Steve Davis | We See

Trombonist Steve Davis was still in his late teens when he first shared the stage with trumpet master Eddie Henderson. While studying with Jackie McLean at the University of Hartford’s Hartt School of Music he frequented the 880 Club, which regularly hosted big-name players from New York on Thursday nights. At the urging of house pianist Don DePalma, Davis sat in with Dr. Henderson, who put the young trombonist through his paces by calling “There Is No Greater Love,” then invited him to remain while he led the band through Herbie Hancock’s “Maiden Voyage” and “Dolphin Dance.”

At the end of the set, Henderson encouraged Davis, telling him, “Man, you're going to be a star one day.”

That prediction has long since been fulfilled. Davis is revered as one of the leading trombone voices in modern jazz, featured on more than 100 recordings with such legends as Freddie Hubbard, Chick Corea, Horace Silver, Cedar Walton and Hank Jones. He served a brief tenure in the formidable ranks of Art Blakey’s Jazz Messengers, and later co-founded the all-star sextet One For All. JazzTimes called him, “an updated amalgam of J.J. Johnson and Slide Hampton,” hailing his “inventive ear for harmony and passion for melody,” while no less an icon than Freddie Hubbard lauded him as “one of the greatest trombone players in the world.”

So to call the ensemble that Davis has assembled for his latest Smoke Sessions release, We See, an all-star sextet is definitely no exaggeration. The album features Eddie Henderson on trumpet – that first encounter in Hartford has blossomed into a nearly four-decade collaboration and friendship – along with tenor saxophonist Ralph Moore, pianist Renee Rosnes, bassist Essiet Essiet, drummer Lewis Nash. Recorded live at Smoke Jazz & Supper Club, We See is the latest release in a series of live recordings celebrating the 25th anniversary of the club and the tenth anniversary of its record label.

We See continues Davis’ tradition of conjuring unparalleled three-horn frontlines for his Smoke Sessions releases. “Having three voices on the frontline is always a pleasure and an inspiration,” he says. “Not only because of the possibilities for harmony and texture, but also to draw inspiration from the incredible soloists flowing together and in juxtaposition to one another. It’s amazing to hear the creativity that everybody brings.”

The album’s title, of course, is borrowed from the Thelonious Monk classic of the same name, featured here in a bracingly swinging rendition. The “We” half hints at the many connections represented in the band, which extend to the liner notes penned by the trombonist’s father, journalist Jeff Davis. A lifelong jazz aficionado, the elder Davis would volunteer to cover notable jazz performances coming to Binghamton, NY, and wrote liner notes for albums by Buster Williams, Larry Coryell and Joe Beck.

Davis’ history with Henderson has included countless performances and recordings, including Davis’ 2015 Smoke Sessions release Say When. Moore, Rosnes and Nash all played together with trombonist J.J. Johnson, one of Davis’ heroes. Essiet and Davis served together as Jazz Messengers, while the trombonist has worked often with Nash, including on 2017’s Think Ahead and with the Dizzy Gillespie All-Stars and the Jimmy Heath Big Band.

Other connections can be traced, allowing the band to draw on well-honed chemistry while experiencing the thrill of a first-time meeting of all six on stage together. Rather than confront the band with new music to navigate, the bandleader called a set of smartly chosen classics, each one fertile ground for this superb band to stretch out and explore.

“We had very little written music on stage, so we could maintain a very natural, spontaneous feeling,” Davis enthuses. “But within that, some really beautiful ensemble playing shined through, along with plenty of freewheeling, swinging, hard playing. The approach was to take all this experience and friendship and seasoning and just play some jazz.” (The emphasis makes clear that this is not as easy as it sounds – at least not on the intended level.)

Rosnes echoes the leader’s enthusiasm. “Joining forces with these magnificent musicians on the Smoke stage was a joy,” the pianist says. “Our many years of friendship come through in the music, and every set was filled with excitement, discovery, and good vibes.”

The setlist includes favorites by the likes of Monk, Miles Davis, and Freddie Hubbard, but Larry Willis’ stentorian “To Wisdom, The Prize” stands out. Not just a stellar composition, the piece provided an opportunity to pay homage to the great pianist, who passed away in 2019. Willis became one of Davis’ closest collaborators over the years, serving a foundational role on many of the trombonist’s albums, including Think Ahead with Nash. “Larry Willis was a dear friend and very close to many of us in the band,” Davis says. “All of us loved him and loved his music, and ‘To Wisdom, The Prize’ is a modern classic. I hope this recording helps to honor Larry and his great works.”

Extending the use of the Monk title from the album to a name for what will hopefully be a recurring band is a wise choice on Davis’ part. Its conciseness is reminiscent of Muhammad Ali’s famously terse two-word poem, “Me / We.” A mere one letter longer, We See captures the myriad qualities of the sextet: its collective and communal spirit, as well as its forward-looking approach and the visionary qualities of each member.

“We've seen a lot collectively and individually,” Davis says. “We're continuing to see and search right now. It’s so gratifying to be in the midst of all that musicality and creativity.”

“We See" was produced by Paul Stache, and recorded live in New York at Smoke Jazz Club at 96KHz/24bit. Available in audiophile HD format, on limited 180g LP, and on 8-panel digipak CD. Get it here.