The phrase
'symphonic jazz' was coined by bandleader Paul Whiteman in 1924 following the
wildly successful premiere of "Rhapsody in Blue," a work he
commissioned from a then little-known composer named George Gershwin. Fast
forward to 2015, and the 67-member Symphonic Jazz Orchestra continues this
important tradition through 14 years of commissioning new works and performing
music that combines the worlds of jazz and classical. Their debut recording,
Looking Forward, Looking Back, completes their historically focused mission
originally conceived by Music Director Mitch Glickman and famed keyboardist,
composer, and producer George Duke.
Founded by
Glickman in 2002, the non-profit Symphonic Jazz Orchestra (SJO) was joined two
years later by Duke as a co-music director, who helped to shape the orchestra
over the next decade. Duke was featured in concert with the SJO throughout his
involvement and was commissioned to write a new work for the orchestra
featuring bassist Christian McBride. The work was premiered in 2011 and
instantly, everyone knew this was a work that needed to be recorded.
The
following year, plans were underway to record Duke's commission along with
another newly commissioned work from guitarist and composer Lee Ritenour
entitled "Symphonic Captain's Journey." The work that launched the
symphonic jazz tradition "Rhapsody in Blue," is also included on the
recording with piano soloist Bill Cunliffe. In 2013, Duke captured the arc of
the works they planned to record by naming the album Looking Forward, Looking
Back; but as pre-production plans were underway, the recording project took on
a new personal meaning after the premature passing of Duke.
"George's
musical legacy is incredibly diverse and deep. From his work with Cannonball
Adderley to Frank Zappa, from Miles Davis to Dianne Reeves, to his more than 40
solo recordings, he brilliantly fused many genres, including classical
music," reflects Glickman. "The gift he left us was his 'Bass
Concerto' written for Christian McBride and the SJO, and we knew we had to
share this remarkable work with the world."
The
recording opens with the work that inspired this project, Duke's commission
"Dark Wood: Bass Concerto for McBride." The two-movement concerto
features McBride playing on three different basses throughout the course of the
piece (upright bass, electric bass and fretless electric). Duke wrote this
extremely challenging piece as a showcase of McBride's enormous talents. It
includes notes that are not even on the bass (high Fs that McBride has to bend
up to) as well as rhythmic passages that would scare off most bass players. On
the recording, the rhythm section is rounded out by two incredibly supportive
musicians, pianist John Beasley and drummer Marvin 'Smitty' Smith.
The second
commissioned work on the recording is Ritenour's "Symphonic Captain's
Journey." Based on an older work by Ritenour, this two-movement piece also
features the talents of pianist Dave Grusin, drummer Chris Coleman, with
McBride returning to play bass. The opening movement "Calm" is an apt
description as Ritenour is featured in a long lyrical melody. The second
movement "Storm" opens with a piano cadenza by Grusin that connects
the two movements as the rhythmic intensity builds throughout the second half
of the piece.
Gershwin's
landmark "Rhapsody in Blue" concludes Looking Forward, Looking Back.
The SJO takes a most interesting approach to this groundbreaking work, using
the original 1924 orchestration, which only calls for 26 players, including
banjo. Over the course of the work, Cunliffe is joined by bassist Robert Hurst
and drummer Peter Erskine as each cadenza section develops the idea of a piano
trio. It is an interpretation both historic and progressive. The SJO version
reinstates much of the piano improvisation that was lost as "Rhapsody in
Blue" became popular and subsequently edited.
"George
(Duke) left us with a tremendous legacy," SJO Glickman commented.
"His commission 'Dark Wood: Bass Concerto for McBride' was a decade in the
making. We spoke early on about a 12-minute piece that would feature Christian
first on the acoustic and then electric bass. With George's insanely busy schedule
touring and producing, it took a project cancellation to open up significant
time in his schedule where he could focus on finishing the piece. And the more
he got into the piece, the longer it grew. When it was finally done, a
23-minute tour-de-force showcase was finished that so wonderfully displays
Christian's vast talents as a performer and improviser."
Co-Producer
and engineer on the record Erik Zobler (who was Duke's engineer for over 30
years) reflected, "While we are all still so saddened by George's death,
we are so gratified to be able to finally share this incredible work with the
rest of the world. Most people did not know George's orchestral side. George
composed and orchestrated the entire work himself and it shows so many of the multi-faceted
styles he loved - everything from Stravinsky to funk, Spanish to R&B."
Looking
Forward, Looking Back brilliantly captures the finest in new symphonic jazz
works, while paying homage to its past. The forces of this special 67-member
Symphonic Jazz Orchestra under the baton of Mitch Glickman bring to life works
deserving of a wider audience as they continue to serve as the torchbearer of
this unique genre of music.
The
Symphonic Jazz Orchestra (SJO) is comprised of Los Angeles's finest studio
musicians and jazz soloists. Over the years, such world-class soloists as Dave
Grusin, Christian McBride, Raul Midón, Luciana Souza, Lee Ritenour, and
Yellowjackets have joined the ensemble. The SJO has commissioned twelve new
symphonic jazz works, along with six world premieres and three U.S. premieres.
This summer
the SJO launched the George Duke Commissioning Prize, an international
competition that will select a composer to write a new work for the SJO in
Duke's honor. The winner will be announced in conjunction with the SJO's album
release in mid-September.
The SJO also
maintains a very active "Music in the Schools" residency program.
Having served over 40,000 students across Southern California, the SJO's music
residencies inspire and educate the next generation of music lovers.
Symphonic Jazz
Orchestra · Looking Forward, Looking Back
Mack Avenue
Records · Release Date: September 18, 2014
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