brothers ("Are You Ready," "Love, Peace, Happiness"), Swamp Dogg ("Total Destruction to Your Mind"), Stevie Wonder ("Higher Ground"), Billie Holiday ("God Bless the Child"), Eddie Kendricks ("Body Talk"), Curtis Mayfield ("Gypsy Woman"), Muddy Waters/Willie Dixon ("I Just Want to Make Love to You"), Dionne Warwick/Jackie DeShannon ("What the World Needs Now is Love Sweet Love"), Marvin Gaye ("Mercy Mercy Me - The Ecology"), Leon Thomas ("Let the Rain Fall on Me") and Sy Miller and Jill Jackson ("Let There Be Peace on Earth").

Power of Peace premieres a new song, "I Remember," written and sung by Cindy Blackman Santana. Cindy, who plays drums on the album, produced and arranged "Higher Ground" (along with her husband, Carlos). A family affair, Power of Peace features two Santanas--Carlos (guitar) and Cindy (drums)--and four Isleys: Ronald (vocals) and Ernie (rhythm guitar) and their respective spouses, Kandy Johnson Isley (Ron's wife, she sings background on "God Bless the Child," "Body Talk" and "Gypsy Woman") and Tracy Isley (Ernie's wife, she also sings background vocals on "God Bless the Child").

The Isley Brothers & Santana: Power of Peace track listing

Are You Ready
Total Destruction To Your Mind
Higher Ground
God Bless The Child
I Remember
Body Talk
Gypsy Woman
I Just Want To Make Love To You
Love, Peace, Happiness
What The World Needs Now is Love Sweet love
Mercy Mercy Me (The Ecology)
Let The Rain Fall On Me
Let There Be Peace On Earth

 

Thursday, May 25, 2017

The National Jazz Museum in Harlem presents The Savory Collection Volume 3 - Honeysuckle Rose: Fats Waller and Friends

Nothing defined the essence of swing-era jazz better than the spontaneity of live performances for appreciative audiences, whether in person or on the radio. And that is perfectly demonstrated with the National Jazz Museum in Harlem's The Savory Collection Volume 3 - Honeysuckle Rose: Fats Waller and Friends, the latest entry in its outstanding series of historic swing-era jazz.

This extraordinary and unique historical archive features swing era jazz artists at their peaks. Performing inspired and extended performances of previously unissued material, this music has been preserved in superior sound quality by sound engineer/technical genius Bill Savory. The full multi-volume collection is now available for streaming exclusively on Apple Music.

The result of a 30-year effort to secure these recordings for the Museum by Founding Director and Senior Scholar Loren Schoenberg, this new collection is another remarkable addition in a series that clearly sustains its excitement and importance with each ensuing release.

"Many times when there is a multivolume series, the content tends to weaken as the series goes on. That's far from the case here; we have so many superlative recordings, that we took extra special care to space them out as the series continues so that there are true highlights in every volume," says Schoenberg. "This one was especially fun to work on; you should've seen us dancing around the museum!"

Through the efforts of Schoenberg and the Museum, the timeless Jazz Canon continues to expand, adding new jewels to a treasury of riches in this utterly unique and transcendent art form. As the esteemed documentarian Ken Burns says in his liner introduction, "The Savory Collection adds a new and significant piece to the jigsaw puzzle of jazz's evolution. Several dozen hours' worth of the music's greatest artists playing the true Golden Age of the music...."

Following in the fashion of the previous volumes, a stellar representation of the era's foremost artists is featured, including single cuts by Albert Ammons, Roy Eldridge, Chick Webb and Joe Sullivan; and a pair by Benny Carter. But the collection is dominated by a five-tune jam session co-led by three legendary figures -- pianist Fats Waller, trombonist Jack Teagarden and guitarist Eddie Condon; and ten tracks by the highly innovative bassist John Kirby's Sextet.

The 1938 jam session, broadcast on New York City's WNEW radio and a forgotten event until now, also includes jazz masters Pee Wee Russell on clarinet, tenorman Bud Freeman, the bass/drums tandem of Artie Shapiro and Zutty Singleton, along with Jack's brother Charlie Teagarden on trumpet; and of course Fats and Jack add their singular vocal stylings to the mix. The repertoire includes Fats' iconic "Honeysuckle Rose," striking interpretations of the standards "China Boy," "I'm Coming Virginia," "I Got Rhythm" and an intimately compelling blues excursion simply titled "Blues" -- all marked by both the expected extraordinary musicianship in this unexpected collaboration with Fats.

The collection's titular "Honeysuckle Rose" is also one of the Kirby selections, featuring a delightful vocal by scat-singer Leo Watson, broadcast in 1938 -- the first radio broadcast by the all-star group that included Charlie Shavers on trumpet, Russell Procope on alto sax, clarinetist Buster Bailey, with Billy Kyle and O'Neil Spencer joining Kirby in the rhythm section on piano and drums, respectively. The remaining nine tracks are from 1940, tied together with a spoken narrative.

Although the Western Classical touches for which Kirby was known are not part of this set, the wit, virtuosity and aplomb of his highly original ensemble certainly are on full display. With six band originals by Shavers, Kyle and Kirby -- "From A Flat to C," "Blues Petite," "Front and Center," "Effervescent Blues," "Milumbu" and the experimental "Rehearsin' for a Nervous Breakdown" -- alongside items like "Minnie the Moocher's Wedding Day," "Boogie Woogie" and Duke Ellington's "Echoes of Harlem," clear evidence is provided as to this group's special place in jazz history.

The third version of "Honeysuckle Rose" comes from the orchestra of another giant, Benny Carter. Recorded live at the Savoy Ballroom in 1939 along with Edward Eliscu's and Billy Rose's "More Than You Know, "the 16-piece orchestra includes such heavyweights as trombonists Vic Dickenson and Tyree Glenn (also on vibes), trumpeter Joe Thomas and Eddie Heywood on piano. With arrangements by Carter, he also vividly demonstrates his impeccable solo skills on both alto sax and trumpet.

The single artist tracks are also gems. Albert Ammons testifies to his royal stature as the king of boogie-woogie piano with his rollicking "Boogie Woogie Stomp," recorded in 1939 at New York's Café Society. Drum master Chick Webb tears off some spectacular drum solos unlike anything heard on his commercial recordings on his 1938 take on the Gershwins' "Liza" with a studio orchestra, made even hotter with the trumpet fire of Roy Eldridge. From that same session (but without Chick), Roy adds his own version of "Body and Soul" to the list of profound interpretations of that beautiful song.

This spectacular collection closes out with a brief, but sparkling take on "China Boy" by pianist Joe Sullivan's sextet, recorded the same night as the Albert Ammons track that provides the opening bookend to this album. As the liner notes so aptly state, "Once again, Bill Savory's exquisite taste in music has afforded us the rare chance to revel in some of the greatest jazz sounds that without his intervention would have been lost to the ages -- thank you, Bill!"


New TERRACE MARTIN debut album from THE POLLYSEEDS, THE SOUNDS OF CRENSHAW VOL 1. out July 14

The Pollyseeds Includes Terrace Martin,
Robert Glasper, Kamasi Washington, Marlon Williams, Robert “Sput” Searight, Rose Gold, and more

Today, Terrace Martin announces The Pollyseeds: a collaborative group of A-list producers, musicians, and creators including Kamasi Washington, Robert Glasper, Marlon Williams, Robert “Sput” Searight, Craig Brockman, Chachi, Rose Gold, Wyann Vaughn, and more. The band's debut album The Sounds of Crenshaw Vol. 1 will be released on July 14th via Ropeadope. In an interview with Rolling Stone, The Pollyseeds' founder and producer Terrace Martin revealed news of the album along with its lead single "Intentions (feat Chachi)." Along with his 2016 Grammy nominated album Velvet Portraits, Martin is known for his work with artists like Kendrick Lamar, Herbie Hancock, Snoop Dogg, and YG.

Listen and embed the album's first track "Intentions (feat Chachi)"

"To honestly express yourself at a high level while paying homage, yet being current and innovating the times... is The Pollyseeds," Pollyseed Robert Glasper says of the project. Continuing with the theme of innovation, Pollyseed Rose Gold says "the band is about progression. Never becoming comfortable. Always growing. And always pushing the envelope."

Crenshaw Blvd is best known as the commercial spine of Black and Latino Los Angeles, as well as a transitional home for displaced middle class Japanese Americans after WW2. While it begins and ends in the wealthy neighborhoods like Hancock and Rolling Hills, the other parts of Crenshaw Blvd are where the action was. The classic Maverick’s Flat – the Apollo Of The West — featured acts like Marvin Gaye, The Temptations, Ike and Tina Turner, and Parliament. There can be no argument that this is where the soul resides. The creativity, the street culture, the real stories of struggle and defiant joy – all are found here in a land of eternal sun and concrete. This is the place where low riders would cruise, immortalized in songs and videos by west coast rappers. You can draw a parallel with Harlem River Drive here, but Crenshaw is solid Los Angeles.

Terrace Martin knows the true value of the corner of Crenshaw and Slauson in his own evolution, and its importance to the world. On TSOC Volume 1, he brings together some of The Pollyseeds and distills the seemingly disparate pieces of Crenshaw's history into an instantly recognizable sound.

Focusing heavily on songwriting, The Pollyseeds pay heed to TSOP, The Funk Brothers, and The Wrecking Crew, as well as early Steely Dan. This family of musicians is making the records that those artists never did, because they live in a time where it is possible.

Tracklisting:
1. Tapestry
2. Chef E Dubble
3. Intentions (feat. Chachi)
4. Funny How Time Flies (feat. Robert Glasper)
5. Mama D/Leimert Park
6. You and Me (feat. Rose Gold)
7. Believe
8. Up & Away
9. Wake Up
10. Your Space
11. Feelings Of The World (feat. Rose Gold and Chachi)
12. Reprise of Us
13. Don't Trip


NEW RELEASES: BOBBY HUTCHERSON - HIGHWAY ONE / CONCEPTION THE GIFT OF LOVE / UN POCO LOCO; LUIS ALAS & LA CALLE OCHO FUNK; ALEX SIPIAGIN – MOMENTS CAPTURED

BOBBY HUTCHERSON -  HIGHWAY ONE / CONCEPTION THE GIFT OF LOVE / UN POCO LOCO

A trio of incredible records from Bobby Hutcherson – two on CD for the first time ever! Highway One is a wicked post-Blue Note session from Bobby Hutcherson – one that's put together in a different way than his previous work, but still completely sublime throughout! The feel is almost to Hutcherson's earlier work what Woody Shaw's Columbia recordings were to his – tighter, with sharper production – yet still wonderfully soulful and with a strong sense of spirit. Key soloists include Freddie Hubbard on trumpet and Hubert Laws on flute – and the record also features George Cables on acoustic and electric piano, Cedar Walton on acoustic piano, and Eddie Marshall on drums. Includes the lovely "Sweet Rita Suite", plus "Circle", "Secrets Of Love", and "Bouquet". Conception is a really beautiful album from Bobby Hutcherson – late in his 70s career, but handled with the soulful depth of his brilliant early 70s work on Blue Note! The group's got George Cables on piano and Eddie Marshall on drums, plus a bit of extra percussion work by Bill Summers – and they're augmented by some larger arrangements on a number of tracks, but in a way that never gets in the way of the core souful playing on the record. Cedar Walton put the whole thing together with a masterful talent – both leading, arranging, and producing – and Bobby's never sounded better carving out his message on vibes. Titles include "Remember To Smile", "No Siree Bob", "Dreamin", "Dark Side Light Side", and "Quiet Fire". Un Poco Loco is a surprisingly great album by Bobby Hutcherson – and like his other albums for Columbia, a record that manages to be smooth, yet still has an edge! The format's bigger and more ambitious than previous years, but it's also an extension of the modal soulful style he forged with Harold Land – a really stretched out approach to the vibes that differs nicely from his 60s work, and which has some really soulful touches throughout. The group features George Cables on electric and acoustic piano, John Abercrombie on guitar, and Peter Erskine on percussion – but the real strength of the set is Bobby, who slides between vibes and marimba with a skittish energy that really cracks a lot of life into the set. Titles include "Un Poco Loco", "Ivory Coast", "The Sailor's Song", "Ebony Moonbeams" and "I Wanna Stand Over There". ~ Dusty Groove

LUIS ALAS & LA CALLE OCHO FUNK

Miami’s La Calle Ocho Funk was the idea of its two founders Luis Alas and Joel Edgecombe. Both Luis and Joel have worked with many artists and corporate bands and have been flown around the world to perform for such names as Paul McCartney, Chris Bosch and many others. After working together over five years in various projects including Luis' solo project, Luis and Joel decided that putting a band with a unique twist was only natural. Wanting to bring the party elements they experienced playing with one of the top wedding bands in the country, while adding the flare of pop music and the musicality of Jazz, La Calle Ocho Funk was born! The band comprised of top musicians in the music industry which individually perform with some of the biggest names of stage include J-Lo, Jon Secada, Julio Iglesias and many more. Since the band's inception, they have been taking crowds by storm with their unique mix of high energy performances, with superb musicianship performing both original music and covers. Most recently front-man and saxophonist Luis Alas released an EP which has received great reviews on Smooth Jazz magazine, and who's title track Shades Of My Soul broke the top 200 smooth jazz charts. Their new single is entitled "Chocolate".

ALEX SIPIAGIN – MOMENTS CAPTURED

We've loved the music of trumpeter Alex Sipiagin for quite some time – but there's really something special going on here – a slightly different vibe that makes the record stand out from the rest of the pack! First off, the album features all original compositions – songs that seem to work together as a larger suite, yet still stand strongly on their own – allowing the players to soar out with a fantastic sense of individuality, while still holding together as a unit. Secondly, there's a sweet electric current that comes from the use of Prophet 6 by John Escreet – who also plays acoustic piano and Fender Rhodes. The Prophet's never used in a way that's too overdone – just these light waves of spacey sound that are balanced out by the raw power of the horns – Sipiagin's work on trumpet, the tenor of Chris Potter, and alto and soprano of Will Vinson – a fantastic frontline that really blows us away. Most tracks are long, and have lots of room for solo space from everyone – and the group also features Matt Brewer on bass and Eric Harland on drums. Alina Engibaryan sings on two tracks – "Moments From The Past" and "Breeze" – and other titles include "Evija Bridge", "Unexpected Reversal", and "Bergen Road". ~ Dusty Groove


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