Rosettes Unveil Their Debut Album 'Lifestyles': A Psychedelic Soul Journey

Helsinki-based band Rosettes are making waves with their highly anticipated debut album Lifestyles, dropping on April 4th, 2025, via Timmion Records. This 10-track LP takes listeners on a vibrant journey through the realms of psychedelic soul, jazzy funk, and introspective grooves. A beautifully complex blend of old-school charm and modern flair, Lifestyles promises to be a transformative experience for fans of soul, funk, and R&B.

A Sonic Journey Through Time and Sound

Drawing inspiration from iconic musical legends such as Cymande, SAULT, and Sade, Rosettes masterfully merge vintage soul and contemporary vibes, creating an album that feels timeless yet fresh. Lead vocalist Tytti Roto's emotive voice takes center stage, guiding the listener through deeply personal lyrics and stunning musical landscapes. Whether it's the soulful opener The Call, the Isaac Hayes-inspired Lifestyles, or the introspective Spirals, each track offers a distinctive mood while remaining rooted in a cohesive musical journey.

The band’s eight-piece lineup skillfully weaves together intricate horn arrangements, cinematic instrumentals, and infectious grooves that are as sophisticated as they are raw. From lush rhythms to electrifying moments of musical freedom, Lifestyles creates a space where groove and emotion collide.

Early Praise and Critical Acclaim

Before the official release, Lifestyles has already garnered support and praise from major music outlets. Huey Morgan from BBC 6 Music, KCRW's Morning Becomes Eclectic, NTS’ Louise Chen, The Bandcamp Weekly, and Shindig! Magazine are just a few of the early adopters who have championed the album’s unique sound and vision.

Standout Tracks

• The Call: A soulful introduction that sets the tone for the album’s rich and emotionally engaging sound.

• Lifestyles: The title track, a nod to Isaac Hayes, channels smooth, cinematic funk with a deep groove.

• Spirals: A captivating, introspective track that showcases Rosettes’ ability to blend thought-provoking lyrics with infectious rhythms.

• The Queen: The album's only instrumental track, evoking the vibe of 1970s blaxploitation soundtracks with wah-wah guitars and jazzy shifts.

Genre-Defying and Groundbreaking

With Lifestyles, Rosettes are setting themselves apart as a band that thrives on genre-blending and exploration. From the groove-heavy beats to the sophisticated instrumentation, each track offers something unique, offering an engaging experience for fans of adventurous soul and funk music. This debut LP promises to be one of the most exciting releases of 2025.

Blue Note Jazz Festival 2025: Full Lineup

The iconic Blue Note Jazz Festival is back for its 14th edition, running from May 27 to July 2, 2025, at top venues across New York City. This year’s festival promises an unforgettable musical experience, featuring 40 incredible artists spanning genres from jazz, soul, and hip-hop to funk, rock, and everything in between. Notably, the festival will be headlined by a once-in-a-lifetime collaboration between Grace Jones and Janelle Monáe, bringing together two powerhouse performers in one unmissable show.

Throughout the festival’s 5-week span, attendees will enjoy a diverse range of performances across eight renowned venues, including Blue Note, Sony Hall, SummerStage in Central Park, BRIC’s Celebrate Brooklyn, The Town Hall, and National Sawdust. Expect 64 concerts showcasing top talent and exciting collaborations.

The festival kicks off on May 27 with a 100th birthday celebration for jazz legend James Moody at Sony Hall, featuring a lineup of jazz greats like Randy Brecker, Terri Lyne Carrington, and Christian McBride.

Notable performances during the festival include appearances from Branford Marsalis, Marcus Miller, Santigold, Savion Glover, The Soul Rebels, Azymuth, and many others. Kenny Garrett, Emily King, and Chuck Prophet & Cumbia Shoes will also make their mark on the festival, while Azymuth and Rebirth Brass Band are set to bring their distinct sounds to the stage.

The lineup further includes special performances such as the "Forever Ray" tribute, and the highly anticipated performances by Warren G with Chris Rob, Louie Vega & The Elements of Life, and more.

Full Schedule Highlights:

• May 27: James Moody 100th Birthday Celebration @ Sony Hall

• May 29-31: Kenny Garrett @ Blue Note

• June 1-2: Chuck Prophet & Cumbia Shoes @ Sony Hall

• June 9: Grace Jones & Janelle Monáe @ Celebrate Brooklyn Prospect Park

• June 13-14: THE REVERENCE PROJECT featuring John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

• June 20: Joshua Redman @ Blue Note

• June 27-29: Savion Glover featuring PROjECt.9 @ Blue Note

• July 2: Dora Morelenbaum @ Sony Hall

Citrus Sun & Incognito Announce Exciting 2025 Tour Dates – A Must-See Live Music Experience!

Citrus Sun and Incognito are back on the road, bringing their exceptional live performances to cities across the globe in 2025. From South Africa to Japan, Europe, and beyond, these legendary bands are ready to thrill audiences with their soulful, energetic sounds. Here’s a breakdown of their upcoming shows, new dates, and all the details you need to experience these incredible live performances.

Citrus Sun – 2025 Tour Dates

April 2025

NEW DATE!

• Fri, 25 April - Cape Town International Jazz Festival, South Africa

May 2025

Citrus Sun Japan Tour 2025

• Thu, 1 May - Umeda Club Quattro, Osaka, Japan

• Fri, 2 May - Blue Note Tokyo, Japan

• Sat, 3 May - Blue Note Tokyo, Japan

• Sun, 4 May - Blue Note Tokyo, Japan

• Mon, 5 May - Blue Note Tokyo, Japan

Special Event:

• Mon, 5 May - Jazz for Children - 14:30 Show (3-18 years old, half price)

• Fri, 23 May - Baltic Soul Weekender, Weissenhauser, Germany

• Sat, 31 May - Seoul Jazz Festival, Seoul, Korea

June 2025

NEW DATES!

• Sat, 7 June - Soultasia, Maldon, UK
  (Super Early, Early Birds, First Release & VIP SOLD OUT – Second Release on sale now!)

• NEW DATE! Wed, 18 June - London, UK - Details to be announced soon

• Tue, 24 June - Terral @ Teatro Cervantes, Malaga, Spain

• NEW DATE! Sun, 29 June - Mangia Resort, Brucoli, Italy - Details to be announced soon

• Mon, 30 June - Teatro Romano di Fiesole, Firenze, Italy

July 2025

• Tue, 1 July - Casa Del Jazz, Rome, Italy

• Wed, 2 July - Teatro Romano di Ferento, Viterbo, Italy

• Fri, 4 July - Senigallia in Jazz, Ancona, Italy - Details to be announced soon

• Sun, 6 July - The Brit Fest, Cheshire, UK

• Sat, 12 July - Hamptons Jazz Food & Drink Fest, St. Albans, UK

• Wed, 16 July - Jazz am Fluss, Erlangen, Germany

August 2025

• Thu-Sun, 14-17 August - We Out Here, Dorset, UK
  (Early Birds/First Release SOLD OUT, Second Release on sale now!)

October 2025

• Wed, 15 October - Live with Orchestra @ Barbican, London, UK

November 2025

• Wed, 15 November - Leverkusener Jazztage, Leverkusen, Germany

January 2026

NEW DATE!

• Sun, 18 January - Soul Power, Skegness, UK

Why You Can’t Miss Citrus Sun & Incognito in 2025

With their captivating performances and infectious rhythms, Citrus Sun and Incognito offer a musical journey like no other. Whether it’s the smooth jazz vibes of Citrus Sun or the upbeat grooves of Incognito, these bands know how to deliver an unforgettable live experience. From intimate club performances to grand festival stages, they’re bringing their unique sound to cities around the world, including new stops in Japan, South Korea, Germany, Italy, and more!

DeeAnn Kicks Off 2025 with New Music and Major Accolades, Releases New Single "Simply Beautiful"

After the success of her sultry 2024 breakthrough single “Stay Here With Me,” DeeAnn continues to gain momentum in 2025, marking an exciting new chapter in her career. The talented singer/songwriter has already earned significant recognition in her hometown of Buffalo, New York, at the 10th Annual JazzBuffalo Music Greats Poll. DeeAnn was awarded Jazz Female Vocalist of the Year, receiving the most votes for her 2023 album “It’s My Time.” She also earned runner-up honors for Most Memorable Performance and the prestigious John Hunt Jazz Artist of the Year Award.

DeeAnn's "Simply Beautiful" — A Soulful Reimagining of Al Green's Classic

As she rides this wave of success, DeeAnn is preparing to release her much-anticipated single “Simply Beautiful” on April 4th, 2025. This track not only celebrates her growth as an artist but also brings a fresh, sensual twist to Al Green’s iconic 1972 hit from his “I’m Still in Love with You” album. With its deep soul and bluesy undertones, “Simply Beautiful” showcases DeeAnn's vocal mastery and her evolving sound, which marks a dynamic step forward in her musical journey.

“This song embodies everything I’m feeling right now—optimism, beauty, and pure emotion,” DeeAnn shares. "I was immediately drawn to it, especially after working with Ted Perlman, who has become a key part of my musical evolution." Perlman, a renowned producer with a remarkable career spanning over five decades, is behind the production of “Simply Beautiful.” He’s worked with legendary artists such as Burt Bacharach, Whitney Houston, Diana Ross, and Bob Dylan, bringing his experience and distinctive style to this collaboration.

A Powerhouse Collaboration with Ted Perlman

Working with Perlman has been a transformative experience for DeeAnn. Known for his exceptional work with major artists across genres, Perlman’s unique approach to production and his emotionally charged electric guitar work bring a new depth to DeeAnn's sound. The single was recorded at renowned studios like Highway 70 Sound and Station West in Nashville and Intercoastal Sound in West Palm Beach, Florida. DeeAnn and Perlman were joined by an all-star lineup of musicians, including Jody Nardone on piano/organ, Jonathan Nixon on bass, and Brian Czach on drums, among others.

“The energy in the studio was electric. We nailed ‘Simply Beautiful’ in a single take,” DeeAnn recalls. “The musicians were on fire, and Ted truly understood my voice. He listened to my previous work and crafted something that elevated me to the next level.”

DeeAnn’s Upcoming Album — A Fusion of Genres and Personal Tributes

The release of “Simply Beautiful” is just a preview of what’s to come on DeeAnn’s upcoming, as-yet-untitled album. The album will feature a blend of Straight-ahead Jazz, Smooth Jazz, R&B, Soul, and Neo-Soul, capturing DeeAnn’s unique musical style while showcasing her growth as an artist. The collection will also pay tribute to the three most important people she has lost in recent years: her son, her brother, and her father.

One of the standout tracks on the album is “Sing To Me,” a song DeeAnn co-wrote with Perlman. A perfect reflection of her romantic, hopeful spirit, the track explores themes of love and longing—a recurring theme in DeeAnn’s heartfelt discography.

“My ability to stay hopeful, even after such profound loss, comes from my deep faith in God,” DeeAnn shares. “Music has always been my therapy, and this album is my way of honoring those I've lost, while also celebrating the love I’ve found in the process.”

What’s Next for DeeAnn in 2025

As DeeAnn’s momentum continues to build in 2025, her fans can look forward to more soulful music and inspiring performances. With her unmistakable voice, unwavering optimism, and dedication to her craft, DeeAnn is poised to make 2025 a landmark year in her musical career.

Stay tuned for more updates on DeeAnn's upcoming album and her ongoing journey as one of the most versatile and captivating vocalists in the industry.

Drummer/Composer Phil Haynes Explores Past and Future in Two Bold New Albums, Reuniting with the Electric Guitar

Return to Electric and Transition(s) to Be Released on April 21, 2025, via Corner Store Jazz

"Since arriving in New York from Oregon in 1983, drummer Phil Haynes established himself as a potent force on the downtown composer/improviser scene.” — Bill Milkowski, JazzTimes

For over four decades, Phil Haynes has been at the forefront of jazz, continuously moving forward while exploring new creative horizons. This forward momentum is evident in his two exciting new albums, Return to Electric and Transition(s), set to release on April 21, 2025, via his own Corner Store Jazz label. Both albums feature Haynes’ return to the electric guitar, reconnecting with his roots and musical influences from his early days in New York.

A Return to the Electric Guitar

Haynes’ journey as a drummer and composer has always been driven by exploration, but his latest projects reflect a deeper connection to his musical past. Reuniting with the electric guitar—a sound that shaped his youth—Return to Electric and Transition(s) both take Haynes back to a genre that initially inspired him: fusion and improvised music. These albums capture his distinctive voice while looking to both the past and the future of jazz.

"I marinated in the iconic electric guitar sounds of B.B. King, Jimi Hendrix, the British Invasion, and jazz legends like Wes Montgomery and John McLaughlin," Haynes recalls. After moving away from New York over 20 years ago, Haynes felt the loss of collaborating with some of his favorite guitarists. Return to Electric and Transition(s) remedy that gap, reconnecting him with longtime collaborators Steve Salerno and Ben Monder.

Return to Electric: Fusion Classics and Bold Originals

Return to Electric sees Haynes delve into the heart of early fusion music, embracing the experimental spirit of artists like Wayne Shorter, Chick Corea, and Mahavishnu Orchestra. Haynes notes, "I was always attracted to the edgy, experimental side of fusion, not its commercial heyday. Recording this album felt like a victory, reclaiming that visceral, full-force energy."

Joined by guitarist Steve Salerno and bassist Drew Gress, Haynes tackles fusion classics alongside original compositions and a set of improvised "Cadenzas" by each member. The album captures the trio’s vibrant, energetic sound, offering a fresh take on familiar pieces while showcasing Haynes’ growth as an artist over decades of playing and composing.

Transition(s): A Long-Awaited Reunion with Ben Monder

Transition(s) marks a long-overdue collaboration between Haynes and guitarist Ben Monder, whom he first worked with during his early days in New York. The two musicians hadn’t recorded together in over 25 years, and Transition(s) is their first meeting on record. The duo revisits the spirit of John Coltrane's "Transition", which was a staple of their jam sessions in the past, while also exploring a range of textures, from atmospheric moods to urgent, lyrical passages. The results are a captivating blend of spontaneity and thoughtfulness.

Haynes reflects on their reunion, "When we played together again, there was an ease to it. We both realized that we’ve been on the right path all along, and now we could see how far we’ve come."

A Tribute to Musical Mentors

Both albums serve as tributes to the musicians who helped shape Haynes’ career. Return to Electric is dedicated to Paul Smoker, the trumpeter who brought together Haynes, Salerno, and Gress. Transition(s) is dedicated to the late Herb Robertson, a close collaborator who passed away in December 2024, just as these projects were nearing completion.

Track Highlights from Return to Electric and Transition(s):

• “Return to Electric”: A high-energy fusion exploration, featuring Salerno and Gress, blending both classic and original tunes.

• “Transition(s)”: A sparse, atmospheric track that explores mood and tension, offering a deeply introspective experience.

• “Cadenzas”: Three improvised solo sections by Haynes, Salerno, and Gress, showcasing their individual voices.

• “I Fall In Love Too Easily”: A surprising standard that emerges spontaneously during the recording of Transition(s), showing the duo’s fluid creativity.

Release Information:

• Album Titles: Return to Electric and Transition(s)

• Artist: Phil Haynes

• Release Date: April 21, 2025

• Label: Corner Store Jazz

• Catalog Numbers: CSJ 0148 (Transition(s)) / CSJ 0149 (Return to Electric)

• Recorded: December 12-13, 2023 (Transition(s)), September 26-27, 2024 (Return to Electric)

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Satoko Fujii’s Tokyo Trio to Release First Studio Album Dream a Dream via Libra Records

Highly Anticipated Album Showcases Unique Blend of Composition & Improvisation from Pioneering Jazz Pianist Satoko Fujii

After two successful live recordings, the acclaimed Satoko Fujii Tokyo Trio is set to release their first studio album, Dream a Dream, on March 28, 2025, via Libra Records. This highly anticipated album cements the trio’s place as one of the most innovative piano ensembles in modern jazz, combining improvisation and composition in a way that feels boundaryless and dynamic.

A Bold, Unique Trio Sound

As jazz critic S. Victor Aaron writes, "Satoko Fujii’s Tokyo Trio isn’t even close to being a conventional jazz trio… But it is a Satoko Fujii ensemble in every sense, with the grace, sophistication, surprise, and ingenuity found in every other of her ensembles." With a rare ability to blend structure and spontaneity, the trio creates music that is constantly evolving, surprising, and deeply connected.

Grego Applegate Edwards of Gapplegate Music Review calls the trio’s music “a landmark avant-jazz improv trio,” showcasing Fujii’s distinct voice within the jazz world. The trio's chemistry is evident in their interplay, where each member contributes their voice to create a fluid and intricate sound.

Exploring Composition and Improvisation: Fujii’s Vision

The balance between composition and improvisation lies at the heart of Dream a Dream. Fujii elaborates on her creative approach: “I know improvised music can be exciting, but I like writing notes, too. I like to have these two things together without borders." This unique combination allows the trio to shift seamlessly between composed themes and open-ended improvisation, creating a rich, unpredictable sonic journey.

Fujii continues, “Sometimes I write a lot, but other times I write just a few bars to set the mood. For example, Dream a Dream has a long theme that is very much written, but we improvise and I use parts of the theme to cue a change in feel.” Each track on the album blends these two elements, resulting in a conversation between written and spontaneous music.

The Trio’s Dynamic Performance on Dream a Dream

The tracks on Dream a Dream reflect the trio's growing mastery of this musical synthesis, developed through years of touring and honing their sound. Recorded during the trio’s 2024 European tour, the album captures the essence of their live energy and the seamless integration of composition and improvisation. The music is intricate yet accessible, rich in emotional depth and dynamic range.

Opening track "Second Step" exemplifies the trio’s ability to surprise and engage listeners, beginning with a haunting, unaccompanied piano introduction before transitioning into a collaborative, unpredictable improvisation. The track leads into a rapid-fire drum solo and quirky trio conclusion, showcasing Fujii’s lyrical piano playing and the trio’s tightly-knit synergy.

The title track, "Dream a Dream," moves through contrasting moods, from surreal inside-piano sounds to baroque melodies and rhapsodic conclusions. The piece's evolving structure keeps the listener on their toes, with solos from bassist Sagawa and drummer Takemura highlighting their individual musical voices.

"Summer Day" and "Rain Drop" further emphasize the trio’s nuanced interplay, with staccato notes creating a raindrop-like texture and the music shifting between different combinations of the trio’s instruments. The final track, "Aruku," written during the pandemic, offers a dynamic journey with unexpected stops and contrasts in ensemble balance, commemorating daily walks Fujii took with her husband, trumpeter Natsuki Tamura.

About Satoko Fujii

One of the most original voices in jazz, Satoko Fujii has been pushing the boundaries of improvisation for nearly 30 years. Known for her rumbling intensity and generous restraint, Fujii blends jazz with contemporary classical, rock, and traditional Japanese music, creating a sound that is instantly recognizable. In 2024, Fujii ranked highly in multiple categories in the DownBeat Critics’ Poll, cementing her place as a leading figure in contemporary jazz.

Fujii’s prolific career includes collaborations with notable musicians and ensembles, and she has been recognized for her artistic intelligence with a 2020 Instant Award in Improvised Music. Dream a Dream marks an exciting new chapter in her journey, continuing her exploration of collective improvisation and composition.

Track Highlights from Dream a Dream:

• “Second Step”: A powerful opening track that transitions from haunting piano to intricate trio improvisation.

• “Dream a Dream”: A piece that blends composed melodies with surprising and dynamic improvisations.

• “Summer Day”: A beautiful example of the trio’s collective interplay, featuring lush, spontaneous interactions.

• “Rain Drop”: A track full of unconventional, flowing rhythms and intricate textures.

• “Aruku”: A piece inspired by Fujii’s pandemic walks, full of dynamic contrasts and shifting ensemble balance.

Kenny Dorham’s Blue Bossa in the Bronx: Live from the Blue Morocco - A Never-Before-Heard 1967 Performance

Deluxe Package Features Insights from Grammy Winner Bob Blumenthal, Jazz Experts Dan Morgenstern, Charles Tolliver, Eddie Henderson, Steven Bernstein, Jeremy Pelt, and More

Blue Bossa in the Bronx: Live from the Blue Morocco, a previously unreleased live performance by legendary trumpeter Kenny Dorham, will be available as a limited two-LP set for Record Store Day on April 12, 2025. This thrilling archival release from Resonance Records captures Dorham in his prime at the iconic Blue Morocco jazz club in the Bronx, New York, recorded in 1967.

The collection has been expertly transferred from the original tape reels, remastered by Fran Gala at Resonance Records Studio, and pressed on high-quality 180-gram vinyl at Le Vinylist. The release will also be followed by a deluxe CD edition on April 18.

A Stellar Lineup and Historic Performance

Featuring a powerhouse lineup, Blue Bossa in the Bronx includes Sonny Red on alto sax, Cedar Walton on piano, Paul Chambers on bass, and Denis Charles on drums. The album kicks off with Dorham’s signature composition, “Blue Bossa,” a tune first recorded on Joe Henderson’s 1963 album Page One. The set also includes a dynamic mix of Dorham’s original compositions, standards like “Memories of You” and “My One and Only Love,” and works by jazz legends Charlie Parker, Milt Jackson, and Miles Davis.

A Tribute to Dorham’s Legacy

In the deluxe two-LP set and CD edition, Grammy-winning jazz writer Bob Blumenthal contributes insightful notes on Dorham’s profound impact on the jazz world. Dan Morgenstern, the late director of the Institute of Jazz Studies, offers a special appreciation of Dorham’s musical contributions, while top jazz trumpeters Charles Tolliver, Eddie Henderson, Steven Bernstein, and Jeremy Pelt share their personal reflections on Dorham’s enduring influence.

Produced by Zev Feldman, co-president of Resonance Records, this release marks an essential addition to the celebration of Kenny Dorham’s centenary in 2024. Feldman comments, “This recording cements Dorham’s place as a pivotal figure in modern jazz history, capturing him at a crucial point in his career.”

An Underrated Jazz Giant

Blumenthal eloquently writes about Dorham's significance, describing him as “underrated” and “a musician's musician,” highlighting his unique role in the development of modern jazz. Though Dorham often played in the shadows of more charismatic figures like Dizzy Gillespie, Fats Navarro, and Miles Davis, he was an indispensable force in jazz, collaborating with the era's greatest talents.

In his reflections, Dan Morgenstern offers a poignant tribute to Dorham’s legacy, praising him as “one of my favorite modern trumpeters” and noting his melodious, thoughtful approach to trumpet playing.

The Influence of Kenny Dorham

Several of today’s top jazz trumpeters offer high praise for Dorham’s impact on their own work:

• Eddie Henderson recalls, “From Kenny’s first note, you could tell it was him. His sound was distinct—lyrical and unmistakable. He was one of the heavyweights of that generation.”

• Charles Tolliver remembers, “Kenny crafted a tone and delivery that was inimitable. He was a trumpet hero of mine, and I loved his execution.”

• Steven Bernstein adds, “Kenny had a unique sound that you could identify from one note. He wasn’t just playing the trumpet; he was shaping the instrument to fit his voice.”

• Jeremy Pelt reflects, “Kenny Dorham had a knack for melody, with a harmonic sense that was sleek and sophisticated. He played inside the chord, making every note resonate with meaning.”

A Night to Remember

Engineer Bernard Drayton, who recorded the performance at the Blue Morocco, recalls the electrifying atmosphere: “Kenny’s ability to assemble the best musicians was extraordinary. Despite his health struggles, he was on fire that night. The vibe was pure Dorham.”

Track Highlights

• "Blue Bossa" – Dorham’s iconic composition, presented with fresh energy and precision.

• A mix of Dorham originals and jazz standards, including pieces by Parker, Davis, and Jackson.

• The extraordinary Sonny Red, Cedar Walton, Paul Chambers, and Denis Charles delivering a hard-hitting performance alongside Dorham’s signature trumpet style.

Freddie Hubbard’s “On Fire: Live from the Blue Morocco” – A Heated, Unreleased 1967 Performance

Legendary Trumpeter’s Live Performance Captured at the Peak of His Brilliance, Featuring Bennie Maupin, Kenny Barron, Herbie Lewis, and Freddie Waits

Resonance Records is set to release On Fire: Live from the Blue Morocco, an electrifying, previously unreleased 1967 performance by legendary trumpeter Freddie Hubbard, on April 12, 2025, as a limited three-LP set for Record Store Day. The album captures Hubbard at the peak of his early brilliance in a ferocious live performance recorded at the Blue Morocco, a jazz club in the Bronx, New York, owned by Sylvia Robinson (later co-founder of Sugar Hill Records).

The limited-edition vinyl, which will also be available as a two-CD set on April 18, has been remastered from the original tapes by Matthew Lutthans and pressed at Le Vinylist. It features Hubbard’s fiery performance, backed by a stellar ensemble that includes Bennie Maupin (saxophone), Kenny Barron (piano), Herbie Lewis (bass), and Freddie Waits (drums). This album presents an exciting mix of Hubbard’s original compositions and clever arrangements of jazz standards.

A Pivotal Moment in Hubbard’s Career

This recording offers a rare glimpse into Hubbard's early mastery and the dynamic energy of his live performances. By 1967, Hubbard had firmly established himself as one of the leading trumpeters in jazz, gaining recognition for his work with Art Blakey & the Jazz Messengers and groundbreaking albums for Blue Note and Impulse!. The recordings in On Fire showcase Hubbard’s powerful sound and inventive soloing at the height of his creative output, accompanied by a group of like-minded musicians fully in tune with his visionary approach.

The package includes interviews with Bennie Maupin and Kenny Barron, as well as interviews with prominent jazz trumpeters Charles Tolliver, Eddie Henderson, Steven Bernstein, and Jeremy Pelt, offering unique insights into Hubbard’s influence. Jazz scholar John Koenig contributes an introductory essay, providing context for the performance and exploring Hubbard’s artistry during this crucial period of his career.

Exclusive and Limited Edition Packaging

The three-LP set includes extensive liner notes, photos, and rare memorabilia. This set is a must-have for serious collectors and jazz enthusiasts, documenting a key moment in the development of one of jazz’s greatest trumpet players. The album is produced with the full endorsement of Duane Hubbard, Freddie’s son, ensuring that his father’s legacy is honored.

Zev Feldman, co-president of Resonance Records, comments, “This album captures Freddie Hubbard at the peak of his career. He was already forging his place among the greatest jazz trumpet players of all time. The live setting and the incredible chemistry with his band make this an essential release for fans.”

What the Musicians Are Saying

The musicians who played with Hubbard during this period recall the intensity and excitement of performing alongside him.

Bennie Maupin says, "Playing with Freddie was very intense. It pushed me to step up my game. He had so much experience, and his energy was contagious. It was exciting to be a part of that band."

Kenny Barron adds, "What made playing with Freddie special was the freedom we had. We could shift from straight-ahead jazz to avant-garde in an instant, and Freddie was always the one leading the charge. He made every moment feel alive."

Hubbard’s Lasting Impact on Jazz

Freddie Hubbard’s influence on trumpet playing is legendary. Charles Tolliver reflects, "Freddie was one of my trumpet heroes. He had a unique way of playing that allowed him to deliver powerful solos while keeping the blues and swing alive."

Eddie Henderson notes, “Freddie dominated the trumpet scene in the ‘60s and ‘70s. His compositions were harmonically complex, and his trumpet technique was unparalleled. He set the bar for trumpet players to come.”

Steven Bernstein sums it up: “This recording is insane! It’s one of the most exciting live performances I’ve ever heard. Freddie is on fire. It’s just so good.”

Track Highlights

• Freddie Hubbard leads a fierce performance of his original compositions.

• Standards are given fresh, inventive arrangements, showcasing Hubbard’s flair for reinterpretation.

• The band features Bennie Maupin (sax), Kenny Barron (piano), Herbie Lewis (bass), and Freddie Waits (drums), all elevating Hubbard’s vision to new heights.

Final Thoughts

On Fire: Live from the Blue Morocco is a vital addition to the discography of one of jazz’s most influential trumpeters. Captured live at a pivotal moment in his career, this limited-edition release is an essential piece for collectors, jazz fans, and anyone interested in the genius of Freddie Hubbard.

Charles Mingus’ Late-‘70s Mastery Unveiled on In Argentina: The Buenos Aires Concerts – Three-LP Record Store Day Exclusive

A Revealing Look at Mingus’ 1977 Quintet, Featuring Classic Tracks and Expansive Later Works – Limited Edition Vinyl, Two-CD Set Out April 18

Resonance Records is set to release In Argentina: The Buenos Aires Concerts, a thrilling and long-awaited collection of live performances by jazz legend Charles Mingus. This groundbreaking release, available exclusively as a three-LP set for Record Store Day 2025 on April 12, captures the iconic bassist and composer’s 1977 quintet in two previously unheard performances from his South American tour. It will also be available in a two-CD set on April 18, offering an intimate glimpse into the workings of Mingus’ late-period band.

This collection is the first authorized release of Mingus' 1977 Buenos Aires performances, recorded at Teatro Coliseo and Teatro Sociedad Hebraica Argentina (SHA) on June 2-3, 1977, just months before Mingus was diagnosed with ALS (Amyotrophic Lateral Sclerosis), which ultimately claimed his life in 1979. Released in full cooperation with the Charles Mingus Estate and Jazz Workshop, Inc., this collection highlights the thrilling interaction between Mingus and his outstanding quintet, featuring Jack Walrath (trumpet), Ricky Ford (tenor saxophone), Robert Neloms (piano), and Dannie Richmond (drums).

In Argentina provides an exclusive opportunity to hear live renditions of classic Mingus compositions like "Goodbye Pork Pie Hat" and "Fables of Faubus," alongside later works such as "Duke Ellington’s Sound of Love," "Three or Four Shades of Blue," and "Cumbia and Jazz Fusion." Mingus also performs short solo piano pieces, further showcasing his versatility.

Deluxe Packaging & Special Features

This deluxe edition is a celebration of Mingus’ legacy, with thoughtful liner notes, including an essay by Brian Priestley, author of Mingus: A Critical Biography (1983), and insights from Claudio Parisi, Argentine writer and jazz historian. Additionally, the package includes interviews with Jack Walrath and Ricky Ford, recollections from those who were there, and photographs by Uberto Sagramoso and Tito Villalba, documenting this unforgettable chapter of jazz history.

Mingus’ 1977 quintet had a powerful and unique energy, and the album captures that in full, allowing listeners to experience their infectious chemistry firsthand. As Resonance co-president Zev Feldman puts it, "The band had an amazing energy and simpatico. There was undeniable chemistry, and they just sounded terrific."

A Historic Jazz Document

The In Argentina release represents an essential addition to any jazz lover’s collection, offering a rare and fascinating window into one of Mingus' most overlooked lineups. For years, the 1977 quintet remained largely undocumented, with only a handful of bootlegs surfacing over time. Now, thanks to this official release, Mingus' final working band receives the attention it truly deserves.

In his essay, Priestley emphasizes the importance of this release, noting how the In Argentina concerts have long been underappreciated. "Mingus always surrounded himself with incredible musicians," Priestley writes. "And this group, despite the challenges it faced, remains one of his best."

Track Highlights & Performances

In Argentina captures some of Mingus' most fiery performances, including:

• “Goodbye Pork Pie Hat” – A touching, timeless classic

• “Fables of Faubus” – One of Mingus’ most famous political works

• “Cumbia and Jazz Fusion” – A Latin-infused track that exemplifies Mingus’ boundless creativity

• “Three or Four Shades of Blue” – A stunning exploration of color and mood

• “Duke Ellington’s Sound of Love” – A tribute to one of Mingus’ greatest influences

Final Thoughts

For those looking to explore the depth and innovation of Charles Mingus, In Argentina: The Buenos Aires Concerts is a must-have. Whether on vinyl or CD, this set provides a rare chance to hear Mingus in a pivotal moment of his career, with a band that fully realized his bold, adventurous musical vision.

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Pre-order In Argentina: The Buenos Aires Concerts on Record Store Day (April 12) and CD (April 18).

Track Listing:

LP Edition:

• Side A:

  1. Goodbye Pork Pie Hat

  2. Fables of Faubus

  3. Cumbia and Jazz Fusion

• Side B:

  1. Duke Ellington’s Sound of Love

  2. Three or Four Shades of Blue

  3. A Short Piano Solo (by Mingus)

• Side C:

  1. Fables of Faubus (Continued)

  2. Three or Four Shades of Blue (Continued)

CD Edition (Bonus Tracks):

• Full concert performance with unreleased tracks and improvisations from Mingus and the quintet.

Guitarist Rez Abbasi’s Acoustic Quintet Releases New Album Sound Remains

Sound Remains Marks a New Chapter for Abbasi’s Acoustic Quintet, Featuring Master Percussionist Hasan Bakr

Rez Abbasi, the acclaimed guitarist and 2021 Guggenheim Fellow, continues to push the boundaries of jazz with the release of Sound Remains, his latest album with the Rez Abbasi Acoustic Quintet (RAAQ). Slated for release on June 6, 2025, via Whirlwind Recordings, Sound Remains brings a fresh dynamic to Abbasi’s long-standing ensemble, expanding their sound with the addition of master percussionist Hasan Bakr.

This marks the third album from the Rez Abbasi Acoustic Quintet, following the success of Natural Selection and Intents and Purposes. The new album continues to showcase the synergy between Abbasi, vibraphonist Bill Ware, bassist Stephan Crump, and drummer Eric McPherson, while Bakr’s rich, Gullah-Geechee-inspired percussion adds an exciting new layer to the group's sound.

Acoustic Guitar Brilliance Meets Percussion Innovation

Abbasi, known for his innovative use of the steel-string acoustic guitar in jazz, uses this record to explore the intimate and emotive qualities of the instrument. The album captures Abbasi’s desire to return to his acoustic roots, where every note played on the guitar is accentuated by the organic interplay of the ensemble. Abbasi shares, “I wanted to reconnect with the intimacy of my acoustic group, where all I play is acoustic guitar. The addition of percussion improvisation with the band gave a new edge to my tunes.”

Sound Remains: A Journey of Presence and Mindfulness

Sound Remains is a deeply personal and reflective work, unfolding as a meditation suite that explores themes of presence, mindfulness, and the dissolution of ego-driven attachment. Abbasi, who has found peace and clarity through meditation, says, “When I reach that space, often the only thing that remains is sound.”

The album features a series of intricate compositions, with each track reflecting Abbasi's philosophical exploration of life’s impermanence and the deep emotional connection he shares with his band. Notable tracks include:

• “Presence”: A rolling 12/8 groove that showcases the interaction between guitar and vibes.

• “You Are”: A track where Bakr’s percussion propels Abbasi into an incandescent solo.

• “Folk’s Song”: A beautiful duet between guitar and vibes, serving as a tribute to Abbasi’s late mother, reflecting on the value of life in the face of mortality.

• “Spin Dream”: A rhythmic metaphor for the circular confusion of life, shifting between groove and swing.

• “Purity”: A soulful, uplifting track that closes the album with a gospel-like resonance.

The album also features a spontaneous interpretation of John Coltrane’s Lonnie’s Lament, performed on fretless guitar, showcasing the band’s fluid creativity and mutual musical empathy.

A Truly Special Recording

Abbasi speaks highly of his band’s collaborative effort in capturing Sound Remains. “Eric’s use of space complements Hasan’s rhythmic feel beautifully. Bill’s sound on vibes is uniquely his own, and Stephan’s presence on bass is commanding. We captured something truly special on this record.”

Sound Remains will be available in LP, CD, and digital formats, allowing listeners to experience the raw emotion and intricate musical interplay that defines this album.

About Rez Abbasi

Rez Abbasi is a multifaceted artist whose genre-defying approach to jazz has earned him recognition and praise from publications like The Wall Street Journal, The New York Times, and NPR. Born in Karachi, Pakistan, Abbasi has lived and studied in various cultural contexts, blending jazz with influences from classical music, Indian traditions, and beyond. His wide-ranging projects have earned him a place alongside jazz greats like Bill Frisell and Pat Metheny in DownBeat’s International Critics Poll.

With 17 albums to his name and numerous composition grants, Abbasi continues to forge new paths in jazz. His latest projects include Charm, a collaboration with sitarist Josh Feinberg, and Django-shift, a reimagining of Django Reinhardt's compositions. He also continues to expand his musical horizons with his long-standing group RAAQ and other exciting collaborations.

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Craft Recordings & Jazz Dispensary Celebrate 50th Anniversary of The Blackbyrds’ City Life with Deluxe Reissue & Expanded Digital Edition

Out May 30th, the iconic 1975 jazz-funk album features classics like “Happy Music” and “Rock Creek Park”

Los Angeles, CA (March 25, 2025)—Craft Recordings and Jazz Dispensary are thrilled to announce the upcoming reissue of City Life, the chart-topping 1975 fusion masterpiece from The Blackbyrds. This special 50th anniversary edition, arriving on May 30th, will bring fans a remastered vinyl release as part of the Top Shelf series, along with a deluxe digital edition packed with bonus tracks.

The vinyl reissue, mastered all-analog by Kevin Gray at Cohearent Audio, comes pressed on high-quality 180-gram vinyl at RTI. Housed in a gatefold tip-on jacket, this release brings the timeless grooves of The Blackbyrds back to life. Additionally, the deluxe digital edition will feature five bonus tracks, including rare gems like a previously unreleased extended cut of “All I Ask,” the disco mix of “Happy People,” and the 12-inch version of “Rock Creek Park.”

In celebration of the album’s legacy, Jazz Dispensary is also releasing a brand-new official Blackbyrds T-shirt, designed by the acclaimed Madalyn Stefanak, inspired by the iconic Rock Creek Park music video. The exclusive shirt will be available at the Craft Recordings store.

City Life features some of The Blackbyrds’ most unforgettable tracks, including the fan-favorite “Happy Music,” the soulful title track, and the legendary “Rock Creek Park,” which has been sampled extensively by artists such as De La Soul, Nas, and Massive Attack. The album quickly became a fan favorite, topping the Billboard Top Jazz LPs chart and landing on the Billboard 200.

Keith Killgo, founding member of The Blackbyrds, reflects: “Recording City Life was a truly exciting and fulfilling experience. It’s humbling to see this record continue to resonate with fans. I’m grateful for everyone who helped bring this 50th anniversary reissue to life.”

Track Listings:

Vinyl (LP):

• Side A: “Rock Creek Park,” “Thankful ‘Bout Yourself,” “City Life,” “All I Ask”

• Side B: “Happy Music,” “Love So Fine,” “Flying High,” “Hash And Eggs”

Deluxe Digital Edition:

• “Rock Creek Park,” “Thankful ‘Bout Yourself,” “City Life,” “All I Ask,” “Happy Music,” “Love So Fine,” “Flying High,” “Hash And Eggs”

• Bonus Tracks: “Happy Music” (Single Version), “Happy Music” (Disco Mix), “Rock Creek Park” (Single Version), “Rock Creek Park” (12-Inch Version), “All I Ask” (Long Version)*

*Previously unreleased

Myles Sanko’s Let It Unfold: A Bold Step Towards Artistic Independence and Personal Growth

Myles Sanko has always walked his own path in the world of Soul/Funk music, and with his latest album Let It Unfold, he takes a monumental leap forward—both creatively and personally. After releasing Memories of Love in 2021, which left a lasting impression with its fusion of soul, jazz, and hip-hop, Sanko’s newest work marks a continuation of his musical evolution. For Let It Unfold, Sanko has embraced full creative control, handling everything from writing, composing, and arranging to recording, mixing, and producing the album through his own label, 213 Music.

This album is a deeply personal reflection of Sanko’s journey, addressing themes of self-acceptance, healing, and embracing vulnerability. For Sanko, Let It Unfold serves not just as a musical project but as a form of therapy—an opportunity to confront past childhood traumas and empower himself toward future dreams. The title itself is symbolic of the gradual process of personal growth and emotional healing, inviting listeners to experience Sanko’s path to self-love, one song at a time.

Drawing inspiration from his Ghanaian roots and his love for soul, jazz, and hip-hop, Sanko masterfully blends these influences to create a contemporary sound all his own. The resulting album feels rich with emotional depth and authenticity, showcasing his ability to merge genres seamlessly while preserving his unique artistic vision. His approach to songwriting has grown more refined, and his voice, already impressive on his previous album, reaches new heights in this record.

As one reviewer noted, Let It Unfold marks a distinct continuation of Sanko’s excellence, with standout tracks that speak to his musical growth. The album opens with the title track, “Unfold,” where trumpeter Samuel Evans sets the tone right from the start, with guitarist Chris Booth following through, ensuring the rest of the album carries this polished and sophisticated sound. Throughout the album, Sanko’s vocals are as dynamic as ever, exhibiting a new level of musicality that draws from the entire history of soul music.

Fans of the great Motown era will undoubtedly appreciate the vibe Sanko channels through his work, but this album offers more than just nostalgia—it brings a fresh, contemporary edge to the genre. His voice, arrangements, and compositions stand out with the same strength and originality as soul icons like Tower of Power or Ghost-Note, proving that Myles Sanko is carving his own niche in the world of modern soul. Tracks like “Stronger” reflect the weight and power of his lyrics, which play a key role in the album’s emotional resonance.

The musicianship on Let It Unfold is top-notch, with Sanko surrounded by a stellar group of musicians who complement his vision perfectly. The album features Tom O’Grady on piano and Rhodes, Jon Mapp on bass, Chris Booth on electric guitar, Ric Elsworth on drums, vibraphone, marimba, and congas, Gareth Lumbers on saxophone and flute, and Samuel Ewens on trumpet and flugelhorn. Their contributions are seamless, elevating Sanko’s vocal delivery and reinforcing the album’s powerful message of healing and growth.

With Let It Unfold, Sanko not only showcases his refined songwriting and production skills but also proves that he belongs on the international stage. The album’s well-structured tracklist takes listeners on a journey through different musical landscapes. From the soulful groove of “Won’t Be Lonely” to the brilliant closing track “Say It,” the album never fails to captivate. Every track feels like a carefully crafted piece of art, and the 11 songs seem to pass by far too quickly.

As one listener put it, “The album is a hypnotic experience”—and it’s easy to see why. The perfect blend of jazz, soul, and funk, Let It Unfold is an album that will resonate with fans across genres, from soul and funk lovers to jazz enthusiasts. It’s a testament to Myles Sanko’s growth as an artist, and it’s no surprise that it’s earned the coveted "Indispensable" status from our team. With his unique style, emotional depth, and undeniable talent, Sanko has solidified his place as one of the most exciting contemporary voices in soul music.

Whether you're already a fan of his work or new to Myles Sanko's music, Let It Unfold is an album you won’t want to miss. It’s a bold, intimate, and empowering statement from an artist who continues to evolve and push boundaries.

Steve Knight Returns with For Years Gone: A Journey Through Jazz and Soul

Since the release of his 2022 debut album, Persistence, guitarist and composer Steve Knight has been riding a wave of success. With a jam-packed schedule that includes a weekly residency at a chic Chicago restaurant, community performances at a local high school, and a dozen gigs each month at clubs across the city, Knight has firmly established himself as a key figure in Chicago’s vibrant jazz scene. And now, with the release of his new album For Years Gone, he’s poised to be even busier.

Persistence earned rave reviews, including a four-star rating from DownBeat. All About Jazz described it as “engaging at every level: harmonic, melodic, rhythmic... this entire production works very well, whatever one's taste in guitar heroes might be." Take Effect praised it as “an excellent first album, highly technical and delivered with grace and adventurousness,” highlighting Knight’s ability to blend pop, funk, blues, and R&B into his jazz repertoire.

Knight’s journey began in Olathe, Kansas, where he started playing guitar at the age of 12. He went on to major in theater at Emporia State University but found himself equally drawn to music. Split between the theater and music departments, Knight played in pit orchestras, big bands, and faculty combos while teaching guitar at the university. His career took him to New York City, where he performed on Carnival Cruise Lines before studying under jazz guitar greats like Mark Whitfield, Peter Bernstein, and the late Jack Wilkins.

In 2016, Knight relocated to Chicago, where he dove into the local jazz scene. He also became involved in the community, creating the popular "Jazz in the Yard" event during the Covid-19 lockdown, which is now in its sixth season, attracting hundreds of attendees each week.

Joining Knight on For Years Gone are bassist Justin Peterson, a Las Vegas native who also played on Persistence, and drummer Linard Stroud, both established names on the Chicago jazz scene.

The album opens with “Lure,” a blues composition that Knight penned for the record. He explains, “The blues is where all jazz comes from. It’s not easy to write a great blues, but I wanted to lure the listener in with this composition, using different chords to create melodic tension.”

Another highlight is his rendition of “Pure Imagination,” a beloved ballad Knight has performed for years. He appreciates how the song’s unexpected phrases and key changes make it an ideal vehicle for jazz.

Knight pays homage to jazz legend Roy Haynes with his original composition “Cracklin’,” while his take on Pat Martino’s “Colossus” delivers high-energy, intense playing. For a more introspective moment, the title track, “For Years Gone,” was written in memory of his late mother.

The album also features “Kothbiro,” a haunting African song by Kenyan musician Ayub Ogada, which Knight discovered in the film The Constant Gardener. Another standout is his reimagining of George Harrison’s “Something,” which he transforms into a unique jazz piece by playing the iconic intro in 7/4 time.

Knight’s version of Joni Mitchell’s “Urge for Going” captures the song's powerful lyrics, creating two distinct solo sections that reflect the metaphorical and meteorological journey of the seasons.

He also revisits two jazz classics: Charlie Christian and Benny Goodman’s “7 Come 11,” which he updates with a funky twist, and “In a Sentimental Mood,” which Knight reinterprets as an uptempo burner, inspired by Ed Cherry’s organ trio version.

On For Years Gone, Steve Knight’s focus is on melody, groove, and storytelling through his guitar playing, never overwhelming the listener with unnecessary technical displays. Supported by a group of like-minded musicians, this album is a testament to Knight’s mastery of both original compositions and reinterpretations of well-known jazz and pop standards.