Johnson executes this all with an indelible elegance, establishing him as a worthy contemporary of fellow modern avant-garde composers like Lea Bertucci, Ian William Craig, and Kelly Moran. Like the latter’s carefully considered prepared piano compositions, Unusual Object is stately, personal, and patently modern.
Johnson is a highly in-demand collaborator, working often with Makaya McCraven, Marquis Hill and The Chicago Underground Quartet. He produced and played on Meshell Ndegeocello’s Grammy-winning The Omnichord Real Book and worked for many years as musical director for Leon Bridges. He’s appeared on recordings by Broken Bells, Red Hot Chili Peppers and Harry Styles and his playing shines brilliantly on the Jeff Parker ETA Quartet’s Mondays at the Enfield Tennis Academy. Johnson indeed is an indelible part of the Los Angeles scene that gave shape to André 3000’s audaciously transcendent New Blue Sun. But Johnson is no mere supporting character.
Last year, he made a change. Pulling away from some of his more rigid gigs, Johnson chose to venture further into the realms of his own playing and to further sharpen his own compositional voice. Unusual Object, Johnson says, “is a development and documentation of a more personal world of sound.” This development has been ongoing, for sure, but often in the context of other people’s music. With Unusual Object Johnson asks: “What’s it like for me to create the context for my sound, to frame it myself?”
The answer is the spare but endlessly engaging Unusual Object, a work of futuristic jazz and modern composition that will appeal to fans of everything from Oneohtrix Point Never to Shabaka Hutchings, from Plaid to Ornette Coleman.
Josh Johnson is a saxophonist, composer, multi-instrumentalist, and Grammy Award-winning producer. His second solo album, Unusual Object, a striking work of futuristic jazz and modern composition, will be released April 5 on Northern Spy Records. This spare work for processed saxophone and subtle samples shows Johnson further sharpening his unique compositional voice. Unusual Object, Johnson says, “is a development and documentation of a more personal world of sound. What’s it like for me to create the context for my sound, to frame it myself?”
His solo debut Freedom Exercise (Northern Spy) was featured in Rolling Stone’s Best Music of 2020 and Bandcamp’s Best Jazz Albums of 2020. Pitchfork called the record “excellent, daringly melodic” and PostGenre praised it as “a songwriting marvel”.
Johnson is a regular collaborator with some of contemporary music’s most innovative artists, including Jeff Parker, Makaya McCraven, Nate Mercereau, Marquis Hill, and Kiefer. Parker’s widely-acclaimed 2022 record Mondays at the Enfield Tennis Academy features Johnson on saxophone and effects as part of the longstanding quartet. This is the most recent in a series of Parker’s records to highlight Johnson, with the latter also contributing saxophone and synths to 2016’s The New Breed and 2020’s Suite for Max Brown.
Between 2018 and 2022 Johnson held the role of Musical Director for soul singer Leon Bridges, with whom he also played keyboards and saxophone. During his time with Bridges, Johnson performed throughout Europe, North America, Asia and Australia, with performances at the Hollywood Bowl, Glastonbury and the Sydney Opera House. Along with Nate Walcott (Bright Eyes), Johnson arranged 14 of Bridges’ songs for a performance with London’s Royal Philharmonic Orchestra, also contributing a choral arrangement and directing the concert.
Johnson produced and appears on Meshell Ndegeocello’s 2023 album 𝘛𝘩𝘦 𝘖𝘮𝘯𝘪𝘤𝘩𝘰𝘳𝘥 𝘙𝘦𝘢𝘭 𝘉𝘰𝘰𝘬 which was awarded the 2024 Grammy for Best Alternative Jazz Album. He can also be heard on wide-ranging records by artist such as Harry Styles, the Red Hot Chili Peppers, Moonchild, Broken Bells, Miley Cyrus, Louis Cole and Carlos Niño, among others. He currently resides in Los Angeles.
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