Tuesday, September 30, 2025

Shoko Nagai’s Forbidden Flowers: A Bold, Sonic Journey from NYC’s Experimental Underground



Shoko Nagai, the New York-based Japanese pianist and composer, unveils a bold new quartet that's as electrifying as it is unorthodox. Her latest project, Forbidden Flowers, bursts with color and raw emotion, blending avant-garde textures with personal storytelling. Featuring violinist Pauline Kim Harris, known for her virtuosic command of contemporary classical music; Pam Fleming, whose trumpet playing is both hauntingly lyrical and soulfully expressive; and drummer Kate Gentile, whose intricate rhythms bring cosmic precision to every beat—the group pulses with experimental energy and fearless artistry.

Nagai’s own performance spans an eclectic array of instruments—piano, Farfisa, Fender Rhodes, Nintendo DS, and electronics—each adding its own shade to the album’s vibrant palette. Forbidden Flowers reads like a musical memoir, each track unfolding as a chapter from Nagai’s life as a female experimental musician navigating New York City. Her sound defies categorization, weaving together threads of jazz, contemporary classical, world, and electronic music. The result is deeply personal and sonically adventurous, guided not by genre but by the authenticity of lived experience and unfiltered artistic expression.

The project was made possible by the NYFA Women’s Fund NYC grant, helping to support and amplify the voices of female artists like Nagai, who continue to challenge conventions and expand the boundaries of contemporary music.

Each member of the quartet brings a distinct voice to the table. Nagai herself has long captivated audiences with her unique fusion of influences—from classical and jazz to Klezmer and Balkan music—drawing inspiration from her early training on Yamaha’s Electone in Japan to her studies at Berklee. Her dynamic stage presence and deeply focused performances have made her a staple of the experimental music scene, with collaborations ranging from John Zorn and Pauline Oliveros to Miho Hatori and Butch Morris.

Drummer Kate Gentile brings a sharp-edged complexity to the group’s rhythm section. A fixture in the NYC creative music world, Gentile’s work is equally grounded in structure and spontaneity, with recent releases on Pi Recordings showcasing her compositional depth and daring. Her other projects, like the electro-acoustic duo Gloatmeal and the noise-jazz trio Secret People, highlight her relentless exploration of sound.

Pauline Kim Harris, a GRAMMY-winning violinist and composer, adds a soaring, virtuosic layer to the group. A former prodigy and the youngest ever student of Jascha Heifetz, she has spent her career bridging classical discipline with avant-garde experimentation, most notably through her work with String Noise and ensembles like ICE, Talea, and Alarm Will Sound.

Pam Fleming’s trumpet brings a deep emotional resonance to the quartet. Whether through her work with her band Fearless Dreamer or across her many collaborations, she plays with a lyricism and vulnerability that lingers long after the music fades. Her contributions to Forbidden Flowers help transform it into something more than a collection of compositions—it becomes a sonic diary, full of atmosphere, memory, and mood.

The first single, “Three Years on a Stone,” dropped September 30, offering a haunting preview of what’s to come. The full album will be released November 14.

Forbidden Flowers was produced by Satoshi Takeishi, recorded by Andy Taub at Brooklyn Recording Studio, and mixed/mastered by Marc Urselli at Eastside Recording. Album visuals include CD design by Arushi Uniyal and photography by Takeishi.

Monday, September 29, 2025

Jazzanova’s In Between (Remixes) Reimagines a Genre-Defining Classic for a New Generation


To celebrate the 20th anniversary of their genre-defining album In Between, Berlin-based collective Jazzanova and their label Sonar Kollektiv present In Between (Remixes) — a bold, full-length reinterpretation that reimagines the original 2002 LP through fresh perspectives and global influences. Out October 17, 2025, the compilation brings together a carefully curated lineup of forward-thinking producers and longtime collaborators who breathe new life into the original tracks.

Released at a time when nu-jazz, broken beat, and future soul were emerging as new frontiers in electronic music, In Between helped set the tone for an entire movement. Two decades later, In Between (Remixes) pays homage to that foundation while pointing decisively toward the future. The album features 11 brand-new remixes from artists who push the boundaries of genre—including Jacana People, Eric Hilton (Thievery Corporation), The KBCS, Nautilus, DJ Slowz, Magro, Crackazat, Paskal & Urban Absolutes, Kid Fonque, Groove Chronicles, and Satin Jackets.

Each producer brings their own style and cultural background to the table. Jacana People kick off the album with a spacious, club-ready take on “Another New Day,” fusing ambient textures with pulsing rhythms. Eric Hilton wraps Clara Hill’s vocals in a smoky, dub-inflected rework of “No Use,” while The KBCS infuse “The One-Tet” with rich analog soul and funk instrumentation. Nautilus transforms “Mwela, Mwela (Here I Am)” into a retro-futurist jazz-funk jam steeped in rare groove aesthetics.

Vietnamese B-boy and DJ culture ambassador DJ Slowz offers a deeply hip-hop-rooted reinterpretation of “L.O.V.E.” and “You & I,” full of raw texture and vinyl crackle. Berlin’s Magro brings glitchy future-jazz stylings to “Keep Falling,” featuring Ursula Rucker. Crackazat turns “No Use” into a euphoric house journey brimming with groove, keys, and soul. Paskal & Urban Absolutes give “That Night” a sleek deep house finish, while Kid Fonque fuses Berlin club vibes with Jo’burg rhythms on his remix of “Another New Day.” UKG innovator Groove Chronicles flips “The One-Tet” into a gritty, bass-heavy refix, and Satin Jackets closes the set with a shimmering Balearic slow-burn version of “No Use.”

The result is a genre-blending, cross-continental celebration of Jazzanova’s far-reaching influence. While rooted in nostalgia, In Between (Remixes) avoids sentimentality by remaining sonically adventurous and uncompromising. It’s a fresh reinterpretation that still honors the spirit of the original album—one that helped solidify Jazzanova as pioneers of the global nu-jazz sound.

Formed in the late 1990s, Jazzanova quickly emerged as one of the most forward-thinking collectives in electronic music. Blending jazz, soul, house, broken beat, and Latin influences with intricate production and deep crate-digging sensibilities, the group became a cornerstone of the evolving nu-jazz and future soul scenes. Their debut album In Between (2002) was met with international acclaim and has since become a touchstone for fans of genre-defying, groove-based music. Alongside running the independent label Sonar Kollektiv, Jazzanova continues to evolve—both as a studio outfit and live band—remaining vital to global underground music culture more than two decades into their career.

In Between (Remixes) is the second chapter in Jazzanova’s 20th anniversary celebration. It follows In Between Revisited: Jazzanova Live, a live reinterpretation of the album performed by a full band. The campaign will conclude later this year with In Between (Deluxe Edition)—a definitive box set including the original album, the 2025 remix compilation, the live version, the classic 2003 remix album, and a curated collection of rare Jazzanova singles like “That Night,” “Days To Come,” and “Bohemian Sunset.”

The full remix album drops October 17, 2025 via Sonar Kollektiv.


Peter Evans' Being & Becoming Shares New Single “Images” from Upcoming Album Ars Ludicra


Out soon on More Is More Records, Ars Ludicra captures the boundary-pushing ensemble in a moment of transformation—recorded at the iconic Van Gelder Studios.

Trumpeter, composer, and sonic architect Peter Evans returns with his group Being & Becoming for a bold new chapter in their ongoing evolution. Their upcoming album, Ars Ludicra, is set to release via More Is More Records, and the lead single “Images” offers a glimpse into the record’s wide-ranging and genre-defying scope.

Recorded in 2024 at the legendary Van Gelder Studios in New Jersey, Ars Ludicra showcases the group in peak creative form—capturing the explosive energy and refined artistry forged during a stretch of heavy touring and collaborative growth.

The lineup features:

Together, they’ve built something uniquely fluid—at once virtuosic, structured, and wildly exploratory.

Between 2023 and 2024, Being & Becoming completed two European tours and a West Coast U.S. run, with standout performances at Zebulon (Los Angeles), Jazz em Agosto (Lisbon), Winter Jazz Fest, and Public Records (NYC).

Sonically, Ars Ludicra marks a significant shift from the ensemble’s 2022 release, Ars Memoria. The new record expands even further into stylistic hybridization, blending:

  • Stadium-sized dynamics

  • Textures from musique concrète

  • Orchestral colors rooted in Brazilian influences

Meticulous post-production by engineer Mike Pride enhances the album’s sculpted intensity and depth. Yet for all its complexity, the music retains a compelling sense of play and immediacy—a hallmark of Being & Becoming’s live identity.

Each musician brings a strikingly personal voice to the project. Whether navigating intricate composed sections or erupting into free improvisation, the ensemble functions as both a tightly woven unit and a platform for fearless expression.

“Ars Ludicra” is a major leap forward—rooted in continuity but unafraid to reimagine itself.

And the evolution continues. In 2025, the group added Pulitzer Prize-winning composer and multi-instrumentalist Dr. Tyshawn Sorey on drums. This lineup has already made major appearances at U.S. and European festivals, setting the stage for more extensive touring into 2026 and beyond.

Formed in 2017, Being & Becoming has become Peter Evans’ primary creative vehicle. The group synthesizes a vast array of musical languages—from modern classical to free jazz, electroacoustic textures to global traditions. Their debut, Being & Becoming (2020), and Ars Memoria (2022) laid the foundation for this thrilling new era.

With Ars Ludicra, they’re not just pushing boundaries—they’re redrawing the map.

Christopher McBride Charts a Bold New Chapter with The Hang, The Hustle, The Path


Out October 3rd, the saxophonist’s third studio album is a deeply personal, genre-blending journey—and he’s hitting four major cities with The Whole Proof to bring it to life.

Saxophonist, composer, and bandleader Christopher McBride is back with a powerful new project, The Hang, The Hustle, The Path—a vibrant and deeply personal album dropping October 3 via CR McBride Music. As the first installment of a planned trilogy, the release dives headfirst into McBride’s life story through a sonic tapestry of bebop, gospel, R&B, Latin, hip-hop, and more.

To celebrate the release, McBride and his band, The Whole Proof, are taking the show on the road with performances in Chicago, Los Angeles, Atlanta, and New York City.

Recorded in just three days at a Brooklyn studio, the album opens with “Welcome (#AllDay),” where McBride introduces his bandmates—Jon Thomas (piano), Barry Stephenson (bass), and Michael Piolet (drums)—before leading listeners through a tracklist that reflects the people, places, and pivotal moments that have shaped his life.

Each track on The Hang, The Hustle, The Path carries emotional weight and musical significance:

  • Opportunity Lost races with frenetic bebop energy, expressing the tension of missed life moments.

  • CHI to NY bridges McBride’s hometown and adopted city with a head-bobbing hip-hop swing he wrote while driving a U-Haul during his move.

  • Punta Cana offers a breezy, Latin-infused reprieve, born from a rare moment of musical silence while vacationing.

  • A Downpour of Beauty, a smooth, romantic ballad featuring vocalist Charles Turner, is McBride’s first lyrical composition—dedicated to his fiancée, Chantel.

  • Jeanette is a tender tribute to an aunt he met only briefly before her passing.

  • “Seven (The Human Cost)” delivers a haunting meditation inspired by a chilling fact from the National Museum of African American History and Culture—that enslaved people’s bodies typically broke down after just seven years of forced labor.

The album isn’t afraid to have fun either. “Funky Good Señor Blues” captures a backyard party vibe, while “Saxophone at Night” delivers a danceable swing groove—check out the line-dance-ready video here.

Meanwhile, “The #BAM Continuum (for NP)” brings in DJ Skaz Digga to blend hip-hop and jazz in real time, showcasing McBride’s seamless genre fluidity and his ongoing work with The Jazz Continuum.

McBride explains the album’s title as a reflection of life’s connections, transformations, and divergences.

“You bond with people through the hang and the hustle—but the path we walk isn’t always the same,” he says. “This album is a reflection of my journey—where I’ve been, what I’ve seen, and where I hope to go.”

That path has taken McBride from Chicago to New York City, from church stages to international jazz festivals, and through collaborations with legends like Roy Hargrove, Talib Kweli, Solange, and Jennifer Hudson. His last album, Ramon, earned critical acclaim and climbed into the JazzWeek Top 25.

Tour Dates

Catch McBride and The Whole Proof live this October:

Beyond performing, McBride wears many hats. He’s been Director of Education at Second Line Arts Collective in New Orleans, a teaching artist with Jazz at Lincoln Center, and Music Director for The Jazz Continuum and The Soapbox Presents: The Stoop Sessions in Harlem.

As a composer, he was the 2022 Make Jazz Fellow at 18th Street Arts Center in Santa Monica—a role that further solidified his voice as one of the most versatile and fearless artists in contemporary jazz.

Track Listing:

  1. Welcome (#AllDay)

  2. Opportunity Lost (feat. Josh Evans)

  3. CHI to NY (feat. Wayne Tucker)

  4. Punta Cana

  5. A Downpour of Beauty (Ceta’s Song) (feat. Charles Turner & Marcus Machado)

  6. Funky Good Señor Blues (feat. Josh Evans)

  7. You Are My Joy

  8. Seven (The Human Cost) (feat. Josh Evans)

  9. Saxophone at Night

  10. Jeanette

  11. Kiss of Life (feat. J. Hoard)

  12. The #BAM Continuum (for NP) (feat. DJ Skaz Digga)

  13. The Hang, The Hustle, The Path

The Hang, The Hustle, The Path isn’t just an album—it’s an invitation into Christopher McBride’s world. Honest, bold, and genre-fluid, it’s a jazz record with both deep roots and adventurous branches. Whether you're a longtime listener or new to his music, this project marks a pivotal chapter in an artist carving his own lane with integrity, creativity, and soul.


Friday, September 26, 2025

Shirley Bassey – As I Love You: The Complete Shirley Bassey 1956 to 1962 (5CD Set)


Before her iconic performance of Goldfinger turned her into an international sensation, Shirley Bassey had already built a remarkable legacy of recordings—bold, emotive, and bursting with vocal charisma. As I Love You: The Complete Shirley Bassey 1956 to 1962 is an essential 5CD collection that chronicles those formative years, compiling rare albums, singles, and EP tracks that showcase Bassey’s dazzling versatility long before her James Bond fame.

Released by French label Frémeaux & Associés, this meticulously curated box set features a massive 108 tracks, drawn from her earliest recordings through her rise to stardom. Fans and collectors alike will discover her full stylistic range—from sultry torch songs and swing standards to dramatic ballads and blues numbers. The arrangements, helmed by legendary British orchestrators Geoff Love and Wally Stott, frame her voice with lush, cinematic flair.

The collection includes selections from her early albums such as Born to Sing the Blues, The Bewitching Shirley Bassey, The Fabulous Shirley Bassey, Showboat, At The Café de Paris, Shirley, and Let's Face The Music. Lesser-known singles and live recordings round out the set, making it a definitive archive of Bassey’s pre-Goldfinger era. Each disc captures a different facet of her artistry—from moody nightclub ballads like “Stormy Weather” and “Blues in the Night,” to exuberant performances of “Let’s Face the Music and Dance” and “As I Love You,” which became her first UK #1 hit in 1959.

Among the many highlights are her sultry renditions of “Burn My Candle,” “My Funny Valentine,” “Cry Me a River,” and “If You Love Me.” There are also powerful takes on Broadway and film standards like “Bill,” “Can't Help Lovin’ Dat Man,” and “Where or When.” The later tracks show her expanding emotional range, particularly on “What Now My Love” and “Climb Ev’ry Mountain,” foreshadowing the grandeur that would define her global career.

This beautifully packaged set includes comprehensive liner notes in both English and French, written by Olivier Julien, providing context and commentary on each era of Bassey’s early work. Whether you're a longtime fan or new to her discography, As I Love You is a rare chance to explore the formative years of one of the 20th century’s greatest vocalists.

This 5CD set is a remarkable value for collectors and casual listeners alike. It’s a fitting tribute to the artistry of Shirley Bassey and a reminder of her powerful contribution to vocal jazz, pop, and show music before she became a global icon.

Track Highlights Include:

  • “As I Love You”

  • “Born to Sing the Blues”

  • “Cry Me a River”

  • “My Funny Valentine”

  • “Let’s Face the Music and Dance”

  • “Blues in the Night”

  • “I’ve Got You Under My Skin”

  • “Where Are You”

  • “Can’t Help Lovin’ Dat Man”

  • “Climb Ev’ry Mountain”

Dame Shirley Bassey, born in 1937 in Cardiff, Wales, is one of Britain’s most celebrated vocalists, renowned for her commanding voice, theatrical presence, and decades-long recording career. Of Nigerian and English descent, she rose from working-class roots to international fame, becoming the first Welsh artist to score a UK number one single.

Her breakout hit came with “As I Love You” in 1959, and she achieved worldwide recognition with the title track for the 1964 James Bond film Goldfinger, followed by Diamonds Are Forever and Moonraker. Known for her dynamic vocal range and glamorous persona, Bassey has performed for royalty and at Olympic ceremonies, earning countless accolades including a DBE (Dame Commander of the Order of the British Empire).

While her Bond themes and 1970s recordings are iconic, her early years—captured in this new box set—reveal a raw, jazz-tinged elegance and emotional depth that laid the foundation for a career that spans over seven decades.

Peter Campbell Releases Haunted Melody: A Lush, Introspective Vocal Jazz Journey


American-Canadian vocalist and producer Peter Campbell returns with Haunted Melody, a deeply personal and musically rich album that blends jazz, Latin influences, and traditional pop aesthetics. Co-arranged with renowned guitarist Reg Schwager, the album follows Campbell’s critically acclaimed Old Flames Never Die, which was named one of JazzTimes’ Top 40 Albums of 2020.

Haunted Melody brings together an impressive roster of Canadian jazz talent, alongside American tenor saxophonist Joel Frahm and Portuguese composer-producer Ernesto Leite. While the album’s musical textures are sophisticated and worldly, the emotional core is intimate: the project’s release follows the passing of Campbell’s parents in 2024, the end of a long-term relationship, and his return to Canada after living in Portugal.

The music on Haunted Melody took root during the isolation of the pandemic, becoming a sonic reflection of personal loss, love, and rediscovery. At its heart, it is a remembrance—of a relationship, of family, and of time spent in Portugal, where Campbell immersed himself in Brazilian music and Lusophone culture. This exploration is reflected in the inclusion of three compositions by Brazilian composers and a rhythmic and harmonic language that nods to Latin America and Southern Europe.

While Campbell’s style has often been described as “Traditional Pop,” his interpretation of the genre stretches to include jazz balladry, French chanson, bossa nova, and cinematic orchestration. The result is a fluid, emotionally resonant album that pays tribute to memory and melody in equal measure.

Haunted Melody features arrangements and instrumental work by some of Canada’s finest: trumpeter Kevin Turcotte, flutist Bill McBirnie, pianist Adrean Farrugia, bassist Ross MacIntyre, and percussionist Alan Hetherington. Guitar textures come from Reg Schwager and Michael Occhipinti, who also contributes Puerto Rican cuatro, mandolin, and electric guitar on various tracks. Subtle orchestral and percussion programming by Ernesto Leite and drum programming from John ‘Beetle’ Bailey add depth to the album’s sonic palette, blending the organic with the electronic in understated ways.

With Haunted Melody, Peter Campbell continues to affirm his place as a modern interpreter of vocal jazz—one who honors tradition while carving a personal and stylistically adventurous path.

Release Date: Friday, September 12, 2025
Website: www.petercampbellmusic.com

Featured Musicians on Haunted Melody:

  • Peter Campbell – Vocals

  • Kevin Turcotte – Trumpet, Flugelhorn

  • Bill McBirnie – Flute, Alto Flute

  • Joel Frahm – Tenor Saxophone

  • Adrean Farrugia – Piano, Fender Rhodes

  • Reg SchwagerArchtop and Nylon String Guitar

  • Michael Occhipinti – Electric Guitar, Cuatro Puertorriqueño (Track 5), Mandolin (Track 7)

  • Ross MacIntyre – Bass

  • Ethan Ardelli – Drums

  • Alan Hetherington – Percussion

  • Ernesto Leite – Orchestral Programming & Percussion Programming (Track 10)

  • John ‘Beetle’ Bailey – Drum Programming (Track 6)

David Occhipinti Releases Camera Lucida: A Brilliant Fusion of Jazz and Chamber Music


Canadian guitarist and composer David Occhipinti returns with Camera Lucida, a genre-defying new album that brings together jazz improvisation and contemporary chamber music. Featuring eight original compositions, the recording highlights Occhipinti’s innovative writing and lyrical guitar playing, supported by an ensemble of some of Canada’s most distinguished classical and jazz musicians.

From the first moments of Ice Dance, where clarinetist Virginia MacDonald delivers a fiery, expressive performance, it's clear that Camera Lucida is a work of artistic depth. On Promised Kiss, the introspective marimba of Michael Davidson and a graceful solo by violinist Aline Homzy create a reflective, romantic mood. Homzy appears again on Octavia, this time in an intimate duet with Occhipinti. Bassoonist Fraser Jackson of the Toronto Symphony Orchestra also brings his rich, woody tone to Octavia, blending beautifully with the ensemble.

The album isn’t without playfulness. Playtime explores sound design through whistling, radio static, and wind effects performed on clarinet—an abstract and experimental piece that reveals Occhipinti’s curiosity and imagination. Southwark features the full ensemble in a collective improvisation, merging classical textures with the spontaneity of jazz. Throughout the recording, bassist Dan Fortin anchors the music with taste and inventiveness, enhancing the group's dynamic range. On Promised Kiss, Andy Ballantyne adds a sparkling piccolo part, while Max Christie—a member of the National Ballet of Canada orchestra—delivers nuanced performances on both clarinet and bass clarinet.

Camera Lucida follows Occhipinti’s acclaimed 2012 Camera Ensemble release, which was praised by legendary guitarist Jim Hall, who described it as: “An absolute gem… his writing is unique, his playing is completely original and stunning… an absolute work of art!” That earlier project laid the foundation for Occhipinti’s ongoing exploration of blending composed chamber music with improvisational jazz.

With several Juno nominations to his name, David Occhipinti continues to push boundaries. In addition to Camera Lucida, he has a new recording with his String Trio slated for release in 2026.

Visit: www.davidocchipinti.com

Featured Musicians on Camera Lucida:

  • David Occhipinti – Guitar

  • Aline Homzy – Violin

  • Virginia MacDonald – Clarinet (featured on Track 1: Ice Dance)

  • Michael Davidson – Vibraphone, Marimba

  • Dan Fortin – Double Bass

  • Max Christie – Clarinet, Bass Clarinet

  • Fraser Jackson – Bassoon (featured on Track 7: Octavia)

  • Andy Ballantyne – Piccolo (featured on Track 5: Promised Kiss)

Thursday, September 25, 2025

JJJJJerome Ellis Announces New Album Vesper Sparrow – A Groundbreaking Exploration of Stuttering, Blackness, and Sacred Sound


"JJJJJerome Ellis bends time into something sacred." This is not just metaphor—it’s the foundation of their art. The Black disabled Grenadian-Jamaican-American artist, performer, composer, and storyteller returns this fall with Vesper Sparrow, a bold and expansive new album out November 14 on Shelter Press.

Ellis’ work has been described as “rule-shattering” (This American Life), “astonishing” (The Guardian), and “imbued with emotion and Black history” (NPR Music). With their sophomore LP, they further cement their place as one of the most original interdisciplinary artists working today—redefining the relationship between music, speech, silence, and time.

Honoring the Stutter, Bending Time

JJJJJerome’s artistic practice—spanning saxophone, hammered dulcimer, electronics, organ, voice, and spoken word—centers their lived experience as a person who stutters. The very name “JJJJJerome” stems from the letter they most often stutter on: their own name.

Their work doesn’t attempt to fix the stutter—it celebrates it. In Ellis’ hands, the stutter becomes a sonic event, a poetic rupture, and a radical reframing of temporality itself.

About Vesper Sparrow

Composed of six tracks—including the four-part piece “Evensong”—Vesper Sparrow draws from sacred Black musical traditions, granular synthesis, ambient electronics, indie rock textures, and Caribbean/Black American sonic histories.

At its core, the record is a conversation between sound and silence, between tradition and experimentation. Ellis integrates stuttering as both subject and structure. In fact, a recorded stutter becomes the hinge between “Evensong, Part 2” and the title track, “Vesper Sparrow.”

“The stutter becomes a structuring moment,” they explain—offering a suspended space, a break in linear time that invites both reflection and transformation.

The album also features collaborations with Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A R R (busby), contributing to a collective act of sonic communion.

A Sacred, Interconnected Practice

Ellis lives and works from a monastery in Norfolk, VA, on traditional Nansemond and Chesepioc land, with their wife, poet-ecologist Luísa Black Ellis. Their music is deeply influenced by spiritual lineage, ancestral memory, and natural time. From improvising along to Coltrane as a teen to earning accolades from Claudia Rankine and Pitchfork, Ellis has continually forged new pathways—personal, philosophical, and artistic.

They are a Fulbright Fellow, a Creative Capital grantee, and a widely recognized voice in contemporary performance, having appeared at the Venice Biennale, Whitney Museum, Rewire Festival, The Shed, and National Sawdust.

Tour Dates – Fall 2025

  • Sept 12 – Chicago, IL @ Sound & Gravity

  • Sept 27 – Cincinnati, OH @ Talk Low

  • Oct 3 – Brooklyn, NY @ Roulette

  • Oct 9 – Norfolk, VA @ ODU Literary Festival

  • Oct 18 – Vancouver, BC @ Vancouver New Music Festival

  • Oct 19 – Portland, OR @ The Old Church

  • Oct 21 – Seattle, WA @ Vera Project

  • Oct 24 – Oakland, CA @ The Crown via Lo-Fi Oyster Co

  • Oct 25 – San Francisco, CA @ Museum of African Diaspora

  • Nov 1 – Charlottesville, VA @ Fralin Museum of Art

  • Nov 8 – Montréal, QC @ Voice and Media

Tracklist – Vesper Sparrow

  1. Evensong, Part 1 (for and after June Kramer)

  2. Evensong, Part 2 (for and after James Harrison Monaco)

  3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, S T A R R (busby))

  4. Savannah Sparrow (for and after Kenita Miller)

  5. Evensong, Part 3 (for and after Jessica Valoris)

  6. Evensong, Part 4 (for and after okcandice)

JJJJJerome Ellis does not just make music—they shape time. Vesper Sparrow is a breathtaking act of suspension, disruption, and care. It’s a sacred space, a poetic offering, and a profound expansion of what music—and voice—can be.

Max Jaffe to Release You Want That Too! on November 21 via Colorfield Records


Los Angeles-based drummer and producer Max Jaffe is set to release his highly anticipated LP, You Want That Too!, on November 21st via Colorfield Records. Known for his innovative approach to drumming and composition, Jaffe’s latest album is a captivating journey through eclectic rhythms, space jazz, and experimental textures. Recorded at Pete Min's Lucy’s Meat Market Studio in LA, You Want That Too! features an impressive lineup of collaborators, including Jeff Parker, Meg Duffy (Hand Habits), Spencer Zahn, Logan Kane, and many others.

A Sonic Exploration: You Want That Too!

Jaffe’s new LP is the result of a deep and experimental creative process. Describing the album as a “process-driven experiment,” Jaffe says, “Each track was sculpted from pristine silence — whittled away with tone, harmony, rhythm.” The album was recorded with the goal of a clean slate every day in the studio, allowing Jaffe and his collaborators to explore sound freely and create something fresh each time they picked up their instruments.

The result is an album that is as experimental as it is joyful, with a focus on discovery, collaboration, and the creation of new sounds. Jaffe’s work has always been defined by his commitment to pushing boundaries, and You Want That Too! is no exception. The music itself is propulsive yet mellow, with an experimental edge that draws on influences from early Warp Records releases, space jazz, and glitch-funk. Throughout the LP, listeners are invited to engage with the tension between structure and freedom, as Jaffe and his collaborators craft a sound that is dynamic and ever-evolving.

Collaborations that Tell a Story

One of the defining features of You Want That Too! is its collaborative nature. Jaffe explains that the musicians on the album “tell a story,” with some being long-time friends and others newly forged connections in his ever-expanding musical network. Jeff Parker’s expressive guitar work, Meg Duffy’s delicate yet powerful guitar tones, and Spencer Zahn’s deep bass grooves all contribute to the album’s intricate layers. Other collaborators include Gavin Gamboa, Daniel Rotem, Shelley Burgon, and Logan Kane, each adding their unique voice to the project.

While the album embraces a wide range of musical ideas, it never feels scattered. The variety of sounds and influences is carefully curated, resulting in an album that maintains a coherent identity while offering moments of playful experimentation and discovery.

Key Tracks: A Glimpse into You Want That Too!

The first single, “In Green”, released ahead of the album, is a perfect introduction to Jaffe’s creative world. With a buoyant groove and improvisational moments provided by Jeff Parker, Daniel Rotem, and Logan Kane, the track offers a glimpse into the kind of sonic exploration Jaffe has been working on. Max describes it as a “personal flotation device,” inviting listeners to drift downstream through the music’s flowing, improvisational wonder.

Another standout track, “S-NARE”, will be released on October 29th. The track draws inspiration from early Warp Records and Jaffe’s work with electronic drum sensors like Sensory Percussion. “S-NARE” is a drum-centric freakout, where the snare drum takes center stage as both a historical and musical symbol of control and power. “The snare has a loaded history of leading militaries into bloodshed,” Jaffe says. “S-NARE” uses that tension to lead the listener through a cathartic, driving rhythm that both captivates and challenges.

A New Chapter for Max Jaffe

For Jaffe, You Want That Too! represents a new chapter in his musical journey. His previous album, Reduction of Man, was a reflection on his twenties in pre-pandemic New York City, an elegy to a period of his life that felt like it had come to a close. With You Want That Too!, Jaffe is building a fresh foundation, one that draws on his experiences, his history, and the collaborative spirit of his time in LA.

“This is not a complete fresh start,” Jaffe reflects. “I am still, for better or worse, me. But it’s a new story.” This “new story” feels more expansive, open, and optimistic—a celebration of collaboration and the creative possibilities that come from working with others.

A Diverse, Eclectic Sound

What stands out most about You Want That Too! is its eclecticism. The album spans a wide range of musical genres and styles, from experimental jazz and glitch-funk to ambient and atmospheric soundscapes. But it’s not just a mix of disparate sounds; the album thrives on its ability to find cohesion in diversity. It’s an album that embraces the unknown, and in doing so, offers listeners a rich, immersive experience.

One track that exemplifies this eclecticism is “Ancestral Creeks”, which feels like a unique blend of psychedelic rock, jazz, and experimental music. The track recalls the spirit of CAN’s Tago Mago, yet it’s undeniably personal to Jaffe and Min. The deep, hypnotic grooves and expansive soundscapes invite listeners to lose themselves in the music, making it one of the album’s standout moments.

What’s Next for Max Jaffe?

With You Want That Too!, Jaffe continues to cement his place as a forward-thinking artist in the world of experimental jazz and electronic music. His exploration of new sounds, his commitment to collaboration, and his willingness to push the boundaries of what’s possible in the studio make this album one of his most exciting releases yet.

Fans of Josh Johnson, Jeff Parker, CAN, Plaid, and Pharoah Sanders will find much to love here, but Jaffe’s unique voice and approach ensure that You Want That Too! stands on its own as a truly distinctive work.

Album Details

Album Title: You Want That Too!
Artist: Max Jaffe
Release Date: November 21, 2023
Label: Colorfield Records
Genres: Jazz, Experimental

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