Daggerboard and Erik Jekabson Present "THE AXES" – A Unique Summer Solstice Concert Series at The Hillside Club, Berkeley

Experience the Magic of the Summer Solstice with Daggerboard and Erik Jekabson’s “THE AXES” Concert Series

Daggerboard and Erik Jekabson are proud to present THE AXES, an exciting four-part concert series designed to celebrate the magic and energy of the Summer Solstice. The first performance of this captivating series took place on June 21, 2024, at the iconic Hillside Club in Berkeley, CA. This concert series explores the beauty of original compositions that blend minimalist themes with expansive musical developments, much like the dynamic flow of life itself.

A Glimpse Into THE AXES Concert Series

“The AXES” is a unique celebration of music, nature, and time. Each concert is specifically timed to coincide with the day of the event, drawing inspiration from the Summer Solstice, a day rich with symbolic meaning. The performance on June 21, 2024, marked the beginning of this incredible journey, with a recording of the live performance and rehearsal now available for all to enjoy.

The concert featured eight original compositions, each meticulously crafted to evoke the spirit of the Summer Solstice. These works begin with minimalist motifs that gradually evolve into complex and wondrous arrangements, mirroring the natural cycles of life.

The Talented Ensemble Behind THE AXES

The performance at The Hillside Club brought together an ensemble of gifted musicians, each known for their individual mastery in their field. Esteemed conductor and violist Charith Premawardhana led the orchestra with precision and passion. Featured musicians include:

• Mads Tolling (Lead Violin)
• Ben Davis (Cello)
• Paul Hanson (Bassoon)
• Dan Feiszli (Bass)
• Jon Arkin (Drums)
• Harvey Wainapel (Saxophone)
• Jeff Cressman (Trombone)
• Erik Jekabson (Trumpet)

Together, these musicians brought to life the mesmerizing compositions of Daggerboard and Jekabson, creating a deeply immersive experience for the audience.

A Journey Into the World of Minimalism and Beyond

The compositions performed during THE AXES concert series showcase an evolution from minimalist themes into expansive, dynamic arrangements. Drawing from diverse musical influences, these works speak to the universal rhythm of nature and the passage of time. It’s a celebration of the solstice, a time when light and dark are in perfect balance—a metaphor for the harmony within life itself.

Get Ready for Future Performances

While the first concert of THE AXES series has already captivated audiences, this is just the beginning. Stay tuned for the upcoming performances, which promise to be as mesmerizing and thought-provoking as the first.

Be sure to follow the latest updates on upcoming concerts and events by Daggerboard and Erik Jekabson, and don’t miss out on the chance to experience the next performance of this extraordinary series.

ARTEMIS Releases ARBORESQUE: A Powerful New Jazz Album Celebrating Collaboration, Nature, and Musical Excellence

The acclaimed jazz ensemble ARTEMIS was born in 2016 when pianist Renee Rosnes first brought together a dynamic group of female musicians to celebrate International Women’s Day through live performances in Europe. Now, nearly a decade later, ARTEMIS continues to defy expectations with its third album ARBORESQUE, out now via Blue Note Records. This release solidifies the collective’s enduring legacy, showcasing their growth as musicians and their ability to transcend traditional notions of musical hierarchy and patriarchy. ARBORESQUE offers more than just innovative jazz—it celebrates the power of collaboration, creativity, and the beauty of the natural world.

“We aim to create music that is both honest and emotionally impactful,” says Rosnes, the organizing force behind the band. “The energy we share as musicians comes through in the music, and I believe it resonates with our audiences.”

ARTEMIS, voted by DownBeat readers as the "finest working jazz group" in both 2023 and 2024, consists of some of the most talented jazz musicians of their generation. The current quintet features Renee Rosnes on piano and Rhodes, Ingrid Jensen on trumpet, Nicole Glover on tenor saxophone, Noriko Ueda on bass, and Allison Miller on drums. Together, they craft a sound that is both intricate and expansive, making ARBORESQUE a testament to their chemistry and artistic vision.

The Magic of ARTEMIS: Natural Beauty and Creative Collaboration

On ARBORESQUE, the band explores the theme of nature and the environment, drawing inspiration from the world around them. The compositions reflect their deep connection to the outdoors, with the members hailing from breathtaking locales and often seeking moments of peace in nature while on tour. As Rosnes puts it, “Traveling can be challenging, but it strengthens our bond and gives us a sense of well-being.”

Each track on ARBORESQUE is a musical exploration of the natural world and human emotion. Ueda’s composition “Komorebi” takes its name from the Japanese word describing the effect of sunlight filtering through leaves, capturing a sense of optimism and vibrant interaction. Glover’s “Petrichor,” inspired by the fresh scent that follows rain, is an entrancing ballad filled with yearning and emotion. Jensen’s “Sights Unseen” features a groovy, electronic-infused melody that invites listeners to imagine the world with childlike wonder. Meanwhile, Miller’s “Little Cranberry” evokes the peaceful balance between serenity and movement, inspired by a postcard-worthy island in Maine.

Rosnes’ “Olive Branch” blends Latin jazz with modernism, inspired by a Spanish olive grove the band visited during a tour. The olive tree, a symbol of peace in many cultures, further enriches the track's meaning, adding cultural depth to the album’s thematic structure.

Homage to Jazz Legends and Musical Growth

ARBORESQUE also features three non-original tracks that hold deep personal meaning for Rosnes. She arranged Burt Bacharach and Hal David’s “What the World Needs Now Is Love,” bringing a new layer of emotion to this classic anthem of peace and unity, written in protest of the Vietnam War. The album’s opening track, “The Smile of the Snake,” was composed by the late Donald Brown, an unsung hero in jazz piano, and reflects Rosnes' long-standing admiration for him. Lastly, the group’s arrangement of Wayne Shorter’s iconic “Footprints” serves as a tribute to the late legend, whose spirit continues to inspire Rosnes and the band.

Rosnes’ deep connection to Blue Note Records is also reflected in ARBORESQUE. Over her extensive career with the label, she has collaborated with some of jazz’s most influential figures, including Bobby Hutcherson, Joe Henderson, and Wayne Shorter. It is clear that Rosnes learned not only musical lessons from these legends but also the importance of trust and freedom in a group setting—something she has embodied in her leadership of ARTEMIS.

Meet the ARTEMIS Band: A Collective of Musical Excellence

Each member of ARTEMIS brings a unique voice to the ensemble, with their collective talent creating a sound that is both powerful and nuanced. Rosnes describes trumpet player Ingrid Jensen as “a stunningly original voice on trumpet who can perfectly complement any chord with the right note.” Nicole Glover’s tenor saxophone is praised for its bold storytelling and freedom, while bassist Noriko Ueda is recognized as a virtuoso with a buoyant yet centered presence. Drummer Allison Miller anchors the group with her dynamic rhythms, bringing balance and structure to the band’s performances.

While ARTEMIS members have busy schedules as bandleaders, educators, and collaborators in other groundbreaking projects, they make time to perform together as ARTEMIS because the chemistry within the group is unparalleled. Rosnes adds, “The energy and creativity we share are too special to pass up. Playing together is an extraordinary experience.”

"Way Through" – A New Collaborative Album from Chris A. Cummings, Joseph Shabason, and Thom Gill Explores Life's Emotional Pathways

Even after living in the same area for years, there are moments of profound discovery that challenge the familiarity of one’s surroundings. Whether it’s avoiding traffic or meandering through unfamiliar streets on a quiet weekend morning, the experience often feels like exploring hidden rooms in a childhood home. As new pockets of a neighborhood materialize, a feeling of confusion sets in, only to be replaced by clarity as old landmarks come into view. This sense of discovery, the journey between confusion and clarity, is at the heart of Way Through, the upcoming album by Toronto musicians Chris A. Cummings, Joseph Shabason, and Thom Gill, collectively known as Cici Arthur. The album, released via Western Vinyl on February 21, 2025, explores the emotional intricacies of life’s winding paths and will be available for pre-order now.

The Making of Way Through – A Large-Scale Musical Experience

The album’s creation was motivated by Cummings’ desire to craft a grand musical experience for his vocals and songwriting. Working alongside producers and instrumentalists Joseph Shabason and Thom Gill, the trio aimed to blend their distinctive approach to adult contemporary music with the influences of mid-century jazz icons like Antonio Carlos Jobim and the romantic splendor of Frank Sinatra.

What results is an album rich in both emotional depth and sonic grandeur. The album features an ensemble of talented musicians, including drummer Phil Melanson (Sam Gendel, Sam Amidon, Andy Shauf), Nicholas Krgovich, and renowned violinist Owen Pallet, who leads a 30-piece orchestra. The inclusion of Dorothea Paas’ glassy harmonies further enriches the intricate soundscape, grounding the album’s vast musical elements in a deeply personal and intimate narrative.

The resulting sound of Way Through mirrors the communal spirit of Shabason’s past projects, while it reaches expansive new heights, evoking the feel of a Capitol Records session at its most cinematic and emotionally compelling.

From Personal Struggles to Artistic Triumph

The inspiration behind Way Through traces back to 2020 when Chris Cummings faced the loss of his long-time job due to the ripple effects of the COVID-19 pandemic. For the first time in his life, Cummings plunged into music creation full-time. This leap of faith became a turning point, influencing his collaborators to tailor their arrangements specifically for him. As Shabason notes, "I wanted to make a really big-sounding record for Chris… and create something as grand as I possibly could."

This collaborative effort culminates in an album that contrasts Cummings' understated delivery with the grand orchestral backdrop, capturing the interplay between personal vulnerability and artistic ambition. His lyrics reflect the quiet introspection of a man navigating the emotional complexity of life's transitions. One of the standout moments is "Cartwheels for Coins," where Cummings’ lyrics express the bittersweet nature of longing and reflection: “If I could be all that once looked so great and grand, I would have died for an occasion to rise to, but it’s a gray sky, nothing to say, mixed emotions always get in the way.”

A Journey Through the City – And Life

Cummings’ personal journey during 2020 plays a key role in the album’s thematic exploration. In the face of uncertainty, Cummings took to riding his bike through suburban areas of Toronto he had never explored. These bike rides became metaphors for the circuitous paths life often takes, discovering new parts of the city—and himself—along the way.

The album’s title track, “Way Through,” encapsulates this concept, with Cummings singing, “What good are dead ends when I’m looking through a way through?” The recurring theme of perseverance despite life’s disappointments is present throughout the album. In its grand orchestral form, Way Through balances its lush sound with the honest realism of Cummings’ lyrics, offering listeners an exploration of dreams, disappointments, and growth.

Track Listing:

1. Way Through
2. Cartwheels for Coins
3. Dead Ends
4. Searching for Light
5. Through the City
6. In the Silence
7. The Long Road Home
8. A Quiet Hope

Unearthed John Lee Hooker Recordings from 1973 Released: A Raw Glimpse Into the Blues Legend’s Genius

A long-lost treasure trove of John Lee Hooker’s recordings, captured in 1973 for the educational series The Standard School Broadcast, is finally seeing the light of day. Taped at San Francisco’s Coast Recorders, this previously unheard collection showcases Hooker at his most intimate and unfiltered, offering an unparalleled look into the artistry of one of blues’ most influential pioneers.

Scheduled for release on February 28, 2025, via BMG, the collection will be available in multiple formats, including vinyl, CD, and digital streaming. For fans eager for more, the CD and digital versions will feature two bonus tracks: “Sally Mae” and “Coast Recorders Jam.” Pre-orders for this historic release begin today.

The Standard School Broadcast: A Groundbreaking Educational Program

Founded in 1928, The Standard School Broadcast was an innovative educational program sponsored by Standard Oil (later Exxon). The program, which aired across the Western United States via NBC, aimed to foster music appreciation and an understanding of American history. In one of its unique explorations of musical genres, the series invited John Lee Hooker to represent the blues, leading to a remarkable session that has remained hidden from public ears for over 50 years.

Unreleased Blues Gems

During this 1973 session, Hooker was joined by his trusted rhythm section: bassist Gino Skaggs, drummer Ken Swank, and his 20-year-old son, Robert Hooker, on piano. Together, they recorded eight tracks, of which only three were originally broadcast. The remaining five tracks are being released for the very first time, offering fans an unprecedented glimpse into Hooker’s raw and unadulterated genius.

These newly released tracks are captured live, without overdubs, edits, or extensive mixing—just pure, unfiltered blues. The music evokes a deeply personal moment in Hooker’s career, as it reflects both his deep connection to the blues tradition and his willingness to innovate within it. The set includes reimagined versions of Hooker classics like “Sally Mae” and “Hard Times,” as well as spontaneous creations and medleys that highlight his powerful storytelling through song.

Hooker’s Musical Philosophy and Artistic Legacy

Hooker once said, “I just go by the natural blues. I just play it as I feel it.” This philosophy is evident throughout the session, where free-flowing slow blues intertwine with bursts of raw emotion and improvisation. The tracks transcend mere entertainment, offering themes of regret, redemption, and resilience—giving listeners a candid portrait of Hooker as he grappled with his humanity through the transformative power of music.

A standout feature of the collection is the piano work of Hooker’s son, Robert, whose intuitive playing complements his father’s iconic voice and guitar. Whether providing a deep groove or delicate flourishes, Robert’s contributions showcase the musical bond he shared with his father. Together, with Skaggs and Swank, the ensemble crafts a rich sonic landscape that is both hauntingly beautiful and profoundly moving.

Highlights from the Newly Released Collection:

“Sally Mae”: A stripped-down rendition of Hooker’s 1948 classic, showcasing its emotional depth.

“When My First Wife Left Me/Hobo Blues”: A medley that seamlessly blends past and present.

“Should Have Been Gone”: A fresh take on Hooker’s staple, previously known as “I’m Leaving.”

“Hard Times”: A poignant reimagining of Hooker’s earlier track “No Shoes.”

“Rock With Me”: A groove-driven track that exudes an infectious spirit.

Had these recordings been released in 1973, they would undoubtedly have been regarded as a definitive Hooker album. Now, nearly half a century later, this release serves both as a historical artifact and a timeless piece of art. It captures John Lee Hooker at his most raw, vulnerable, and transcendent—truly healing himself through the blues.

Track Listing:

1. Bad Boy
2. Hard Times
3. Rock With Me
4. Should Have Been Gone
5. I Hate the Day I Was Born
6. When My First Wife Left Me/Hobo Blues
7. Sally Mae (Bonus Track)
8. Coast Recorders Jam (Bonus Track)

Note: Bonus tracks available on the CD and digital versions only.

Hillai Govreen: Rising New York-Based Clarinetist, Saxophonist, and Composer Set to Release Every Other Now with Ben Meigners

Hillai Govreen is an emerging clarinetist, saxophonist, and composer based in New York, quickly gaining recognition for her unique contributions to the contemporary jazz scene. Her upcoming album, Every Other Now, is a collaboration with bassist/composer Ben Meigners and features a stellar lineup of notable musicians from the New York music scene, including Steve Cardenas (guitar), Eric McPherson (drums), and Café Da Silva (percussion). Set to be released in June 2025 under the Fresh Sound label, Every Other Now promises to showcase Hillai's distinct musical vision and collaborative spirit.

A Journey of Musical Exploration

Hillai Govreen’s musical journey is marked by a rich blend of classical training, diverse genres, and a deep exploration of improvisation. Her previous album, Allusions (2021), was a duet with pianist Nitsan Kolko. The album highlighted a spontaneous musical dialogue, drawing from various ancient fables and weaving intricate themes into every performance.

In addition to her duo work, Hillai has demonstrated her compositional versatility through a unique nonet arrangement that combines strings and woodwinds. These ventures are a testament to her talent in both performance and arranging, earning her a dedicated following in the jazz community.

Collaborations with Renowned Musicians

Hillai has had the opportunity to collaborate with a diverse array of internationally recognized musicians, further expanding her musical range and knowledge. Her collaborations include work with jazz legends like George Cables, Arturo O’Farrill, Anat Cohen, Allison Miller, and Steve Cardenas.

Her dynamic performances have taken her on tours across India, Europe, Israel, and the United States, where she has graced the stage at some of New York City's most prestigious venues, including Dizzy’s Club, Smalls, Mezzrow, Birdland, National Sawdust, and Ornithology.

Musical Beginnings and Education

Born and raised in Israel, Hillai Govreen’s passion for music ignited at an early age. She began studying classical piano at just six years old and, by the age of 12, transitioned to clarinet under the mentorship of Professor Michael Gurfinkel. Throughout high school, Hillai was awarded multiple music scholarships from the American Israel Cultural Foundation, earning recognition as an “Outstanding Musician.” During this time, she played first clarinet in the Young Israeli Philharmonic Orchestra.

Hillai’s exceptional talent was further acknowledged when she received a full scholarship to study at the prestigious Barenboim-Said Academy in Berlin. She eventually moved to the U.S. to continue her studies, graduating with honors from The New School for Jazz and Contemporary Music in 2020. At The New School, Hillai studied with some of jazz’s most revered musicians, including Anat Cohen, Chris Cheek, Tony Malaby, Billy Harper, Steve Cardenas, and Reggie Workman.

Endorsements and Future Prospects

Hillai Govreen’s dedication to her craft has led to her being an endorsing artist for P. Mauriat clarinets and saxophones. Her innovative and emotive approach to jazz continues to captivate audiences around the world, and her upcoming album Every Other Now is highly anticipated as it promises to take her career to new heights.

With an impressive body of work already under her belt and a bright future ahead, Hillai Govreen is poised to make a lasting impact on the jazz scene with Every Other Now. Be sure to check out her latest album, coming June 2025!

Billy Hart Quartet’s Just: A Contemporary Jazz Masterpiece Embracing Tradition and Innovation

After more than two decades of musical collaboration, the Billy Hart Quartet—featuring Mark Turner, Ethan Iverson, and Ben Street—continues to stand out in the world of contemporary jazz. With an ever-evolving sound that fuses elements of jazz tradition with modern innovation, their work represents a perfect balance of historical influence and forward-thinking exploration. The group’s latest album, Just, exemplifies this commitment, blending Hart’s seasoned experience with the individual genius of his collaborators.

As one of jazz's most respected drummers, Billy Hart, now 84, brings a wealth of experience and a "multi-directional" approach to his playing. His quartet embraces a style that transcends genre boundaries, creating a contemporary jazz sound that is deeply rooted in tradition while pushing the limits of improvisation. Kevin Le Gendre of Jazzwise perfectly captured the essence of their sound, describing the album One Is The Other as “contemporary jazz that draws extensively on all the ‘traditions’ while infusing some of the melodic clarity associated with the more challenging end of popular song.”

A Quartet of Unique Voices

At the heart of the Billy Hart Quartet is the synergy between four individual improvisers who each bring their distinct voice to the table. As noted by pianist Ethan Iverson, “A jazz group is a sensitive mechanism. You’ve got to play together and listen hard, but there’s also a way you need to stay your own course.” This delicate balance between collaboration and individuality is evident throughout Just.

The album showcases a diverse range of compositions, with each member contributing their own pieces. Iverson, known for his ability to blend classical jazz traditions with a modern twist, offers four contrasting tracks: the fluid and intricate “Chamber Music,” the rhythmically complex “Aviation,” the abstract blues of “South Hampton,” and the beautiful, melodic “Showdown.”

Mark Turner, a saxophonist renowned for his deep knowledge of both John Coltrane and Lennie Tristano, presents three compositions on Just. These include the blues-infused “Billy’s Waltz,” the up-tempo “Top of the Middle,” and the evocative “Bo Brussels,” which takes the listener on an unexpected, winding journey of sound.

Billy Hart himself contributes to the album with his own pieces, including two well-loved tracks from his past: “Layla-Joy” and “Naaj.” These older compositions are re-imagined with a fresh perspective, showcasing the quartet’s ability to breathe new life into past works. The album’s title track, “Just,” pulses with an emphatic beat, harkening back to Hart’s days as the driving force behind bands led by Herbie Hancock and Eddie Harris.

A Forward-Looking Group Grounded in Jazz History

Despite the group’s forward-looking approach, the Billy Hart Quartet remains grounded in jazz history. Hart has long been celebrated for his ability to blend innovation with tradition, something he remarked upon in an interview with Jazz Times when he described his quartet as “brilliant contemporary conceptualists.” He goes on to praise Mark Turner for his understanding of Coltrane and Lennie Tristano’s vocabularies, while highlighting the versatility of Ethan Iverson, who brings influences ranging from Thelonious Monk and Andrew Hill to Herbie Hancock.

For over 50 years, Billy Hart has played a key role in shaping jazz, both through his own work and his collaborations with other iconic musicians. His career includes appearances on classic albums such as The Jewel In The Lotus (1974) with Bennie Maupin and collaborations with Charles Lloyd in the 1990s. The Billy Hart Quartet was formed in 2003, and their first album, High Note, was released in 2006. In 2012, they signed with ECM, marking a milestone with the release of All Our Reasons.

The Legacy of the Quartet

Just is a testament to the lasting impact of the Billy Hart Quartet. Recorded at New York’s Sound On Sound Studios in December 2021, the album showcases the quartet’s exceptional musicianship and their ability to innovate while honoring the roots of jazz. Beyond the album, the quartet’s influence extends to their extensive discographies, including solo works by Mark Turner and Ben Street, as well as collaborations with other jazz luminaries.

Mark Turner, whose ECM albums include Lathe of Heaven (2014) and Return from the Stars (2022), is known for his distinctive saxophone voice. Ben Street, a bassist whose credits include work with Andrew Cyrille and Ethan Iverson, continues to be a sought-after musician on the jazz scene.

The Billy Hart Quartet has proven time and again that they are not only masters of their craft but also fearless innovators, constantly pushing the boundaries of contemporary jazz while remaining deeply connected to its traditions. Their work is a celebration of jazz as a living, evolving art form.

Florence Adooni Readies International Debut Album A.O.E.I.U.: A Joyful Journey Through Highlife, Jazz, and Dancefloor Magic

Following a triumphant 70-date touring activity across Europe in 2023 and 2024, including appearances at festivals such as Roskilde, Down The Rabbithole, End of The Road and FMM Sines, Ghanaian Fra Fra soul singer Florence Adooni readies the release of her hotly- anticipated international debut album, A.O.E.I.U. (An Ordinary Exercise In Unity) on Philophon. Produced by longtime collaborator and Philophon Records founder Max Weissenfeldt, with backing from a young generation of talented highlife musicians from the southern Ghanaian region of Kumasi, A.O.E.I.U. is the joyful culmination of a decade-long working relationship between Florence and Max, the fullest expression of their infectiously optimistic and uniquely ebullient sound.

Across seven tracks, Florence and her groove-forward group journey through a range of propulsive influences. Opening number, 'Mam Pe’ela Su’ure' (My Heart is Pure), effortlessly combines the intricate guitar melodies of Kumasi highlife with a shuffling syncopated rhythm, horn fanfares and stacked vocal harmonies to create an undulating and expansive display of instrumental virtuosity. Ensuing tracks traverse everything from the synth-bass dancefloor focus of 'Vocalize My Luv' to the title track’s spiritual jazz saxophone explorations, Ethiopian Ambassel melodies of 'Otoma Da Naba' (Well Done), and fast-paced punctuating funk of 'Uh-Ah Song'. “I’m so proud of this album,” Florence says. “It’s the beautiful culmination of the years I’ve been working with Max and a reflection of the incredible energy we’ve experienced playing this music live all around the world. I can’t wait for people to hear it!”

First encountering Florence’s music over a decade ago while Max was travelling through Ghana and absorbing the West African country’s range of rhythmic sounds, it was the chance discovery of her locally self-released debut Fra Fra gospel record 'Ho Sanga La Pa’aya' (This Is Your Time) that planted the seeds for further collaboration. “I kept playing this one track of Florence’s that had been shared with me by a local record shop owner and the second time I went to his store, I spotted Florence outside selling her music,” Max says. “I approached her and knew immediately that she would be the perfect person to collaborate with on my new label, Philophon.”

Over the next five years, Florence’s powerful falsetto and instinctive melodies became a key component of the Philophon sound, featuring on the label’s releases from Fra Fra group Alogte Oho & His Sounds of Joy, with singer Guy One, and with Finnish saxophonist Jimi Tenor. Yet, it wasn’t until Max relocated his Berlin studio to Kumasi in 2019 that their first collaboration with Florence under her own name took shape. “We made a recording together with the two female choir singers of the Sounds of Joy, a classic blend of highlife with Fra Fra singing,” Max says. "Originally it was planned to be released as a merchandise item for the upcoming tour of Alogte Oho & His Sounds of Joy, but as the tour never happened due to the circumstances of 2020, I just put it out under Florence Adooni - and it became an unexpected door opener“.

The response to the track, 'Mam Pe’ela Su’ure' (My Heart is Pure), was overwhelming and soon the infectious sound of Fra Fra and Florence’s joy-filled vocals were to be found on stages across Europe. “That song has given us a platform to play over 70 concerts since, something I could never have imagined,” Florence says. “My band had never left Ghana before but now we have seen the world and we are more united and thrilled than ever before.”

It is the distinctive guitar-line of 'Mam Pe’ela Su’ure' (My Heart is Pure) that opens A.O.E.I.U, heralding a record that sums up the past decade of Florence’s musical ascent and that features her band firing on all cylinders following their extensive touring. The group’s virtuosic playing touches on everything from the sprawling saxophone lines of the title track – which takes its name from the instinctual, open vowel 'A.O.E.I.U' sound Max came up with in the studio – as well as digging into the sequenced fast-paced funk bassline of Otoma Da Naba (Well Done), the mid-tempo earthy dub groove of 'O Yinne Te San Tue!' (Yinne, You Are There When We Are Lost), and the infectious 'Uh-Ah Song'.

“Max usually comes up with the melodies and I write the lyrics and one day he came over and began playing this track that my daughter sang ‘uh-uh-uh’ along to in rhythm,” Florence says. “We decided to turn the track into a joyful children’s song, something to inspire music in others. It’s still my favourite track to play live as it never fails to get everyone singing.”

Ultimately, 'A.O.E.I.U' is a singular work of unity, the production of a unique Fra Fra highlife band – perhaps the only one in the world – making music with the goal of bringing its listeners together in harmony.

With plans to take the album on the road in 2025 and further genre-expanding collaborations on the horizon, Florence Adooni’s infectious sound is certain to take dancefloors the world over by storm.

Ginger Baker’s Trio: Rediscovering the Magic Beyond Cream

When it comes to legendary drummers, few names resonate as powerfully as Ginger Baker. Known worldwide for his groundbreaking work with Cream alongside Eric Clapton and Jack Bruce, Baker’s influence on the rock genre is undeniable. But what if we told you there was more to Ginger Baker’s musical legacy than just Cream? One standout example comes in the form of the Ginger Baker Trio, which truly showcased his versatility and mastery of jazz in ways fans may not have anticipated.

This trio, first heard on the 1994 album Going Back Home, featured some of the most brilliant musicians in their own right: the jazz bass virtuoso Charlie Haden and the innovative guitarist Bill Frisell. Their musical synergy created something unique and captivating, far beyond the confines of the classic rock realm that Baker was initially known for. With a stunning blend of British folk, Arabic-tinged melodies, and jazz, Going Back Home is an essential listen for anyone looking to explore the more nuanced side of Ginger Baker’s career.

The Ginger Baker Trio: A New Dimension in Music

The Ginger Baker Trio offered a fascinating departure from the powerhouse rock rhythms that made him famous. With his double bass drum kit in tow, Baker unleashed a mix of intricate rhythms and polyrhythms that resonated with jazz fans and drumming enthusiasts alike. His skillful tom-tom fills and dynamic drumming techniques infused every track with an energy that only he could provide. But it wasn’t just Baker’s drumming that stood out; the album featured the melodic bass work of Charlie Haden and the ethereal, impressionistic guitar textures of Bill Frisell.

Together, these three musical giants created an album that was a perfect blend of jazz, folk, and even elements of Middle Eastern music. Whether it was Haden’s warm and deeply melodic bass lines or Frisell’s ability to paint with sound, the trio’s chemistry was undeniably special. Going Back Home became a must-have for fans of these musicians, offering a captivating soundscape that was a far cry from the more commercial rock tracks of the past.

Going Back Home: A Timeless Classic Remastered

The album Going Back Home is now being celebrated with a remastered vinyl release, perfect for collectors and audiophiles alike. Remastered by Mike Milchner at Sonic Vision, this vinyl edition brings out the rich tones of the music, ensuring the intricate details of each track are heard as they were meant to be. The album is pressed on a beautiful forest green vinyl, making it a visually striking addition to any music lover’s collection. With only 1250 copies available, this limited edition is a rare gem that will not only sound amazing but also be a treasured keepsake for years to come.

Tracklist: A Journey Through Jazz and Beyond

Side One:

1. Rambler
2. I Lu Kron
3. Straight No Chaser
4. Ramblin’
5. Ginger Blues

Each track on the album showcases the unique talents of the trio. From the classic jazz standard “Straight No Chaser” to the more experimental “I Lu Kron,” the trio offers a mesmerizing mix of improvisation and composition. Ginger Blues pays tribute to Baker’s roots, while the entire album paints a vivid picture of the trio’s ability to blend genres and sounds seamlessly.

Who Was Ginger Baker?

Ginger Baker was a groundbreaking drummer whose career spanned across multiple genres, with an influence that reached far beyond rock music. Born in 1939 in London, Baker’s early drumming career was deeply influenced by jazz, a passion that would carry over throughout his career. Though he would gain worldwide fame as the drummer of Cream in the 1960s—helping to define the sound of rock with Clapton and Bruce—Baker’s interest in jazz and world music never waned.

Beyond his iconic role in Cream, Baker was a member of several other musical outfits, but it was his ventures into jazz and world music that truly highlighted his depth as a musician. His love for African rhythms, his ability to play complex jazz patterns, and his experimental nature as a drummer made him a standout in every group he joined. From the Ginger Baker Trio to his collaborations with Fela Kuti, Baker continually pushed the boundaries of drumming and music.

Ginger Baker’s Legacy

Ginger Baker’s legacy is vast and multifaceted. While Cream is undoubtedly one of his most famous projects, his later career, including his work with the Ginger Baker Trio, proved that he was more than just a rock icon. By embracing jazz and exploring world music, Baker demonstrated that he was always evolving, always searching for new sounds, and constantly challenging his skills as a drummer.

His career remains a testament to the power of musical innovation and the importance of not being confined by genre. As we rediscover Going Back Home and other pieces of his extensive discography, Ginger Baker’s impact continues to resonate with musicians and fans alike, ensuring his place as one of the most influential drummers of all time.

Remembering Chris Jasper: A Music Legend and Isley Brothers Member

Chris Jasper: A Trailblazing Musician and Icon of Soul and R&B

Chris Jasper, an acclaimed musician, songwriter, and producer, passed away recently, leaving behind a profound legacy in the world of soul and R&B music. As a key member of the Isley Brothers, Jasper's contributions to the group’s sound were monumental, and his influence continues to resonate across generations of music lovers.

Early Life and Musical Beginnings

Born on December 30, 1951, in Cincinnati, Ohio, Chris Jasper grew up surrounded by music. His musical journey began at a young age, inspired by the rich musical culture of his hometown. Jasper honed his craft as a keyboardist and songwriter, eventually becoming a pivotal figure in the Isley Brothers' transformation into one of the most celebrated R&B groups in history.

Jasper joined the Isley Brothers in the early 1970s and quickly became a key member, contributing to the band’s evolving sound. His keyboard skills and songwriting talents played an integral role in the group's success, particularly during their transition into funk and soul during the 1970s and 1980s. His work was instrumental in crafting some of the Isley Brothers' most iconic hits.

The Isley Brothers and Chris Jasper's Contributions

Chris Jasper's contributions to the Isley Brothers are nothing short of legendary. As part of the group, he helped create a string of timeless hits that shaped the sound of soul and R&B music. His work alongside Ronald Isley, Ernie Isley, and other key members of the group, contributed to the band's unique blend of funk, soul, and rock. The Isleys' transition to a more modern sound in the 70s and 80s, featuring electronic keyboards and synthesizers, was largely thanks to Jasper’s vision.

One of the Isley Brothers' biggest successes was the release of their 1973 album "3+3", which marked the band’s new era, thanks to Jasper’s creative input. His synthesizer work and arrangements on songs like “That Lady” and “Summer Breeze” helped define the group’s sound during this period.

Jasper was responsible for some of the group's most well-known compositions, including the funky and soulful "Fight the Power" (1975), which became an anthem of the era. His signature sound, blending smooth keyboards, soulful melodies, and groovy rhythms, helped the Isley Brothers achieve commercial success, particularly during their time with T-Neck Records in the 70s and 80s.

Chris Jasper’s Solo Career and Legacy

After departing from the Isley Brothers in the early 1980s, Chris Jasper went on to have a successful solo career. His solo work maintained the soulful essence of his earlier contributions but also reflected his artistic evolution. Jasper’s solo albums, such as "Superbad" (1983), "The One" (1991), and "The Real Thing" (2003), showcased his talents not just as a musician but also as a producer and lyricist. His music often blended elements of soul, funk, R&B, and jazz, and his love for the keyboard continued to shine through in his compositions.

His hit songs, including "The Best of Me" and "You Are the One", resonated with fans across the world, further solidifying his place as one of the greats in modern soul and R&B music. His distinct voice, innovative arrangements, and unmistakable keyboard work earned him a place in the hearts of many music fans.

Jasper’s impact on the music world extended beyond his own albums. He also worked as a producer and collaborator with various artists, contributing to a wide array of music projects. His versatility allowed him to work across genres, from jazz to gospel, influencing generations of musicians in the process.

Remembering Chris Jasper: A Legacy of Soul and Innovation

Chris Jasper's contribution to the music industry is immeasurable. As a member of the Isley Brothers, he was part of a groundbreaking musical movement that helped define the sound of soul and R&B music during the 70s and 80s. His ability to merge sophisticated melodies, funk rhythms, and electronic sounds changed the game for many artists, paving the way for future musicians in the genres of funk, soul, and R&B.

Beyond his musical accomplishments, Chris Jasper’s life and career serve as a testament to the power of creativity and innovation in music. He not only helped shape the Isley Brothers’ legacy but also created a solo career that continues to inspire music lovers around the world.

Chris Jasper’s Musical Impact and Cultural Influence

Chris Jasper’s contributions to the world of music will never be forgotten. His influence on artists who followed, as well as his ability to blend genres and push creative boundaries, cemented his place as a musical icon. Whether as part of the Isley Brothers or as a solo artist, Jasper's legacy will continue to inspire future generations of musicians and listeners alike.

Chris Jasper’s Discography Highlights:

• “3+3” (1973) – Isley Brothers’ album featuring hits like “That Lady” and “Summer Breeze”
• “Fight the Power” (1975) – A landmark song from the Isley Brothers
• “Superbad” (1983) – Chris Jasper’s debut solo album
• “The Best of Me” – One of Chris Jasper’s popular solo songs
• “The Real Thing” (2003) – Another celebrated solo album by Jasper

Tributes and Farewell to Chris Jasper

Chris Jasper’s death marks the loss of a true innovator and master musician. As fans and fellow musicians alike mourn his passing, his music remains as a legacy, cherished and celebrated for years to come. The sound he helped create, both as part of the Isley Brothers and as a solo artist, continues to resonate with music lovers of all ages. His contributions to the music industry will undoubtedly inspire new generations to come.

Denver Jazz Fest 2025: A Star-Studded Inaugural Event Featuring Dianne Reeves, Bill Frisell, Omar Sosa, and More

The Denver Jazz Fest 2025: A Groundbreaking Event in the Heart of Colorado

Get ready for a vibrant celebration of jazz in the heart of Colorado! The inaugural Denver Jazz Fest will take place from April 3-6, 2025, bringing together world-class talent and the dynamic energy of the jazz community. Hosted by Denver Jazz, a newly established nonprofit, the festival will engage the front range community with a diverse lineup of regional, national, and international jazz performances, along with a rich selection of educational programs.

Star-Studded Lineup for Denver Jazz Fest 2025

Headlining the festival is Dianne Reeves, who will grace the Denver stage for her first public performance in the city since 2018. Also taking center stage is the Bill Frisell In My Dreams project, which will make its Denver debut after being featured at the acclaimed Big Ears Festival. These iconic artists, who have deep roots in the Denver jazz community, will join a remarkable roster of jazz stars, including:

• Omar Sosa Quarteto Americanos
• Ghost-Note
• The Headhunters
• Isaiah Collier
• Garaj Mahal
• Rico Jones

Additionally, Charles McPherson, a jazz luminary, will perform with special guest Terell Stafford featuring Ben Markley, Seth Lewis, and Dru Heller. The pair will also participate in a masterclass and workshop series at Metro State University Kalamath Building for university students and Aurora Public School students, in collaboration with the Colorado Conservatory for the Jazz Arts (CCJA).

Expansive Performances Across 10 Iconic Venues

The Denver Jazz Fest will feature over 30 performances spread across 10 venues in Denver and Boulder County, showcasing the talent of local and international jazz musicians. Venues include the Newman Center for the Performing Arts, Dazzle, Cervantes’ Masterpiece Ballroom, The Other Side, Spangalang Brewery, Nocturne, and the Galleria at the DPAC. The festival will also feature performances at the Boulder Fox Theater and Muse Performance Space in Lafayette.

The event will coincide with Jazz Appreciation Month and the 40th anniversary celebration of KUVO Jazz.

Pre-Festival Kick-Off Event

The excitement for the Denver Jazz Fest begins with a special pre-festival event featuring Art Lande and Mark Isham performing ECM’s Rubisa Patrol Revisited. This event, presented by Denver Jazz and Gift of Jazz, will take place on Tuesday, November 26, 2024, at Dazzle.

Denver Jazz Fest 2025 Schedule:

THURSDAY, April 3

• Bill Frisell – In My Dreams with Thomas Morgan, Rudy Royston, Jenny Scheinman, Eyvind Kang & Hank Roberts
  Newman Center for the Performing Arts @ 7:00 PM
• Omar Sosa Quarteto Americanos with Sheldon Brown, Ernesto Mazar Kindelán, and Josh Jones
  Dazzle @ 7:00 PM & 9:30 PM

FRIDAY, April 4

• Charles McPherson Quintet with special guest Terell Stafford featuring Ben Markley, Seth Lewis, and Dru Heller
  Dazzle @ 7:00 PM & 9:30 PM
• Garaj Mahal with Fareed Haque, Kai Eckhardt, Oz Ezzeldin, and Hassan Hurd
  Cervantes' The Other Side @ 8:00 PM
• Ghost-Note with Robert “Sput” Searight and Nate Werth
  Fox Theater (Boulder) @ 8:00 PM

SATURDAY, April 5

• Isaiah Collier
  Dazzle @ 7:00 PM & 9:30 PM
• Ghost-Note with Robert “Sput” Searight and Nate Werth
  Cervantes' Masterpiece Ballroom @ 8:00 PM
• Rico Jones with Marcus Firillo, Vlad Girshevich, and Aleks Girshevich
  Galleria at the DPAC (Time TBD)

SUNDAY, April 6

• Dianne Reeves with Romero Lubambo
  Newman Center for the Performing Arts @ 4:00 PM
• Annie Booth
  Dazzle @ 7:30 PM

Tickets for the Denver Jazz Fest will go on sale on November 1, 2024, at denverjazz.org. Don’t miss the chance to experience this unforgettable festival celebrating the rich history and future of jazz.

Marion Hayden Named 2025 Kresge Eminent Artist: Celebrating a Lifetime of Jazz Excellence

Award-winning jazz bassist, composer, educator, and mentor Marion Hayden has been named the 2025 Kresge Eminent Artist, an esteemed honor considered metro Detroit's highest arts recognition. This annual award, accompanied by a $100,000 prize, highlights individuals who have significantly impacted the region’s cultural community throughout their careers.

At 68, Marion Hayden is the 17th recipient of this prestigious award, established in 2008 to honor artists whose lifetime achievements have contributed to Detroit's rich cultural landscape. As the third jazz musician to receive the award, Hayden joins the ranks of the legendary Tribe members Wendell Harrison and the late Marcus Belgrave, both of whom Hayden has closely collaborated with and learned from throughout her career.

Hayden’s early rise to national prominence began as a co-founder of the groundbreaking, Grammy-nominated jazz group Straight Ahead. The all-female ensemble made waves in the late 1980s when they became the first all-female jazz group signed to Atlantic Records. Their success played a pivotal role in launching the career of violinist Regina Carter, a MacArthur Genius Grant recipient. Straight Ahead continues to perform around Detroit and beyond.

Over the years, Hayden has collaborated with an impressive roster of jazz and soul greats, including DeeDee Bridgewater, Kirk Lightsey, Steve Turre, Jon Faddis, Kamau Kenyatta, and Gregory Porter, among many others. Hayden’s remarkable versatility has earned her recognition not only in jazz circles but also in the broader music community.

In addition to her performance career, Hayden’s impact extends to education and mentorship. She serves as the Geri Allen Collegiate Lecturer at the University of Michigan's Department of Jazz and Contemporary Improvisation, a position named after the late Detroit musician Geri Allen. She also teaches at Oakland University, where she continues to inspire the next generation of jazz artists.

As part of her 2025 Kresge Eminent Artist Award, a short film celebrating Hayden’s legacy will premiere on the Detroit PBS affiliate on March 31, 2025. Additionally, a monograph detailing her contributions to Detroit's cultural scene will be distributed to the public free of charge. Hayden’s impact on Detroit’s jazz scene and beyond is undeniable, and her lifetime of achievement continues to inspire musicians and music lovers alike.

Darryl Evan Jones Celebrates African Legacy with Powerful New Single "Mi Antilles"

Darryl Evan Jones, the dynamic flutist and instrumental soul artist, has solidified his place as a global force in contemporary jazz. Known as the "Ambassador of Instrumental Soul," the Bronx-born musician's journey began with a notable appearance on Showtime At The Apollo in the late 1990s. From there, Jones founded JonesStar Entertainment LLC and went on to release chart-topping albums like On My Own (2000), Dream (2006), Relentless (2013), and his latest Resilient (2024). His collaboration with artists like Jim Woodlyn, Adam Hawley, and Wayne Garrick has earned him recognition on smooth jazz charts such as Radio Wave Groove Jazz, SJ Network, and Smoothjazz.club.

A recognized talent, Jones has opened for iconic artists like Boney James, Howard Hewett, and Jeff Lorber, and he recently won the 2024 “Made In New York Jazz Competition” Solo Instrumental Category.

Now, Darryl Evan Jones takes a bold detour from his Resilient album with the release of a deeply evocative single titled Mi Antilles. Released in honor of Black History Month, Mi Antilles pays tribute to the African ancestors who were brought to the Caribbean to work on plantations. With rich Afro-Caribbean influences, Jones creates a stirring instrumental piece that honors the legacy of these individuals, celebrating their strength and resilience.

The highly anticipated single will be available for digital download and streaming worldwide starting January 31, 2025. Mi Antilles is already making waves, capturing the hearts of music lovers worldwide through its powerful YouTube preview.

Manu Dibango’s Lost Live Performance from 1982 Released: "Dibango 82"

Wewantsounds is releasing Dibango 82 an unreleased live recording by Manu Dibango taped in Marseille, Dec 1982. The electrifying live performance features the African legend alongside his stellar 8-piece group, blending funk, jazz, and African rhythms. Highlights include “Africa Boogie” and “Waka Juju.” This album released in partnership with INA and Soul Makossa, Dibango’s label captures the African legend at the top of his game. Remastered from the original tapes with liner notes (Eng/Fr) by Graeme Ewens  and concert organiser Christian Ducasse, both present at the gig, it features a front cover shot by key African Paris-based photographer Bill Akwa Bétotè

Manu Dibango, who passed away five years ago at 86, is one of the most celebrated African musicians alongside Fela, Miriam Makeba and Youssou N’dour. In a career spanning six decades, Dibango revolutionised African music and had a worldwide hit in the process in the form “Soul Makossa” in 1972. This live album, recorded during a French tour in 1982 came at a critical time when France, after the election of Francois Mitterrand, was embracing its multi-ethnic sensitivity. Through the rise of FM radios such as Radio Nova, an offshoot of cult magazine Actuel, the French music scene suddenly got much more opened. The “Sono Mondiale” as Nova would call World music, was born.

Organised by French producer Martin Meissonnier, the sold-out tour created a stir in France bringing together two legends, Manu Dibango and his group plus iconic jazz traveller Don Cherry, which Meissonnier had closely worked with in the late 70s (Cherry doesn’t appear on this set but will soon in a 2nd volume)

Captured on December 22, 1982, at the Théâtre La Criée in Marseille, Dibango 82 delivers an electrifying concert of African rhythms, jazz, and funk mastery, with a pinch of Latin music, led by Dibango accompanied by a stellar ensemble of musicians: Congolese guitarist Jerry “Bokilo” Malekani, drummer Brice Wassy, percussionist Valery Lobe, three of his most trusted partners, together with Jean-Pierre Coco on percussion, Hary Gofin on bass, pianist Del Rabenja from Madagascar and two superb background singers, Florence ‘Titty’ Dimbeng and Sissy Dipoko. The set opens with a traditional Cameroonian song “Migilbawe” sung by the two female singers a-capella before moving on to three Dibango classics stretched out here for maximum pleasure: “African Boogie” featuring a superb solo by Bokilo Malekani and Hary Gofin, “Ashiko Oumba” and the vibrant “Waka Juju” featuring a jaw-dropping percussion solo. As Graeme Ewens, who was on the tour, noted in his liner notes, “Manu's African Sound is a strong rhythmic and melodic unit. Super-polyrhythms, jazz-funky bass and keyboards, Congolese guitar provide a physically moving accompaniment to his own horn playing.”

The audio from the French INA archives has been remastered from master tapes and the album’s liner notes by Graeme Ewens are augmented by an introduction from French photographer Christian Ducasse who organised the concert. Last but not least the front cover features a superb shot by cult Paris-based Bill Akwa Bétotè who documented the Paris 80s African music scene making Dibango 82 an event for all Manu Dibango and African music fans.

Tracklist

A1. Migilbawe  1.15

A2. Africa Boogie  11.04

A3. Ashiko Oumba  9.53

B4. Waka Juju pt 1  3.55

B5. Waka Juju pt 2  4.24

B6. Waka Juju pt 3  6.50

Recorded Live 22nd Dec. 1982 at Théâtre la Criée, Marseille France

• Manu Dibango - Sax, Vocal
• Jerry "Bokilo" Malekani: Guitar
• Hary Gofin: Bass
• Del Rabenja: Keyboards, Fender Rhodes
• Brice Wassy: Drums
• Valery Lobe: Percussion
• Jean Pierre Coco: Percussion
• Florence Titty Dimbeng: Vocals
• Sissy Dipoko: Vocals

Keepers of the Eastern Door: Chris Cheek's Homage to Harmony and Heritage

As European settlers pushed westward from the Atlantic coast, the Mohawk people, the easternmost tribe of the Iroquois Confederacy, earned the title “Keepers of the Eastern Door” for their role in protecting their lands from encroaching colonizers. This historical struggle between those who live in harmony with nature and those who exploit it remains ever-relevant.

In his upcoming album Keepers of the Eastern Door, acclaimed saxophonist and composer Chris Cheek channels this dynamic. The album's cover, featuring Edward Curtis' photograph The Kutenai Duck Hunter, evokes these themes of balance, as a lone canoeist gazes toward an uncertain future in the reflection of the water.

Cheek’s musical exploration, set for release on May 23, 2025 via Analog Tone Factory, delves deep into this cultural and ecological tension. The album features a remarkable quartet, with Cheek joined by guitar legend Bill Frisell, bassist Tony Scherr, and drummer Rudy Royston. Together, they craft a sonic journey that spans captivating originals alongside covers from diverse artists, including The Beatles, Henry Purcell, and Olivier Messiaen.

The concept for Keepers of the Eastern Door was inspired by another Curtis photograph of Native Americans in Canyon de Chelly. Cheek, who grew up in St. Louis, felt a profound connection to the natural world and the tension between it and the industrialized society he later inhabited. The album's title reflects this dichotomy, as Cheek explores the idea of preserving traditional ways of life that are deeply in tune with nature.

Recorded live to analog tape at New York’s Power Station studio, the album perfectly embodies the modernist/traditional balance it seeks to capture. With Frisell’s unique sound and Cheek’s lyrical saxophone, the quartet explores the richness of the natural world through a blend of classical, jazz, and contemporary influences. Masterfully recorded by James Farber and mastered by the legendary Bernie Grundman, the album’s analog warmth and depth echo its thematic soul.

Cheek’s three original compositions, including the opener Kino’s Canoe, provide a window into his creative process, mirroring popular melodies to create fresh, intricate works. The album offers a sense of spiritual communion with nature and a reflection on how we’ve lost touch with it. Cheek sums it up, “I think it’s a parallel world that supports the one we can touch but can’t always describe.”

About Chris Cheek:

Chris Cheek is widely regarded as one of the most innovative and expressive saxophonists in contemporary jazz. Born in St. Louis, Missouri, in 1968, Cheek has played alongside legendary musicians such as Paul Motian, Charlie Haden, Steve Swallow, and Bill Frisell, earning a reputation for his lyrical playing, distinctive sound, and deep emotional resonance.

Known for his ability to subvert expectations, Cheek combines a graceful lyricism with moments of unexpected intensity, capturing a wide range of emotional expression. His work as both a sideman and leader has made a lasting impact on the modern jazz scene. With a discography that includes albums such as Saturday Songs, I Wish I Knew, and Blues Cruise, Cheek’s music blends the traditions of jazz with a forward-thinking, almost spiritual approach.

A long-time member of Paul Motian's groups and co-leader of bands like Rudder, The Bloomdaddies, and Reeds Ramble, Cheek has proven to be a versatile force in the jazz world. He has also performed and recorded with prominent big bands, including those of Dafnis Prieto, Alan Ferber, and Miguel Zenon. His playing has been described as both gentle and deeply subversive—just when the listener feels comforted by the melody, Cheek introduces a twist that challenges expectations.

Cheek’s approach to music goes beyond technique—he believes in the emotional connection to sound and how it can resonate with listeners on a deeper, almost spiritual level. This connection is evident throughout his latest project, Keepers of the Eastern Door, which finds him exploring themes of nature, culture, and the balance between the two through a deeply personal and expressive musical journey.

Kellylee Evans Receives 2025 JUNO Award Nomination for Winter Song – A Heartfelt Celebration of Jazz and the Holidays

Acclaimed jazz vocalist Kellylee Evans has earned a well-deserved 2025 JUNO Award nomination for Vocal Jazz Album of the Year for her latest release, Winter Song. This marks Evans' fourth JUNO nomination, following her 2011 win for Nina in the same category. The recognition reinforces her reputation as one of Canada’s most celebrated and innovative jazz artists.

A Career Steeped in Excellence

Evans' JUNO nomination for Winter Song adds to her long-standing history of recognition within the Canadian music community. Here is a snapshot of her JUNO history:

2025 Nominee – Winter Song (Vocal Jazz Album of the Year)

2018 Nominee – Come On (Vocal Jazz Album of the Year)

2011 WINNER – Nina (Vocal Jazz Album of the Year)

2007 Nominee – Fight or Flight? (Vocal Jazz Album of the Year)

Her career has been marked by a continuous blend of jazz, soul, R&B, and evocative storytelling, with each release showcasing her unparalleled vocal talent and emotional depth.

Winter Song: A Soulful Tribute to the Season

Evans’ latest album, Winter Song, is a heartfelt collection of holiday classics and original tracks that reflect the emotional richness of the winter season. The album stands out for its intimate tone, featuring her soothing title track "Winter Song," which beautifully captures both the solitude and the joy that the season brings.

“I had a sense of longing for the idealized images of family life I saw in holiday movies,” Evans shares. “But as an adult, I realize family is what we make all around us.” Her reflections on family and belonging are woven into the emotional fabric of the album, which resonates with listeners well beyond the holiday season.

Co-produced by Evans and Steve Foley (known for his work with J-Cole, Chad Kroeger, and Carly Rae Jepsen), Winter Song is an evocative mix of timeless holiday favorites, such as Joni Mitchell’s "River", Mariah Carey’s "All I Want For Christmas Is You", and John Lennon’s "Imagine", along with her own original compositions. The album’s modern arrangements breathe new life into these classic tunes while Evans’ voice brings a fresh layer of warmth and intimacy to each song.

Resilience and Artistry

Evans’ music has always been a reflection of her personal journey. In addition to her JUNO-winning career, Evans is a survivor of a 2013 lightning strike, an experience that deeply influenced her outlook on life and her music. She has since used her platform to discuss the importance of resilience, mental health, and self-care in public engagements, offering her listeners a message of strength and hope.

Her collaborations over the years with legends such as Willie Nelson, John Legend, and George Benson have cemented her place among the best in the industry. Evans continues to reach new heights with Winter Song, blending jazz traditions with her unique voice, all while embracing the power of storytelling through song.

A Tour Through Quebec and Ontario

As Evans gears up for a tour through Quebec and Ontario, her music promises to inspire and connect with audiences far beyond the holiday season. Winter Song serves as a reminder of the warmth, love, and emotional depth that music can offer.

For Kellylee Evans, the 2025 JUNO nomination is yet another milestone in a career that continues to evolve and inspire. Whether it’s through the heartfelt lyrics of Winter Song or her powerful live performances, Evans remains one of the shining stars of the Canadian jazz scene.

Remembering Roberta Flack: A Legacy of Soul, Jazz, and Timeless Music

With great sadness, the world mourns the passing of legendary singer and songwriter Roberta Flack, who recently passed away at the age of 88. Renowned for her emotive voice, musical versatility, and unforgettable ballads, Flack’s career spanned over five decades and left an indelible mark on the music industry. As fans around the globe reflect on her incredible contributions to soul, jazz, and R&B, her legacy remains one of unparalleled artistry and grace.

Early Life and Musical Beginnings

Born on February 10, 1937, in Black Mountain, North Carolina, Roberta Cleopatra Flack displayed an early interest in music. Her classical piano training began at an early age, and by the time she was a teenager, she was already impressing audiences with her remarkable vocal ability. Flack later studied music education at Howard University in Washington, D.C., where her talent for both classical music and jazz began to shine.

It was at Howard University that Flack’s career took its first major step forward. Her first major break came when she was invited to perform at a club in Washington, D.C., where she was discovered by jazz saxophonist and bandleader, Cannonball Adderley. This led to her signing with Atlantic Records in the 1960s.

A Career That Defined Multiple Genres

Flack's music was always marked by an effortless blend of soul, jazz, and R&B, creating a sound that was all her own. However, it was in the early 1970s that Flack would become a household name. Her breakthrough came with the release of her 1973 album Killing Me Softly, which featured the iconic title track. The song, written by Lori Lieberman and later made famous by Flack, became an instant classic. Flack’s deeply emotional interpretation of the song—coupled with her beautiful, tender delivery—cemented her status as one of the most powerful voices in American music.

Her rendition of Killing Me Softly went on to become one of her biggest hits, winning the Grammy Award for Record of the Year in 1974. It topped the charts for weeks and remains one of her most beloved songs. The power of this song was not only in the lyrics but also in Flack’s ability to connect with the listener on a deeply emotional level.

Flack’s musical versatility was also demonstrated through her 1972 hit, The First Time Ever I Saw Your Face, a breathtaking ballad that she brought to life with unparalleled tenderness. Originally written by Ewan MacColl, Flack’s version became a chart-topping smash, earning her the Grammy Award for Song of the Year in 1973.

Her deep, soulful voice also graced other hits like Where Is the Love? (a collaboration with Donny Hathaway), Feel Like Makin' Love, and If I Ever See You Again. Each of these songs further showcased Flack’s ability to blend the nuances of jazz with the emotional depth of soul and R&B.

An Advocate for Social Change

Beyond her musical talent, Flack was also a passionate advocate for civil rights and social justice. She used her platform to speak out against inequality and discrimination and was deeply committed to empowering women and minorities. Her influence extended far beyond her musical career, as she became a symbol of strength and grace for those advocating for change.

Flack’s philanthropic work included support for education and causes that elevated marginalized voices in the arts. She believed in the power of music to inspire, heal, and unite, and she devoted herself to sharing that belief throughout her life.

Lasting Impact and Legacy

Flack’s musical legacy continues to resonate with new generations of listeners. Her timeless songs remain a staple of jazz, soul, and R&B playlists, and her artistry continues to inspire countless musicians across the world. Even as she transitioned to fewer performances in her later years due to health complications, Flack’s music never lost its power to captivate and move audiences.

In addition to her Grammy wins, Flack received numerous honors over her career, including being inducted into the North Carolina Music Hall of Fame and the Grammy Hall of Fame. Her songs will forever be remembered for their depth, emotion, and elegance.

Flack’s passing marks the end of an era in American music, but her voice, her influence, and her enduring contributions to music will never be forgotten. As fans around the world grieve her loss, they are also left with a remarkable catalog of songs that showcase her unparalleled ability to turn music into something timeless and extraordinary.

A Lasting Goodbye

Roberta Flack leaves behind a legacy that will continue to resonate through the ages. Whether she was delivering heart-wrenching ballads, timeless love songs, or soul-infused melodies, Flack’s music will always be a reminder of her artistry, her commitment to her craft, and the power of her voice to touch lives.

Rest in peace, Roberta Flack. Your music will live on, forever echoing in the hearts of fans and music lovers worldwide.