NEW RELEASES: VIVIAN GREEN – VGVI; HOLOPHONOR – LIGHT MAGIC; CHARLOTTE DOS SANTOS - CLEO

VIVIAN GREEN – VGVI

A fantastic new direction for Vivian Green – and a record that seems to have the singer setting her sound on fire all over again! In the notes, Green credits co-producer Kwame Holland for giving her career all new energy – and that claim definitely comes through in the music, which bristles with vitality throughout, while still holding onto the strong tradition of songwriting that Vivian's given us on her previous albums! There's a crisp crackle here that's really inspiring – a clarity that's followed through in every aspect of the record – and while we've always loved Vivian, the set has us taking new notice of her music all over again. Titles include "Vibes", "I Don't Know", "Sunglasses", "Supa Dope Fresh Beat Show", "Mutal Feelings", "Just Like Fools", "The 1st Time", "Happy With You", and "That's What Love Can Do". ~ Dusty Groove

HOLOPHONOR – LIGHT MAGIC

A group with vibes in the lead – which might already have been enough to win us over – save for the fact that everything else about the record is great, too – including its production by Wayne Shorter! Forget all about Shorter, though – because although he champions the group, they hardly need his help at all – as they're a wonderfully strong, very soulful ensemble who are very much headed in the right direction – with that kind of fresh, young voice in jazz that we maybe heard years ago when Black/Note first appeared on the scene – although these guys have a vision that's all their own, and a sound that gets nicely spiritual at times too. The group features vibes from Diego Urbano, alto from Josh Johnson, trumpet from Mike Cottone, trombone from Eric Miller, piano from Miro Sprague, bass from Dave Robaire, and drums from Jonathan Pinson – a big group, but one with a razor-sharp focus throughout – on songs that include "Santa Ynez", "Choose Your Adventure", "Three Song", "Pioneer", "Dream Space", "Light Magnet", "E Force 3", and "Invisible Cities".  ~ Dusty Groove

CHARLOTTE DOS SANTOS - CLEO

Charlotte Dos Santos is a hell of a singer, and one with a really amazing range – able to float to the top of heavenly spaces with her light inflections in the music, but also tied strongly to the planet with a mellow-stepping soulful groove! The blend of lightness and depth here is wonderful – a nice change from the usual underground soul material, as is Charlotte's lyrical approach – almost as lightly poetic as her voice, but more solid too – with a vibe that's completely unique, and which (we hope!) means that we'll be hearing plenty from her in years to come! The album's got this wonderful recasting of Freddie Hubbard's classic "Red Clay" – plus the tracks "Summer Is Icumen In", "Good Sign", "King Of Hearts", "It's Over Bobby", "Watching You", and "Move On". ~ Dusty Groove

NEW RELEASES: KASAMI WASHINGTON – HARMONY OF DIFFERENCE; BENJAMIN CLEMENTINE – I TELL A FLY; KELELA – TAKE ME APART

KASAMI WASHINGTON – HARMONY OF DIFFERENCE

Pure fantasticness from the great Kamasi Washington – a set that's much more compact than his sprawling Epic, but which has an equally wonderful vibe overall! The album features material that Washington performed at the Whitney Biennial – to accompany paintings by his sister – but the whole thing stands alone beautifully, with that free-flowing, always spiritual vibe that's made Washington one of the strongest young jazz talents to emerge in recent years! The music resonates strongly with the work of some of his key LA contemporaries – like Ronald Bruner Jr, Miles Mosley, Cameron Graves, and Thundercat – all of whom perform in the large ensemble – helping Kamasi's tenor soar to the skies on waves of collaborative joy. Washington composed, arranged, and even produced the record himself – and in some ways, the tightness of the performance makes the whole thing even more satisfying than Epic – as we hope you feel too, on titles that include "Desire", "Humility", "Truth", "Integrity", "Knowledge", and "Perspective". ~ Dusty Groove.

BENJAMIN CLEMENTINE – I TELL A FLY

One of the most unique artists we've heard in years – and one who will no doubt be setting the world on fire for years to come! Benjamin Clementine's a singer, but also a poet – inspired by jazz and classical music, yet working here in neither – and instead, finding a path that's completely his own – borne out with incredible creative energy right from the very first note, and continuing through amazing territory with each new song on the set! There's some deft work on piano and electric harpsichord on the record – but there's lots more waves of dark textures and other tones – all to showcase Clementine's vocals, which are unlike any other singer we can think of. Benjamin's hardly just another voice with downtempo rhythms or modern production – as his lyrics are far richer, and his sound here already speaks volumes of his experiences on both the Paris and London scenes – although we're betting he's going to take the whole world by storm soon. Like nothing else you've ever heard – and we mean that in the best way possible – with songs that include "One Awkward Fish", "Farewell Sonata", "Better Sorry Than Asafe", "God Save The Jungle", "Phantom Of Aleppoville", "Paris Cor Blimey", "Jupiter", and "Ode From Joyce". ~ Dusty Groove

KELELA – TAKE ME APART

The stunning debut of Kelela – a singer who's been bubbling under for so long, she bursts out strongly right from the very first note! Kelela's ready to take on both the indie underground and the mainstream with this set – as the album's got a depth to rival some of the most compelling Neo Soul work from female singers in the past decade or so, but also has a tight crackle that could get her winning a lot more ears – especially given the strong reception for powerful female soul that's emerged in the past few years! The album's got a very layered sense of instrumentation – mostly produced by Jam City – and these sonic textures work really well with Kelela's voice, which slides into the mix perfectly – but never in a way that the lady buries the message in her music at all. Instead, the whole thing represents a real triumph of the contemporary – showing that there's still plenty of new territory to discover, if you know where to look. Titles include "Frontline", "Take Me Apart", "Jupiter", "Better", "LMK", "Onanon", "Turn To Dust", and "Truth Or Dare". ~ Dusty Groove

James Brown's legendary protégée Martha High releases her new album “Tribute to My Soul Sisters”

Record Kicks has signed James Brown’s original funky diva Martha High. Her new album “Tribute To My Soul Sisters” produced by Japan’s Osaka Monaurail is out November 17. 

Martha High has been an integral part of James Brown’s life and career for more than 30 years. After a lifetime spent shoulder to shoulder with the Godfather of Soul, she flew to Tokyo and teamed up with Japanese funk ambassadors Osaka Monaurail to record her new album “Tribute to My Soul Sisters” that hits the streets worldwide next November 17 on Record Kicks. You can now listen to the first single from the album “A Little Taste Of Soul”, originally recorded in 1962 by her soul sister Sugar Pie, available on digital download and limited edition 45 vinyl on October 20.

“Tribute to My Soul Sisters” was hatched back in 2014, when Martha High was visiting the producer Dj Pari, head honcho of the Soulpower organization and tight collaborator of soul legends like The Impressions, Lyn Collins and Marva Whitney. "I looked up to these ladies of soul" says Martha, "Given the opportunity and the pleasure to perform their songs, is my way of saying: thank you, you're not forgotten. To record the music of the Funky Divas would mean a lot to Mr Brown. He always wanted the world to know he had powerful women on stage that could hold his crowd while he was off the stage; they were just as powerful and funky as he was."

Without further ado, following DJ Pari’s advice, she partnered up with one of the hottest name of the new funk renaissance: Japan’s Osaka Monaurail. Deeply influenced by the work of James Brown, Bobby Byrd, Curtis Mayfield and with nine albums under the belt, Osaka Monaurail have been leading the international funk scene for more than two decades, appearing at festivals such as Montreal Jazz Festival, North Sea Jazz Festival and Womad’s, as well as recording and touring with funk legends like Marva Whitney and Fred Wesley.

Throughout her career Martha shared stages worldwide with some iconic artists like Little Richard, Jerry Lee Lewis, The Temptations, Aretha Franklin, B.B. King, Stevie Wonder, Prince, Michael Jackson and George Clinton to name a few. Martha has been carrying the torch of soul music for her whole life, like a true Soul Sister. Now, with this new effort, she is keeping the music of the Funky Divas going, and we are sure that the Godfather of Soul and her faithful audience would appreciate it.

Born in Victoria, Virginia and discovered by Rock & Roll pioneer Bo Diddley, Martha took off her career with the soulful, legendary doo-wop group "The Four Jewels”, with whom she scored the national hit "Opportunity" in 1964. Soon, The Jewels caught the attention of James Brown and joined the “James Brown Revue” in 1966. The Godfather of Soul recorded and released several songs featuring The Jewels until the group disbanded. Nevertheless, Martha stayed with James Brown and continued to work with him as his personal vocalist for 32 years. She was with him at the Boston Garden during the iconic 1968 gig after Martin Luther King’s assassination, she was by his side when he performed at renowned ‘Rumble in The Jungle’ event in Zaire and was on stage with him and "The Legends of Rock & Roll". Mr Brown produced several of Martha’s singles on his own label “People” such as “Georgy Girl", "Try Me" and “Summertime”; meanwhile Martha launched her solo career in 1979 with the self-titled debut LP for “Salsoul Records”. 

Since then she released five albums under her name and, being one of the “hardest working woman in show business”, she became one of the leading singers of saxophonist Maceo Parker’s legendary funky music machine, working with him for 16 years.

ADAM RUDOLPH'S MORPHIC RESONANCES

Morphic Resonances is the third Meta/MOD Technologies co-release of Adam Rudolph's music and the 23rd as a leader featuring his compositions. It is also the final installment of Rudolph's trilogy of CDs following on the heels of 2 other Meta/MOD Technologies co-releases: The Epic Botanical Beat Suite (2015) by his electro-world percussion ensemble Hu: Vibrational and Glare of the Tiger (2017) by his Moving Pictures Octet. 

The three releases sound very different from one another and Rudolph explains the trilogy connection this way: "I drew upon the same intervallic and rhythmic materials in creating the music for all three recordings. Using these materials as kind of musical DNA allowed me to create this trilogy of CD releases. Each sounds so different from the other because I used a different process to create the music on each. I feel that when we generate our own creative processes, then the music is bound to sound prototypical. It is what I call "organic music" whereby the spirit and the feeling can project through the music unencumbered by styles of the past. It sounds like itself."  

Morphic Resonances also reveals a new side of Rudolph's musical journey by putting the spotlight on his through-composed music. Some of the pieces were commissioned by the ensembles on this release, while others were written when Rudolph was living in Copenhagen as a recipient of the prestigious D.I.V.A. award from the Danish government. "I tried to project my inner voice and spirit as well as my experiences as a hand drummer and improviser into the compositions. Being an autodidact, it was interesting to use the "Western classical" notational system to do that. I was fortunate to have outstanding musicians from both the USA and Europe to bring this music to life." 

TRACKS

Morphic Resonances / Momenta String Quartet  13:18

Syntactic Adventures / Momenta String Quartet  13:12

Garden, Ashes / Kaoru Watanabe & Marco Cappelli  8:55

Strange Thought / Sana Nagano  2:45

Orbits / Odense Percussion Group  10:30

Coincidentia Oppositorum / Figura / Kammeratorkestret Ensemble  3:59

Lamento / Kaoru Watanabe & Marco Cappelli  3:50 

TOUR DATES:

Monday, October 2  

University of Massachusetts, Amherst

Adam Rudolph with Hamid Drake and Ralph Jones

Tuesday, October 3 and Wednesday, October 4 

Jazz Gallery, New York City

ADAM RUDOLPH'S MOVING PICTURES

Thursday, October 5 

October Revolution Festival (opening for Sun Ra Arkestra), Philadelphia

Adam Rudolph with Hamid Drake and Ralph Jones

Saturday, October 7 

Angel City Jazz Festival, Los Angeles

ADAM RUDOLPH'S MOVING PICTURES and GO: ORGANIC ORCHESTRA 

conducted by Adam Rudolph and featuring Bennie Maupin  

Sunday, October 8 

Motherland Music, Inglewood

Adam Rudolph and Hamid Drake "Karuna Percussion Duet"

Tuesday, October 10 

Rhizome, Washington, DC

Adam Rudolph and Hamid Drake "Karuna Percussion Duet"

Wednesday, October 11

The Windup Space, Baltimore

Adam Rudolph and Hamid Drake "Karuna Percussion Duet"

Friday, October 20 

BOP STOP - The Music Settlement, Cleveland

ADAM RUDOLPH'S MOVING PICTURES

Saturday, October 21 

Edgefest Kerrytown, Ann Arbor 

ADAM RUDOLPH'S MOVING PICTURES

Sunday, October 22 

Lafontsee Galleries, Grand Rapids

ADAM RUDOLPH'S MOVING PICTURES

Friday, November 17 

Firehouse 12, New Haven

ADAM RUDOLPH'S MOVING PICTURES   

 

Astrud Gilberto 5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better)

A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. 

There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. 

Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! 

Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! 

There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?".  ~ Dusty Groove

 

NEW RELEASES: DEVA MAHAL – RUN DEEP; MARIA JOAO – POESIA DE ALDIR BLANC; NINA MIRANDA – FREEDOM OF MOVEMENT

DEVA MAHAL – RUN DEEP

Soul and R&B songstress Deva Mahal steps into the spotlight with her debut single "Run Deep". A rare combination of masterful songwriting and breathtaking vocal talent, Deva offers an introductory glimpse of her brand of pulse-pounding indie R&B. Her self-titled debut EP drops Oct 27, featuring two original tracks and a powerful cover of a 1970s Carole King penned hit. Upcoming appearances includes: 13th November - Jaxxdock - Prague, CZ; 15th November - The Pheasantry (London Jazz Festival) - London, UK; 18th November - Jazz Unterfahrt - Munich, DE; 19th November - Kulturhuset  - Stockholm, SE; 21st November - Duc des Lombards - Paris, FR; 22nd November - Duc des Lombards - Paris, FR; and 23rd November - Municipal Theater - Fontainebleau, FR.

MARIA JOAO – POESIA DE ALDIR BLANC

A sensitive tribute to the music of Aldir Blanc – the sublime Brazilian songwriter whose 70s collaborations with Joao Bosco helped elevate the music to a whole new level – and whose words really take on new sort of beauty here, thanks to very unusual handling by Maria Joao! Joao's always been one of the more interesting Brazilian female singers – equally skilled in jazz, and also open to more freely creative modes – which she really embraces here, as most tunes just feature one other instrument for accompaniment, leaving Maria's voice to handle a lot of the other elements of the songs. This doesn't mean that Joao just sings gently alongside a guitar or piano – instead, it means that Maria's expressiveness is pushed even further, to embrace the full scope of the songs, and make them come alive with her voice – as she does here on songs that include Aldir Blanc collaborations with Joao Bosco, Carlos Paredes, and Guinga. Titles include "O Coco Do Coco", "Sede E Morte", "O Bebado E A Equilibrista", "Linha De Passe", "Lendas Brasileiras", and "O Sonho".  ~ Dusty Groove

NINA MIRANDA – FREEDOM OF MOVEMENT

You might remember Nina Miranda for her great work with Da Lata years ago – but since that time, she's only evolved even more as an artist – to a point where she's really finding her voice here in a freshly creative way! The record's got a very compelling mix of acoustic and electric elements – some of the beats you might expect, but also mixed with more live percussion, and even some field recordings and other elements that really create a deeper texture of sound next to Nina's lovely vocals. The record also features help from some great talents from the underground – including Kassin, Chris Franck, Xaver Fischer, and others who've helped bridge the gap between Brazilian roots and 21st Century expression. Titles include "Marsh Mellow Dreams", "Whole Of London", "Megalopolis", "The Cage", "Silken Horse", "Capoeira 2020", "Play", "Amazonia Amor", "Soundtrack To Venus Night Boat", and "The Surfer".  ~ Dusty Groove

NEW RELEASES: WADADA LEO SMITH – REFLECTIONS & MEDITATIONS ON MONK; ERIC REVIS – SING ME SOME CRY; BRIAN CHARETTE - BACKUP

WADADA LEO SMITH – REFLECTIONS & MEDITATIONS ON MONK

Trumpeter Wadada Leo Smith never fails to blow us away – and even though he's captured our ear with recent higher-concept projects or other group work, he sounds equally mindblowing here in a completely solo setting! As you'd guess from the title, the set's based around the musical vision of Thelonious Monk – territory not often explored on solo trumpet, and handled beautifully here by Smith – both on his long extrapolations based on Monk's compositions, and on his own tunes dedicated to Monk – which are these bold, brilliant paintings in sound that the legendary pianist would have been proud to hear. We're not sure what's in the water over at Smith's house, but he's really had this amazing blossom of fresh creativity in recent years – as you'll hear on his compositions here, entitled "Monk & His Five Point Ring At The Five Spot Cafe", "Monk & Bud Powell At Shea Stadium", and "Adagio Monkishness – A Cinematic Vision Of Monk Playing Solo" – alongside versions of Monk tunes that include "Ruby My Dear", "Reflections", "Round Midnight", and "Crepuscule With Nellie".  ~ Dusty Groove

ERIC REVIS – SING ME SOME CRY

The bass of Eric Revis sounds better than we ever remember – and that's saying a lot, because we've really liked his other records too! Yet here, it almost feels like Revis is out to re-state himself as a musician – coming on strong with a tone that could put him up there with the giants of earlier years – and beautifully matched with drummer Chad Taylor, who's always been an amazing example of that rare quality of being tight and loose at the same time! Ken Vandermark blows tenor and clarinet – but in a way that really seems to respect the path taken by Revis and Taylor – as does the piano of Kris Davis, which punctuates the sound perfectly. Titles include "Sing Me Some Cry", "PT 44", "Good Company", "Rye Eclipse", "Rumples", and "Drunkard's Lullaby".  ~ Dusty Groove

BRIAN CHARETTE - BACKUP

Brian Charette's a contemporary organist who's always out to set himself apart from most of the rest – not by forcing any sort of experimental modes on the Hammond, or by trying to race up and down the keys – but just by relaxing into a tune, and really finding a way to deliver a performance that's clear and crisp, yet undeniably soulful! Whereas other younger Hammondists might be driven to work in the territory of the Jimmys – McGriff and Smith – or Jack McDuff – Charette's almost got more of the understated quality of Shirley Scott, especially on a trio date like this. Brian keeps his tone nicely in check – always playing with these round, fully-formed notes – even on material by artists like Larry Young or Joe Henderson – and he's balanced out here by the piano of Henry Hay and drums of Jochen Rueckert, in a way that uses the piano to almost underscore and echo the lines of the organ. Titles include "The Blessing", "Backup", "A Shade Of Jade", "Tadd's Delight", "These Are Soulful Days", and "Dahoud".  ~ Dusty Groove

NEW RELEASES: BETTE SMITH – JETLAGGER; HERMETO PASCOAL – NOS MUNDO DOS SONS; OTTO - OTTOMATOPEIA

BETTE SMITH – JETLAGGER

The debut album by Bette Smith – a singer with a definite 70s look on the cover, and a definite sound to match! Bette was raised in Brooklyn, where she worked for years to hone her voice to a uniquely raspy style – but she recorded this album in Mississippi, with a deep soul vibe that really fits the spirit of her vocals – certainly different than if she were singing with a funk band up north! Jimbo Mathus is the second creative vision on the project – as he produced, wrote most of the songs, and even plays guitar and keyboards – with an overall vibe that maybe feels like some of the rootsier Malaco productions in the 70s. Titles include "Jetlagger", "Moaning Bench", "Shackle & Chain", "Durty Hustlin", "Manchild", "City In The Sky", "I Will Feed You", and a nice remake of Isaac Hayes' "Do Your Thing".  ~ Dusty Groove

HERMETO PASCOAL – NOS MUNDO DOS SONS

Fantastic sounds from Hermeto Pascoal – an artist who first set the world of Brazilian music on fire in the early 70s, and has continued to be one of its most creative talents for decades! One of the great things about Hermeto is not only his own talents as a composer and instrumentalist, but also his warmly collaborative style, and strong sense of mentorship – which often has him working with younger players who not only realize his vision perfectly, but help spur him on to new creative heights! This double-length set is a fantastic testament to that tradition – as it has Hermeto working alongside his son Fabio, who helped organize the date – plus other instrumentalists who provide a range of sharp sounds with the sort of fast changes and inventive timings that we've really come to expect from Pascoal at his best. Most tracks are instrumentals – in a mode that's somewhere near jazz, but very much in its own territory – but the set also has one especially amazing number with indivdual associates speaking a bit with very cool backing. Titles include "Viva Piazzolla", "Som De Aura", "Para Miles Davis", "Salve Pernambuco Percussao", "Viva Edu Lobo", "Um Abraco Chick Corea", "Rafael Amor Eterno", "Ilza Nova", and "Para Ron Carter".  ~ Dusty Groove

OTTO - OTTOMATOPEIA

That's a pretty clever title from Otto – but then again, the man's always been one of the most clever artists of his generation – and that's saying a lot, given that Otto rose up on a big wave of newly creative Brazilian talents at the start of the 21st Century! All the promise we've loved in his music is still strongly in place here – wonderful songwriting, of the sort that can make the tunes completely compelling, even if you can't understand their lyrical language – served up with inventive production that folds together acoustic and electric elements to resonate the gentle soul of the lyrics. We've always wondered why Otto's talents have never broken bigger on a global scale – but his underground status is maybe one of the reasons we've always enjoyed him so much too – as we greatly do this time around, on titles that include "Teorema", "Orunmila", "Bala", "Atras De Voce", "Caminho Do Sol", "Carinhosa", and "Meu Dengo".  ~ Dusty Groove

NEW RELEASES: GABRIEL TAJEU – AN INTRODUCTION TO GABRIEL TAJEU; TRIBALISTAS – CAPA PROVISORIA; NICOLE WILLIS & UMO JAZZ ORCHESTRA – MY NAME IS NICOLE WILLIS

GABRIEL TAJEU – AN INTRODUCTION TO GABRIEL TAJEU

A great introduction to the voice of Gabriel Tajeu – a singer who has this way of grabbing us right from the very first note, with a vibe that's classic enough to have made him huge way back in the 70s! Gabriel's music has a sound that's as sunny as the image on the cover – a style that reflects both his roots in Alabama, and his handling here by an overseas funk label – a mixing of modes that's maybe even greater than the sum of its parts, and served up at a level that's mighty fresh! Tajeu sings in a way that slides right into the lyric beautifully, and the backings are often light, but with a slight sense of groove – slightly jazzy around the edges to warm things up and maybe point just slightly towards 70s AOR territory. Titles include "Down To The Wire", "Raindrops", "Weight Of The World", "Someone To Love", "Sunday's Best", "The Beat Goes On", and "All I Want Is You". CD also features five bonus acoustic versions of songs on the album.  ~ Dusty Groove

TRIBALISTAS – CAPA PROVISORIA

Beautiful work from Tribalistas – that groundbreaking group forged from three Brazilian stars who rose in the 90s – Arnaldo Antunes, Marisa Monte, and Carlinhos Brown – who somehow found a perfect way to come together, and make their music even more special as a trio! We've always loved their records, but this time around there's something maybe even more incredible – this instant classic vibe that rings out right from the very first note, as the voices of the singers trade back and forth, and blend – and the instrumentation follows suit with this subtle weaving of acoustic and electric elements. Monte produced the record, but really with help from everyone else involved – and there's this close-up, collaborative spirit to the whole thing that maybe makes the record the most intimate, personal offering from the group – and maybe the most mature as well. Titles include "Diaspora", "Um So", "Fora Da Memoria", "Anima", "Feliz E Saudavel", "Lutar E Vencer", "os Peixinhos", "Baiao Do Mundo", and "Alianca".  ~ Dusty Groove

NICOLE WILLIS & UMO JAZZ ORCHESTRA – MY NAME IS NICOLE WILLIS

A wonderfully fresh change for the mighty Nicole Willis – who works here with the decades-old UMO Jazz Orchestra – who have been as important to the Finnish scene as Willis has with her music in recent years! The sound is still in that mix of soul and funk that Nicole's given us on previous records – but with the larger group, she also brings in some jazzier shadings too – really rising with a sense of majesty, over arrangements handed by Jimi Tenor, her longtime partner – whose vision has really helped Nicole's talents over the years! The set is both classy and classic – but not in any sort of easy-retro, or overstated way – as Tenor and Willis really know how to strike the best sort of balance to showcase the strength of Nicole's original material for the set – songs that seem to have even more righteous power than before. Titles include "Break Free", "Haunted By The Devil", "No Child Denied", "Together We Climb", "When We Go Down", "Final Call", and "One In A Million". CD features the bonus track "Still Got A Way To Fall".  ~ Dusty Groove

THREE-TIME GRAMMY® NOMINEE JOEY ALEXANDER HONORS JAZZ ICON THELONIOUS MONK's CENTENNIAL WITH JOEY.MONK.LIVE!

14-year-old pianist and three-time GRAMMY® nominee Joey Alexander will release, Joey.Monk.Live! on Motéma Music, in honor of jazz icon Thelonious Monk's 100th Birthday. The album will stream exclusively on Apple Music and be available for digital download on iTunes on Friday, September 29, followed by wider digital release on Friday, October 13.

Joey routinely cites Monk as his greatest influence. This trio project, recorded live at Jazz at Lincoln Center in June 2017, features fresh arrangements of seven iconic Monk compositions.  There are five stellar trio tracks - "Evidence," "Ugly Beauty," "Rhythm-A-Ning," "Epistrophy," and "Straight No Chaser" - featuring bassist Scott Colley and drummer Willie Jones III, as well as a pair of imaginative and lyrical solo excursions on, "Round Midnight," and "Pannonica."

To celebrate the new album and Monk's legacy, Joey will headline New York's Jazz Standard one-night only on Monk's Centennial, Tuesday, October 10, with fellow Motéma artist, Charnett Moffett on bass, and Joey's frequent collaborator Ulysses Owens Jr. on drums.

The weight of Monk's influence is evident in elements of Joey's unique piano style, his thoughtful approach to Monk classics on his first two albums, My Favorite Things (2015) and Countdown (2016), and in the growing body of compelling Joey Alexander originals, three of which were featured on his prior albums, with six more to be unveiled when his third studio album is released in 2018.

"Thelonious Monk taught me to groove, bounce, understand space, be patient, be simple, sometimes be mysterious but, most of all, to be joyful," reflects Joey. "In my arrangements, I tried to stay true to the essence of his music - to treat it with the highest level of respect. Thelonious Monk's music is the essence of beauty."

Since coming to the United States in 2014, the response to Joey has been astonishing. The Bali-born 14-year old has experienced one of the most rapidly ascendant careers in jazz history. Since releasing his chart-topping albums, My Favorite Things (2015) and Countdown (2016), Joey has earned a combined three GRAMMY® Award nominations, making him the youngest jazz artist ever nominated for a GRAMMY® Award. His musical adroitness earned him appearances on the GRAMMY® Awards, The Today Show, CNN, as well as CBS 60 Minutes profile by Anderson Cooper, fueling a rare level of public notoriety for Joey as a jazz musician, both within the jazz community and among the public at large.

"Joey.Monk.Live!" Track Listing

1. Round Midnight

2. Evidence

3. Ugly Beauty

4. Rhythm-A-Ning

5. Epistrophy

6. Straight No Chaser

7. Pannonica

Tour Dates:

September 28: Alys Stephens Performing Arts Center, Birmingham, AL

September 29: Donald W. Nixon Centre for the Arts, Newman, GA

October 10: Jazz Standard, New York, NY

October 13: Schermerhorn Performing Arts Center, Nashville, TN

October 14: Loeb Playhouse at Purdue University, West Lafayette, IN

October 20: Orchestra Hall, Detroit, MI

October 21: Sharon Lynne Wilson Center for the Arts, Brookfield, WI

January 12: Adrienne Arsht Center, Miami, Florida

January 19: Singha Winter Jazz Festival- Singha Park, Chiang Rai

January 25: Collins Center for the Arts, Orono, Maine

February 17: Corning Museum of Glass, Corning, NY

February 22: Jazz Alley, Seattle, WA

March 2-3: Appel Room @ JALC, New York, NY

March 23:  Strathmore, Bethesda, MD

March 30: Musical Instrument Museum, Phoenix, AZ

March 31: Capitol Theatre, Salt Lake City, UT

April 20: Schaeffer Auditorium/ Kutztown University

April 21: Strand Capitol Arts Center, York, PA

April 27: Musco Center, Orange, CA

April 28: La Jolla, San Diego, CA

April 29: UCSB, Santa Barbara, CA

GRAMMY NOMINATED SAXOPHONIST DAVE KOZ CELEBRATES TWO DECADES OF CHRISTMAS TOURS WITH NEW HOLIDAY CD FEATURING DAVID BENOIT, RICK BRAUN AND PETER WHITE

Dave Koz and Friends 20th Anniversary Christmas also features guest vocalists Selina Albright, Javier Colon, Kenny Lattimore, Gabriel Orengo and Jeffrey Osborne

After twenty years of sold out Christmas tours and five celebrated holiday albums within as many years, saxophonist Dave Koz has done his share – and then some – to help to make the season bright. This year he has reassembled his original holiday lineup – pianist David Benoit, trumpeter Rick Braun and acoustic guitarist Peter White – for the making of Dave Koz and Friends 20th Anniversary Christmas, an album that features brand new recordings of classic Christmas songs.

The September 29, 2017, release of Dave Koz and Friends 20th Anniversary Christmas on Concord Records sets the stage for Koz and this same lineup to go back on the road in late November for the 2017 holiday season.

“If you had asked me twenty years ago, I would never in a million years believed that we’d be doing Christmas tours two decades later,” says Koz. “But here we are, still doing it, and it’s going as strong as ever! So with twenty years under our belts, it seemed like a great reason to celebrate, and that’s why we decided to include the original cast of our Christmas tour. It’s our chance to go back to the very beginning and celebrate the relationships that this whole journey was built on.”

In addition to the brilliant instrumental synergy of Koz, Benoit, Braun and White, Dave Koz and Friends 20th Anniversary Christmas also includes a stellar lineup of guest vocalists: Selina Albright, Javier Colon, Kenny Lattimore, Gabriel Orengo and Jeffrey Osborne. In addition, several of the tracks are enhanced by the West European Symphony Orchestra. This confluence of instrumental, vocal and orchestral talent creates the peaceful, familial, home-centered vibe that everyone seeks at holiday time.

“This is the kind of record that really sets a mood and stays with that mood,” says Koz. “The feeling and the image I get when I listen to it, is that quiet time after dinner when the kids are asleep, the fireplace is crackling, you’re enjoying an eggnog and you’re gazing at the tree with all the lights and trimmings. This music is perfect for that moment. It’s just a very chill, very beautiful collection of songs for that very peaceful time during the season.”

The album opens on a light-hearted note with “Winter Wonderland.” The orchestra begins with a whimsical figure that sounds like snow falling, and then segues immediately into the familiar melody. “It’s a great song to start the album,” says Koz, “because everyone is featured, everyone plays the melody and everyone has a solo. You really get a sense of everyone’s personality in a single track.”

“Joy to the Wonderful World” is just what the title suggests – a medley of “Joy to the World” and “What a Wonderful World.” The track talks about the world in general, but especially at Christmastime. “People are different at this time of year,” says Koz. “Christmastime brings out the best in everyone and we all look at the world with childlike joy and tend to appreciate things more. We often hear people say – why can’t it be like Christmas all year ‘round.”

“Christmas Time Is Here” derives much of its beauty from the spontaneity of its inception. “We had a five minute conversation about what we were going to do,” says Koz, “we picked a key, we pressed record, and three and a half minutes later, there was the track! When you hear that melody, it’s the holidays. There’s no doubt about it. It takes you right there.”

Gabriel Orengo brings his expressive vocals to the Jose Feliciano classic “Feliz Navidad.” Koz calls the arrangement “a completely novel way of interpreting the song. Gabriel does this sort of Bruno Mars type of vocal delivery that’s so expressive and so in the moment. When I first heard Gabriel do it, I thought, ‘We have to find a way to make it work on the album,’ and we did. I’m very proud of this track.”

“Hark! The Herald Angels We Have Heard on High” is another one-take wonder that came together in the studio with very little preliminary planning. “It’s a pretty sophisticated piece of music, a musical mash up of two classics” says Koz, “and yet it was just one pass from start to finish.”

Selina Albright’s heartfelt vocals bring a retro sensibility to “Have Yourself a Merry Little Christmas,” but at the same time, “she has all the dexterity of a modern pop singer,” says Koz. “She takes it to another level, but never overdoes it. Her version sounds so true to what the song is all about.”

“O Tannenbaum,” one of Koz’s all-time favorites, creates an opportunity for plenty of interplay between himself and his three bandmates. “At the end of the track, there’s a musical conversation that came about organically. Look for quotes from familiar melodies like ‘Jingle Bells,’ ‘On Broadway’ and others.”

Javier Colon delivers the emotional payoff in “Silent Night,” a track that starts as a subtle instrumental piece and culminates with Colon’s angelic delivery. “Since the moment this song was written in the 1800s, it has been something more than a song. It’s like a prayer. So you must approach it with tremendous respect. Javier does that beautifully.”

Kenny Lattimore’s emotionally powerful rendition of Leonard Cohen’s “Hallelujah” had its origins in Koz’s 2016 Christmas tour. “The first night Kenny sang it, he got a standing ovation,” Koz recalls. “So we asked him to memorialize his version on this album.”

The lush and peaceful “O Little Town of Bethlehem” is a classic that Koz hadn’t recorded on any previous holiday albums. “It’s a beautiful melody in its own right,” he says, “and David wrote this absolutely gut-wrenching, gorgeous arrangement for the orchestra.”

Jeffrey Osborne delivers the stirring “Home Medley,” a combination of “I’ll Be Home for Christmas” and Kenny Loggins’ “Celebrate Me Home,” a song that is traditionally the final number in Koz’s Christmas shows, and it speaks to the emotional connection so common at this time of year. “It’s that sense of stability you get when you’re surrounded by your loved ones,” he says, “whether you’re actually in your physical home or not.”

Indeed, home for Koz and his bandmates is any place where they feel a positive connection. It may be in your town, or even in your living room. “Oftentimes,” he says, “because we’ve been going back to some of the same venues over the course of twenty years for the Christmas tour, these places feel like our home – even if it’s just for two hours in one night in December. Likewise, the songs on Dave Koz and Friends 20th Anniversary Christmas are all very important to those of us who recorded them. We’ve poured a lot of love and care into each song, and hope fans are filled with warmth, kindness and Christmas Spirit.”

The Mark Zaleski Band Returns After Nearly a Decade With Its Wide-Ranging, Hard-Swinging Second Album, Days, Months, Years

Bandleader/composer Zaleski pulls off the impressive feat of playing both saxophone and bass on the album, which features his long-running ensemble

Sparks can fly from an initial meeting, but true chemistry only comes with time. That's true in jazz as it is in life, as can be heard by listening to the evolution of the music's great bands as they grow and evolve over time. Nearly a decade after their debut release, the Mark Zaleski Band returns with the fruits of their own long tenure together. On Days, Months, Years, due out October 6, 2017, the quintet (and sometime sextet) reveals the fruits that come from putting in the time, year after year, gig after gig.

While the Mark Zaleski Band has been together for 11 years, the relationships between the bandleader and some of his collaborators reach back even further - nearly a lifetime in the case of keyboardist Glenn Zaleski, Mark's younger brother and a gifted composer/bandleader in his own right. Tenor saxophonist Jon Bean has been Zaleski's best friend since the two met as students at Boston's New England Conservatory 12 years ago. Both guitarist Mark Cocheo and bassist Danny Weller (who is a regular part of the live band and appears on one track here) first crossed paths with Zaleski at that prestigious institution as well. In that company drummer Oscar Suchenek is the relative newcomer, joining four years ago after meeting Zaleski in the ranks of the acclaimed Either/Orchestra.

It takes the kind of telepathic communication that only comes with such longevity and chemistry to manage the album's most impressive feat. Zaleski does double duty in the band's line-up, part of both his namesake band's frontline, playing alto and soprano saxophone, as well as its rhythm section, playing bass on five of the six tracks. A lot of planning and some complicated logistics (not to mention a bit of studio acrobatics) were required, though as with the best magic the effort never shows in the final product. The music on Days, Months, Years is as lively, swinging and robust as if a sixth member - Zaleski clone or not - was playing along with them.

"Playing bass and saxophone for a jazz record is obviously kind of tricky," Zaleski admits. "I don't think I'd be able to pull it off with just any group of musicians. It requires the real life bond that everybody in this band has with each other."

While saxophone has been Zaleski's primary instrument since he first picked one up at 9 years old, he's maintained a lifelong flirtation with the bass. Growing up listening to classic and modern rock, the guitar loomed larger in his imagination than the clarinet that he played in the school band, which seemed to have little to do with the music of Led Zeppelin or Metallica. Even as he shifted his focus to jazz, Zaleski would sneak away from his sax shedding to play around with a friend's upright bass while studying at the Dave Brubeck Institute or NEC.

Seven or eight years ago, that tinkering became a little more serious as Zaleski finally invested in a bass of his own and quickly found himself in demand for gigs and recording sessions as a bassist. "What I thought was going to be a fun little hobby suddenly blew up," he recalls. "I always felt this organic connection to the bass, but it's now become a real part of my life that I couldn't let go of. Though it was kind of crazy, it seemed like the most accurate representation of myself as an artist had to do with bass playing as well as saxophone playing."

Days, Months, Years kicks off with the anthemic "Mark in the Park," which has become something of a theme song for the band. Over the course of its ten minutes, the band gets to show off nearly every facet of its sound, from bracing swing to lilting groove, modern jazz angularity and a rocking, funky backbeat. The first solo belongs to Zaleski's alto, over his own thick, Ray Brown-influenced bass line. Pulling that off required a bit of in-studio juggling and after-the-fact tracking, but the seams never show. "I didn't want anything to seem overproduced," Zaleski says. "I wanted to maintain the organic quality of the improvisational sections."

"Cerina," named for the street where the band used to practice in Boston's Jamaica Plain neighborhood (not far from the park where "Mark in the Park" was written), begins with an unaccompanied duo improvisation between the two saxophonists that offers a glimpse of the deep friendship and understanding that Zaleski and Bean share. The rest of the band kicks in with a fiery, Latin-tinged rhythm, which later gives way to a more atmospheric section for Cocheo's entrancing solo.

The title track was penned by a younger Zaleski in a moment of career anxiety, its simmering intensity revealing of his frustration, though the song ultimately ends on a hopeful note, one that has since been paid off with the composer's success as both a musician and an educator. A funky arrangement of Thelonious Monk's "Epistrophy" follows, offering a glimpse of a well-known piece reimagined through Zaleski's own singular voice.

An elegiac ballad showcasing Zaleski's soprano playing, "Katie's Song" is a dedication to a close childhood friend who was killed far too young in a tragic car accident. Finally, the swaggering "Big Foot" offers a glimpse of the live Mark Zaleski Band experience, with regular bassist Danny Weller (who was busy attending to the birth of his child when the rest of the album was recorded) joining the fold. Zaleski's arrangement of the lesser-known Charlie Parker tune melds the original bebop sound with a burly blues feel.

A native of Boylston, Massachusetts, Zaleski has enjoyed a diverse career, playing with jazz greats like Christian McBride, Dave Brubeck, Antonio Sanchez and Dave Liebman, among others, while also working with singer Connie Francis and touring with rock legends Jethro Tull. At just 31, he's become one of the most in-demand educators in Boston, serving as chair of the Woodwind and Brass departments at Bard College's Longy School of Music and harmony professor at Berklee College of Music, and teaching ear training, lessons and ensembles at his alma mater, New England Conservatory. In addition to leading his own band, he's currently a member (on electric bass) of the long-running Either/Orchestra and Planet Radio, a funk/soul band that he co-founded.

CD Release Concerts:  

o Thursday, October 5 - Scullers Jazz Club, Boston, MA

o Friday, October 6 - Smalls, NYC 

o Saturday, October 7 - The Side Door, Old Lyme, CT

“HAVANA MEETS KINGSTON” EXPERTLY BLENDING THE SOUNDS OF TWO DISTINCT ISLANDS

On November 3rd, VP Records/17 North Parade will release “Havana Meets Kingston.” The innovative, culture-centric album pairs legendary and emerging Cuban and Jamaican musicians to reimagine classic songs and create new compositions, infused with Jamaican reggae and dancehall and traditional Cuban and Afro-Cuban rhythms. Produced by Australia’s leading reggae and dancehall producer Mista Savona (aka Jake Savona), ‘Havana Meets Kingston’ is the first full-length project to present the blended sounds of these two distinct island nations supported by an all-star cast of musicians.

Of the 15 new recordings on the album, fresh versions of ‘Chan, Chan,’ ‘El Cuarto De Tula,’ and ‘Candela,’ made famous by the album/film Buena Vista Social Club present a blended Caribbean flair. The album was recorded at Egrem Studios (Estudios Areito 101) in Havana and features performances by Grammyaward winning reggae duo Sly & Robbie with original Buena Vista Social Club instrumentalists Ronaldo Luna and Barbarito Torres among others.  New renditions of classic reggae songs; “Vibracion Positive” (Rastaman Vibration), “Row Fisherman Row” and “100 Pounds of Collie” feature the talents of vocalists Turbulence,Randy Valentine and Prince Alla among others. The music video and single ‘Carnival’ featuring emerging Cuban artist Solis and Randy Valentine, will be followed closely by “El Cuarto De Tula” featuring Maikel Ante, El Medico and Turbulence. A feature-length documentary chronicling the recording sessions is slated for release in 2018.

“When I first visited Cuba in 2013, there was something in the air- it just seemed to be begging to happen”, said Jake Savona. “The album simmers with an energy,warmth and sincerity that seems increasingly hard to find in this digital age. We hope you enjoy it as much as we enjoyed creating it.”

For generations, Cuba and Jamaica have been at the forefront of trends in music, art,fashion and food throughout the Americas. “Havana Meets Kingston” meshes these musical pathways, effortlessly blending Cuban rhythms and melodies with reggae’s rumbling basslines and hypnotic drums, resulting in an exceptional listening experience.

“We are excited to be associated with this album,” said Randy Chin, President of VP Records. “it’s a historical album with amazing production and talented artists, making it a truly ground-breaking project.”

 

Jordana Talsky’s new full length album ‘Neither of Either’ marks an evolution from jazz songstress to performer with a distinct sound

Jordana Talsky’s new full length album ‘Neither of Either’ marks an evolution from jazz songstress to performer with a distinct sound, combining acapella and full band tracks while seamlessly weaving between intricate support harmonies, vocal percussion and quirky textures to create an innovative and compelling sound.

The Toronto based vocalist-songwriter takes risks, sonically and stylistically, encompassing her diverse influences across multiple genres from jazz to pop, to alternative and ambient, to blues and soul and beyond.

Produced by Juno award winner Justin Abedin, the multi-instrumentalist, producer and composer recognized Jordana’s innate sense of music and deep well of creativity. “She understands the value in the craft of songwriting and brings a fresh approach to her style”.

Pushing the boundaries of her current sound, Jordana and Justin ensured the 10 track ‘Neither of Either’ has a great vibe, ease of vocal transition, convincing lyrics and musicality that harkens to other strong female voices influential on Jordana including Fiona Apple, Dido, Feist and Alanis Morissette.

Jordana Talsky is a voice to be heard. Her unique sound and varied style may be attributed to her wide ranging experience. Once an opera singer, a musical theatre performer, and member of a funk band, Jordana pushes boundaries and embraces all of her musical sensibilities. She was a finalist in the John Lennon Songwriting Competition, a semi-finalist in the Sarah Vaughan International Vocal Competition, and runner-up for the Julian Award of Excellence for Emerging Canadian Artists and Toronto Independent Music Awards (vocal jazz).

With a live show of high energy and excitement Jordana’s reputation has led her to perform in several music festivals and renowned venues. Established as one of Canada’s most exciting new artists in music, Jordana Talsky continues to perform on many notable stages both in the US and Canada making her a rising entertainer to watch.

From the catchy quirky intro of “Run” to the roots infused post-rock “Around You All The Time” followed by the darkly soulful “Ways”, and the epitome of being fed up expressed in “Sick”, Side A rounds out with “Bitter Sweet Heart”, where Jordana’s mesmerizing voice takes over. “Spark”, the first track on Side B, is a reminder that sometimes, that’s all that’s needed. “Wave of Emotion” conveys the confusion of being pulled in two directions while the title track, “Neither of Either” considers that sometimes not making the choice is wise. The RnB flavoured “Don’t Know” precedes Jordana’s imaginative acapella remake of Alanis Morissette’s “You Oughta Know” and completes the album much like it began – catchy, great vibe and shining vocals.

  

www.jordanatalsky.com

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https://www.instagram.com/jzt123/

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