Rosario
Giuliani- Love In
Translation
A beautiful
set of ballads from saxophonist Rosario Giuliani – made even better by the
vibes of Joe Locke! The tunes are all based around the theme of love – mostly
standards, but a few originals too – and even when mellow, they're given a nice
sort of swing by the bass of Dario Deidda and drums of Roberto Gatto – both
players who keep things simple, but move them along nicely – while Locke
sparkles on the vibes, and Giuliani shifts between alto and some especially
nice soprano sax. Titles include "Love Letters", "The Hidden
Force Of Love", "Duke Ellington's Sound Of Love", "Love In
Translation", "Tamburo", "Raise Heven", and "Love
Is A Planchette". ~ Dusty Groove
Seven
Wonders – New Movements In Australian Jazz & Soul
A great
little compilation – and one that really makes us want to hear a lot lot more from
all the artists in the lineup! Think of this one as a bit like some of the
excellent Brownswood compilations that have hipped us to changes on the London
scene during the past few years – as this package showcases an amazing array of
music that's been coming out of the Melbourne scene – artists who are heavy on
influences from spiritual jazz, cosmic soul, and other mind-expanding modes –
really moving past some of the simpler soul and funk we might have heard from
the city in the previous decade! The scope of music here is really great, and
there's not a dead cut in the bunch – just the kind of tip-of-the-iceberg
sounds that makes us hope that Plug Seven will be giving us a lot more of these
artists in years to come. Titles include "For Yu Sakamoto" by James
Macaulay Quartet, "Waiting" by Jazz Party, "Improvisation
#2" by Greg Vinod Perrin, "Dempsey Roll" by Superfeather,
"Women's Choir" by Godtet, "Everything I Need" by Daniel
Merriwesther, "Sooki The Love Dog" by Laneous, "Sweet
Water" by Barney McAll, "True Realm Of The Coin" by The Rookies,
and "Work" by Moses McRae with Crooked Letter. ~ Dusty Groove
Collocutor - Continuation
‘Continuation’
is a remarkable work in which the interplay of emotional experience and life
motion experienced by band leader Tamar Osborn (also known as Tamar Collocutor)
is channelled and explored by Collocutor. The band’s third LP assuredly strides
forward following the critical acclaim awarded to ‘The Search’ from 2016 (a
work that gained the enthusiastic praise of Mulatu Astake and Gilles Peterson
among others). Whereas ‘The Search’ invoked a journey ending in hope and new
beginnings, ‘Continuation’ looks at the aftermath of the unexpected. This is an
album about coping with grief, loss and bereavement: The music charts the many
(and sometimes surprising) emotional states encountered, moving from
acknowledgement, trying to keep ‘normal’ life going, the need to sometimes put
a pause button on and let the waves of feelings crash and roll, sudden anger
and confusion, finally to moving (perhaps with uncertainty) forward. Tamar
Osborn has led Collocutor through a line-up shift from septet to quintet for
‘Continuation’. The modified line-up creates space for the musicians to express
themselves through the shades of ‘Continuation’'s movement. The quintet brings
in more group improvisation, based on just a few motifs and so giving the
musicians more space to converse.
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