Ever feel left out of the party? Vocalist Erin McDougald's
fourth studio recording, Outside the Soiree, is a heartfelt ode to all the
outsiders - those independent-minded souls who find themselves, by choice or by
fate, living outside the halls of power: neglected by history, oppressed by the
majority, lonely in love, bucking the trends, swimming upstream.
Outside the Soiree offers a thematic narrative explored through
"McDougald's evocative artistry" (Chicago Music Guide), a voice that
Jazz Improv Magazine has called a "rare instrument to be savoredŠ sweet
and spicy, positively mercurial." The subject matter is poignantly and uniquely
expressed from unexpected musical angles as Erin seamlessly amalgamates,
modernizes and reinterprets obscure standards, her own original composition and
genres "outside" the jazz idiom within a progressive jazz mentality.
She's joined by a stellar band featuring guitarist and
pianist Rob Block, bassist Cliff Schmitt, drummer Rodney Green, percussionists
Mark Sherman and Chembo Corniel, and saxophonist Dan Block. The band is given
the imprimatur of a couple of born outsiders who've become insiders (and
legends) through decades of singular artistry: saxophonist David Liebman and
trumpeter Tom Harrell.
McDougald is well acquainted with the outsider's existence;
she tends to be one herself. Known by her fans as "the Flapper Girl,"
the Chicago-based improvisational jazz singer is a progressive thinker with a
throwback aesthetic. She embodies the sensuality and fierce emancipatory
attitude of an audacious fashionista and political egalitarian in her
personality and artistry. With a moniker evoking a '20s-era flapper she's not
interested in glamorous nostalgia, but instead spotlights the formidable female
icons that stemmed from an era of resistance that forever changed American
culture and its musical heritage.
As McDougald regularly points out to audiences, flappers
were suffragists, with libidos, rhythm, style and social cachet. As "the
flapper girl of modern vocal jazz", Erin's artistry has become synonymous
with marrying vintage foundations and contemporary concepts in her rhythmic,
daring interpretations of era-spanning jazz, from American Swing through the
Post-Bop catalogue. Her ability to borrow music from other genres and infuse a
jazz treatment has garnered her fans of all ages, and collaborators with global
renown.
Miss McDougald has appeared and or recorded with members of
the elite jazz scene that include Nicholas Payton, Paul Wertico, Ira Sullivan,
Carlos Henriquez, Ben Wolfe, Von Freeman, Howard Levy, Roy Hargrove and many
others. Downbeat critic and Jazz Journalist Association President Howard Mandel
declares, "McDougald is one of the finest and freest voices in jazz OR pop
today." The late Verve Records producer/conductor/arranger Buddy Bregman
emphatically stated of Erin in 2006, "There's an essence to her singing
that is all her own... not a mimicked, watered-down version of someone else,
but... a very deep, soulful connection to the songs she chooses. Her pitch and
phrasing are superb, but there is something about her interior-very sweet...
she has 'It'. My favorite singer to come along since Anita O'Day in her
prime."
With performances in sold-out venues from Chicago to Paris,
McDougald has headlined The Chicago Jazz Festival's Heritage Stage, and premier
jazz venues such as The Jazz Showcase, The Allerton, Green Dolphin Street, The
Green Mill, 54 Below, Smalls, Anthology, Savanna Jazz, The Mint, Dizzy's of San
Diego, The Velvet Note, BluJazz, The Acorn Theater, Notes Jazz Club, and Le
Bilboquet in Paris, among many others.
Outside the Soiree is a sublime symposium of venerable
soloists and emerging talents that expose a raw synergy and emotive message.
Erin's keen idea to turn Charles Deforest's obscure, melancholy 1950's ballad
"Don't Wait Up for Me" into a liberating, rhythmic 5/4 proclamation
also crystalizes the style and strengths of featured soloists David Liebman on
soprano saxophone and Tom Harrell on trumpet (with impeccable embellishment by
drummer Rodney Green). Likewise, the sophisticated and changing time signatures
on Erin's "Midnight Sun" shed light upon vibraphonist Mark Sherman's
musical eloquence where again Liebman shines in a flurry of pithy soprano
sound.
Brothers Rob and Dan Block create an ethereal, sorrowful
beauty on the group's Chorinho-styled adaptation of the Broadway musical song
"Unusual Way;" Tomoko Block (Rob's wife) teamed up with Rob to
arrange this gem, showcasing Rob's quietly weeping guitar solo and Dan's
haunting clarinet playing. Percussionist Wilson "Chembo" Corniel is
strongly showcased along with bassist Cliff Schmitt on Erin's original composition
and title track "Outside the Soiree" in a connected, reflexive and
moving journey through Erin's poetic lyricism and mournful melody.
Hard-swinging is Erin with her band on songs like "Spring Can Really Hang
You Up the Most" and "Don't Be on the Outside;" exceptional
elements of avant-garde singing and playing are showcased on the CD's final
cut, "The Parting Glass," a deftly reimagined traditional Irish
funeral hymn in a minor key, performed with thundering gravity. The addictively
nuanced Cha-Cha rendition of "Brother, Can You Spare a Dime?"
gloriously highlights the band with undulating musicality and fervor.
