THE MARLEY BROTHERS UNITE FOR ‘THE LEGACY TOUR’

The Marley Brothers – Ziggy, Stephen, Julian, Ky-Mani and Damian – announce The Marley Brothers: The Legacy Tour, their 22-date run produced by Live Nation which historically marks their first outing together in two decades. The tour will commence on September 5, 2024 at Festival Lawn at Deer Lake Park in Vancouver, BC then continues across the U.S. and Canada through the fall. 

Bob Marley's music endures as a beacon of strength, hope, and unity, attracting a growing global fanbase. For over three decades, his sons have each established themselves as renowned solo artists and collectively boast an impressive count of 22 GRAMMY® Awards, with Julian securing 2024's win for "Best Reggae Album.” 

Now reunited on The Marley Brothers: The Legacy Tour, they'll honor their father's worldwide impact by performing both individual hits and classic Bob Marley songs during a momentous year for the genre. As the world nears what would have been Bob Marley's 80th birthday in 2025, there's no greater homage than experiencing his music live through his sons, who carry on his enduring influence across popular culture. 

VIP PACKAGES:  The tour will also offer a variety of immersive VIP packages and experiences for fans to take their concert experience to the next level. Fans can also purchase VIP Packages, which may include premium tickets, invitation to the pre-show soundcheck with the Marley Brothers’ band, access to the pre-show VIP lounge, specially designed VIP gift item and more.  

Additionally, on April 20th, Bob Marley: One Love will expand its screenings, inviting audiences to celebrate alongside one of the most influential icons of all time. Coming off the heels of a worldwide record-breaking theatrical run and the 40th anniversary of Marley's revolutionary album, Legend, this tour further underscores his enduring impact on the cultural landscape.

THE 2024 LEGACY TOUR DATES:

• 9.05 | Vancouver, BC | Festival Lawn at Deer Lake Park
• 9.06 | Ridgefield, WA | RV Inn Style Resorts Amphitheater
• 9.08 | Auburn, WA | White River Amphitheatre
• 9.10 | Concord, CA | Toyota Pavilion at Concord
• 9.11 | Chula Vista, CA | North Island Credit Union Amphitheatre
• 9.12 | Phoenix, AZ | Talking Stick Resort Amphitheatre
• 9.13 | Albuquerque, NM | Isleta Amphitheater
• 9.15 | Austin, TX | Germania Insurance Amphitheater
• 9.16 | Dallas, TX | Dos Equis Pavilion
• 9.18 | Cincinnati, OH | Riverbend Music Center
• 9.19 | Clarkston, MI | Pine Knob Music Theatre
• 9.22 | Queens, NY | Forest Hills Stadium
• 9.23 | Holmdel, NJ | PNC Bank Arts Center
• 9.25 | Bridgeport, CT | Hartford HealthCare Amphitheater
• 9.26 | Mansfield, MA | Xfinity Center
• 9.27 | Bristow, VA | Jiffy Lube Live
• 9.29 | Toronto, ON | Budweiser Stage
• 9.30 | Laval, QC | Place Bell
• 10.02 | Wilmington, NC | Live Oak Bank Pavilion
• 10.03 | Atlanta, GA | Lakewood Amphitheatre
• 10.04 | Tampa, FL | MIDFLORIDA Credit Union Amp
• 10.05 | Miami, FL | FPL Solar Amphitheatre 

Ziggy Marley is an eight-time Grammy winner, Emmy winner, musician, producer, activist and humanitarian who has cultivated a legendary career for close to 40 years. The eldest son of Bob and Rita Marley, Ziggy has hewed his own path as a musical pioneer, infusing the reggae genre with funk, blues, rock and other elements through mindful songcraft. Equal parts master storyteller and motivational guide, he deftly explores issues from environmental awareness to self-empowerment, social injustice to political inequity, while returning again and again to the transformative power of love. And over the past 15 years with his own companies, Tuff Gong Worldwide and Ishti Music, Marley has complete control of his masters and publishing; alongside his charity URGE – benefiting the well-being of children in Jamaica, Africa and North America.

Stephen “Ragga” Marley is a world-renowned singer, songwriter, and producer whose work has earned no fewer than eight Grammy Awards. Born into a musical family, Stephen is the child of reggae legends Bob Marley and Rita Marley. He began singing professionally at 6, touring the world with his elder siblings Ziggy, Sharon, and Cedella in The Melody Makers. In 2008, he released his first solo album, Mind Control, which won the Grammy Award for Best Reggae Album. His subsequent solo albums include Mind Control Acoustic, Revelation Part I: The Root of Life, and Revelation Part II: The Fruit of Life. Stephen’s first new full-length album in more than seven years, Old Soul, was released on September 15 via Tuff Gong Collective/UMe/Ghetto Youths International. The new album is a departure from his previous Reggae repertoire, showcasing more of his bluesy, acoustic soul side, as evidenced by the first single, “Old Soul.” Stephen is also an acclaimed producer, working closely with his brother Damian “Jr. Gong” Marley on the massive crossover hit Welcome To Jamrock. In addition, Stephen continues to champion charitable endeavors centered in Jamaica as a co-founder of the Ghetto Youths Foundation, along with his brothers Damian and Julian Marley. In 2017, Stephen established Kaya Fest, the annual music festival, which features special guests and rare family performances, all with the larger purpose of raising awareness around the benefits of cannabis, guided by the mantra “Education Before Recreation.”

Julian Marley, born in London, England on June 4, 1975, to Bob Marley and Lucy Pounder, embraced a musical upbringing, mastering various instruments as a self-taught musician. Mentored by reggae greats in Jamaica, he released his debut album "Lion in the Morning" in 1996, followed by international tours. He contributed to Lauryn Hill's Grammy-winning album and collaborated on a Stevie Wonder tribute. His sophomore album, "A Time and Place," showcased a fusion of reggae and jazz. Julian spearheaded the 'Africa Unite' performances and performed at the 2008 Olympic Games. His Grammy-nominated album "Awake" in 2009 garnered acclaim, winning 'Best Album of the Year' at the IRAWMAs. Julian, deeply rooted in Rastafarianism like his father, remains committed to spiritual and global messages in his music, embodying a conscious movement in reggae.

Ky-Mani Marley, son of reggae legend Bob Marley and Anita Belnavis, is a Grammy-nominated artist who burst onto the scene with his 1996 debut album "Like Father Like Son," blending reggae with hip-hop. Born in Falmouth, Jamaica, he has a diverse discography including "Many More Roads" (2001), "Maestro" (2015), and a collaboration with Gentleman titled "Conversations." Beyond music, Ky-Mani has showcased his acting skills in films like "Shottas" (2002) and "One Love" (2003). With his soulful voice and powerful lyrics, he upholds the Marley legacy while forging his own distinctive path in entertainment.

Multi-Grammy winning talent, Damian "Jr. Gong" Marley is a highly acclaimed Jamaican singer, songwriter and producer. He is the youngest son of the revered legend, Bob Marley. His musical style fuses reggae with elements of dancehall, hip-hop, R&B, and rock, crafting a fresh and modern sound that is uniquely his own. Damian was the first ever Reggae artist to win a GRAMMY AWARD® outside of the Reggae category. The acclaimed 2005 breakthrough disc, Welcome To Jamrock, won a GRAMMY AWARD® for Best Reggae Album, with the New York Times naming the track “the best reggae song of the decade.” In 2010, Marley teamed up with Nas and brother Stephen Marley for his Distant Relatives project, and went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem,” which Rolling Stone called “a monster mash-up of dubstep and dancehall.” Which went platinum with over 1 Million copies sold in the United States alone. Following the track’s success, the reggae superstar released his fourth studio album, Stony Hill, resulting in his third GRAMMY AWARD® for Best Reggae Album. In September of 2022, Marley produced the studio album, The Kalling, for Kabaka Pyramid which won Best Reggae Album at the 65th Annual GRAMMY AWARDS®. Most recently, “Jr. Gong” released his rendition of the famed George Harrison track, ‘My Sweet Lord.’. The track got the stamp-of-approval by George’s beloved wife, Olivia, as well as the George Harrison Estate. Damian is the co-founder of the renowned Welcome To Jamrock Reggae Cruise, which is gearing up for its 9th annual.

Kenny Garrett & Svoy - Who Killed AI?

Grammy Award-winning saxophonist Kenny Garrett and acclaimed producer Svoy have announced the release of their highly anticipated album "Who Killed AI." Known for their innovative approach to jazz and electrifying performances, Garrett and Svoy once again push the boundaries of the genre with this latest collaboration.

"Who Killed AI" delves into themes of artificial intelligence, technology, and the human experience in the modern age. Through their masterful compositions and virtuosic performances, Garrett and Svoy explore the intersection of humanity and technology, inviting listeners on a thought-provoking sonic journey.

The album features an all-star ensemble, including pianist Vernell Brown Jr., bassist Corcoran Holt, drummer Ronald Bruner Jr., and percussionist Rudy Bird. Together, they create a dynamic and immersive musical landscape that captivates audiences from start to finish.

Garrett and Svoy's signature blend of traditional jazz with contemporary influences shines throughout "Who Killed AI." From the infectious grooves of "Electric Dreams" to the introspective melodies of "Ghost in the Machine," each track offers a glimpse into their unparalleled musical vision.

Reflecting on the album, Garrett says, "I wanted to explore the impact of artificial intelligence on our society and the existential questions it raises. 'Who Killed AI' is a reflection of our complex relationship with technology and the profound ways it shapes our lives."

In addition to his groundbreaking work as a recording artist, Kenny Garrett has established himself as one of the most influential saxophonists of his generation. With over 20 albums to his name and collaborations with jazz luminaries such as Miles Davis, Freddie Hubbard, and Herbie Hancock, Garrett's impact on the genre is undeniable.

Svoy, a critically acclaimed producer and multi-instrumentalist, brings his unique musical perspective to "Who Killed AI," contributing to the album's innovative sound and compelling narrative.

"Who Killed AI" is now available on all major streaming platforms and digital music stores. To learn more about Kenny Garrett, Svoy, and their music, visit their official website at www.kennygarrettmusic.com and www.svoy.com.

Kenny Garrett is a Grammy Award-winning saxophonist known for his innovative approach to jazz and electrifying performances. With over 20 albums to his name and collaborations with jazz legends Miles Davis, Freddie Hubbard, and Herbie Hancock, Garrett has established himself as one of the most influential saxophonists of his generation. Born in Detroit, Michigan, Garrett began playing saxophone at an early age and quickly gained recognition for his extraordinary talent. Throughout his career, he has received numerous accolades, including multiple Grammy Awards and DownBeat Magazine's Critic's Choice for "Best Alto Saxophonist." Garrett's latest album, "Who Killed AI," explores themes of artificial intelligence and technology in the modern age, showcasing his unparalleled musical vision and creativity.

Svoy is a critically acclaimed producer and multi-instrumentalist known for his innovative approach to music production and composition. With a diverse background spanning jazz, classical, and electronic music, Svoy brings a unique musical perspective to every project he undertakes. His collaborations with artists across genres have garnered widespread acclaim, solidifying his reputation as one of the most versatile and forward-thinking producers in the industry.

CHARLES LLOYD | "THE SKY WILL STILL BE THERE TOMORROW"

Renowned saxophonist Charles Lloyd marks his 86th birthday with a momentous musical celebration as he unveils his latest masterpiece, "The Sky Will Still Be There Tomorrow." Released today, this majestic double album showcases Lloyd's enduring brilliance and innovative spirit, reaffirming his status as one of the most significant musicians of the 20th and 21st centuries.

In this captivating release, Lloyd assembles a newly formed quartet featuring the talents of pianist Jason Moran, bassist Larry Grenadier, and drummer Brian Blade. Together, they embark on a mesmerizing musical journey, weaving a tapestry of sound that transcends boundaries and captivates listeners.

"The Sky Will Still Be There Tomorrow" captures Lloyd at the peak of his powers, delivering a collection of new studio recordings that showcase the depth of his musical vision and the boundless creativity of his ensemble. From intimate ballads to soaring improvisations, each track resonates with emotional depth and artistic integrity, reflecting Lloyd's unparalleled artistry and unwavering commitment to his craft.

With this latest release, Lloyd invites listeners to embark on a sonic exploration that transcends time and space, inviting them to immerse themselves in the beauty and complexity of his musical universe. From the ethereal melodies of "The Sky Will Still Be There Tomorrow" to the dynamic interplay of the quartet's improvisations, each composition offers a glimpse into Lloyd's unparalleled musical genius.

As we celebrate Charles Lloyd's 86th birthday, "The Sky Will Still Be There Tomorrow" stands as a testament to his enduring legacy and his unwavering dedication to the pursuit of musical excellence. This double album is not only a celebration of Lloyd's remarkable career but also a testament to the enduring power of jazz to inspire, uplift, and transform lives.

Join Charles Lloyd and his quartet on a musical odyssey unlike any other as they invite you to explore the limitless possibilities of sound and imagination. "The Sky Will Still Be There Tomorrow" is now available on all major streaming platforms.

Julian Lage's "Speak To Me" Embarks on a Musical Journey Beyond Words

Today marks the release of Julian Lage's highly anticipated fourth album on Blue Note Records, "Speak To Me." Produced by acclaimed musician and producer Joe Henry, the album is a vivid and wondrously textured exploration of American music, offering a series of dispatches from Lage's ongoing search for narrative beyond words.

With "Speak To Me," Lage takes listeners on a journey through a wide range of musical influences, delighting in the deliberate crossing of wires between genres such as gospel hymns and rural blues, California singer-songwriter sunshine, and skronky jazz. The result is a captivating and immersive sonic experience that showcases Lage's versatility as a musician and composer.

The album features Lage in a variety of settings, from solo acoustic performances to intimate duos and trios, as well as larger ensemble arrangements. Joining Lage on the album are bassist Jorge Roeder and drummer Dave King, along with guest appearances by keyboardists Kris Davis and Patrick Warren, as well as woodwind players.

"Speak To Me" is a testament to Lage's ability to push the boundaries of traditional musical genres while maintaining a deep reverence for American musical traditions. Each track on the album offers a unique perspective on Lage's musical journey, inviting listeners to join him on a quest for meaning and expression through the universal language of music.

From the soulful melodies of gospel-inspired hymns to the improvisational spirit of jazz, "Speak To Me" is a celebration of the diverse and vibrant tapestry of American music. With its rich textures and evocative storytelling, the album speaks volumes without uttering a single word.

"Speak To Me" is available on Blue Note Records. Don't miss your chance to experience Julian Lage's latest musical masterpiece.

Yosef Gutman Levitt | "The World And Its People"

In an absorbing follow-up to Soul Song, his recent collaboration with guitar great Lionel Loueke (“a scintillating and sun-struck combination of ringing, gentle jazz and percussive African highlife that can only make you smile” — freq.org.uk), bassist and composer Yosef Gutman Levitt of Jerusalem is back with a new and invigorating release: The World and Its People, available from Levitt’s recently formed Soul Song imprint.

Leading a drum-less, chamber-jazz-newgrass foursome influenced in part by The Goat Rodeo Sessions (with Chris Thile, Yo-Yo Ma, Edgar Meyer and Stuart Duncan), Levitt draws from deep within his soul on a collection of beautiful melodies, in deeply felt renderings from all involved.

The tracks are Levitt originals cowritten and arranged by producer Gilad Ronen, with sterling contributions from Levitt’s close musical associates Tal Yahalom on nylon- and steel-string acoustic guitars, Omri Mor on piano and Yoed Nir on cello. Yahalom and Levitt have made two captivating duo albums, Tsuf Harim and Tal Yasis; Mor released his own Soul Song title earlier in 2023 called Melodies of Light and appeared with Levitt on the 2022 trio release Upside Down Mountain. “Everybody worked so hard in bringing creative ideas to this session,” Levit recalls of The World and Its People. “The music is very much inspired by our prior interactions—I feel excited about taking our conversation into different styles and opportunities to connect and communicate.”

The album was mixed by Richard King, whose Grammy-winning work on The Goat Rodeo Sessions has served as an inspiration to Levitt and his colleagues. “The musical color that those musicians bring to the world is something pure and delicate and honest and lovely and luscious and warm,” Levitt remarks of Goat Rodeo. “These are the qualities I wanted to surround myself with: creating a classical crossover, dipping into country, using tools of the language to bring a light, bouncy, folky aspect to the music that I typically play, which is improvised jazz.”

A religiously observant Jew, Levitt has endowed all his music with a sense of spiritual searching and depth, whether he is interpreting Hasidic nigunim on such releases as Ashreinu and Chabad Al Hazman or exploring original music with a jazz trio on Upside Down Mountain. On The World and Its People he focuses again on originals, animated by truths gleaned from Hasidic teachings. “All of my albums begin with a notion of spiritual development, a connection to God and those around me, and how to translate the various things that I’m working on, internally and externally, into melody and music.” He explains the album title as follows: “When we make a space for the world, and we make a space for its people, we infuse it with light and we make an impact—not just socially, but through being honest and open, doing what we’re meant to be doing.”

As on previous releases, Levitt imbues The World and Its People with the sound of upright bass as well as his unique five-string acoustic bass guitar (built by Harvey Citron, Steve Swallow’s luthier), on which he’s developed a signature voice: a warm, singing, bell-like high-register tone with a focus on simple, direct, expressive melodies. The solos and unison passages on the two advance singles, “Awakening” and the title track, cut through the ensemble with a singing legato that is emotionally rich, intense yet delicate. “It’s very precious music,” Levitt says. “It’s very alive when I listen to it—I feel a magical sense of life and humanity and relationships, and I hear the depth and excitement of the other players in the room.”

“Awakening” evokes not only Levitt’s writing process (waking up first thing and improvising melodies into a voice recorder), but also the inner meaning of the Aramaic phrases itaruta diletata and itaruta dile’eyla, “awakening from below” and “awakening from above.” “Awakening from below,” Levitt explains, “can mean making a space for hearing a friend, paying attention to the world around us, inviting the world around us in, which is the idea behind the album.”

Levitt launched the Soul Song label with a set of core principles and values in mind: “The goal is to create music, and to create a label that stimulates others to do the same—to make their soul song. To create music that’s intimate and honest, improvised, and Jewish if you will.

What makes Jewish music, to me, is a profound honesty, stripping away anything that’s not needed. That’s the work I want to do with the artists on this label—whether they’re Jewish or not is not important. What’s important is that the music is inspired by something higher. I want to work with artists who are interested in getting to that place.” Releases with eminent guitarists Gilad Hekselman and Ralph Towner are soon to follow.

Daoud | "Good Boy"

Daoud's journey through the intricate tapestry of life has been both unconventional and awe-inspiring. His resilience in the face of adversity, including a period of homelessness in Scotland, reflects a profound commitment to his craft. Rather than succumb to the challenges he faced, Daoud found solace and purpose in the world of music, becoming a nomad who carried his trumpet across various landscapes, from seedy funeral parlors to vibrant club scenes. This nomadic existence not only shaped his worldview but also contributed to the unique and diverse influences that permeate his music.

The forthcoming album, "Good Boy," is a testament to Daoud's ability to channel life experiences into art. By choosing to record in a converted French cinema, the Alhambra studio in Rochefort, Daoud adds another layer of depth to his sonic explorations. The choice of venue is symbolic, serving as a canvas for the convergence of historical resonance and contemporary expression. The recording environment becomes an essential component of the album, infusing each track with a sense of place and time.

Daoud's debut not only captures the essence of his live performances but also underscores his dedication to pushing musical boundaries. The lead single, 'Non Peut-être,' serves as a compelling introduction to his boisterous sound, a fusion of groove-based compositions and an electric live atmosphere. With a nod to contemporary trumpet greats like Keyon Harrold and Theo Croker, Daoud's quintet embarks on a sonic exploration, creating compositions that defy genre constraints.

In his pursuit of musical authenticity, Daoud's approach is marked by an intense, sarcastic sound. Through "Good Boy," he seeks to challenge preconceived notions about serious music, offering a refreshing perspective that combines technical prowess with a touch of irreverence. The album becomes a celebration of the joy of creating art without the burden of self-seriousness, inviting listeners into a realm where every note is an expression of freedom and passion.

As Daoud prepares to release his debut, the anticipation builds not just for an album but for an immersive experience that transcends the boundaries of traditional jazz and explores the vast possibilities of sonic expression. "Good Boy" promises to be more than a collection of tracks; it is a testament to the transformative power of music and the boundless creativity of an artist who has truly lived his craft.

Renowned Artist Norah Jones Unveils Enchanting New Album "Visions"

In a much-anticipated musical journey, the multi-talented Norah Jones is set to captivate audiences once again with her latest masterpiece, "Visions." The Grammy Award-winning singer-songwriter, celebrated for her soulful voice and genre-blending artistry, invites listeners into a realm of musical enchantment with this latest release.

"Visions" is a testament to Norah Jones's continued evolution as an artist, showcasing her ability to seamlessly traverse genres while maintaining an unmistakable authenticity. The album, promises to be a mesmerizing collection of songs that delve into the depths of emotion, introspection, and musical innovation.

Known for her distinctive voice that effortlessly weaves through jazz, blues, and folk influences, Norah Jones has carved a niche for herself in the music industry. "Visions" builds on this legacy, offering a rich tapestry of sounds that transcends traditional boundaries.

The album features a diverse range of tracks, each telling a unique story and inviting listeners on a sonic journey. Norah Jones's emotive vocals are complemented by the exceptional craftsmanship of the musicians and collaborators who have contributed to the creation of "Visions."

In discussing the album, Norah Jones shared, " 'Visions' is a collection of songs that hold a special place in my heart. Each track reflects a different facet of my musical journey and personal experiences. I'm excited to share these visions with my fans and hope they find resonance in the melodies and lyrics."

"Visions" will be available on all major streaming platforms, as well as in physical formats, providing fans with the opportunity to experience the album in their preferred way. Norah Jones's dedicated fan base and music enthusiasts alike are eagerly anticipating the release, ready to immerse themselves in the enchanting world she has crafted.

As part of the album launch, Norah Jones will be embarking on a tour, bringing the magic of "Visions" to audiences around the world. The live performances promise to be an intimate and unforgettable experience, allowing fans to connect with the artist on a deeper level.

"Visions" is poised to be a milestone in Norah Jones's illustrious career, reinforcing her status as a musical icon. The album encapsulates the essence of her artistic evolution, promising a listening experience that transcends the ordinary and leaves a lasting imprint on the hearts of fans.

Mark Watkins & His Celebrated Saxophone Quartet | "FOUR + Six"

Watkins envelops his long-running saxophone quartet in lush, billowing textures on FOUR + Six, the band’s deliriously tuneful sixth album, set for a March 29 release on Jazz Hang Records. Watkins augments the core quartet of himself (soprano and tenor saxes), Sandon Mayhew (tenor sax), Ray Smith (alto sax), and Jon Gudmundson (baritone sax) with Corey Christiansen (guitar); a three-piece rhythm section of Justin Nielsen (piano), Braun Khan (bass), and Kobie Watkins (no relation, drums); and the esteemed Gardner brothers, Derrick (trumpet) and Vincent (trombone). 

While the saxophone quartet FOUR goes back more than 20 years, the roots of this particular collaboration lie in the turbulent year of 2020, when Derrick Gardner was forced to cancel a performance at the Brigham Young University-Idaho (where Watkins has been director of jazz studies since 1999) annual jazz festival. With the reinstatement of the festival in 2022 and the re-inviting of Derrick Gardner—as well as his trombonist brother and drummer Watkins—Watkins took the opportunity to formulate this build-out of the original FOUR. 

“I love composing for a cappella saxophone quartet but have often been intrigued by the possibility of including a trumpet, a trombone, and a rhythm section in my compositions,” writes Watkins in the album’s liner notes. “These instruments add color and variety to the quartet without creating the weight of a big band.” 

The broadened sonic palette of FOUR + Six demands a broad stylistic palette too, and on this Watkins delivers. The album’s seven tracks (all Watkins originals) include the New Orleans pastiche “On Any Given Day in Summer,” the angular post-bop “The Executioner Is Looking Away,” the gentle ballad “Against My Desire to Imagine,” and the Third Stream–inspired “Today, Yesterday, Tomorrow and Forever.”

But a recording packed with so many superb musicians can’t simply be a composer’s vehicle, and FOUR + Six’s soloists appropriately shine. Christiansen, Nielsen, Mayhew, and Vincent Gardner each take a bravura turn on the terse Latin “Shouldn’a Did That,” while the brothers find themselves featured in “Without Another Word” (which also includes solos by Khan and Mark Watkins on soprano). “There’s so much talent in this band,” Watkins notes. “We were able to go off in all kinds of directions.” Which, of course, was FOUR + Six’s intention all along.

Mark Watkins was born May 29, 1961 in St. Louis, Missouri, and grew up on classical, country, and rock & roll records as the family moved from place to place across the country. Partially blind since birth (and today fully blind), he struggled with the disability and attendant prejudice both in and out of school—but not enough to keep him away from the music he loved.

Watkins earned a bachelor’s degree in saxophone performance from Brigham Young University in 1988, followed by a doctorate in woodwind performance from Indiana University. Though his concentration in both cases was in classical music, at IU Watkins encountered the legendary jazz educator David Baker, with whom he studied to earn a minor in jazz studies.

Originally, Watkins’s vision of a saxophone quartet was a classical ensemble, which he realized while teaching at North Dakota State University in the late ’90s. But when a colleague suggested that they investigate some jazz tunes, the Hard-Bop Saxophone Quartet was born. 

Watkins has been a jazz musician ever since, taking the job of director of Jazz Studies at BYU-I in 2001, and remaining there until 2022. At the university’s seat of Rexburg, Idaho, he created the sax quartet FOUR, who recorded their debut album With Friends Like These in 2006. Five other albums followed, of which FOUR + Six is the latest. 

In addition to his performance, Watkins is an accomplished scholar of his instrument and the author of many books on the subject. One of these, 2018’s From the Inside Out: An In-Depth Resource for the Development of Saxophone Sound, has been widely hailed as a landmark and comprehensive study of the human physiology behind playing the saxophone. 

Bassist Yosef Gutman releases "The World and its People"

In an absorbing follow-up to Soul Song, his recent collaboration with guitar great Lionel Loueke (“a scintillating and sun-struck combination of ringing, gentle jazz and percussive African highlife that can only make you smile” — freq.org.uk), bassist and composer Yosef Gutman Levitt of Jerusalem is back with a new and invigorating release: The World and Its People, available from Levitt’s recently formed Soul Song imprint.

Leading a drum-less, chamber-jazz-newgrass foursome influenced in part by The Goat Rodeo Sessions (with Chris Thile, Yo-Yo Ma, Edgar Meyer and Stuart Duncan), Levitt draws from deep within his soul on a collection of beautiful melodies, in deeply felt renderings from all involved.

The tracks are Levitt originals cowritten and arranged by producer Gilad Ronen, with sterling contributions from Levitt’s close musical associates Tal Yahalom on nylon- and steel-string acoustic guitars, Omri Mor on piano and Yoed Nir on cello. Yahalom and Levitt have made two captivating duo albums, Tsuf Harim and Tal Yasis; Mor released his own Soul Song title earlier in 2023 called Melodies of Light and appeared with Levitt on the 2022 trio release Upside Down Mountain. “Everybody worked so hard in bringing creative ideas to this session,” Levit recalls of The World and Its People. “The music is very much inspired by our prior interactions—I feel excited about taking our conversation into different styles and opportunities to connect and communicate.”

The album was mixed by Richard King, whose Grammy-winning work on The Goat Rodeo Sessions has served as an inspiration to Levitt and his colleagues. “The musical color that those musicians bring to the world is something pure and delicate and honest and lovely and luscious and warm,” Levitt remarks of Goat Rodeo. “These are the qualities I wanted to surround myself with: creating a classical crossover, dipping into country, using tools of the language to bring a light, bouncy, folky aspect to the music that I typically play, which is improvised jazz.”

A religiously observant Jew, Levitt has endowed all his music with a sense of spiritual searching and depth, whether he is interpreting Hasidic nigunim on such releases as Ashreinu and Chabad Al Hazman or exploring original music with a jazz trio on Upside Down Mountain. On The World and Its People he focuses again on originals, animated by truths gleaned from Hasidic teachings. “All of my albums begin with a notion of spiritual development, a connection to God and those around me, and how to translate the various things that I’m working on, internally and externally, into melody and music.” He explains the album title as follows: “When we make a space for the world, and we make a space for its people, we infuse it with light and we make an impact—not just socially, but through being honest and open, doing what we’re meant to be doing.”

As on previous releases, Levitt imbues The World and Its People with the sound of upright bass as well as his unique five-string acoustic bass guitar (built by Harvey Citron, Steve Swallow’s luthier), on which he’s developed a signature voice: a warm, singing, bell-like high-register tone with a focus on simple, direct, expressive melodies. The solos and unison passages on the two advance singles, “Awakening” and the title track, cut through the ensemble with a singing legato that is emotionally rich, intense yet delicate. “It’s very precious music,” Levitt says. “It’s very alive when I listen to it—I feel a magical sense of life and humanity and relationships, and I hear the depth and excitement of the other players in the room.”

“Awakening” evokes not only Levitt’s writing process (waking up first thing and improvising melodies into a voice recorder), but also the inner meaning of the Aramaic phrases itaruta diletata and itaruta dile’eyla, “awakening from below” and “awakening from above.” “Awakening from below,” Levitt explains, “can mean making a space for hearing a friend, paying attention to the world around us, inviting the world around us in, which is the idea behind the album.”

Levitt launched the Soul Song label with a set of core principles and values in mind: “The goal is to create music, and to create a label that stimulates others to do the same—to make their soul song. To create music that’s intimate and honest, improvised, and Jewish if you will.

What makes Jewish music, to me, is a profound honesty, stripping away anything that’s not needed. That’s the work I want to do with the artists on this label—whether they’re Jewish or not is not important. What’s important is that the music is inspired by something higher. I want to work with artists who are interested in getting to that place.” Releases with eminent guitarists Gilad Hekselman and Ralph Towner are soon to follow.

R&B/jazz guitarist 2unes releases "Let's Wait Awhile"

In a world of instant gratification, R&B/jazz guitarist 2unes aka North Woodall invites pausing, patience and peace. Releasing just ahead of Valentine’s Day, his new single, “Let’s Wait Awhile,” encourages listeners to savor the beauty and anticipation of romance with his sensual instrumental remake of Janet Jackson’s Billboard hit. Two-time Grammy nominee Chris “Big Dog” Davis (Will Downing, Dave Koz, Rick Braun, Gerald Albright) produced the single dropping on 2uneswave Records.

“Recording ‘Let's Wait Awhile’ was a deliberate choice stemming from a desire to encapsulate a moment in music that transcends the fast-paced nature of our world. In a society often rushing from one moment to the next, I felt compelled to create a space for patience and reflection. This recording is my way of inviting listeners to pause, to reflect, and to find joy in the moments of quietude,” said 2unes about his latest collaboration with Davis, following last summer’s “Sensual,” on which he played an intimate acoustic guitar.

Jackson penned “Let’s Wait Awhile” with Jimmy Jam and Terry Lewis for her “Control” album. The song topped Billboard’s Hot R&B/Hip-Hop Songs chart and peaked in the second spot on Billboard's Hot 100 singles chart in 1987. The song lyrics are about sexual abstinence, but reimagined as an instrumental by 2tunes, the tune takes on different meaning and undertones that embrace stillness and serenity.

"‘Let's Wait Awhile’ is not just a song; it's a musical sanctuary where time slows down, and where the simple act of waiting becomes a celebration in itself. The song, to me, represents more than just musical notes and lyrics; it's a plea to savor the beauty of anticipation, to embrace the power of waiting, and to find solace in the stillness between breaths. In a world that often rushes towards the next big thing, ‘Let's Wait Awhile’ is a reminder that some experiences are worth the patience, and that the journey itself holds a beauty that can only be discovered by allowing time to unfold naturally,” said 2unes, a Dayton, Ohio native who is a longtime Atlanta resident.

Woodall has been recording as 2unes for nearly twenty years. He’s released four albums, mixing up an alchemy of R&B, jazz, soul and hip-hop. 2unes has shared the concert stage with Brian McKnight, Lakeside, Ohio Players, Roger Troutman and Zapp, Roy Ayers, Millie Jackson, Tom Browne and Will Downing.

John Korbel | "Falling Feels Like Flying"

Jazz is a genre deeply rooted in American culture and John Korbel has emerged as a fresh and vibrant voice. His upcoming album, Falling Feels Like Flying, is a blending of the timeless appeal of Michael Bublé with the sophisticated songwriting reminiscent of legends like Sting, Donald Fagen, and Al Jarreau. Set to release on January 19th, 2024, this album encapsulates a journey that transcends genre boundaries, offering a rich and varied listening experience.

The creation of this album began in April 2022 with the track “First Christmas Loving You.” This marked the start of a creative synergy between Korbel and Mark Falchook, an accomplished session keyboardist and producer. Falchook’s previous collaborations with jazz greats like Bob James and Patti Austin brought a unique depth to the project. The recording sessions, held in a studio owned by a former Disney employee in Orlando, were nothing short of magical, often described as “lightning in a bottle.”

Orlando’s unexpected jazz culture, fueled by talented musicians from Disney, Cirque du Soleil, and Universal Studios, played a crucial role in shaping the album’s sound. This unique environment allowed Korbel to discover his producer and the gifted studio musicians who added a fascinating new dimension to his music.

The ten-track album explores themes like contemporary long-distance romance and flying, showcasing Korbel’s dedication to a classic recording process, including the use of a live drummer. His musical journey, which began in Philadelphia, is marked by a lifelong dedication to the arts, highlighted by performances at events like the 2002 International Song of Peace in Tipperary, Ireland, and opening for renowned acts including Jay Leno and Blood Sweat & Tears.

Korbel’s return to music in 2017, after a two-decade hiatus, signifies his commitment and passion. His 2020 single, “Bourbon Street Taps,” gained significant traction, laying the groundwork for this ambitious album. Falling Feels Like Flying is a collection of songs with a narrative that showcases Korbel’s ability to weave stories through music, highlighted by his unique blend of jazz-pop that appeals to a broad audience.

As the release date approaches, there is a growing sense of excitement and anticipation. John Korbel, along with the exceptional talent he’s surrounded himself with, is set to bring a new flavor to the jazz genre, inviting listeners to experience the transformative power of music. This album, a culmination of perseverance, collaboration, and sheer musicality, is poised to become a landmark in the jazz world, echoing the sentiment that indeed, sometimes, falling does feel like flying.

R&B/jazz saxophonist Jeff Ryan reteams with two-time Grammy winner Paul Brown

After the events that unfolded on the world stage last week, we could all use hope. Billboard chart-topping saxophonist Jeff Ryan teams with two-time Grammy winner Paul Brown on “Where There’s Hope,” a soothing and uplifting R&B/jazz single released by Woodward Avenue Records that began collecting playlist adds on Monday, October 16.

“Where There’s Hope” builds on the chemistry created between Ryan and Brown during the recording sessions for the saxman’s 2021 collection, “Duality.” From the opening notes, Ryan’s horns – he plays both tenor and soprano saxes on the single - engages in encouraging banter with Brown’s spirited electric guitar. Loosely tethered to a midtempo groove anchored by Gorden Campbell’s drums and Roberto Vally’s bass and percussion, the optimistic and impassioned sax and guitar dialogue is an equitable exchange unfolding amidst inviting melodies and warm harmonies crafted by Mark Etheredge’s keyboards and Shane Theriot’s rhythm guitar.      

“Working with Paul always puts one at ease. His playing brought so much life to this track and I’m very proud of the interaction between my sax and his guitar,” said the San Francisco-based Ryan.

Ryan is a very physical sax player, bringing founts of emotion, passion and urgency to his horn work. Whether he’s belting out empowering affirmations on his tenor or dispensing compassionate caresses through his soprano sax, his play on “Where There’s Hope” is lyrically expressive.     

“The title really stands for when challenges come into our lives, to look for the positives that are all around us so that we can make a better future. At this point in my career, my goal is to really show the truest image of myself. No matter all the challenges, the goal is to stay true to the exceptional vision and make that a reality,” said Ryan, who wrote “Where There’s Hope” with Brown, Etheredge and Vally.

Ryan’s 2018 debut album, “Embrace,” which paired him with hitmaking producer-songwriter-keyboardist Greg Manning, earned him JazzTrax’s Breakout Artist honors and Smooth Jazz Network’s Debut Artist of the Year title. The Bay Area musician was named Billboard’s Artist of the Year in 2020 and his 2021 single, “Sentimental Soul,” was Billboard’s Song of the Year. The “Duality” album highlights Ryan collaborating with smooth/contemporary jazz royalty - Brown, Manning, multiple Grammy nominee Darren Rahn and 13-time Billboard chart-topping guitarist Adam Hawley. In the five years since his debut, Ryan has already notched five Billboard No. 1 singles. “Where There’s Hope” bodes to continue Ryan’s hot streak. 

“Here’s to a better life with a strong focus on passion, love, fitness and finesse.”

 

New music releases: Justink Klunk, Vertice Williams, Rainforest Band, and Sylvia Bennett

Justin Klunk - Kindness Is Mandatory

After teasing with four irresistible lead singles over the past year and a half, Justin Klunk unleashes the full fury of his relentless saxophone passion on his party ready debut full length album (after two EPs and loads of individual singles). With a title that doubles as a timely reminder, Kindness Is Mandatory, motivates us (and gets our blood pumping) as the  young, mega-talent brings to his solo artistry the same funk, rock and soul fire he’s been lighting up the stage with for years alongside Ariana Grande, Lindsey Stirling, Saint Motel, David Foster, Earth Wind & Fire and David Benoit! By the way, Benoit appears twice on this collection. In the midst of the blazing hooks and burning production skills, a lone romantic ballad offers a sweet meditational oasis.  A must have for contemporary sax fans!

Vertice Williams - Therapy

The long-awaited follow-up to her Billboard charting 2016 track “Guilty,” silky voiced singer/songwriter Vertice Williams’ beautiful new single “Therapy” will surely be the sexiest love song you’ve heard in Smooth Jazz this year – but not in the typical way we think of love songs. Co-written, co-produced and featuring the inimitable Steve Oliver – who also collaborated on Williams’ last album All Good – the song’s lyrics are romantic, but the real inspiration was the singer’s post Covid reflection that life is fragile and love (giving and receiving) is a complete healing modality, true tenderness and strength. The graceful, subtle arrangement, designed to showcase the pin-drop perfection of her voice, also features the lush piano harmonies and shimmering keyboard soloing of another genre great, Brian Simpson.   

Rainforest Band - Good Medicine

With the release of Good Medicine, an inviting mix of spirited contemporary jazz, robust funk and sensual balladry, six-piece Bay Area ensemble Rainforest Band confirms its status as one of Smooth Jazz’s most environmentally conscious artists. Launched in 2017 by R&B/Gospel soul veterans Tony Saunders (bass), Vernon “Ice” Black (guitar) and Sylvester Burks (keyboards), the group refashions the eco-minded aesthetic of Blues From The Rainforest - A Musical Suite, an early 90s  “environmental earth music album” created by Saunders’ father, famed keyboardist Merl Saunders, and the legendary Jerry Garcia. While the soaring power and passion of saxophonist Dave Ellis ensures that this collection is more horn-centric than their debut, there’s also plenty of urban jazz and groovin’ soul from Saunders and tasty, melodic guitar magic from Black and Lorn Leber. Good Medicine will make you feel good!

Sylvia Bennett - Reflections

Since her recording debut on the Grammy-nominated Sentimental Journey album with music icon Lionel Hampton, multi-talented jazz vocalist and songwriter Sylvia Bennett has become something of a legend herself, with a dozen solo albums to date, and a successful emergence into Smooth Jazz that includes collaborations with Arturo Sandoval, Paul Brown, Rick Braun and Nathan East. With production by longtime collaborator and producer Hal S. Batt, the vibrant singer’s latest album Reflections finds her looking firmly ahead, pairing her lush, lilting and sultry vocals with seductive light grooves and sweet caressing musical atmospheres. Complementing her emotionally impactful originals with a tasty “world mix” of a Songbook standard ("Witchcraft"), she thoughtfully explores the many facets of relationships, from hopeful beginnings and making dreams reality to the fine art of working things through.  ~ smoothjazz.com

New vinyl reissue for Tito Puente’s foundational Latin jazz masterpiece 'El Rey Bravo'

Craft Latino hasy announced a vinyl reissue for Tito Puente’s foundational Latin jazz masterpiece, El Rey Bravo. Originally released on Tico Records in 1962, the album includes the legendary bandleader and percussionist’s iconic hit, “Oye Cómo Va,” plus enduring favorites like “Tombola” and “Tokyo de Noche.” Set for release November 10th and available for pre-order today, El Rey Bravo features (AAA) lacquers cut from the original master tapes by Kevin Gray at Cohearent Audio and is pressed on 180-gram vinyl. Completing the package is a vintage-style tip-on jacket featuring the album’s classic design. Additionally, for the very first time, fans can experience El Rey Bravo in 192/24 hi-res audio on select digital platforms. In addition, a Canary Yellow color vinyl exclusive, limited to 500 copies, with exciting bundle options that include a commemorative Tito Puente T-shirt is being offered at Fania.com. Vinyl Me, Please is also releasing a 180-gram Orange Crush exclusive variant.

This reissue offers a fitting cap to Craft Latino’s year-long centennial celebration of the influential artist. Throughout 2023, the label has honored Puente’s vital contributions to Latin music through exclusive digital content and a series of releases, including 180-gram vinyl pressings of Puente’s 1972 classic, Para los Rumberos, and his best-selling 1985 album, Mambo Diablo. 

In the late 1940s, an exciting new sound was taking root in New York jazz clubs, as Puerto Rican and Cuban musicians settled in the city, introducing Afro-Cuban and Caribbean rhythms to American audiences. Within a few years, everyone was dancing to the cha-cha-chá and mambo, thanks to a host of inspired young artists, including Tito Puente (1923–2000). The Manhattan-born, Puerto Rican percussionist honed his craft under the legendary Cuban bandleader Machito, who was instrumental in bringing Afro-Cuban jazz to America. Puente furthered his studies at the prestigious Juilliard School, where he received a degree in conducting, orchestration and theory. Before long, he was leading his own orchestra and by the end of the ’50s, “The King of Timbales,” as he was lovingly known, was one of the era’s most successful bandleaders, with multiple hit albums to his name, including 1958’s Dance Mania.

When 1962’s El Rey Bravo arrived on Tico Records, more than a decade into Puente’s career, the bandleader and his orchestra were at the height of their prowess. El Rey Bravo cements the band’s status, as they deliver a dazzling set of original dancefloor numbers—all primarily comprised by Puente. Among the highlights is the fiery opener, “Malanga con Yuca” (“Potatoes and Beans”), the joyful “Batacumba” (“Brazilian Beat”) and the cinematic “Tokyo de Noche” (“Tokyo After Dark”)—a rare instrumental track that features standout flute and violin solos. One of the album’s few covers is “Tombola” (“Circus”), written by the legendary team of Augusto Algueró and Antonio Guijarro for the 1962 Spanish musical of the same name.

The centerpiece of the album, however, is “Oye Cómo Va.” Praised by AllMusic as “one of the brightest, most exuberant Latin performances of the century,” the song was written by Puente as a classic cha-cha-chá, with an inviting title that borrowed from the chorus, “Oye cómo va/Mi ritmo” (“Listen how it goes/My rhythm”). While the infectious song was certainly a favorite of fans at the time of its release, “Oye Cómo Va” would become an international hit nearly a decade later, thanks to Carlos Santana. With his band, Santana, the Mexican-born guitarist transformed the classic tune into a psychedelic anthem of unity, swapping the song’s original horn section for a Hammond B3 organ and electric guitar.

This updated rendition of “Oye Cómo Va” was released in 1971 as the second single off Santana’s sophomore album, Abraxas. It was a major hit for the band, peaking at No.13 on the Billboard Hot 100, and landing in the Top 10 in Mexico and Canada. But it also gave a middle-aged Puente a significant boost. On his 1999 live album, Mambo Birdland, Puente introduced “Oye Cómo Va” with a tribute to Carlos Santana: “He put our music, Latin rock, around the world, man. And I’d like to thank him publicly ’cause he recorded the tune and he gave me credit as the composer of the tune. So since that day, all we play is Santana music.”

Thanks to artists like Santana (who also covered Puente’s song “Para los Rumberos” in 1972), the bandleader enjoyed a career resurgence. At the same time, salsa music was reaching peak popularity. As a reluctant forefather of the genre, Puente’s status as a cultural icon only continued to grow. “Oye Cómo Va,” meanwhile, would become a standard, covered over the decades by numerous artists, including Julio Iglesias, Celia Cruz, Natalie Cole and the Ventures, to name a few. Santana’s rendition of the song would be inducted into the Latin GRAMMY® Hall of Fame in 2001 and the GRAMMY Hall of Fame a year later, while it ranks on a variety of lists, including Rolling Stone’s “500 Greatest Songs of All Time.”

Puente never slowed down and continued to remain in the public eye until his death in 2000. During his five-decade-long career, the tireless artist released more than 100 albums and wrote over 400 compositions, while he collaborated with the biggest names in music, including Quincy Jones, Dizzy Gillespie and Celia Cruz. Among other achievements, he performed at the 1996 Summer Olympics’ closing ceremony, appeared in a variety of films (including 1987’s Radio Days, 1992’s The Mambo Kings and the 2000 documentary Calle 54) and even made a cameo on The Simpsons. Throughout his life, Puente’s influential work was celebrated with an array of honors, including five GRAMMYs, Billboard’s Latin Music Lifetime Achievement Award and the prestigious National Medal of Arts from the United States Government.

VOXMANA Releases New Music -- Natalia Clavier (Thievery Corporation) and Andrei Matorin

VOXMANA, the brand new musical project from Natalia Clavier (Thievery Corporation) and Andrei Matorin is excited to announce “La Marea” out now on Mixto Records!  The new single will be released with a music video and available everywhere you stream music.

The duo first connected through New York City’s underground music scene. Merging their diverse heritages, with Natalia from Argentina and Andrei from Brazil, VOXMANA’s sound includes musical blends of electronic, world, jazz, blues, Argentine folklore, and Brazilian MPB. This sonic remedy of music invites a celebration of life on the dance floor and embarks on a transformative journey with irresistible rhythms. 

On VOXMANA’s newest single “La Marea” the duo captured an improvised musical tapestry of sonic textures that unfolded during a live performance on the shores of Tulum. Inspired by the vastness of the ocean that lay before them, the lyrics took shape, and speak of the ebb and flow of tides and the boundless expanse that lies beyond.

VOXMANA comments, “The song is a spiritual odyssey, urging us to let go of our ego's constraints and connect with a larger, universal consciousness. It invites us to embrace transformation, as we journey through time and space, exploring the realms of expansion. It is an invitation to free ourselves through movement and a profound celebration of life's essence when we surrender to its flow.”

Accompanying “La Marea” release is a powerful music video. It was filmed while the duo were performing at an educational and empowering retreat for at-risk youth from LA called Beyond Boundaries. They were inspired by surrounding landscapes and used the backdrop of the breathtaking lands of Boulder Mountain, Utah. The new video beautifully displays the rugged beauty of Utah's rocky terrain and the vastness of the landscape juxtaposed against the smallness of human existence. This lends to an intricate narrative around the themes of expansion and surrender, as it follows two souls on a transformative journey, discovering a world beyond their known reality. Through the mesmerizing imagery, the video is an odyssey inviting the viewer to celebrate the essence of life, through letting go.

Andrei Matorin and Natalia Clavier have captivated global audiences, weaving immersive, boundary-defying soundscapes rooted in classical and jazz conventions infused with modern flair. Clavier, an Argentine vocalist, songwriter, and DJ, possesses three solo albums and contributed to Thievery Corporation as a lead singer. Matorin, hailing from Brazil, excels as a virtuoso violinist, composer, and producer, performing as a soloist at esteemed venues like Carnegie Hall, Lincoln Center, and TEDx. A Summa Cum Laude graduate from Berklee College of Music, he radiates his talent.

Aphrose | "Roses "

Aphrose reveals her sophomore album, ‘Roses,’ a captivating amalgamation of Neo-Soul and R&B, delving into the wellspring of ancestral strength and love.

Hailing from Toronto, Canada, Aphrose, also known as Joanna Mohammed, unveils her sophomore album, establishing her as one of Toronto’s best-kept musical treasures. Known for her commanding vocal prowess within her hometown, this gifted songwriter and vocalist is rapidly garnering global acclaim and accolades from both fans and music critics alike. Signed to independent Soul label LRK Records, ‘Roses’ remains firmly rooted in Aphrose’s signature style characterized by resounding R&B vocals. However, it also embraces a softer, more introspective aura that brilliantly showcases her remarkable versatility in navigating diverse genres, moods, and musical approaches with remarkable finesse.

This album offers a little something for everyone, catering to enthusiasts of Neo-soul, traditional Soul, Hip Hop, and R&B. Produced by her longtime friends/collaborators at SafeSpaceship Music (Scott McCannell, Chino De Villa, Ben Macdonald), the album serves as a compelling testament to the collective creativity of Aphrose and this exceptional production trio, delivering a kaleidoscope of soundscapes, textures, rhythms, and grooves. ‘Roses’ weaves together both lighthearted and profound elements as Aphrose explores her life journey, delving into her familial past and present, grappling with the challenges of new motherhood, and contemplating her relationships with herself, her partner, and her friends. Across the 35-minute LP, Aphrose draws inspiration from Neo-soul icons like Jill Scott and Erykah Badu, pays homage to Soul legends such as Aretha Franklin and MJ, and infuses contemporary R&B influences from artists like Frank Ocean, SiR, and SZA. The result is a sound that distinctly bears the ‘Aphrose sound,’ reflecting her deep admiration for her inspirations while imparting a refreshing twist to familiar genres.

The album commences with its title track, ‘Roses,’ which was released as a single on August 25th. This song sets the stage, invoking the strength of Aphrose’s ancestors, particularly her late Grandmother Rose. Following suit is ‘YaYa,’ also released as a single on July 7th. This buoyant dance track whisks listeners back to the disco era of the late 70s and early 80s. The album’s third track, ‘Heavenly Father,’ offers a brief interlude featuring a recording of Aphrose’s Grandmother Rose engaged in prayer, setting the tone for the subsequent track, ‘In The Time Of Sorrow.’ This contemplative, chill piece captures Aphrose’s musings on navigating a world often shrouded in fakery, while craving authenticity. ‘Honey (Don’t) Come Back’ seamlessly transitions between two distinct musical personalities, commencing with a deep, almost Trap-like bass/drum beat before transforming into a spirited Funk/Soul jam—an anthem of empowerment encouraging the listener to leave a situationship that is no longer working. ‘What You Don’t See’ strips the production down to its core, as Aphrose and guitarist/co-writer Heather Crawford craft an intimate ode to a friendship’s sad ending.

The B-side opens with the evocative ‘Weapons,’ featuring a five-person choir including LRK label-mate Claire Davis, Nevon Sinclair (Daniel Caesar and LOONY), Kyla Charter (Aysanabee and Alessia Cara), Lydia Persaud, and Marla Walters. The track is adorned with a stirring string arrangement courtesy of Jessica Deutsch. ‘Chop The Cake’ acts as a breather, interlude-style, easing the intensity. ‘Soft Nuclear’ channels the spirit of the early 2000s R&B movement, bearing traces of influence from Lucy Pearl. ‘Good Love,’ released as the first single off this body of work on May 19th, transports listeners to the 70s with its soulful resonance, drawing inspiration from the likes of Michael Jackson and Teddy Pendergrass. ‘Higher’ stands as Aphrose’s tribute to Prince, capturing the essence of his music within its hook and production. The album’s culmination arrives with ‘ZAG,’ an acronym derived from Aphrose’s daughter’s name, commencing with the sound of her daughter’s heartbeat in-utero from a sonogram taken when Aphrose was pregnant. This heartfelt composition serves as a dedication to her daughter and all parents navigating the rollercoaster of parenthood, emphasizing the imperative of nurturing love to shape the future.

‘Roses’ stands as Aphrose’s homage to her history—her Grandma Rose and the ancestral trailblazers who paved her path to the present life she enjoys; her current experiences—her self-discovery, her relationships with her partner and friends; and her aspirations for the future—her daughter and the generations to come. This album crystallizes these temporal dimensions, prompting introspection, celebration, laughter, and tears. ‘Roses’ is a musical odyssey that scrutinizes the multifaceted beauty of existence, inviting listeners to partake in this thing called life.

firstexperiencerecords.com

Nate Wooley & Ivo Perelman Release Polarity 2

Tenor saxophonist Ivo Perelman and trumpet player Nate Wooley, whose Polarity was one of the first two releases on Burning Ambulance Music, return for a second collection of intimate, deeply communicative duos. Perelman’s discography numbers in the triple digits at this point, but his encounters with Wooley — himself a deeply creative improviser who has performed in a wide range of contexts — are some of his most surprising and exciting. On this disc, Perelman even lays down the horn and includes vocalizations in his improvisations.

Nate Wooley (b.1974) was born in Clatskanie, Oregon and began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. He made his debut as soloist with the New York Philharmonic at the opening series of their 2019 season. Considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, Wooley has been gathering international acclaim for his idiosyncratic trumpet language.

Wooley moved to New York in 2001 and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with John Zorn, Anthony Braxton, Eliane Radigue, Annea Lockwood, Ken Vandermark, Evan Parker, and Yoshi Wada. He has premiered works for trumpet by Christian Wolff, Michael Pisaro, Annea Lockwood, Ash Fure, Wadada Leo Smith, Sarah Hennies and Eva-Maria Houben.

In recent years, he has built a reputation as a composer of music epic in scope and social in design. His series of solo works based on the International Phonetic Alphabet, The Complete Syllables Music, was compared to the literary work of Georges Perec and hailed as “revolutionary solo repertoire” by All About Jazz. At the other end of the spectrum, his decade-long Seven Storey Mountain cycle has encompassed almost 50 different performers, the most recent version consisting of a 32-person ensemble. This iteration, Seven Storey Mountain VI, “expresses communality, with all of its potential for the profound and the spiritual,” according to Pitchfork. SSMVI appeared on many year-end lists, including as record of the year in El Intruso’s International Critics List and critic Peter Margasak’s personal list.

Born in 1961 in São Paulo, Brazil, Ivo Perelman was a classical guitar prodigy who tried his hand at many other instruments – including cello, clarinet, and trombone – before gravitating to the tenor saxophone. His initial heroes were the cool jazz saxophonists Stan Getz and Paul Desmond. But although these artists’ romantic bent still shapes Perelman’s voluptuous improvisations, it would be hard to find their direct influence in the fiery, galvanic, iconoclastic solos that have become his trademark. 

Moving to Boston in 1981, to attend Berklee College of Music, Perelman continued to focus on mainstream masters of the tenor sax, to the exclusion of such pioneering avant-gardists as Albert Ayler, Peter Brötzmann, and John Coltrane (all of whom would later be cited as precedents for Perelman’s own work). He left Berklee after a year or so and moved to Los Angeles, where he studied with vibraphonist Charlie Shoemake, at whose monthly jam sessions Perelman discovered his penchant for post-structure improvisation: “I would go berserk, just playing my own thing,” he has stated.

Emboldened by this approach, Perelman began to research the free-jazz saxists who had come before him. In the early 90s he moved to New York, a far more inviting environment for free-jazz experimentation, where he lives to this day. His discography comprises more than 50 recordings, with a dozen of them appearing since 2010, when he entered a remarkable period of artistic growth – and “intense creative frenzy,” in his words. Many of these trace his rewarding long-term relationships with such other new-jazz visionaries as pianist Matthew Shipp, bassists William Parker, guitarist Joe Morris, and drummer Gerald Cleaver.

Critics have lauded Perelman’s no-holds-barred saxophone style, calling him "one of the great colorists of the tenor sax” (Ed Hazell in the Boston Globe); “tremendously lyrical” (Gary Giddins); and “a leather-lunged monster with an expressive rasp, who can rage and spit in violence, yet still leave you feeling heartbroken” (The Wire). Since 2011, he has undertaken an immersive study in the natural trumpet, an instrument popular in the 17th century, before the invention of the valve system used in modern brass instruments; his goal is to achieve even greater control of the tenor saxophone’s altissimo range (of which he is already the world’s most accomplished practitioner). 

Vince Guaraldi's Soundtrack for "A Charlie Brown Thanksgiving" Available for the First Time Ever in 50 Years

Lee Mendelson Film Productions (LMFP) is thrilled to announce the release - for the first time ever – the complete Vince Guaraldi soundtrack to A Charlie Brown Thanksgiving, the timeless 10th animated Peanuts® special, from writer and creator Charles Schulz, director Bill Melendez and Phil Roman and producers Melendez and Lee Mendelson. Originally airing on November 20, 1973 on CBS-TV, the special has been broadcast or streamed every year for the last 50 years, and is currently available for streaming on Apple TV+.

The album includes the original recordings that comprise the thirteen song cues of the Special, plus another nine bonus or alternative tracks that have never been released or heard before.

Guaraldi lovingly created the soundtrack for the eclectic, big meal and family gathering, while also bolstering the hijinks of Snoopy and his new friend Woodstock as they “helped” Charlie Brown get ready for the party. The album also includes one of the few songs where composer Guaraldi also sang the lyrics he wrote to Little Birdie.

The recording features Guaraldi (piano, keyboards, guitar, vocals), Seward McCain (electric bass), Mike Clark (drums), Tom Harrell (trumpet and brass arrangements), and Chuck Bennett (trombone). The soundtrack was produced by Sean and Jason Mendelson, re-mixed by Terry Carleton at Bones and Knives, and restored and mastered/re-mastered by Vinson Hudson.

The album will available on CD, vinyl and digital. The CD has a 6-page insert. Both the LP and CD will have liner notes that give a track-by-track analysis by Sean Mendelson, musician, record producer and son of Peanuts® producer Lee Mendelson. Both versions have stills from the special and some images of the original track assignments for each instrument.

“Avid Guaraldi fans have long selected this Emmy® Award-winning TV special as their favorite, which is no surprise; the show is wall-to-wall music, bouncing between acoustic and electric keyboards, going silent only during Linus’ gentle sermon about the first Thanksgiving (a speech almost as eloquent as the one he delivers in A Charlie Brown Christmas). That sequence aside, Guaraldi was allowed to stretch and supply longer cues, each one starting as the previous one fades. The show boasts three new tunes, starting with a lyrical title theme constructed from acoustic piano filigrees that evoke the keyboard cascades in 'Skating.' An impudent cue titled 'Is It James or Charlie?' adds a bit of James Brown sass to the mix, and the standout newcomer is Guaraldi’s vocal on 'Little Birdie,' played at length when Snoopy — tasked with setting up the outdoor dining arrangements — wrestles with a basketball net, a garage door, a ping-pong table and an impressively sentient folding chair. Returning cues include one of Guaraldi’s best arrangements of 'Linus and Lucy,' with brass adding a spirited counterpoint to the primary theme, and also shading a new four-chord climb at the end of each verse's fourth measure: heard while Snoopy orchestrates the Thanksgiving 'dinner' of buttered toast, popcorn, pretzels, jellybeans and ice cream parfaits. The finger-snapping track pops up, here called 'Charlie Brown Blues.' The final returning tune, 'Peppermint Patty,' gets a quiet, leisurely arrangement on electric keyboard: perfectly echoing the girl’s coquettish side, notably when she flirts with Charlie Brown over the phone, while inviting herself — and Marcie and Franklin — to a party that doesn’t yet exist. The show’s final reprise of the title theme introduces a sparkling brass counterpoint: a terrific conclusion to a half-hour of solid combo jazz. What’s not to love?” — Derrick Bang, Peanuts® historian and author of Vince Guaraldi at the Piano.

"These great new, remastered recordings feature outtakes of Vince Guaraldi working out the piano voicings right on the spot in the studio. It is fascinating to me to be a fly on the wall for these historic sessions featuring drummer Mike Clark (who played on Herbie Hancock’s Thrust) and bassist Seward McCain on bass. It’s especially notable that Vince on this recording is making heavy use of The Fender Rhodes electric piano thereby keeping up with the times. These tracks are also much funkier and groove oriented than their predecessors which were more straight ahead. This is a very enjoyable and historic recording that is for anyone that likes jazz and Charlie Brown.” — David Benoit, Grammy-nominated jazz composer and recording artist (and Guaraldi torchbearer).