Ray
Charles’s Modern Sounds in Country and Western Music, Volumes 1 & 2 are
major landmarks in American culture. Charles demonstrated that great songs with
signature performances work in all genres. “I Can’t Stop Loving You” was a
standard in country, soul and R&B, as he proved. Modern Sounds also brought
America together during the Sixties’ civil rights movement. Charles became one
of the first recording artists to have ownership and complete control of the
masters. Modern Sounds in Country and Western Music has been listed among the
greatest slbums of all time, along with the Beatles, Dylan, Motown,
Springsteen, Hendrix and the Beach Boys.
These
groundbreaking albums, Modern Sounds in Country and Western Music, Vols. 1
& 2 are being reissued on digital and CD on February 22nd, 2019 via Concord
Records, also becoming available for the first time on streaming platforms.
Modern Sounds in Country and Western Music, Vol. 1 will be re-released on vinyl
for the first time since 2012, with a deluxe edition version containing both
Vol. 1 and Vol. 2 on high-fidelity, 180g vinyl.
This past
fall, Ray was honored by the Grand Ole Opry with An Opry Salute to Ray Charles,
with performances celebrating the iconic Modern Sounds tracks and his
contributions to country music. In addition, Charles was inducted into both the
Austin City Limits Hall of Fame, a program on which he performed multiple
times, and the DownBeat Jazz Hall of Fame.
“Ray Charles
was one of the most important artists in the history of American popular
music,” says Concord Records President John Burk, “and his Modern Sounds albums
were some of his most impactful works. In addition to massive commercial
success, these incredible recordings had a huge social and cultural impact,
breaking down long established genre and racial barriers.”
“We are
excited about this eventful release, an opportunity for longtime fans to enjoy
this music and to introduce new generations,” says Valerie Ervin, President of
the Ray Charles Foundation.
Modern
Sounds in Country and Western Music, Vol.1 became an instant classic when it
was first released in 1962. The album spawned four chart-topping singles: “Born
to Lose,” “Careless Love,” “You Don’t Know Me,” and “I Can’t Stop Loving You,”
the latter (and the album itself) being RIAA-certified Gold in only one month.
The success led to the recording of Modern
Sounds in Country and Western Music, Vol. 2. Focusing more on balladry, one
side featured performances by the Ray Charles Big Band with the Raelettes, and
the other with a string section and the Jack Halloran Singers. Like its
predecessor, it was released to both critical and commercial acclaim. In 1999,
Vol. 1 was inducted into the GRAMMY Hall of Fame for “historical significance,”
as was the lead single, “I Can’t Stop Loving You,” in 2001.
Many
musicians possess elements of genius, but only one—the great Ray Charles—so
completely embodied the term that it was bestowed upon him as a nickname. His
staggering achievements over a 58-year career include 17 GRAMMY Awards,
induction into the Rock and Roll Hall of Fame, a Lifetime Achievement and the
President’s Merit Award, the Presidential Medal for the Arts, France’s Legion
of Honor, the Kennedy Center Honors, a NAACP Image Awards’ “Hall of Fame
Award,” and numerous other music Halls of Fame, including those for Jazz and
Rhythm & Blues, a testament to his enormous influence.
Charles
successfully mastered (and forever changed) the blues, jazz, gospel, rock, pop,
and country music landscapes, continually airing his soulful heart. He teamed
up with the best of the best in each stylistic genre, including B.B. King,
Aretha Franklin, Lou Rawls, Hank Williams, Willie Nelson, Stevie Wonder, and
countless others. As he describes. “I’m not a country singer. I’m a singer who
sings country songs. I’m not a blues singer, but I can sing the blues. I’m not
really a crooner, but I can sing love songs. I’m not a specialist, but I’m a
pretty good utility man. I can play first base, second base, shortstop. I can
catch and maybe even pitch a little.” “Genius” doesn’t begin to describe it.
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