Tuesday, October 28, 2025

Jack DeJohnette: The Rhythmic Soul of Modern Jazz Has Left Us

The world of music lost one of its towering figures on October 26, 2025, with the passing of Jack DeJohnette at the age of 83. The legendary drummer, pianist, and composer left behind a body of work that forever reshaped the sound of modern jazz. Known for his boundless creativity and openness to musical possibility, DeJohnette’s drumming was never merely rhythm—it was conversation, color, and emotion.

Born in Chicago on August 9, 1942, DeJohnette began as a classical pianist before gravitating toward drums in his teens. That duality—the melodic sensibility of a pianist combined with the percussive power of a drummer—became his signature. After moving to New York in the mid-1960s, he quickly found himself at the heart of jazz’s evolution, joining Charles Lloyd’s band and later becoming a key member of Miles Davis’s groundbreaking electric groups. His contributions to Bitches Brew helped define an era, bridging the acoustic traditions of jazz with the adventurous spirit of rock and fusion.

But DeJohnette’s career was never confined to one style or moment. He played with virtually every major figure of his generation—Sonny Rollins, Herbie Hancock, Keith Jarrett, Pat Metheny—and led numerous ensembles of his own, including Special Edition and the New Directions quartet. His long-running partnership with Jarrett and bassist Gary Peacock in the “Standards Trio” became one of the most admired groups in jazz history, celebrated for its telepathic interplay and emotional depth.

What set DeJohnette apart was not only his virtuosity, but his philosophy. “As a child I listened to all kinds of music and I never put them into categories,” he once said. That refusal to be boxed in defined his art. He moved fluidly between jazz, rock, world music, and ambient soundscapes, always guided by intuition rather than genre. His drumming could be thunderous one moment and whisper-light the next, but it was always deeply human—an extension of breath and spirit.

Over his lifetime, DeJohnette earned multiple Grammy Awards and was named an NEA Jazz Master in 2012, yet accolades never seemed to be his motivation. He was an explorer to the end, continually seeking new textures, new conversations, new ways to connect. His later projects often blended piano, electronics, and meditative soundscapes, showing an artist still reaching forward rather than looking back.

Jack DeJohnette passed away in Kingston, New York, from congestive heart failure, surrounded by his family. His death has been met with tributes from musicians across generations, all recognizing how profoundly he shaped the landscape of jazz and beyond. He taught that rhythm could sing, that boundaries were illusions, and that true artistry lies in curiosity.

His drums may have fallen silent, but his influence will continue to pulse through every musician who dares to listen without limits. Jack DeJohnette reminded us that jazz—like life—is at its best when it keeps evolving.

Friday, October 24, 2025

Jakob Dreyer Digs Deep on Roots and Things: A Bold Leap Forward in Sound and Swing


German-born, New York-based bassist and composer Jakob Dreyer unveils a vibrant new chapter in his musical evolution with Roots and Things, his third album as a leader and his most personal statement to date. Out November 14, 2025, via Fresh Sound Records (Barcelona, Spain), the album will be available in CD and digital formats worldwide.

Featuring an inspired quartet — Tivon Pennicott (tenor saxophone), Sasha Berliner (vibraphone), and Kenn Salters (drums) — Dreyer delivers a program of 15 originals and one reimagined standard that balance urgency, lyricism, and groove. The result is a record that swings hard while pushing harmonically and texturally into new territory.

“After my previous two albums, which featured piano, I felt I wanted the next one to sound different,” Dreyer explains. “I thought about various instruments before settling on vibraphone. It just shapes the music so much — and Dave Holland’s use of vibes on several of his records was definitely an influence.”

That shift in instrumentation gives Roots and Things a glowing, modern sonic character. The interplay between Berliner’s shimmering mallets, Pennicott’s muscular tenor lines, and Dreyer’s resonant bass creates a sound that’s at once grounded and ethereal, contemporary yet rooted in the jazz tradition. Salters’ crisp, dynamic drumming propels the quartet with precision and soul.

The album opens with the hypnotic “The Fifth Floor,” setting the tone for a set that moves seamlessly from hard-swinging numbers like “Constellation” and “Fight or Flight” to introspective pieces such as “June Tune” and “Downtime.” Dreyer also sprinkles in short, rhythmic interludes — “Land of 1,000 Blues,” “MTA,” and “Invisible” — serving as musical palate cleansers that keep the album’s pacing both surprising and cohesive.

The lone cover, a modernist 5/4 reworking of Rodgers and Hart’s “With a Song in My Heart,” pays homage to the lineage of jazz improvisation while showing Dreyer’s flair for inventive arranging. The title track, “Roots and Things,” encapsulates the record’s essence — a deep groove and melodic storytelling anchored by the bassist’s instinct for connection. “I thought the title had several meanings,” Dreyer says, “but for me it’s all about the bass, because that’s what I mostly do — play the root.”

Recorded with clarity and warmth, Roots and Things captures a quartet in perfect balance — cerebral yet deeply swinging, elegant yet alive with spontaneity.

About Jakob Dreyer and the Band

A classically trained musician turned first-call jazz bassist, Jakob Dreyer has become a fixture on the New York jazz scene since moving from Germany in 2014. He’s performed with an array of artists including Steve Wilson, Jochen Rueckert, Marta Sánchez, and Manuel Valera, and counts Paul Chambers, Dave Holland, George Mraz, and Niels-Henning Ørsted Pedersen among his bass inspirations.

Joining him on Roots and Things are three of the most exciting voices in modern jazz:

  • Tivon Pennicott, a GRAMMY-winning saxophonist and longtime collaborator of Gregory Porter, known for his soulful tone and command of groove.

  • Sasha Berliner, a San Francisco–born vibraphonist and composer, named #1 Rising Star Vibraphonist in the 2020 DownBeat Critics Poll and celebrated for her forward-thinking approach to the instrument.

  • Kenn Salters, an agile and expressive drummer whose résumé spans jazz, R&B, and beyond, bringing both power and subtlety to every performance.

With Roots and Things, Dreyer channels a lifetime of influences — from the Blue Note swing of Wayne Shorter and Herbie Hancock to the lyricism of Bill Evans — into a cohesive, deeply expressive statement. It’s a record that reaffirms his place among the most imaginative bassists and composers of his generation.

Steve Tibbetts Returns With Close, a Haunting Meditation in Sound


Guitarist and composer Steve Tibbetts unveils Close, his eleventh release on the storied ECM label — a spellbinding continuation of his lifelong dialogue between texture, tone, and transcendence. The Minnesota-based artist resumes his exploration of 12-string and electric guitar, weaving layered loops and drones with the immersive percussion of longtime collaborators Marc Anderson and JT Bates.

Close is available today on digital platforms via ECM, with CD editions arriving in the US on December 4, 2025 — including a limited run of autographed copies for collectors and fans.

Critics have already been deeply moved by Tibbetts’ latest work:

Close is like a dark Rothko painting on fire. The love of life, the losses. Honestly, this album breaks my heart.” — Flowworker.org

Close takes us on the kind of enigmatic but enticing journey we’ve come to expect from Tibbetts: strange and beautiful.” — The Big Takeover

In his own words, Tibbetts reflects on his creative process with characteristic humility and wonder:

“Music is as close to magic as we mortals have. Musicians do revel in being thought of as wizards or shamans or conduits or vessels or prophets. News flash: we have no idea what we’re doing. Music is a twilight language. The job is to translate shadow into sound.”

That philosophy runs through every moment of Close. The record captures an unguarded intimacy — breaths, fretboard noises, and all. As percussionist Marc Anderson told Tibbetts during the recording:

“Don’t change it. Yes, I can hear you breathing. Yes, I hear the fretboard sounds. You’re playing with a lot of force and it sounds like you need to.”

Tibbetts’ unique approach to guitar tunings — dropping his low A and E strings to G and C — anchors much of the album in a single tonal space, a choice influenced by his deep connection to gamelan ensembles, Tibetan longhorns, Javanese court music, and the Hardanger fiddle traditions of Norway. “Most of the world’s music stays in the same key,” he notes, “and I’m comfortable with that.”

On Close, Tibbetts seems less concerned with achieving sonic perfection and more with evoking a sense of lived experience — of loss, presence, and persistence. As he puts it simply, “I am still reaching for the evocative sound of Sultan Khan.”

A deeply personal, transcendent work, Close stands as both a culmination and a renewal — an artist still exploring the edges of mystery through sound.

Chano Domínguez and Ethan Margolis Bridge Worlds on The Blues Around Us


Unifying Sounds marks its debut with The Blues Around Us, a stunning new collaboration between former Blue Note Records pianist Chano Domínguez and avant-garde guitarist Ethan Margolis (aka Emaginario). Both artists have devoted their lives to exploring the deep human connection at the heart of genre-crossing music — a philosophy that pulses through every note of this record.

Though Domínguez hails from Cádiz, Spain, and Margolis from just outside Cleveland, Ohio, their partnership is rooted in a shared belief: that music transcends boundaries and speaks to our shared humanity. The Blues Around Us is a beautifully crafted collection of original compositions that fuse the spirit of jazz and blues with the rhythmic soul of flamenco.

Drawing inspiration from icons like Dizzy Gillespie, Duke Ellington, Bessie Smith, and Wes Montgomery, the duo crafts a sound that feels both timeless and daringly new. Most of the pieces — composed by Margolis — were written specifically to highlight Domínguez’s interpretive brilliance and the deep, conversational flow between the two musicians.

“After more than a decade living in Spain, I met Chano, and we quickly realized our potential together,” says Margolis. “We believe in the imperfect beauty of humanity and in genres driven by spirit, not finance. With this album, we wanted to deliver warmth and humanity reminiscent of classic recordings by engineers like Fred Plaut and Rudy Van Gelder.”

The project’s origins trace back to a 2016 concert in Los Angeles, where their creative spark first ignited. Over eight years, the pair shaped and refined the material, including a week-long session in Brooklyn to finalize the album’s palette of blues styles. “Ethan brought a deep mix of Blues styles to my apartment,” recalls Domínguez. “Some were completely new to me, and I felt energized — like a kid discovering music all over again.”

Rounding out the ensemble are Carlos Henriquez (bass) and Obed Calvaire (drums), both members of Wynton Marsalis’s Jazz at Lincoln Center Orchestra. Recorded live at Oktaven Studios in New York by legendary engineer James Farber and mixed by Dave O’Donnell, the album’s sonic warmth evokes the golden age of the Van Gelder era. It was later mastered by Randy Merrill, completing a production team of Grammy-winning excellence.

Beyond its remarkable sound, The Blues Around Us stands as a meditation on authenticity, artistry, and the lifelong journey of musical discovery. The release coincides with Domínguez’s 50th anniversary as a professional pianist — a milestone in a career marked by collaborations with Wynton Marsalis, Blue Note Records, and SFJAZZ. Margolis, based in Camarillo, CA, continues to bridge continents and traditions, following his 2024 Ropeadope release alongside Larry Grenadier and Eric Harland.

Rooted in respect for history yet unafraid to innovate, The Blues Around Us captures the rare magic of two master musicians united by curiosity, craft, and connection.

Sean Mason Breathes New Life Into Jazz With A Breath of Fresh Air


GRAMMY-nominated jazz pianist, composer, and bandleader Sean Mason has released his highly anticipated new album, A Breath of Fresh Air. Following 2023’s The Southern Suite, this record marks a bold new chapter in Mason’s artistic evolution — a sweeping, soulful panorama that spans more than a century of musical innovation.

An elegantly virtuosic quintet session, A Breath of Fresh Air traces the deeply satisfying arc of a soul inspired, renewed, and unbound. Alongside the album’s release, Mason has shared the striking new video for “Unfinished Business,” a tune that wrestles with the ongoing journey toward self-discovery and healing.

Unfinished Business shifts our focus to the work that still remains,” Mason explains. “It’s a reminder that self-discovery and healing aren't passive processes — they demand active engagement with our baggage, with our unresolved issues. Musically, it’s grounded in the work song tradition, driven by a four-on-the-floor backbeat and a sense of urgency that mirrors our own unfinished business.”

The album also features earlier singles “Rediscovery,” which Mason calls “the genesis of the album’s narrative,” and “Open Your Heart,” a warm, soul-stirring ballad.

A Breath of Fresh Air reunites the stellar cast from The Southern Suite: trumpeter Tony Glausi, tenor saxophonist Chris Lewis, bassist Felix Moseholm, and drummer Domo Branch. Recorded over two days at Brooklyn’s Bunker Studios, the project captures the energy of a live performance — no sheet music, no isolation booths, just pure creative connection.

Mason’s journey through a personal and creative rebirth inspired this work — a daring assertion of independence and authenticity. Refusing to be confined by expectation, he channels a vast spectrum of influences into a singular voice that’s as forward-looking as it is steeped in jazz tradition. As mentor Branford Marsalis aptly puts it, “the album sounds like Ahmad Jamal and Horace Silver had a baby.”

More than just an album, A Breath of Fresh Air unfolds as a full multimedia experience: a short film, behind-the-scenes video series, and photo essay that together illuminate the band’s creative process and Mason’s spiritual journey.

“This is a testimony,” Mason says. “Our inspiration comes from everywhere, but the magic happens when we transform those influences into something that’s wholly our own. That’s the path I’m walking now.”

Tour Dates:
November 15 – New York, NY @ Miller Theatre

Wednesday, October 22, 2025

Sacha Boutros Illuminates Paris in SACHA: PARIS AFTER DARK — A Centennial Celebration of French and American Song

Global jazz vocalist, composer, producer, and peace ambassador Sacha Boutros returns with SACHA: PARIS AFTER DARK — a lush, multilingual journey through 100 years of popular music by French and American composers. Released October 17, 2025 on Hear Me Roar Records, the album soared to #1 on iTunes within three days of release, a testament to Boutros’ worldwide following and her singular ability to unite audiences across borders and languages.

A master of connection and culture, Boutros speaks seven languages and sings in 14. On SACHA: PARIS AFTER DARK, she draws from her deep stylistic palette — jazz, blues, pop, and swing — to reimagine timeless songs originally written or popularized by Gilbert Bécaud, Jacques Brel, Sidney Bechet, Sacha Distel, Joe Dassin, Cole Porter, Dalida, and Serge Gainsbourg. Singing in French, English, and a touch of Italian, she bridges the Great American Songbook with classic French pop in a heartfelt homage to the City of Light and Love.

The 10-track album marks Boutros’ fifth full-length recording and continues her After Dark series, following Sacha: NY After Dark (2013) — with Sacha: Las Vegas After Dark and Sacha: Mexico After Dark soon to follow. “For me, this album is a love letter to Paris, to music, to my childhood and family, and to the powerful bond between cultures,” says Boutros. “The After Dark aesthetic captures the sound and spirit of a city at night — the music you hear in cafés, clubs, taxis, and on the streets. I’ve never been more found than when I’m lost in Paris.

The album features a stellar ensemble of French and Franco-American jazz greats: Stéphane Belmondo (trumpet), Franck Amsallem (piano), Hugo Lippi (guitar), Thomas Bramerie (bass), and Tony Rabeson (drums). Together, they create a cinematic, late-night Parisian atmosphere — intimate yet grand, sophisticated yet spontaneous.

Highlights include a sensual, percussive take on Gilbert Bécaud’s “Je Reviens Te Chercher”, a sultry reimagining of Sidney Bechet’s “Si tu Vois Ma Mère”, and a bilingual “love dance” medley of Jacques Brel’s “Ne Me Quitte Pas” and Frank Sinatra’s “I’m a Fool to Want You.” Boutros also delivers a spritely, romantic April in Paris,” a smoky rendition of Joe Dassin’s “Et si tu n’existais pas,” and an evocative version of Serge Gainsbourg’s “La Javanaise.” Other standout moments include the timeless poignancy of Charlie Chaplin’s “Smile” and the sensual multilingual charm of Dalida’s “Love in Portofino.” The album closes with haunting grace on Cole Porter’s “In the Still of the Night” and a jubilant, swinging finale — “La Belle Vie” (“The Good Life”) — that encapsulates the warmth and wit of the collection.

Of Mexican and French Lebanese heritage, Boutros was raised in San Diego in a European household. A former athlete and honors graduate in Marketing and International Business, she later founded her own label, production, and publishing company, Hear Me Roar, becoming one of the few female producers in jazz. Her work has topped iTunes, Billboard, and international charts — including #2 in Japan’s jazz rankings and #3 in Francophile and Canadian charts.

Boutros is also a community leader and cultural visionary. In 2014 she founded Sacha’s Supper Club 501(c)3, the first vintage pop-up experience blending fine dining, big band music, and dancing in the style of 1940s café society. In 2017 she helped create the “The Place Where Soles Meet” mural at the San Ysidro–Tijuana border, a symbol of unity through art. In France, she is affectionately known as “La Reine du Jazz” — The Jazz Queen.

Ben Marc Returns with Hypnotic New Single “Homeless Maccabee” ft. Σtella — From Forthcoming Album Who Cares Wins


London-based multi-instrumentalist and producer Ben Marc has unveiled his latest single, Homeless Maccabee,” featuring Greek Sub Pop artist Σtella, the third release from his anticipated new album Who Cares Wins, out 5th December via Innovative Leisure.

Following Back Again (ft. Arrested Development & Speech) and Love,” this new offering continues Marc’s boundary-pushing journey through sound — a project being revealed in three stages: two four-track EPs in October and November, culminating in the full 14-track LP this December. The staggered rollout mirrors Marc’s layered, immersive approach to composition, allowing each part of the record to breathe before the full picture comes into view.

‘Homeless Maccabee’ is my first full song collaboration with Σtella. We both share a deep love for a wide range of musical genres, and I’m super proud of the blend of influences we brought together in this track,” says Marc.

A musician who has long defied categorization, Ben Marc has worked with an extraordinary list of collaborators — from Radiohead’s Jonny Greenwood and Mulatu Astatke to Sun Ra Arkestra and Dizzee Rascal. His music fluidly crosses jazz, electronic, and classical realms, echoing the diversity of his own background: raised between Birmingham and the Caribbean island of Carriacou, Marc grew up surrounded by hip-hop, reggae, and soul.

The name Ben Marc itself reflects his dual identity — “Ben,” the nickname from his early days with Tomorrow’s Warriors, and “Marc,” a nod to his Birmingham roots. During the pandemic, while volunteering with the NHS, Marc began shaping Who Cares Wins as a deeply personal statement: “I ended up thinking, well, it’s a genre — it’s just me.

Marc’s 2022 debut Glass Effect earned widespread acclaim — Pitchfork called it “oblique, hypnotic, and unresolved, rejecting the ordering logics of containment by melding house, jazz, classical, and electronic music.CLASH described him as “overlapping club tropes with jazz improvisation, a unique style that could only come from London.” NPR hailed the album as “an absolute masterpiece,” while Jazzwise praised him as “a vital voice.

With Who Cares Wins, Marc takes his sound further — expansive yet grounded, bold yet deeply human. Surrounding himself with synths, strings, drums, and guitars in his own studio, he’s embraced a freer, more mature production style. The title riffs on the British Special Air Service motto “Who Dares Wins,” flipping it with a wink — a reminder that experimentation and vulnerability go hand in hand.

The album features collaborations with Kay Young, Khazali, Wahid, and Speech, each bringing a distinct tone to Marc’s sonic universe. From the restless pulse of “The Blues” to the infectious drive of “Cheddar Man,” Who Cares Wins promises to be both a statement and a celebration.

Jane Ira Bloom & Brian Shankar Adler Ignite in once like a spark — A Dazzling New Duo Release


Adhyâropa Records has announced once like a spark, the new collaboration between legendary soprano saxophonist Jane Ira Bloom and forward-thinking percussionist Brian Shankar Adler.

once like a spark brings together NASA soprano saxophonist/composer Bloom and percussionist/composer Adler for a series of acoustic duets that traverse the globe and showcase their extraordinary improvisational chemistry.

After years of rehearsing and performing together, the duo entered Acadia Studios in Portland, ME, in July 2025 to record their first collaborative album. The result is 14 tracks that capture the spark of their unique musical connection. Many are first takes, inspired by sources as wide-ranging as the gamelan of Southeast Asia (“Shan Dara,” “Together We”), the rhythms of North India (“Psalm,” “Song for Khan”), literary icons Jorge Luis Borges (“A Boa a Quq Aoaba”) and e.e. cummings (“once like a spark”), and even cosmic imagery (“Old Orchard Intergalactic Launchpad,” “Air”).

The music pulses with rhythm, melodic depth, and fearless improvisation. Each duet feels intimate yet expansive — a sonic dialogue alive with curiosity and trust. It’s almost hard to believe that there are only two musicians performing, as each piece unfolds into a world of its own.

once like a spark is a glowing testament to two master improvisers at the height of their creative powers — warm, dynamic, and endlessly inventive.

Tracklist — Total 56:45

  1. Drums Like Dancing (Bloom) — 3:37

  2. once like a spark (Adler) — 3:57

  3. Psalm (Bloom) — 4:54

  4. Shan Dara (Bloom) — 6:17

  5. Together We (Adler) — 3:59

  6. Just Like This (Bloom) — 3:30

  7. Old Orchard Intergalactic Launchpad (Adler) — 4:16

  8. Be Cowboy (Bloom) — 3:40

  9. True City (Bloom) — 3:18

  10. Watertown (Adler) — 4:43

  11. Song for Khan (Bloom) — 4:02

  12. A Boa a Quq Aoaba (Adler) — 4:01

  13. Air (Bloom) — 4:02

  14. Two Mays (Bloom) — 2:29

Personnel:
Jane Ira Bloom — soprano sax
Brian Shankar Adler — drums, tabla, chromatic discs, wooden box
Ken Filiano — upright bass (track 3)

Tuesday, October 21, 2025

Mina Agossi – Dynamic: A Daring Tribute to Dinah Washington


With Dynamic, French singer-songwriter Mina Agossi pays heartfelt tribute to the legendary “Queen of the Blues,” Dinah Washington. Following her experimental electro project Lonely Whales, Agossi — whom the great Ahmad Jamal affectionately called “The Diva” — returns to her jazz and blues roots, channeling Washington’s fearless energy while weaving in her own distinctive voice and original compositions.

Backed by a remarkable ensemble of international musicians, including her long-time bassist Eric Jacot, trumpeter Stéphane Belmondo, violinists Florin Niculescu and Alexei Aigui, and Athanase Obed of the Gangbé Brass Band, Agossi delivers an album where history, passion, and modern creativity collide. The project is at once reverent and revolutionary — a celebration of Dinah Washington’s timeless repertoire and an exploration of how her spirit resonates in the present.

Agossi approaches these songs not as a mimic, but as an interpreter unafraid of risk. Her performances of classics such as “Is You Is or Is You Ain’t Ma’ Baby,” “This Bitter Earth,” “Mad About the Boy,” and “What a Difference a Day Makes” are imbued with both respect and reinvention. Interwoven among them are her own compositions, sung in both English and French, that reveal her mischievous, daring character — “a soul with mischief in her eyes and audacity in her voice.” The result is a vibrant, unpredictable journey that pays homage to Dinah’s legacy while reaffirming Mina’s place among today’s most inventive jazz vocalists.

Mina Agossi: vocals
Eric Jacot: bass
Marc Charrière: sound design, keyboards
Jérémy Bruyère: organ
Athanase Obed: trumpet, bugle
Alexei Aigui, Florin Niculescu: violin
Romain Da Costa: conga, percussion
Manolo Badrena, Jozz Aidama: percussion

Tracklisting

Disc 1
Side 1

  1. Is You Is Or Is You Ain’t Ma’ Baby

  2. This Bitter Earth

  3. C’est Une Île

  4. Funny

  5. Mad About The Boy

  6. Mon Homme

  7. Ne Jette Rien

  8. September In The Rain

  9. What A Difference A Day Makes

  10. Dynamic Song

Yusef Lateef – Golden Flower: Live in Sweden


The first official release of two stunning live performances by the legendary saxophonist and multi-instrumentalist Yusef Lateef arrives this winter. Golden Flower – Live In Sweden captures Lateef in two inspired concerts recorded for Swedish television and radio in 1967 and 1972, now finally issued as a 2CD deluxe digipak edition with a 20-page booklet.

This limited-edition release marks the second official collaboration between Elemental Music and the Yusef Lateef Estate, following 2024’s acclaimed Atlantis Lullaby: The Concert from Avignon. Transferred from the original tapes and restored and mastered by Matthew Lutthans at The Mastering Lab in Los Angeles, the recordings highlight Lateef’s boundary-pushing spirit and deep musical intelligence.

The set features performances with two distinct quartets, showcasing the range and evolution of Lateef’s artistry.
The 1967 Mosebacke concert pairs him with Lars Sjösten (piano), Palle Danielsson (bass), and Albert “Tootie” Heath (drums), while the 1972 Åhus Jazz Festival performance finds him joined by Kenny Barron (piano), Bob Cunningham (bass), and Heath once again on drums.

The 2CD set includes rare photographs, new liner notes, and personal reflections from Barron and other musicians who were inspired by Lateef’s visionary approach.

Tracklist:

Disc 1 – Recorded at Mosebacke, Sweden (September 13, 1967)

  1. The Golden Flute

  2. Blind Willie

  3. One Little Indian

  4. Straighten Up and Fly Right

  5. The Poor Fisherman

Disc 2 – Recorded at Åhus Jazz Festival, Sweden (August 1, 1972)

  1. Eboness

  2. Lowland Lullaby

  3. A Flower

  4. Yusef’s Mood

  5. Inside Atlantis


Dr. John Live At The Village Gate


Omnivore Recordings and the Official Estate of Dr. John are celebrating the late legend’s birthday with a gift to fans — Live At The Village Gate, a previously unissued concert from the Rock and Roll Hall of Famer himself. The album arrives digitally and as a double CD on November 21, the day after Dr. John’s actual birthday.

Mac Rebennack — better known as Dr. John — forever changed the sound of American music starting with his 1968 debut Gris Gris, fusing New Orleans soul, funk, blues, and voodoo rhythms into something entirely his own. Across five decades, he gave us classics like “Right Place, Wrong Time” and “Such A Night,” leaving an indelible mark on music before his passing in 2019.

Live At The Village Gate captures Dr. John and his band on March 5, 1988, delivering nearly two hours of pure magic. The set includes “Mess Around,” “Georgia On My Mind,” “Mardi Gras Day,” and even a crowd request for “Mama Roux” from Gris Gris—each performance steeped in the grit, groove, and joy that defined him.

Restored and mastered by Grammy-winning engineer Michael Graves, the release also features liner notes by Joe Marchese of The Second Disc. It’s more than just a live album — it’s a celebration of one of music’s most soulful spirits. As the man himself would say, “Let the good times roll.”

Watch the trailer: https://youtu.be/7qRFu_1LqfA

Dr. John – Live at the Village Gate
DISC 1
1. Renegade
2. Qualified
3. Life Is A One Way Ticket
4. Keep That Music Simple
5. One Dirty Woman
6. I’ve Been Hoodood
7. Rain
DISC 2
8. Let The Good Times Roll / Ooh Poo Pah Doo
9. Mess Around
10. Georgia On My Mind
11. Mama Roux
12. Mardi Gras Day

Saturday, October 18, 2025

Nicola Conte’s Viaggio: A Deep Dive into Italy’s Golden Age of Library Jazz (1970–79)


After his celebrated Viagem series, which shone a light on Brazil’s overlooked bossa nova and samba jazz recordings, international DJ, producer, and recording artist Nicola Conte returns with a new curatorial masterpiece—Viaggio. Released through Far Out Recordings, in collaboration with Blue Note and Schema Records, Viaggio is a 12-track odyssey through the golden era of Italian library music from 1970 to 1979, a period when imagination and experimentation flourished behind studio doors.

In the 1970s, Italy’s composers were crafting extraordinary music not for mass-market albums, but for film and television libraries. These recordings, meant to underscore emotion and narrative, allowed for unparalleled artistic freedom. Without commercial expectations, composers like Amedeo Tommasi, Alessandro Alessandroni, Max Rocci, and others explored the outer reaches of jazz, funk, and avant-garde sound. Pressed in small quantities and distributed only within the film and broadcast industries, much of this music remained hidden from the public for decades.

“This is a journey through a largely forgotten world,” Conte explains. “While major jazz recording opportunities were limited, small publishing labels—many founded by the musicians themselves—opened a space for experimentation and personal expression. What emerged was a sound that was both cinematic and deeply human.”

At the heart of Viaggio lies Amedeo Tommasi, a sophisticated pianist and one of Italy’s earliest adopters of Black American modal jazz. When traditional jazz recording opportunities waned, Tommasi pivoted toward soundtrack and library music, helping to define a distinct Italian aesthetic that married the lyricism of European jazz with the rhythmic pulse of global styles.

Alongside Tommasi are visionary contemporaries: Alessandro Alessandroni and his wife, vocalist Giulia De Mutiis (Kema); Stefano Torossi under his alias Farlocco; Belgian composer Joel Vandroogenbroeck; and many more. Together, they blended analog synthesizers, lush orchestration, and influences from Brazilian rhythms, jazz-funk, and Middle Eastern modes, crafting music that was at once exploratory and evocative.

Conte’s Viaggio reveals this forgotten chapter of sonic artistry—a time when the studio was a playground for creativity, and Italian jazz was both experimental and emotionally grounded. “You can hear the haunting melodies and sun-kissed atmospheres that capture the Italian spirit,” Conte says. “Some of these pieces could have been full-fledged artist albums, others were made for visual storytelling, but all of them share a sense of wonder.”

Tracklisting – Viaggio
Disc 1
Side 1

  1. Amedeo Tommasi – Brasilia (The Sound)

  2. Max Rocci & His Friends – Colorombo

  3. Max Rocci & His Friends – Niagara Falls

  4. Alessandroni E Il Suo Complesso – Via Mare

  5. Joel Vandroogenbroeck – Electronic Jungle

  6. Kema – Pescatori (Canto Femminile)

Side 2

  1. Desert – Leaving

  2. The Swingers – Depressione

  3. Latrudi – Feeling

  4. Narassa, Amedeo Tommasi Trio – Lalo

  5. The Swingers feat. Marco Di Marco – Meditazione

  6. The Swingers – Nostalgia

Through Viaggio, Nicola Conte invites listeners to rediscover the overlooked brilliance of Italy’s jazz and soundtrack pioneers—music that shaped the nation’s creative identity and continues to inspire new generations of artists. This is not nostalgia; it’s a rediscovery of timeless innovation.


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