Throughout five Gustavsen originals, two chorals after Johann Sebastian Bach, a traditional Norwegian church hymn, plus the 19th century English chorale "Nearer My God, to Thee“ Tord together with long-time ally Jarle Vespestad on drums and Steinar Raknes on double bass digs deep into his unique blend of jazz, blues, gospel, Scandinavian folk and church music. "Cherishing the melodies," as Tord puts it, the group’s interplay draws strength from restraint, patiently but concisely building the music toward its climaxes, while the pianist, meanwhile a seasoned master of the trio format, leads with his delicate touch and subtle gospel glow.
Thus Seeing is strongly characterized not only by an enchanting down home feel but also by what Gustavsen calls the “efficiency of shape”: ”On this record you won’t find much extensive soloing. Instead we tried to invest our musicianship in the interplay and the shaping of small improvised parts and to ‘maximizing’ the fundamental details. This way the album offers a cool contrast to our live concerts these days, where we often go for more epic forms and extended suites, bringing several themes together and doing extended free improvisations. But what binds it all together, is that all about trying to go for what feels more vibrating and essential in the moment; and not following a plan or a script unless it feels really right to do it.” Of particular interest is the counterpoint work between the bass and the piano, and the warm, wooden full sound of the double bass, strikingly captured at the Studios La Buissonne, which the trio visited for the first time with this recording.
A Gustavsen original, “Seattle Song," closes the album – its origin and development are a good example of how Tord and the trio aimed to keep things concise on Seeing: “The tune entitled ’Seattle Song’ came to me during sound check in Seattle February 2023. It happens quite frequently that promising ideas for melodies, grooves, riffs, or sound textures emerge while jamming during sound check or fooling around at the piano while the others are setting up. It can be that the material asks to be expanded into more elaborate forms with supplemental sections etc., but in this case, the almost simplistic basic idea demanded to be left just like that. First, I thought it would be just a piano solo interlude, but then Steinar and Jarle joined spontaneously, and played it so beautifully and subtly comforting that it indeed became a trio tune; and one that we cherish a lot.”
Seeing, recorded in fall 2023 at Studios La Buissonne in Southern France, was produced by Manfred Eicher.
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