Released as part of the Jazz Is Dead series, Jazz Is Dead 23 – Hyldon presents a collaboration that blends Brazilian soul with jazz, funk, and cosmic grooves. Hyldon, a Brazilian soul legend who made waves in the '70s, lends his distinctive vocals to this project, marking an impressive continuation of his artistic journey. The album is a reflection of Hyldon's enduring relevance in the music scene, with a sound that stays true to his roots while experimenting with more complex musical landscapes.
A Unique Fusion of Brazilian Soul and Jazz
Adrian Younge, the renowned composer and producer behind Jazz Is Dead, takes on a major role in the album’s musical direction. Younge’s involvement is crucial, as he provides a rich, atmospheric backdrop with his mastery of various instruments. He plays Fender Rhodes, Hammond B3 organ, guitar, and alto saxophone, creating a blend of jazz-funk and soul that perfectly complements Hyldon’s vocal style. Younge's ability to fuse these genres gives the album a dynamic range, from sultry grooves to more introspective moments.
The presence of Ivan Mamao Conti, the legendary drummer from Azymuth, further elevates the album. Conti’s rhythmic contributions bring a signature groove that is unmistakably Brazilian, deepening the album’s rhythmic and textural layers. His beats, a perfect mix of funk and samba, serve as the driving force behind many of the tracks, allowing the fusion of jazz and Brazilian soul to come alive in vivid, intricate ways.
An Homage to Hyldon's Legacy
While Hyldon is most famously known for his classic 1970s Brazilian soul hits, Jazz Is Dead 23 is an expansion of his sound. Unlike the more straightforward soul music of his contemporaries, such as Tim Maia, Hyldon’s approach is far more ambitious. This record channels the complexity and musical depth of other Brazilian giants like Marcos Valle and Arthur Verocai. His songwriting here takes on a refined, layered quality that showcases both his evolution and the depth of his artistic vision.
The titles on the album reflect Hyldon’s nostalgic connection to Brazil, with evocative tracks like “Jenipapo Robo,” “Favela Do Rio De Janeiro,” and “Verao Na California.” These titles not only capture the essence of Brazilian culture but also express a more universal longing, blending social commentary with introspective musings. The atmospheric track “Viajante Do Planeta Azul” (Traveler from the Blue Planet) is a notable example of the album’s more cosmic, spiritual elements, bringing a fresh air of otherworldliness to the traditional Brazilian soul sound.
Track Highlights:
-
Jenipapo Robo: An upbeat, groovy track that blends Hyldon’s soulful vocal delivery with Younge’s dense, atmospheric instrumentation.
-
Favela Do Rio De Janeiro: A gritty, soulful number that highlights Brazil’s vibrant, but often harsh realities, with Conti’s percussion giving the track a driving force.
-
Verao Na California: A mellow track that contrasts the warmth of Brazilian summer with the cool breezes of California, illustrating Hyldon’s ability to blend cultures through music.
-
Um Lugar Legal: A reflective song that creates a lush, intimate atmosphere, showcasing Hyldon’s softer vocal qualities.
-
Viajante Do Planeta Azul: A track that leans into cosmic soul, with intricate instrumental passages creating a celestial feel.
-
O Cacador De Estrelas: A dreamy, atmospheric tune that reflects Hyldon’s visionary approach to songwriting.
Album Formats
In addition to the CD, Jazz Is Dead 23 – Hyldon is available in vinyl formats, including a standard LP and a limited edition yellow vinyl pressing. These vinyl releases allow collectors and fans of the artist to experience the album in its full analog glory, bringing out the warmth of the soulful and jazzy elements even more effectively.