Bay Area Vocalist Sandy Cressman Reaffirms Her Deep Connections with Brazilian Music on New CD "Entre Amigos"

As founder and leader of the group Homenagem Brasileira, San Francisco-based vocalist/ educator Sandy Cressman has had many opportunities over the last 20-plus years to forge creative partnerships with like-minded musicians from the Bay to Brazil. Her entrancing new album, Entre Amigos, which will be released on February 3 by her Cressman Music imprint, marks the culmination of these relationships and is a celebration of her own deep history with the music and the players.

Though the new CD is her first new recording since 2005's Brasil--Sempre no Coração, a project devoted to definitive songs by masters of MPB (música popular brasileira), Cressman never stepped away from music. As an educator and linchpin of a bustling creative family including her husband, former longtime Santana trombonist and recording engineer Jeff Cressman; their older daughter, New York trombonist/vocalist Natalie Cressman; and their younger daughter, Los Angeles dancer Julianna Cressman, she's maintained enduring musical ties with some of the region's finest musicians. There's nothing quite like being massively overscheduled to concentrate one's attention, and Cressman came up with an enthralling set of answers to the self-searching question, "What do I really want to do with this music?"

"For a long while I concentrated on mining the treasures in the existing Brazilian music repertoire," says Cressman. "But at a certain point I started writing and asking people to collaborate, and Entre Amigos collects many of these amazing connections."

Among the collaborators on the new CD are rising Brazilian-American guitarist Ian Faquini ("Nossa História," "Deixa a Amor Florescer"), pianist/composer Jovino Santos Neto ("Para Hermeto"), Brazilian jazz master Antonio Adolfo ("Eu Vou Lembrar"), and São Paulo-based samba-jazzistas Dani and Debora Gurgel ("Como Eu Quero Cantar"). Significantly, Entre Amigos opens a new chapter for Cressman as a tunesmith; she contributed lyrics, in both Portuguese and English, for every track on the album, and also wrote both music and lyrics for "Ela É," recorded in Germany with the 2010 Santana rhythm section, including Dennis Chambers, and for "Não Me Acorde Não," which tells the story of her and her husband's participation in Carnaval 2015 in Recife with renowned Pernambuco frevo composer/bandleader Spok and his Spok Frevo Big Band.

That performance, and her return to Recife to record with Spok earlier this year, led to an intriguing invitation. When the director of music at the Paço do Frevo (Frevo Museum) learned of her recording project, he proposed a cultural exchange with local frevo musicians: the Cressmans will do a concert and some master classes at the Paço do Frevo the week preceding Carnaval 2017, and then they will perform at Carnaval with the Spok Frevo Orquestra. 

Sandy continues to work with Homenagem Brasileira, as well as Mistura Fina, a more recent Latin jazz combo led by guitarist Ray Obiedo (a longtime musical partner with whom she co-wrote Entre Amigos' "Eu Mais Você"). In recent months she's collaborated with the acclaimed 17-piece Electric Squeezebox Orchestra led by trumpeter Erik Jekabson, performed with world jazz pioneer Jai Uttal, and celebrated the music of Guinga with Faquini and flutist Rebecca Kleinmann. Somehow, every path seems to lead her back to Brazil.

"I'm thrilled that my musical horizons are widening," she says. "For many years I was very Rio-centric, focused on bossa nova, samba, and Brazilian jazz. This record has São Paulo samba jazz, Northeastern rhythms frevo and maracatu. I keep meeting these people who have different areas of expertise and knowledge, and it's so inspiring and invigorating to be involved in the creation of these songs."

   

CD Release Shows for Entre Amigos:

Feb 16 Freight and Salvage, Berkeley, CA

Feb 18-Mar 1 Carnaval/Various Shows and Master Classes, Recife, Brazil

Mar 19 Café Pink House, Saratoga, CA

Mar 25 Armando's, Martinez, CA

Apr 7 Sound Room, Oakland, CA

Apr 12 Rockwood Music Hall Stage 3, New York, NY

May 7 Blue Note, Napa, CA

May 19 California Jazz Conservatory, Berkeley, CA

Jul 2 Piedmont Piano Company, Oakland, CA

Jul 20 Crocker Art Museum Jazz Night Series, Sacramento, CA

CODE NOIR, the new album from vocalist/composer CARMEN LUNDY, due for release on February 24, 2017

CODE NOIR, the stunning new CD from critically-lauded vocalist Carmen Lundy, is slated for release February 24th via Afrasia Productions.  Never one to limit her creative journeys, Lundy explores the realms of Jazz, Blues, Brazilian Samba and Pop with a multitude of messages that reflect not only the complexities of her own mindset, but the disparity of the world at large.  Poignant, heartfelt, joyous, shocked, saddened and impassioned are just a few of the emotions conveyed by this wonderfully evocative singer on CODE NOIR in a highly personal musical voyage. 

"These songs encompass the musical and artistic influences from the African diaspora and its influence on jazz and other musical genres – the bossa nova, the blues, swing, funk, the exploration into the avant-garde," says Carmen.  "Yet they also encompass the many emotions that are prevalent in this country right now.  We are going through tough times with a country that is sorely divided and many of these tracks reflect the feelings that we as human beings are going through on an individual level.  CODE NOIR actually refers to the first law ever written by a person in power of a sovereign nation/empire - the King of France Louis XIV - the first law to disallow and make illegal the integration of the African race into white European society." 

Having written or co-written all twelve tracks on the album, Carmen envelops her listeners from the start with the questioning opening song, "Another Chance" - a thought-provoking title truly pertinent in the world today.  "Live Out Loud" encourages us to do just that while "Black And Blues" is about our present affairs, "the legacy of the black experience in America,” says Carmen.  “The unplanned fallout and result of legislating and legalizing systemic racism."  She adds,  "The electric guitar in the song illustrates its contribution to all things defining American culture through song.” 

On another heartfelt level the glories of love at first - and second - sight are explored on "Second Sight" while "The Island, The Sea and You," a song Carmen wrote while on a trip to Hawaii, is an ode to the love of Lundy's life.  The infectious "Have A Little Faith" explores the rhythms born of the African experience and originating from the African continent which the singer has always loved - and as an African American, has always identified with - while the lyrics of "Whatever It Takes" implore us to be strong in the face of this imperfect world. 

The tracks "I Got Your Number," "I Keep Falling" and "You Came Into My Life" are keen observations on the state of the modern-day romantic relationship in all its various stages. The CD closes with the inspired "Kumbaya," originally spoken as ‘Come By Here’ in the south, "perhaps in the Gullah language of slaves from Angola brought to the Carolinas, to my understanding,” says Carmen. “It’s a song to my family. A plea to humanity." 

Masterfully accompanying Carmen on the new album is Patrice Rushen on piano who once again joins Carmen on this outing, Ben Williams on acoustic and electric bass, Jeff Parker on electric guitar, Kendrick Scott on drums and percussion and Elisabeth Oei on background vocals.  In addition to vocals, Lundy also plays keyboards and guitar and arranged all the songs.

The release of CODE NOIR will be accompanied by tour dates both here in the US and abroad.  For additional information please visit www.CarmenLundy.com. 

NEW RELEASES: JOHNNY BRISTOL – MODERN SOUL CLASSICS 1974-1981; KENNY WELLINGTON – FREE SPIRIT; BLACK BOMBAIM & PETER BROTZMANN

JOHNNY BRISTOL – MODERN SOUL CLASSICS 1974-1981

Johnny Bristol first got his start at Motown – where both his songwriting skills and studio talents graced an excellent range of singles and album tracks in the late 60s – but as the 70s moved in, Bristol really became a strong singer on his own – with a fantastic sound that we'd rank right up there with the best of the period, even though Johnny never fully got his due! In a way, Bristol was a bit like Lamont Dozier – another background talent who turned out an equally fine range of records as a solo star – and like Dozier, Johnny always remained his own man throughout his solo years – never giving into easy commercial tricks, or overdone disco cliches. Instead, the man was pure class, all the way through – with an especially strong ability to hit a mellow soul groove that's maybe rivaled only by Leroy Hutson or a rare few others. This package collects together all the best of those solo cuts, most of them sweet midtempo steppers or warm mellow numbers – with titles that include "Lusty Lady", "Go On & Dream", "Memories Don't Leave Like People Do", "Have Yourself A Good Time", "She's So Amazing", "I'm Waiting On Love", "Strangers In The Dark Corners", "Love No Longer Has A Hold On Me", "Take Me Down", "Till I See You Again", "I'm So Proud Of You", "Hold ON To Love", "Do It To My Mind", and "Woman Woman".  ~ Dusty Groove

KENNY WELLINGTON – FREE SPIRIT

A fantastic album from trumpeter Kenny Wellington – one that shows us that the 70s spirit of artists like Roy Ayers and the Mizell Brothers is alive and well – as long as you know where to look! The record's contemporary, but has a really classic blend of jazz and soul – one that still allows plenty of space for Kenny's soaring solo work, but also has a wonderful focus on sharp rhythms and a righteous overall sound! The balance is no surprise – given that Kenny's got a legacy that goes back to classic work in the groups Central Line, Light Of The World, and Beggar & Co – but this album's way deeper and more powerful than anything Wellington gave us back in the day – and features some especially nice work on vocals, by a quartet that's headed up by Augie Johnson, who brings in a vibe that's similar to his music with Side Effect and the LA Boppers. The whole thing's wonderful – righter than most folks sound when they go for a groove like this – and titles include "Heading Home", "Dreaming Of Futures Bright", "Fat Cherry", "Kings For A Day Masters Of The Night", "You Can Run", "E3 Symphony", and "Miles 2 Go". ~ Dusty Groove

BLACK BOMBAIM & PETER BROTZMANN

One of the headiest Peter Brotzmann albums we've heard in years, thanks to the sound of the Black Bombaim group from Portugal – who play with a guitar-heavy drive that almost takes us back to Brotzmann's Last Exit recordings of the 80s! The group play with a forward energy that takes off right from the start – heavy drums and full-on fuzzy guitar, plus some deep electric bass as well – all of which puts the reedman in a different setting than most of his recent projects, and one that reminds us just how well-suited he can be for such an experience! Some of the performances here really blow our minds all over again – with a tone that's strong, and incredibly clear – sometimes even more focused than on some of Brotzmann's other recent records, but still very free and sharp-edged overall. The album was recorded live in the studio, with a very jamming vibe – and the CD seems to have one more track than the vinyl LP. ~ Dusty Groove

 

NEW RELEASES: THE HAMILTON MIXTAPE (VARIOUS ARTISTS); HESTON - TRANSPARENCY; THE KAY-GEES – KEEP ON BUMPIN” & MASTERPLAN

THE HAMILTON MIXTAPE (VARIOUS ARTISTS)

The most amazing and groundbreaking American musical phenomenon in ages gets some love from the hip hop and neo soul community that inspired it – spearheaded by Hamilton driving force Lin-Manuel Miranda and the mighty Questlove of The Roots! Much like the musical itself, there's a grounding current of hip hop and soul, but the sounds are as boundless and inventive as the contributing players – which includes Common, Chance The Rapper, Jill Scott, Alicia Keys, John Legend, Wiz Khalifa, Busta Rhymes,Ashanti, Sia, Miguel, Nas, Usher, Aloe Blacc and many more. Titles include "No John Trumbull (Intro)" by The Roots, "My Shot (Rise Up Remix)" by The Roots feat Busta Rhymes, Joell Ortiz & Nate Ruess, "Wrote My Way Out" by Nas, Dave East, Lin-Manuel Miranda & Aloe Blacc, "Wait For It" by Usher, "Burn" by Andra Day, "Say Yes To This" by Jill Scott, "History Has Its Eye On You" by John Legend, "Who Tells Your Story" by The Roots with Common & Ingrid Michaelson, "Dearl Theodosia (Reprise)" by Chance The Rapper & Francis & The Light and more. ~ Dusty Groove

HESTON - TRANSPARENCY

Heston's wearing a cowboy hat on the cover, but he's no country crooner at all – and instead really steps forward with a sound that could win him the Neo Soul crown! We've been following Heston for over a decade, and he's always had a fantastic voice – one that can instantly reference classic soul expression, but never in any sort of easy retro way at all – with a personal sort of rasp that always lets you know that Heston's his own man! And this time around, he seems to have this new sort of confidence and maturity that really sends the tunes home – this way of being nonchalant, but totally right on the money with his approach – infusing the tunes with an energy that we didn't always find on his earlier records. Titles include "Mind Body Soul", "Contradiction", "Every Time I Look Around Here", "Mind Body Soul", "Lost In Amsterdam", and "Dangerous". ~ Dusty Groove

THE KAY-GEES – KEEP ON BUMPIN” & MASTERPLAN

The Kay-Gees' greatest LP – and far and away better than anything else they ever did! Grabbing up this one is like finding a lost Kool & The Gang LP from the early years –which is no surprise, since Ronald Bell of the group produced it and wrote a lot of the songs with the group. The band are incredibly tight instrumentally – with lots of hard drums, choppy guitar, and the rolling party feel that made Kool & The Gang so great during their best years. There's some great horns that blast in and out, sounding very off-beat at the best moments – like the classic "Who's the Man With the Master Plan", sampled by YZ many years ago – or other funky cuts like "Ain't No Time", "Get Down", and "You've Got to Keep on Bumpin".  ~ Dusty Groove

NEW RELEASES: LALO SHIFRIN - THE SOUND OF LALO SHIFRIN; SUN RA / MERZBOW – STRANGE CITY; THE CRAIG CHARLES FUNK & SOUL CLUB 4 (VARIOUS ARTISTS)

LALO SHIFRIN - THE SOUND OF LALO SHIFRIN

A huge array of groovy genius from the mighty Lalo Schifrin – the South America jazzman who first rose to fame in the group of Dizzy Gillespie, the moved on to give us some of the coolest film scores of the 60s! This set brings together eight of Lalo's best albums from that period, plus a full concert from later years too – all in an overstuffed box that still has plenty to offer, even if you already own a few of the records inside! The set begins with four famous soundtrack albums by Lalo – Mission Impossible, More Mission Impossible, Mannix, and The Cincinnati Kid – but it then moves onto include two other albums that have never been on CD – the ultra-groovy Once A Thief & Other Great Themes, full of jazzy greatness – and the early 70s Rock Requiem – which features a sweet array of funk and psych! The set also features standalone CD albums There's A Whole Lalo Schifrin Goin On and Schifrin Sade – both of which demonstrate Lalo's instrumental talents away from the screen – and CD5 features the complete Jules Verne Festival Concert – recorded in 2007 by Lalo in Paris, as a special concert performance of film themes and jazz titles. CDs also features some bonus tracks – like the single "Dirty Harry" and "Latin Soul" – plus Jimmy Smith instrumentals, and other rare gems! ~ Dusty Groove

SUN RA / MERZBOW – STRANGE CITY

Not an actual meeting of Sun Ra and Merzbow – although given the jazzman's rise to fame in his late life, that's not actually impossible – and instead, the record features a very unique concept – the music of Ra's "Strange Strings" and "The Magic City" – used as core materials which are then reworked into a huge new, noisy mix – with lots of additional instrumentation from Merzbow! Masami Akita adds in all the extra bits – which includes a fair bit of electronics – using Ra's organic originals as the inspiration for the noise generation – at a level that maybe pushes the early electronic moments of the Arkestra way way out into the far reaches of the cosmos. The notes refer to the work as a "deformed mix" – which seems appropriate – and the album features two long tracks, "Livid Sun Loop" and "Granular Jazz (part 2)". ~ Dusty Groove

THE CRAIG CHARLES FUNK & SOUL CLUB 4 (VARIOUS ARTISTS)

UK DJ Craig Charles is looking a bit more disco than usual on the cover here – and maybe sounding a bit more on the music, as well – although the set's still pretty darn funky overall, and definitely lives up to the solid soul of other great volumes in this series! Through his work at the BBC, Charles has become one of the key supporters of the funky underground around the globe – and he's got a great ear for picking the best tracks from contemporary groups, and mixing them with key tracks from way back – which he does wonderfully on this set! The package features 19 tracks in all – some we might have missed otherwise, and all of which really sound great together in this array. Titles include "Hey Mister" by The Fantastics, "Reach Out" by Flevans, "You Could've Been A Lady" by Smoove & Turrell, "Beef Frinder" by Lexoul Dancemachine, "White Lines" by The Traffic, "The Rain" by Lisa Stansfield, "Black Cat" by Brian Auger & The Trinity, "Take You Home" by Lack Of Afro with Joss Stone, "Young People" by Fulton Street, "Next Time" by The Tibbs, "Talking About My Baby" by John Heartsman & Circles, "Bang Bang Boogaloo" by Joe Tatton Trio, "Taj Mahal" by Sunlightsquare with Josue Ferreira, "Futebol De Bar" by The Manuel Azevedo Quartet, and "I Can't Get Satisfied" by Telmo Fernandez Trio. ~ Dusty Groove

Paisley Park Sets Date for Historic Celebration, Four Days to Honor and Celebrate the Life and Legacy of Prince Rogers Nelson

Prince’s Paisley Park in Chanhassen, Minnesota has announced dates for a four-day special event, CELEBRATION 2017, which will honor and celebrate the life and legacy of Prince, as the world marks the first anniversary of his passing. Fans worldwide are expected to attend this exclusive event, which will be held April 20 through 23, 2017 at Paisley Park, Prince’s legendary production complex. Bringing together musicians, creative personnel, special guests and friends who worked closest with Prince and knew him best, these four days will feature live music, panel discussions and presentations on Prince’s tremendous talent, influence and importance as a composer, musician, producer, live performer and filmmaker.

Four-day VIP and General Admission Passes are now available while supply lasts at the Paisley Park website, OfficialPaisleyPark.com. General Admission Passes include up to five hours of event programming each day on all four days, including access to four exclusive concert events. VIP Passes are bundled with added benefits including VIP concert seating, on-site parking, photo and autograph opportunities with special guests, exclusive merchandise and a meal pass. Individual day passes are not available at this time.

Bands scheduled to perform include The Revolution, Morris Day and The Time, and members of the New Power Generation and 3RDEYEGIRL. Programming details and additional special guests will be announced in the coming weeks. For the latest updates on the event lineup and special guest announcements, visit OfficialPaisleyPark.com and sign up for the email updates from Paisley Park.

Celebration 2017 will reflect the spirit of the inaugural Prince: A Celebration event, hosted by Prince and held at Paisley Park between June 7-13, 2000. This event welcomed fans from around the world into an immersive Prince experience that showcased Paisley Park, many of Prince’s rarely seen stage wardrobe and instruments, alongside special events and exclusive music performances. In subsequent years, Prince hosted similar immersive fan experiences, first in 2001 with Prince: A Celebration “The Rainbow Children” and in 2002 with Xenophobia. Celebration 2017 will carry on in this spirit of community and connection, welcoming Prince fans from everywhere into a truly unique and celebratory experience that will highlight the life, unique achievements and enduring legacy of Prince Rogers Nelson.

Paisley Park opened for public tours last month, providing fans worldwide with an unprecedented opportunity to experience first-hand what it was like for Prince to create, produce and perform inside this private sanctuary and remarkable production complex. Visitors can see artifacts from Prince’s personal archives, including iconic concert wardrobe, awards, musical instruments, artwork, rare music and video recordings and motorcycles. The reception and reviews from fans and media who took the tour during its opening month have been tremendous, with visitors calling it an incredible, must-see experience.

On December 1, 2016, Paisley Park will expand and enhance its tour of the legendary production complex by offering new, themed fan experience packages, in addition to the current General Admission and VIP tours. These new tour options will offer fans and visitors from around the world an even more in-depth, fully-dimensional Paisley Park experience with dance parties, dining experiences, recording opportunities, concert films and movies – evoking the activities and special events that Prince would often host at Paisley and bring to his fans. For details and to purchase tickets, visit OfficialPaisleyPark.com.

Prince sold over 100 million records worldwide, making him one of the best-selling artists of all time. He won seven GRAMMY® Awards, a Golden Globe Award, and an Academy Award® for the film “Purple Rain,” all of which are displayed at Paisley Park. He was inducted into the Rock and Roll Hall of Fame in 2004, the first year of his eligibility. Prince was born in Minneapolis and resided in the Minneapolis area throughout his life.

Paisley Park is located at 7801 Audubon Road, Chanhassen, Minnesota, approximately 30 minutes outside of Minneapolis. For more information about Paisley Park, visit OfficialPaisleyPark.com.

Paisley Park, Prince’s private estate and production compound in Chanhassen offers fans of the late music icon the unprecedented opportunity to tour the legendary, 65,000-square-foot complex that served as the center of Prince’s creative universe. Operated by PPark Management, guided tours take visitors throughout the extensive main floor of Paisley Park, including recording and mixing studios where Prince recorded, produced and mixed most of his biggest hits, exhibit spaces that chronicle films such as Purple Rain and Graffiti Bridge, Prince’s private NPG Music Club, and a massive soundstage and concert hall where Prince rehearsed for concert tours and held exclusive, private events and concerts. The tour also features thousands of artifacts from Prince’s personal archives, including iconic concert wardrobe, awards, musical instruments and concert memorabilia. Paisley Park is located at 7801 Audubon Road, Chanhassen, Minnesota, approximately 20 minutes from Minneapolis-St.Paul International Airport. For more information about Paisley Park, visit OfficialPaisleyPark.com.

Paisley Park online:

Official website - http://officialpaisleypark.com

Facebook - www.facebook.com/OfficialPaisleyPark

Instagram - www.instagram.com/officialpaisleypark

Twitter - http://twitter.com/paisleypark

Moroccan-dosed dub-jazz collective Club d'Elf releases Live at Club Helsinki

New double album featuring John Medeski, Brahim Fribgane, Duke Levine,

Mister Rourke, Mike Rivard and Dean Johnston available January 10, 2017

Boston-based, Moroccan-dosed dub-jazz collective Club d'Elf celebrates the release of Live At Club Helsinki, an epic double album that showcases the band's genre-leaping improvisational acumen, performing at one of its favorite venues for an ecstatic crowd. Featuring keyboard wizard John Medeski (employing an arsenal of analog instruments including a vintage Mellotron) the music visits touchstones as disparate as Studio One, John Cage, Gnawa and drum'n'bass. The band's association with Club Helsinki dates back to 2001, and a combination of superb sound, intimate environment and an audience tuned into the band's every nuance helped create one of those magical nights. Live At Club Helsinki captures the excitement of two complete continuous sets of no-holds-barred improvisations and classic D'Elf tunes.  Street date: January 10, 2017 on Face Pelt Records.

Disc one starts with the free jazz opening of "Mogador" (featuring a volcanic Medeski solo on grand piano), and segues seamlessly into a cover of The Gaylads "Africa" (driven by Duke Levine's rootsy Telecaster), the music shape-shifting in a way that is free-flowing and never contrived. "The Booloolu" is based around a Moroccan 12/8 cha'abi groove, which the band has absorbed to such a degree that it elicits a rousing response whenever native Moroccans are in the audience. Brahim Fribgane shines on South American cajon, before switching to oud for his composition "Hegaz", based on a traditional Arabic scale. The band's music has been called "the music of dreams" (Boston Globe), and here the dream continues its inevitable flow, as the band moves into the prepared-bass-driven hip-hop of "Secret Atom." This track showcases the wizardry of Mister Rourke, whose rock steady beat-matching and ability to pitch samples into the key of the song, set him apart from ordinary DJs. The band closes the first set with "Berber Song", derived from the Amazigh people of Morocco. Blistering solos from Levine and Medeski on B3 take the band into an Allman Brothers-go-to-North Africa zone, closing with a sample from one of the band's major inspirations, neo-psychedelic avatar Terence McKenna.

Derived from ancient sources, trance forms the central core of the Club d'Elf aesthetic, unifying the various genres the band has absorbed. That influence - notably the Moroccan variety - is evident on disc two, beginning with a tribute to the late Maalem Mahmoud Guinia. On tour in Morocco in 2009, Rivard befriended the maalem, who was one of the most revered of the Gnawa, a mystical brotherhood of trance-healers. He taught Rivard the Gnawa song, "Zeed Al Maal", with the version played here driven by Fribgane's vocals, and Rivard's commanding playing of the Moroccan sintir, a camel-skin-covered bass lute. "Power Plant" follows, with Levine adding a James Bond-esque melody over a sintir-propelled rhythm. Rourke drops another McKenna sample, and the band flows into "Salvia" and "Green Screen", dance-floor-filling electro-jams fueled by Medeski's funky clavinet. Fribgane's oud and vocals are featured on the last tune, "Sidi Rabi", which closes the set on a spiritual note.

Formed in 1998, Club d'Elf's music draws from a startlingly wide spectrum of styles, including jazz, Moroccan Gnawa, hip hop, psychedelia, electronica, avant garde and dub. Circling about bassist/composer Mike Rivard (Morphine/Either-Orchestra/Boston Pops Orchestra) and drummer Dean Johnston, each Club d'Elf performance features a different line-up, drawn from a constellation of some of the most creative improvisors from the jazz, DJ, rock & world music scenes of Boston and NYC, creating a unique experience for audience and musicians alike.

Informed as much by sci-fi writer Philip K. Dick's ideas of shifting reality and parallel universes as by Miles Davis & Fela Kuti, the band draws inspiration from many sources, including the avant comedy of Firesign Theater and Mr. Show. Guitars, turntables, Fender Rhodes, laptops, horns, tablas and all manner of exotic instruments flow in and out of the mix, along with guests including Marco Benevento, Billy Martin, Ryan Montbleau, DJ Logic, Mark Sandman (Morphine), Hassan Hakmoun, Marc Ribot and Skerik. The band is equally at home playing late-night festival sets for the rave/Burning Man crowd as it is for a predominately Arabic audience in traditional garb as boundaries melt away and all are drawn into the intoxicating power of the D'Elf groove. The group's bi-weekly residency at the Lizard Lounge in Cambridge, MA is the stuff of legend and provided a laboratory for its improvisational style to emerge and develop. Its latest studio CD, Electric Moroccoland/So Below, drew glowing reviews from PRI's The World, Voice Of America, and Afropop Worldwide for its bold synthesis of Moroccan traditional music and electronic, dubbed-out funk, rising to #1 on the Relix chart. The band made its debut in South America this year, performing at Ecuador Jazz 2016.

See Club d'Elf Live:

o Friday, January 13, 2017: Columbus Theater, Providence, RI (w/ John Medeski & Duke Levine)

o Saturday, January 14, 2017: Club Helsinki, Hudson, NY (w/ John Medeski & Duke Levine)

o Friday, January 20, 2017: Roulette, Brooklyn, NY (w/ Hassan Hakmoun & Mat Maneri)

o Friday, January 27, 2017: Red Room at Café 939 (Berklee), Boston, MA (w/ David Tronzo)

Video links:

Club d'Elf w/ John Medeski: https://www.youtube.com/watch?v=PTE-rg_UED4

Ecuador Jazz 2016: https://www.youtube.com/watch?v=WzMdUSdPZOU

clubdelf.com

NEW RELEASES: EDNA WRIGHT – OOOPS! HERE I GO AGAIN; SONNY KNIGHT & THE LAKERS – SOONER OR LATER; THE OLYMPIANS

EDNA WRIGHT – OOOPS! HERE I GO AGAIN

A stunner of a solo set from Edna Wright – once the lead singer for Honey Cone, but almost even better on this smooth soul masterpiece from the 70s! The album's got an immediately recognizeable moment in the leadoff cut "Oops Here I Go" – sampled famously by De La Soul and others – but the whole thing's amazing, a killer bit of warm, modern soul put together by the legendary Greg Perry – who makes the whole thing shine every bit as much as his own great Smokin album of the time! Edna's vocals are wonderful – more mature than before, and really stepping out with a proud, sophisticated sort of groove – almost in territory of Jean Carn or Gloria Scott, particularly the latter on some of the album's more grooving cuts. In addition to "Oops Here I Go", other cuts include "Come On Down", "You Can't See the Forest", "Nothing Comes to a Sleeper", "If The Price Is Right", and "Spend the Nights With Me". ~ Dusty Groove

SONNY KNIGHT & THE LAKERS – SOONER OR LATER

Fantastic funk from Sonny Knight & The Lakers – one of the few cases where an older soul singer can really find a fresh new vibe with a younger group! Knight may well be on his way to hitting the same sort of heights that Lee Fields has reached in recent years – and he definitely works in a Daptone-like groove here with the younger instrumentalists – a sharp combo who give Sonny a perfect blend of deep funk and deeper soul – with more than enough Memphis currents to make things sound a lot more classic than you might expect. Production is right on the money – handled by the same Secret Stash folks who've given us reissues of so much old school soul music – and titles include "Sooner Or Later", "It's Over", "The Cry", "It Had To Change", "Oh Mary", "I Could Never Get Tired", and "Help Me". ~ Dusty Groove

THE OLYMPIANS

One of the coolest new groups we've heard on Daptone in a long time – an instrumental combo that's definitely funky, but which has some of the exotic touches you might expect from their name! There's a nice current of strings that slide in alongside more familiar funk instrumentation – some violins, cellos, and even a harp – used to give the groove this expansive vibe that's partly blacksploitation soundtrack, but much more than that as well! Both Leon Michels and Neal Sugarman are in the group on tenor sax – but the real brainchild here seems to be Toby Panzer, who produced and arranged, and who plays a range of sublime sounds on organ, clavinet, harpsichord, vibes, and percussion! Titles include "Sirens Of Jupiter", "Saturn", "Pluto's Lament", "Mercury's Odyssey", "Europa & The Bull", "Sagittarius By Moonlight", "Neptune", "Mars", and "Diana By My Side". ~ Dusty Groove

Chick Corea Elektric Band + Béla Fleck & The Flecktones Announce Summer 2017 Tour

There isn't a more elite pairing in music than BÉLA FLECK and CHICK COREA, and the two will join forces for a North American tour with their respective groups - The Flecktones & Elektric Band -  August 5 - 21, 2017.

Booked by The Kurland Agency (thekurlandagency.com), these shows will feature the original lineups of both bands on a co-headline billing that will be a can't-miss for fans all across the country. And rumor has it the show encore will be a jam for the ages.

BÉLA FLECK & THE FLECKTONES have been a household name for over a three decades. Béla has reunited the original lineup of his band: Wooten brothers Victor (Bass) and Roy, aka Furture Man (Drumitar), as well as Howard Levy (harmonica and keyboard). This reunion tour promises to be a major event and a once-in-a-lifetime opportunity for their fans.

The genre-defying CHICK COREA ELEKTRIC BAND has no bounds regarding musical forms or experimentation. Led by one of the premier jazz keyboardists of all time, the Elektric Band delivers an awe-inspiring stage performance that is simply mind-blowing, reaching transcendent height. The entire classic quintet will be on stage: John Patitucci (Bass), Frank Gambale (Guitar), Eric Marienthal (Saxophone), and Dave Weckl (Drums).

For a short three week period in August 2017, these two titans of American music will be touring their groups together for the first time ever.

Tour dates To Be Announced.

NEA Jazz Master Randy Weston To Release New 2-CD Set, "The African Nubian Suite," On His African Rhythms Label January 20

Randy Weston The African Nubian Suite NEA Jazz Master, iconic pianist and composer, and still-vital jazz elder Randy Weston, at 90, remains a powerful force in jazz. Currently serving as artist-in-residence at Medgar Evers College at the City University of New York; celebrated earlier this month at Harvard University, which has acquired his archive; and named a United States Artists (USA) Fellow last week, Weston is now preparing to release a new recording on his African Rhythms label. The 2-CD set, The African Nubian Suite, captures a concert presented at New York University's Skirball Center for the Performing Arts by the Institute of African American Affairs on Easter Sunday 2012 and will be released by African Rhythms on January 20, 2017.

The African Nubian Suite lays out the history of the human race in music and words. Weston and narrator Wayne Chandler trace it back to Ardi, a woman who walked upright 4.4 million years ago in Nubia, a region along the Nile River that straddles parts of what are today Egypt, Sudan, and Ethiopia.

"In one single work," Robin D.G. Kelley writes in the booklet notes, "Weston manages to pay tribute to the ancient tombs of Sidi Bilal in Aswan, the sufi tradition, the holy city of Touba in Senegal, China's great Shang Dynasty, African folk music, the timeless history of the blues, and the unity of humankind."

Weston was joined in a circle at the sold-out concert by a remarkably diverse, truly international cast of performers. A few played without accompaniment, others as duos, trios, and larger ensembles. They include trumpeter Cecil Bridgewater, trombonist Robert Trowers, tuba player Howard Johnson, saxophonist-flutist T.K. Blue, tenor saxophonist Billy Harper, bassist Alex Blake, drummer Lewis Nash, conguero Candido (who, at 94, is four years older than Weston), nefer player Ayodele Maakheru, guimbry player Lhoussine Bouhamidy from Morocco, kora player and vocalist Saliou Souso from Gambia, balafon player Martin Kwaku Obeng from Ghana, pipa player and vocalist Min Xiao-Fen from China, singer Tanpani Demda Cissoko from Mali, African-American percussionists Neil Clarke and Ayanda Clarke, and the late poet Jayne Cortez.

"The suite is saying, 'Let's start with our first mama,'" Weston explains. "The whole idea is that we're all so different on this planet, but in reality, we all look alike. If you look at the flowers and look at the insects, Mother Nature paints all the colors of her subjects. One is brown. This one is black. Whatever. We've got one nose, one mouth. The whole idea is we all come from the same place. We all come from Africa. It's scientifically true, culturally true."

Weston adds: "I feel that this is the kind of work that should be in the schools, in the churches, in the cultural centers, the kind of work for all people to listen to and read about, because it will give us a better understanding of Mother Africa."

Today, the Brooklyn resident continues to tour throughout the United States and overseas. He holds honorary Doctor of Music degrees from Colby College, Brooklyn College, and the New England Conservatory of Music; was artist-in-residence at NYU, the New School earlier this year, and currently at Medgar Evers College at the City University of New York. In 2010 Duke University Press published African Rhythms: The Autobiography of Randy Weston, composed by Randy Weston and arranged by Willard Jenkins. Weston is a Fellow of the Guggenheim Foundation and a Grant recipient of the Doris Duke Foundation; he was honored by King Mohammed VI of Morocco, and his decades of work -- including scores, correspondence, photographs, and recordings -- are now archived at Harvard University as the Randy Weston Collection. In 2016 Weston was voted into the Down Beat Hall of Fame.

Weston's African Rhythms Trio will perform at Aimé Césaire Performance Hall in Martinique on Friday 11/25. Weston conducts an African Rhythms Masterclass ("A Spiritual Awakening"), featuring Eddie Palmieri, at Medgar Evers College, Brooklyn, NY, 11/29. The Randy Weston African Rhythms Quintet appears at Dizzy's, NYC, Friday through Sunday 12/2-4. A CD release show for The African Nubian Suite in New York City is in the works.

Sweet Honey In The Rock to Kick-Off 5-city West Coast Run of "Celebrating The Holidays" With Debut 4-day Engagement at Seattle's Jazz Alley Dec. 15-18th

Venerable Grammy Award-nominated a cappella ensemble SWEET HONEY IN THE ROCK has announced a five-city West Coast run of their annual seasonal show “CELEBRATING THE HOLYDAYS,” which will be kicked-off with a debut four-day engagement at the legendary Dimitriou’s Jazz Alley night club in Seattle, WA, December 15-18th. Jazz Alley is the third longest running supper/jazz club of its kind in the nation. Show time for all four shows is set for 7:30 PM.

Other CELEBRATING THE HOLYDAYS dates on the run will include; 12/20, Kuumbwa Jazz Center, Santa Cruz, CA, 12/21, Walt Disney Concert Hall, Los Angeles, CA, 12/22, Weil Hall, Ronhert Park, CA, and their final performance of the year will be on 12/23 at Davies Symphony Hall in San Francisco.

Sweet Honey developed their CELEBRATING THE HOLYDAYS theme show several years ago, and refine and add new material to the presentation every year. The show is a rare fusion of international holiday spiritual songs and hymns from other cultures and religions, ranging from Africa to Israel. It includes songs from their Nativity Suite collection, which the group wrote and produced for the American Bible Association video series, including “Jesus, What A Wonderful Child” and “Children Go Where I Send Thee.” It also features notable Sweet Honey classics such as, “We Are,” “Let There Be Peace,” and “Chinese Proverb.”

CELEBRATING THE HOLYDAYS will feature core vocal members Carol Maillard, Nitanju Bolade Casel, Aisha Kahlil, special guest vocalist Rochelle Rice and guest bassist Romeir Mendez (acoustic upright and electric bass) and American Sign Language interpreter, Barbara Hunt.

Prime seating options can purchased for their Seattle engagement by clicking here. For more information about show times and to purchase tickets for the other engagements, go to www.sweethoneyintherock.org, and click on the ensemble's touring schedule.

SWEET HONEY IN THE ROCK TOURDATES

December 15-18 / Dimitriou’s Jazz Alley, Seattle, WA

December 20 / Kuumbwa Jazz Center, Santa Cruz, CA

December 21 / Walt Disney Concert Hall, Los Angeles, CA

December 22 / Weil Hall, Ronhert Park, CA

December 23 / Davies Symphony Hall, San Francisco, CA

BOBBY PREVITE'S MASS Blends Early Music And Metal

As widely renowned for his unerring, intuitive grooves behind the kit as he is for his inventiveness as a composer and bandleader, Bobby Previte stretches into some totally new musical terrain on Mass, his RareNoise debut as a leader and followup to 2014's cooperative trio project The New Standard with bassist Steve Swallow and keyboardist Jamie Saft. A modernist re-imagining of the choral epic Missa Sancti Jacobi by 15th century composer Guillaume Dufay, Previte's Mass prominently features the imposing sound of cathedral pipe organ along with an acclaimed early music chamber vocal group, the 11-voice Rose Ensemble conducted by Jordan Sramek, and a slamming core group consisting of Previte on drums, Marco Benevento on pipe organ and Rheem organ, Don McGreevy, Stephen O'Malley, Mike Gamble and Jamie Saft on electric guitars and Reed Mathis on electric bass. A kind of heavy metal requiem mass, full of thrashing feedback guitars and grinding power chords, hellacious fuzz bass, thunderous beats and the glorious sound of a Medieval vocal choir, Mass is unlike anything Previte has done before in his extensive discography, which covers recordings by his bands Weather Clear Track Fast, Latin for Travelers, The Coalition of the Willing, Bump and the Beta Popes.

   

"I've been thinking about this idea for at least 12 or 13 years now," says thed rummer-composer. "In fact, I scored a version of it in the early 2000s that I toured Europe with. Then when when I got home, I decided it wasn't right and threw it all in the trash. It wasn't powerful enough. So I went back to the drawing board."

Previte first encountered composer Guillaume Dufay in his Early Music class in college. "You have to remember, when Dufay wrote his music it was performed at a time in which there were no loud man-made sounds -- no amplifiers, airplanes, bombs, etc. Performed in a hard-walled stone church, the sound racing around the walls and bouncing off the ceiling, it had to have been an overwhelming  experience. Now it feels quiet, meditative, but in the context of its time I believe it was a powerful, soul-shaking, transportive, otherworldly music. And I needed to match that power, so I had to go with Metal -- a reviled music that somehow still keeps coming."

   

Previte and his wife, the writer and choreographer Andrea Kleine, presented the piece in 2007 as a full-blown theater production at the Walker Art Center in Minneapolis. "She wrote the book and directed it," he explains. "It was then that I met the Rose Ensemble. They specialize in Early Music, which was essential to me. It's a very different discipline than other vocal music. And for them to have the courage and the openness to do a project like this, where I asked them to sing in a different tempo, key and time signature while the crushing metal band was playing -- that was truly inspiring."

   

The players involved in Mass are old cohorts of Previte. Organist Benevento and bassist Reed played in his The Coalition of the Willing. Saft played in Previte's Latin for Travelers band and is also a key member of 2014's The New Standard on RareNoise. Guitarist Gamble has been a longstanding collaborator and is also a member of Previte's current working quartet, Bobby Previte and the Visitors. Guitarists O'Malley and McGreevy are members of the Seattle-based drone and doom metal bands Sunn O))) and Earth, respectively. "O'Malley in particular used a gigantic wall of amps in the studio," says Previte. "If you want that sound, you can't use a little stomp box, you have to actually move all that air. It was exhilarating to watch."

   

Twelve years in the making, Mass is the culmination of a long road for Previte. "I am super happy with how it turned out, as it is extremely difficult music to perform," he says. "Each of the three pillars of the piece -- choir, metal trio, and pipe organ -- are operating within their own algorithms, their own keys, time and tempo. And the piece is written for them to be on parallel tracks but making a different fourth thing, dovetailing together on the cadences. Eventually we all began to be able to hear how it all worked, what notes the choir should be singing when you, as the guitarist, were on your third beat of your bar number 15, a 4/4 bar, at quarter note = 60, as they were in their 33rd bar of 6/8 in a completely different tempo. It sounds crazy. Well, it is crazy! But the design worked eventually, which is a testament to the musicians and their resilience."

Previte adds about his latest opus, "It has probably the greatest cover art I have ever had on any of my records. Astonishing work by, and all respect to, the artist, Hadi Nasiri."

   

'A Capitol Christmas' Celebrates 75 Years Of Capitol Records With A Collection Of Cherished Holiday Classics From Label's Legendary Artists

In honor of Capitol Records' 75th anniversary, A Capitol Christmas presents some of the most cherished holiday classics from Capitol's vast catalog and legendary artists. Available now digitally, on CD and as a double LP housed in a gatefold package, the 24-track album brings together beloved Christmas songs from Frank Sinatra, Nat King Cole, Ella Fitzgerald, Dean Martin, Peggy Lee, Bing Crosby and many more. Liner notes by compilation producer Jay Landers tell the story of each song in beautiful detail.

The historic Capitol Records Tree will light up tonight at sundown for the 58th time, signifying the start of the holiday season in Hollywood. Designed by Ollsen Lighting and featuring more than 4,373 bulbs, the tree has been a part of the Hollywood skyline each December since 1958.

A timeless collection of some of the biggest songs and artists in the holiday canon, A Capitol Christmas is sure to get listeners in the mood for the holidays and serve as the perfect soundtrack to their yuletide festivities all season long. Fittingly, the album opens with Capitol's first homegrown superstar, Nat King Cole, and his stereophonic version of "The Christmas Song," arranged by Ralph Carmichael in 1961. It is bookended with a splendid rendition of Cole's ubiquitous seasonal standard featuring the 1999 virtual duet with his daughter, Natalie Cole. Cole's jazz combo the Nat King Cole Trio is included with the novelty tune "All I Want For Christmas (Is My Two Front Teeth)." It's impossible to overstate the importance of Frank Sinatra to Capitol Records and he is showcased on the album with the exquisite "The Christmas Waltz" and "Have Yourself A Merry Little Christmas," considered the definitive version of the three he recorded. Both songs were originally released on his 1957 holiday album, A Jolly Christmas From Frank Sinatra. Fellow Rat Packer Dean Martin delivers his trademark croon on evergreens "Winter Wonderland" and "I've Got My Love To Keep Me Warm." Having recorded a dozen holiday themed albums, Bing Crosby became synonymous with Christmas. His Christmas single for Capitol, "Do You Hear What I Hear," a call and response arrangement with the Ralph Carmichael Singers, became a worldwide hit.

Singer, songwriter and actress Peggy Lee spent an illustrious 30 years on Capitol and the selections of hers span her tenure at the label. The gentle "A Christmas Spell," arranged by her then-husband and frequent collaborator, guitarist Dave Barbour, was originally released as a single in 1949. "Like A Sleighride," Lee's jazzy adaptation of "Jingle Bells," is from her sumptuous 1960 holiday album, Christmas Carousel. No holiday collection would be complete without the seductive duet, "Baby, It's Cold Outside," of which continues to be recorded by scores of artists year after year. The version here features Capitol Records co-founder Johnny Mercer, the world-class songwriter and recording artist, along with Margaret Whiting. Mercer's swinging "Santa Claus Is Coming To Town" from 1947 shows off his croon alongside the vocal stylings of the Pied Pipers. Whiting also makes another duet appearance, this time alongside singing cowboy star Jimmy Wakely on the sterling "Silver Bells."

In 1967, The First Lady Of Song Ella Fitzgerald recorded a collection of non-secular standards for Capitol, Ella Fitzgerald's Christmas, arranged and conducted by Ralph Carmichael. Her soaring versions of "The First Noel" and "Away In A Manger" are both included. A Capitol Christmas features many other delightful holiday tunes including Nancy Wilson's symphonic "What Are You Doing New Year's Eve?," Lou Rawls' soulful "Merry Christmas, Baby," Jackie Gleason's orchestral instrumentals of "Let It Snow! Let It Snow! Let It Snow!" and "I'll Be Home For Christmas," and Bob Atcher's tropical-tinged "Christmas Island," among several others.

A CAPITOL CHRISTMAS CD/DIGITAL TRACK LISTING

1. The Christmas Song (Merry Christmas To You) - Nat King Cole

2. The Christmas Waltz - Frank Sinatra

3. Winter Wonderland - Dean Martin

4. I Like A Sleighride (Jingle Bells) - Peggy Lee

5. Baby, It's Cold Outside - Margaret Whiting & Johnny Mercer

6. Christmas Island - The Dinning Sisters with Bob Atcher

7. The First Noel - Ella Fitzgerald

8. White Christmas - Jo Stafford

9. What Are You Doing New Year's Eve? - Nancy Wilson

10. Merry Christmas, Baby - Lou Rawls

11. Silver Bells - Margaret Whiting & Jimmy Wakely

12. Let It Snow! Let It Snow! Let It Snow! - Jackie Gleason

13. Have Yourself A Merry Little Christmas - Frank Sinatra

14. I've Got My Love To Keep Me Warm - Dean Martin

15. Santa Claus Is Coming To Town - Johnny Mercer

16. The Christmas Spell - Peggy Lee

17. (All I Want For Christmas Is) My Two Front Teeth - Nat King Cole and His Trio

18. (Everybody's Waitin' For) The Man With The Bag - Kay Starr

19. I'll Be Home For Christmas - Jackie Gleason

20. I'd Like You For Christmas - Julie London

21. The Merriest - June Christy

22. Away In A Manger - Ella Fitzgerald

23. Do You Hear What I Hear? - Bing Crosby

24. The Christmas Song (Merry Christmas To You) - Nat King Cole & Natalie Cole

A CAPITOL CHRISTMAS LP TRACK LISTING

SIDE A

1. The Christmas Song (Merry Christmas To You) - Nat King Cole

2. The Christmas Waltz - Frank Sinatra

3. Winter Wonderland - Dean Martin

4. I Like A Sleighride (Jingle Bells) - Peggy Lee

5. Baby, It's Cold Outside - Margaret Whiting & Johnny Mercer

6. Christmas Island - The Dinning Sisters with Bob Atcher

SIDE B

1. The First Noel - Ella Fitzgerald

2. White Christmas - Jo Stafford

3. What Are You Doing New Year's Eve? - Nancy Wilson

4. Merry Christmas, Baby - Lou Rawls

5. Silver Bells - Margaret Whiting & Jimmy Wakely

6. Let It Snow! Let It Snow! Let It Snow! - Jackie Gleason

SIDE C

1. Have Yourself A Merry Little Christmas - Frank Sinatra

2. I've Got My Love To Keep Me Warm - Dean Martin

3. Santa Claus Is Coming To Town - Johnny Mercer

4. The Christmas Spell - Peggy Lee

5. (All I Want For Christmas Is) My Two Front Teeth - Nat King Cole and His Trio

6. (Everybody's Waitin' For) The Man With The Bag - Kay Starr

SIDE D

1. I'll Be Home For Christmas - Jackie Gleason

2. I'd Like You For Christmas - Julie London

3. The Merriest - June Christy

4. Away In A Manger - Ella Fitzgerald

5. Do You Hear What I Hear? - Bing Crosby

6. The Christmas Song (Merry Christmas To You) - Nat King Cole & Natalie Cole

The Three Sounds featuring Gene Harris Groovin' Hard: Live at The Penthouse 1964-1968

Groovin’ Hard is a collection of previously unreleased live recordings of the legendary jazz trio, The Three Sounds , led by groove-master Gene Harris . Captured live at Seattle's Penthouse Jazz Club from 1964-1968, featuring bassist Andrew Simpkins and drummers Bill Dowdy, Kalil Madi and Carl Burnett, this set contains soulful originals like “Blue Genes” and standards like "The Shadow Of Your Smile," which was never released on any other Three Sounds' albums. The group's song "Put On Train" was prominently sampled in the Beastie Boys song "What Comes Around" on the album Paul's Boutique. Deluxe package features rare photos and memorabilia — including the classic image on the cover of the trio performing at the club taken by photographer Egill Gustafson — plus essays by journalist Ted Panken, producer Zev Feldman, Seattle Jazz DJ Jim Wilke and others. The Three Sounds were one of the most popular artists on the iconic Blue Note label during the late 50s and early 60s, and you can hear why on these infectiously swinging recordings from The Penthouse.

Track Listing:

Side A:

1. Girl Talk (6:23)

2. The Night Has A Thousand Eyes (5:49)

3. Blue Genes (3:10)

4. The Shadow Of Your Smile (6:55)

5. Rat Down Front (2:25)

Side B:

1. Yours Is My Heart Alone (7:50)

2. A.M. Blues (4:09)

3. Bluesette (6:48)

4. Caesar and Cleopatra (film theme) (4:57)

5. The Boogaloo (2:44)