Innovative composer and bassist Almog Sharvit releases his debut album as a leader, Get Up Or Cry, today via Unit Records. Together with his band members Adam O’Farrill (trumpet), Brandon Seabrook (guitar & banjo), Micha Gilad (piano, keys, synths) and Lukas König (drums), Sharvit creates a startingly imaginative record. Get Up Or Cry signals the arrival of a fresh, significant New York artist. It’s an album that appeals to both jazz purists and neophytes, a crossover record that stuns any casual listener.
Sharvit, a 28-year-old conservatory-trained musician, born and raised in Israel and based in Brooklyn, creates surreal, maximalist compositions that combine both acoustic and electronic textures. In New York, he has established himself as a creative force; his jazz trio Kadawa has received accolades from the New York Times, Indie Current and Vancouver Sun, among others. Sharvit has also toured internationally with various acts across 12 countries, and performed at storied venues including Jazz at Lincoln Center, the Detroit Jazz Festival, the Blue Note, Jerusalem Jazz Festival, and many more.
Get Up Or Cry reflects genre-pushing creativity, textural innovation, and a striking balance between form and freedom. The album blurs electronic music, psychedelic rock, bluegrass, 20th-century classical music, and of course, jazz, into dizzyingly beautiful, wholly unique songs. Sharvit composed, arranged, and produced every single track – the only additional writing credit belongs to one Vladimir Nabokov, whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.“
“I intended to create an album that you can turn to when you feel joy and sorrow at the same time,” says Sharvit. “I wanted to make an album that is beautiful in an odd way, a space where humor interacts with moving, complex, and crazy songs. They express how we all feel sometimes – overwhelmed with information, short on focus, caffeinated as hell, but at the same time having moments of joy, intimacy, sadness, and freedom.”
Get Up Or Cry was recorded in a single day at Wonderpark Studios in Brooklyn. In post-production, Sharvit applied experimental techniques usually found in pop and electronic music to the songs – the record features filter sweeps, heavy distortion and compression, and creative automation and panning that he gladly says “will knock the dust off your stereo.”
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