Diana Ross - Supertonic Mixes
A whole host of Diana Ross classics – all given a contemporary club treatment by producer/mixer Eric Kupper! Diana really helped set the scene for powerful, progressive dancefloor tracks in the pre-house years – and Kupper easily refits her classic vocals and rhythms with a mode that really kicks up the rhythms to more 21st Century styles – never too slick or commercial, but right at home next to modern upbeat house and club! Titles include Kupper remixes of "Love Hangover", "The Boss", "Touch Me In The Morning", "Remember Me", "I'm Coming Out/Upside Down", "Surrender", "Ain't No Mountain High Enough", "No One Gets The Prize", and "It's My House". ~ dustygroove.com +
James Saxsmo Gates - Stepping Out
Closing in on 30 years as a recording artist, Richmond, VA based saxophonist James Saxsmo Gates offers timely words of wisdom to accompany his sonically bold, sweetly sensual and intensely funked-out new album Stepping Out. The Founder of the Dr. Billy Taylor Jazz Studies Program at Virginia State University writes, “Together we can make it if… we Keep Jazz Alive!” Six years in the making, the faith-driven project pairs Gates’ steamy, igniting horn fire with a batch of multi-talented collaborators (including guitarists Alan Parker and Freddie Fox) to create the perfect party mix of anthem-like originals and soulful pop covers. ~ smoothjazz.com
Jon Hassell - Seeing Through Sound – Pentimento Vol 2
The genius of Jon Hassell is alive and well – and after decades of groundbreaking music and undeniable influence, Hassell continues to show the world why his own blend of electric and acoustic elements still sounds better than most! Jon's working with his classic blend of trumpet and electronics here – assisted at some points by younger musicians who owe a great debt to his initial recordings – and while the territory is familiar, it's also never facile – as Hassell's clearly out to continue pushing boundaries, always with an answer to those who might call his music simply atmospheric – because there's a huge amount here going on, sometimes at very subtle levels. Other instrumentation includes guitar, bass, violin, and percussion – often with processing in the mix – and titles include "Moons Of Titan", "Fearless", "Reykjavik", "Cool Down Coda", "Lunar", "Delicado", and "Timeless". ~ dustygroove.com
A whole host of Diana Ross classics – all given a contemporary club treatment by producer/mixer Eric Kupper! Diana really helped set the scene for powerful, progressive dancefloor tracks in the pre-house years – and Kupper easily refits her classic vocals and rhythms with a mode that really kicks up the rhythms to more 21st Century styles – never too slick or commercial, but right at home next to modern upbeat house and club! Titles include Kupper remixes of "Love Hangover", "The Boss", "Touch Me In The Morning", "Remember Me", "I'm Coming Out/Upside Down", "Surrender", "Ain't No Mountain High Enough", "No One Gets The Prize", and "It's My House". ~ dustygroove.com +
James Saxsmo Gates - Stepping Out
Closing in on 30 years as a recording artist, Richmond, VA based saxophonist James Saxsmo Gates offers timely words of wisdom to accompany his sonically bold, sweetly sensual and intensely funked-out new album Stepping Out. The Founder of the Dr. Billy Taylor Jazz Studies Program at Virginia State University writes, “Together we can make it if… we Keep Jazz Alive!” Six years in the making, the faith-driven project pairs Gates’ steamy, igniting horn fire with a batch of multi-talented collaborators (including guitarists Alan Parker and Freddie Fox) to create the perfect party mix of anthem-like originals and soulful pop covers. ~ smoothjazz.com
Jon Hassell - Seeing Through Sound – Pentimento Vol 2
The genius of Jon Hassell is alive and well – and after decades of groundbreaking music and undeniable influence, Hassell continues to show the world why his own blend of electric and acoustic elements still sounds better than most! Jon's working with his classic blend of trumpet and electronics here – assisted at some points by younger musicians who owe a great debt to his initial recordings – and while the territory is familiar, it's also never facile – as Hassell's clearly out to continue pushing boundaries, always with an answer to those who might call his music simply atmospheric – because there's a huge amount here going on, sometimes at very subtle levels. Other instrumentation includes guitar, bass, violin, and percussion – often with processing in the mix – and titles include "Moons Of Titan", "Fearless", "Reykjavik", "Cool Down Coda", "Lunar", "Delicado", and "Timeless". ~ dustygroove.com
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