Now, at the age of 75, Niigata Japan -born Yamamoto, who has no desire to retire despite his advancing years, opens a new chapter by joining the talent roster of the rising high-end label evosound, which is releasing the keenly anticipated A Shade Of Blue, a ten-track album and impeccably shot concert performance that the pianist recorded with his trio live in Tokyo’s Gotanda Cultural Center Music Hall. The album was expertly recorded and mixed by the award-winning, Hideo Irimajiri 入交英雄.
A Shade Of Blue is Yamamoto’s love letter to the piano trio format. It reflects his deep appreciation for the music of Erroll Garner, Wynton Kelly, and Red Garland, three immensely gifted American pianists who had a profound influence on the Japanese musician’s approach to the piano.
The album, his debut for evosound, is a trio album comprising ten tracks recorded live in Tokyo’s Gotanda Culture Center Music Hall. Featuring some of Yamamoto’s favourite tunes, it is almost like a greatest hits compendium; a trip through his back catalogue that features songs made famous by Tokyo-based Three Blind Mice label in the 1970s, which played a key role in bringing high-quality audio value to the Japanese jazz scene.
The trio that Yamamoto assembled for A Shade Of Blue is highly experienced, with a combined age of 215 years; drummer Toshio Osumi (大隅 寿男) is 79 and has been the heartbeat of Yamamoto’s trio since 1974, while the 61-year-old bassist Hiroshi Kagawa (香川 裕史) is the youngest member of the band. Such is the musical empathy between them that together in concert, they breathe, think, and feel as if they were one person.
A Shade Of Blue begins with a lively original number, the Yamamoto-composed “Speed Ball Blues,” a tune he first recorded on his fourth TBM album, 1975’s live LP Blues For Tee.
It is followed by “Speak Low,” a jazz standard written in 1943 by the great German-Jewish composer Kurt Weill (of “Mack The Knife” fame) with lyrics by the American poet, Ogden Nash. Yamamoto made it the title track of his 1999 album for the Venus label and revives it here as a jaunty swinger propelled by Kagawa’s fast-walking bass line and Osuma’s fizzing drum work.
The trio moves away from a revered jazz standard to a much-loved pop classic with their deeply yearning reading of “The Way We Were,” which was a career-defining song for Barbra Streisand. The way Yamamoto caresses the melody is simply sublime, revealing the depth of his musical sensitivity. He previously recorded the tune as a member of Yama & Jiro’s Wave, a trio comprising Yamamoto with Akira Daiyoshi and Tetsujiro Obara on the 1975 album Girl Talk for the Three Blind Mice label.
Beginning with a lush piano intro that recalls the florid style of Erroll Garner, “Like Someone In Love,” has been recorded almost 500 times, by everyone from the Rat Pack boss Frank Sinatra to the Icelandic alt-pop queen Björk. Yamamoto transforms the tune into a sparkling swinger.
“Black Is The Color” is a deeply emotive song indelibly associated with the American singer and pianist Nina Simone, who made it a showstopper in her stage repertoire. Yamamoto recorded the song previously, on his 1999 trio album, Speak Low, and in this new version uses it as a vehicle to display his twinkling, upper-register piano melodies.
Neal Hefti and Bobby Troup’s ‘60 pop hit “Girl Talk” was popularized by singer Tony Bennett and has been in Yamamoto’s repertoire since 1975. The pianist infuses the piece with his distinctive musical personality while finding the perfect balance between flawless technique and deep feeling.
“Midnight Sugar” was originally written by Yamamoto as the title track of a 1974 album for Three Blind Mice. The tune is a slow, simmering late-night groove that opens with Kagawa’s slow-walking bass line and allows the pianist to reveal his fluency in the rich vocabulary of the blues, the African-American music that is one of jazz’s most important foundation stones.
Yamamoto first recorded the seductive “Last Tango In Paris,” which highlights his delicately spun right-hand piano filigrees, with Brazilian guitarist Marco Bosco in 2014 on the album Live At The Brazilian Embassy In Tokyo. The Gato Barbieri-written tune first appeared on the soundtrack of the controversial 1972 movie of the same name starring Marlon Brando.
The Japanese pianist brings a refined sense of elegance and good taste to his interpretation of Erroll Garner’s much-loved ballad “Misty,” which he has recorded several times throughout his long career; he cut it first as the title track of his third album for Three Blind Mice.
A Shade Of Blue closes with a hard-driving take on the jazz standard “Bye Bye Blackbird,” originally a 1926 hit for pop singer Gene Austin. The Yamamoto trio’s effervescent version ends A Shade Of Blue on a deeply satisfying high note.
Though he’s only five years away from his 80th birthday, Tsuyoshi Yamamoto shows with the stunning A Shade Of Blue that old age does not always equal decline, especially in the artistic sense. In fact, at 76, the Niigata Japan -born piano master displays a level of energy and creativity that would put someone half his age to shame. Above all else, his new album proves that like a well-preserved vintage wine, this Japanese master’s musicality and unique artistry just keep improving with time.
The eagerly awaited follow-up to his acclaimed 2021 album, Blues For K, A Shade Of Blue captures Tsuyoshi Yamamoto leading a trio featuring bassist Hiroshi Kagawa and drummer Toshio Osumi, recorded playing live at Tokyo’s Gotanda Cultural Center Music Hall. A well-balanced blend of timeless jazz standards (“Misty”), memorable pop tunes (“The Way We Were”) and striking original material (“Speed Ball Blues”), A Shade Of Blue is a stunning showcase for the pianistic brilliance of 76-year-old Yamamoto, who sparkles on up-tempo swingers and achieves a deeply glowing luminosity on his incredible renditions of slow ballads.
The album is available on 180-gram double vinyl LP, SACD - Hybrid Multi-Channel and MQA-CD on the 27th October 2023, and later in the year on MQA-CD + Blu-ray (Dolby Atmos + Stereo) and on an impeccably shot 4K Ultra HD Blu-ray (Dolby Atmos / Auro /Stereo). The album will be made available on digital platforms on the 8th December 2023. The first single, “Speed Ball Blues” will be released digitally on the 27th October 2023, followed by the second single, “The Way We Were” released digitally on the 17th November 2023.
Hideo Irimajiri (Recording Engineer and Mixing Engineer) on the album: A Shade Of Blue was created as an immersive (3D audio) work. To capture this, we used eight microphones for the piano, three for the bass, twelve for the drums, and 16 for the whole tones.
The stereo and 5.1 channel products were mixed to incorporate the experience of the immersive recordings as much as possible so that when you listen to the album, it feels as realistic as possible - as if the Tsuyoshi Yamamoto Trio were performing right in front of you.
If you enjoy this immersive experience, try out the 3D audio on the Blu-ray, and turn your living room into a concert hall.
Born in 1948 on the Japanese island of Niigata, Yamamoto started playing the piano in elementary school. He was drawn to jazz after hearing the soundtrack to the 1959 French movie, Les Liaisons Dangereuses, which featured music by the renowned American hard bop group, Art Blakey & The Jazz Messengers. His professional career began in 1967 when he toured with Mickey Curtis, a noted Japanese actor and musician. In 1974, he began recording for Takeshi Fujii’s iconic Three Blind Mice label and via a series of acclaimed albums, quickly established himself as one of Japan’s leading jazz musicians. A highly respected international figure who has played with US jazz legends Dizzy Gillespie, Elvin Jones, and Carmen McRae, Yamamoto was the house pianist for many years at the Tokyo club Misty and was also the musical director for the popular Japanese TV talk show Ryu's Bar, which ran during the 1980s and ‘90s.
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