Some of our favorite albums ever from pianist Muhal Richard Abrams – an amazing run of eight records for the Black Saint/Soul Note label – rich in fresh colors, tones, and new musical ideas! There's a sensitivity to some of these records that you don't always get with Abrams – a personal feeling that brings in a much-needed warmth to his complex compositional forms – often in collaboration with other players on the Chicago scene, but also with a wider range of avant players, especially from New York – where Abrams would have a great influence in the 80s. The lineup of musicians here is wonderful – a virtual who's-who of the jazz left at the time, at least from an American perspective – with performances from George Lewis, Roscoe Mitchell, Amina Myers, Thurman Barker, Baikida Carroll, Andrew Cyrille, Craig Harris, Stanton Davis, Marty Erlich, Dick Griffin, Cecil Bridgewater, Fred Hopkins, Dierdre Murray, and so many others. The set features 8 full albums, each in a tiny LP-styled sleeve – and titles include Siphumonesty, Mama & Daddy, Blues Forever, Rejoicing With The Light, View From Within, Hearinga Suite, Blu Blu Blu, and Think All Focus One. ~ Dusty Groove
Amazing music from trombonist George Lewis – five different albums that each show a different side of his talents! First up is Shadowgraph 5 – a great early Black Saint, and a key example of the way the AACM spirit thrived overseas, thanks to the efforts of labels like this! The work is quite serious and experimental – almost compositional in nature, and definitely heading towards the AACM promise of "Great Black Music" – and other players include Roscoe Mitchell on saxes, Leroy Jenkins on violin, Muhal Richard Abrams on piano, Douglas Ewart on bass clarinet and other reeds, and Abdul Wadud on cello. One track even has Lewis playing the Moog in addition to trombone and tuba! Imaginary Suite is a duet with Douglas Ewart – and features Lewis both on trombone and electronics – and even his trombone at times is "electronically modified", making it a really cool-sounding instrument. Ewart plays a bit of percussion – plus bass clarinet and flute – and often hits some electronically-sensitive sounds with his reeds, making the album a really compelling interplay between acoustic and electric elements. Homage to Charlie Parker is hardly the bebop outing you might expect from the title, and instead a set of complicated work that's heavily in the AACM tradition! Side one features "Blues" – an investigation of older blues harmonics, but done in a very freeform, experimental way – with tenor trombone from Lewis, piano from Anthony Davis, bass clarinet from Doug Ewart, and moog from Richard Teitelbaum. Change Of Season is a killer tribute to the music of Herbie Nichols – played by a committed batch of modernists who are clearly inspired by his genius – including Misha Mengelberg on piano, Steve Lacy on soprano sax, and Han Bennink on drums. The set's completed by Dutch Masters – Lewis' last album for the label, done with a compelling lineup that includes Misha Mengelberg on piano, Steve Lacy on soprano sax, Ernst Reyseger on bass, and Han Bennink on drums – but in a style that's very different than the previous Change Of Season album. ~ Dusty Groove
Seminal work from trumpeter Dave Douglas – a half dozen albums recorded for the Black Saint/Soul Note labels, all of which show his depth and diversity – some with Douglas as a leader, some as a key player in other groups! Even at the start, Douglas showed a tremendous ability to step out into new settings and explore new ideas – which he certainly does on the albums in this set – each of which represents a different facet of his abilities, in ways that together make the package one hell of a collection! Albums include Parallel Worlds, which features a quartet with Mark Feldman on violin and Mark Dresser on bass; Force Green, led by bassist Mark Dresser, and featuring very interesting work on voice by Theo Bleckman; Bounce, a record by the John Lindberg Ensemble – led by bassist Lindberg, and also featuring saxes from Larry Ochs, and great drums from Ed Thigpen; Rova's 1995 recording of John Coltrane's Ascension, with three tenor saxes, two altos, two trumpets, two bassists, piano, and drums; Convergence, which features a group with Fedman on violin and Erik Friedlander on cello; and Dave Douglas Five, which has a quintet with Mark Feldman on violin, Erik Friedlander on cello, Drew Dress on bass, and Michael Sarin on drums. 6 albums in all – all in tiny LP-styled sleeves. ~ Dusty Groove
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