Imbued with
guitarist Freddie Bryant's inimitable touch, inherent soulfulness and the
element of surprise, Dreamscape: Solo-Duo-Trio (available on GJKSounds) is also
marked by the guitarist's ability to seamlessly traverse the classical-jazz
divide on this collection of jazz standards and compelling originals. As a
follow-up to his dynamic recording with his band Kaleidoscope (2012's Live
Grooves...Epic Tales), Bryant gets intimate on his latest release, Dreamscape:
Solo-Duo-Trio.
Alternating between
nylon string classic guitar, archtop jazz guitar, 12-string acoustic and
electric guitar, Bryant does some skillful genre hopping on this emotionally
charged outing. "This album is a highly personal portrait of my influences
from straight-ahead to Brazilian and classical guitar but also the key factor
of my parents who were consummate concert artists," notes Bryant.
Joining Bryant for
duo and trio numbers on Dreamscape are two acclaimed musicians and bandleaders
in their own right -- multi-reedist Chris Potter (performing on tenor and
soprano saxophones as well as bass clarinet) and bassist Scott Colley. "I
played with them back in the late '80s-early '90s," Bryant recalls,
"and their playing was always exceptional. They can play anything, and
they play it beautifully and interactively too."
Easily Bryant's
most personal and revealing project to date, he performs several solo guitar
pieces on Dreamscape, ranging from Thelonious Monk's lyrical "Ask Me
Now" to a rich chord melody treatment of Charles Mingus' "Goodbye
Porkpie Hat." Bryant also includes a beautiful interpretation of Bruno
Martino's melancholy ballad "Estate" along with a buoyant, bossa
nova/samba take on "Secret Love." "I wanted to do a project that
didn't have drums in it, principally because there's something that happens to
the clarity of sound of the guitar when you have cymbals ringing and drums
beating," says the guitarist. "Of course, I love drums, but there's
an intimacy that you get when you have a microphone right in front of a guitar
and nothing else. When I was a kid I used to sit under the piano and just
listen to my father play. That's the setting I wanted to convey."
Bryant grew up in a
musical household with his parents, who were both renowned performers on New
York's classical and opera scene. In fact, he began turning pages for his
concert pianist father at the age of six. Bryant has already dedicated an album
to his father, who passed away when he was in college, but now decided it was
time to honor his mother for such an important role in his musical development.
To that end, Bryant
composed the piece "Songs," which is based on tunes he remembers
hearing his mother sing. He closes out Dreamscape with a snippet of a 1974
recording from New York's Alice Tully Hall that has his mother, Beatrice Rippy,
singing the uplifting spiritual, "I'm Going to Tell God All of My
Troubles," accompanied by her husband, Carroll Hollister, on piano. Bryant
also performs a new arrangement of that same powerful tune on classical guitar
as a duo with Potter on bass clarinet. On the three other trio tracks on
Dreamscape, Potter plays soprano sax on the bristling title track, switching to
bass clarinet on the suite-like "Songs," which travels from work song
form to hymn to gospel vibe, and rounding off on tenor saxophone for the aptly
titled "Everyday is the End and the Beginning of Life Beautiful"
which Bryant wrote on December 12, 2012, the date which marks the supposed end
of the world from interpretations of the Mayan calendar.
Bassist Colley, a
longtime duo partner with the late, great jazz guitar legend Jim Hall, makes an
indelible connection with Bryant on two companion duo pieces -- the gentle,
chamber-like "Vignette #1," which has Bryant on nylon string
classical guitar, and the lively and contrapuntal "Vignette #2,"
which features Bryant on electric guitar. "Scott has a beautiful tone and
great ears," says Bryant of the in-demand bassist. "I always thought
of him as such a fluid player, and he's a very melodic improviser too. It was a
joy to play with him."
Dreamscape:
Solo-Duo-Trio will confound those looking to put guitarist Bryant in a
stylistic box as it reaches out to those who simply enjoy good music. "I
grew up with straight ahead jazz and I love swinging with great jazz musicians
like Ben Riley and Tom Harrell," he says. "I love that and it's
totally me. I still play straight ahead but I also play Brazilian music and
classical music. And now this recording makes it a little bit harder to
categorize me. For me, that's a positive thing. And that's why I'm rejoicing in
being able to play all these different styles of music on these different
instruments and have them recorded in such a beautiful way in this intimate
setting."
FreddieBryant.com
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