Roy Ayers Ubiquity’s “Change Up the Groove”: A Jazz-Funk Masterpiece of the 1970s

Roy Ayers’ 1974 album Change Up the Groove stands as a quintessential document of jazz-funk innovation, blending soulful jazz roots with the crisp rhythms of 1970s funk. With his unmistakable vibraphone leading the way, Ayers bridges the worlds of jazz improvisation and infectious funk grooves, making the album a must-have for fans of both genres.

Featuring standout tracks such as The Boogie Back—sampled by NWA, 2Pac, and De La Soul—and the title track Change Up the Groove, the record showcases Ayers’ gift for melody, rhythm, and tight arrangements. Other highlights include a lush, electrified rendition of Feel Like Makin’ Love that glows with mellow soul, demonstrating Ayers’ ability to weave emotion and groove seamlessly. The LP’s instrumental richness is enhanced by contributions from jazz greats such as legendary drummer Bernard Purdie, and subtle string arrangements that heighten the album’s depth and texture.

Change Up the Groove reflects Ayers’ artistic evolution during his early Polygram years, when he was transitioning from his jazz roots toward the rhythmic snap of the 1970s funk revolution. While often overshadowed by his more commercially successful works, this album is a masterclass in jazz-funk fusion, offering a snapshot of an artist at the height of his creativity.

Born in Los Angeles in 1940, Roy Ayers is one of the most influential vibraphonists and composers in jazz and funk history. His career spans more than six decades, during which he has played a pivotal role in shaping the sound of modern jazz, soul, and R&B. Known for his innovative work with Roy Ayers Ubiquity, Ayers helped pioneer jazz-funk and acid jazz, inspiring countless artists across genres. A prolific collaborator, he has worked with Miles Davis, Stevie Wonder, Fela Kuti, and contemporary hip-hop artists, leaving an indelible mark on multiple generations of music.

With Change Up the Groove, Ayers captured a moment in time where jazz sophistication met the irresistible drive of funk—a timeless record that continues to influence and inspire.

Pharoah Sanders, Tony Williams & Carlos Santana Ignite the 11th Annual Bammies Live Broadcast

Jazz, fusion, and rock collide in an unforgettable historic performance from the 11th Annual Bammies (Bay Area Music Awards), recorded live in 1988 at San Francisco's Civic Auditorium and broadcast on KFOG-FM. This once-in-a-lifetime convergence brought together three musical giants: saxophone visionary Pharoah Sanders, drumming legend Tony Williams, and guitar icon Carlos Santana.

The set seamlessly blends spiritual jazz, explosive fusion, and Santana’s Latin rock fire. Each track captures the improvisational brilliance of these trailblazers as they communicate in real time, pushing the boundaries of genre while remaining deeply soulful. From the soaring intensity of Cloud Nine and Giant Steps to the meditative transcendence of The Creator Has A Master Plan, this performance is a rare snapshot of artistry at its most liberated. Little Rock’s Blues closes the set with a fiery groove, showcasing the chemistry of three masters locked in cosmic conversation.

Pharoah Sanders – Born in Little Rock, Arkansas in 1940, Sanders emerged as one of the most influential saxophonists in spiritual jazz. Known for his overblowing, multiphonics, and passionate, ecstatic sound, he rose to prominence in the 1960s working with John Coltrane. Sanders’ music often explores transcendence, social consciousness, and cosmic themes, leaving a lasting imprint on jazz history with albums such as Karma and Thembi.

Tony Williams – A prodigy from Chicago, Williams joined Miles Davis’ Second Great Quintet at just 17, revolutionizing jazz drumming with polyrhythms, syncopation, and extraordinary technical skill. Throughout his career, he led the fusion group Lifetime and collaborated with a wide array of artists, from Herbie Hancock to Jimi Hendrix. Williams’ approach redefined rhythm in modern jazz and inspired generations of drummers.

Carlos Santana – Born in Autlán de Navarro, Mexico, Santana became a global icon by fusing rock, Latin music, blues, and jazz into a singular, passionate sound. His signature tone and expressive guitar work have earned him multiple Grammys, including for the album Supernatural. Santana’s ability to blend genres seamlessly made him a natural partner for the improvisational worlds of Sanders and Williams.

Recorded live for radio broadcast, this release preserves the electric energy and spontaneity of the evening, offering listeners a front-row experience to a historic musical dialogue. For fans of jazz, fusion, and guitar virtuosity, this live broadcast is a document of unparalleled creativity and historic significance.

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Tracklisting:

Disc 1
Side 1

1. Cloud Nine

2. After The Morning

3. Giant Steps

4. The Creator Has A Master Plan

5. Little Rock's Blues

Steve Clarke’s NETWORK Returns with Connected – A Celebration of Jazz Fusion Excellence

NETWORK, the pioneering jazz fusion ensemble conceived by London drummer Steve Clarke, continues to assert its influence on the UK and international jazz scene with the release of Connected. Clarke, a fixture on the UK music circuit since the late 1970s, first made his mark with progressive rock band Quasar before assembling a group of exceptional musicians to form the core of NETWORK.

The lineup features Clarke on drums, Tim Crowther on guitar, Pete Jacobson on keyboards, Laurence Cottle on bass, and Ted Emmett on trumpet. Over the years, NETWORK’s recordings have been enriched by contributions from some of the jazz world’s most respected figures, including Jan Hammer, Jack Bruce, Larry Coryell, Randy Brecker, Dean Brown, Hadrien Feraud, and Tom Coster Jr. These collaborations helped shape NETWORK into a fusion powerhouse known for its inventive arrangements, virtuosic performances, and adventurous improvisation.

Connected is a carefully curated collection of compositions spanning NETWORK’s history, remastered and reissued to highlight the band’s innovation and impact. From the intricate grooves of The Little Blue Book to the explosive energy of Celestial Terrestrial Commuters, the album demonstrates the group’s ability to navigate complex rhythms, lush harmonies, and genre-defying textures with ease. TRACKS like Manic Depression and Deferred Gratification Pt 1 showcase both the technical brilliance of the musicians and the creative vision of Clarke as a bandleader.

This release marks the first in a series of remastered and new NETWORK albums, offering both longtime fans and new listeners an opportunity to experience the depth, excitement, and enduring influence of one of the UK’s seminal jazz fusion acts. Connected is a testament to Clarke’s lifelong dedication to music, and a celebration of the collaborative spirit that has always defined NETWORK.

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Tracklisting:

Disc 1
Side 1

1. The Little Blue Book

2. Sittin' On The Dock of The Bus

3. Manic Depression

4. Hyperventilation

5. Deferred Gratification Pt 1

6. The Impending Death of Veronica Braithwaite

7. Celestial Terrestrial Commuters

8. L21

9. Vespers

10. L.N.C. Revisited

11. Dennis The Menace

12. Looking Into Space

Sidney Barnes Defies Time with Outstanding – A Soulful Celebration at 84

There are not many artists who can claim a brand-new album release at 84, but Sidney Barnes has never followed the usual path. His latest project, aptly titled Outstanding, is a collaboration with legendary UK producer and Northern Soul pioneer Ian Levine. The album delivers an impressive 18 new recordings plus three previously released bonus tracks, highlighting a career that has spanned an incredible 65 years in the ever-turbulent world of music.

Outstanding includes the monster single Standing on Solid Ground as well as Man in a Million and Dancing on the Weekend, all exemplifying Barnes’ signature blend of soul, funk, and rhythm-driven grooves. Fans will also find standout interpretations of classic material. Heart Trouble, co-written with George Clinton for The Parliaments in 1966, is recorded by Barnes for the first time, while his rendition of Anthony Newley’s Pure Imagination from Willy Wonka & the Chocolate Factory showcases Barnes’ tender, emotive phrasing.

Vocals take center stage with four duets featuring London-based Tahira Jumah, including the infectious Diversion and high-energy Back to Back. Additional duets with The Flirtations enrich the album’s texture, creating a dynamic interplay between veteran soul mastery and vibrant collaborative energy.

Barnes’ career traces back to the early 1960s as a Motown writer, with credits for George Clinton, The Jackson 5, The Supremes, and B.B. King, among many others. Over six decades, he has appeared on over 150 albums and compilations, proving himself an enduring innovator of soul music.

Released to coincide with his UK Tour, Outstanding is an album designed to make listeners smile, move, and celebrate life with Barnes’ unwavering vitality. Like the man himself, it lives up to its name.

Rolf Thofte Debuts with Martha’s Dance on April Records

April Records proudly presents the debut album from trumpeter and composer Rolf Thofte, a vivid and personal work that balances lyrical melodies, inventive rhythms, and subtle harmonic exploration. Written during his early years of fatherhood, Martha’s Dance captures moments of joy, reflection, and experimentation, brought to life by a handpicked quintet of Denmark’s most exciting young jazz talents.

The title track, dedicated to Thofte’s three-year-old daughter, sets the tone: a playful, clapping, goat-hoof-stomping tune in quirky 5/4 that channels the spontaneity and delight of childhood. “It’s just a fun tune to play, and I feel like it really captures Martha’s spirit,” Thofte explains. “This band came together at a time when I was trying to find balance as a new father, so it felt right to make this the centerpiece.”

The album gracefully shifts through moods and textures. Vice Versa, inspired by Wayne Shorter’s ability to refract simple melodies through shifting harmonies, brims with layered intrigue. Changing Tides reflects on the subtle transformations in life, nature, and politics, while Bendico—written in only 15 minutes as a conservatory assignment—highlights Thofte’s flair for memorable melodic statements. Dunkelflaute evokes Nordic melancholy with sparse, emotive phrasing, contrasting with the swaggering second-line grooves of The Big 5 and the hypnotic pulse of All….

Throughout, Thofte’s trumpet and flugelhorn guide the ensemble with warmth, clarity, and emotional depth. His quintet amplifies this vision: Andreas Toftemark (tenor saxophone) infuses the music with NYC-honed fire and detail; Rasmus Sørensen (piano) offers sensitive, exploratory interaction; and longtime collaborators Jakob Roland (bass) and Henrik Holst (drums) provide rhythmic drive, deep swing, and empathic grounding.

With Martha’s Dance, Rolf Thofte delivers a confident, cohesive debut—rooted in jazz tradition yet brimming with forward-thinking ideas. His nuanced writing and expressive playing mark him as a compelling new voice on the European jazz landscape.

JD Allen Explores the Heart of the Great American Songbook on His New Ballad-Focused Album

Tenor saxophonist JD Allen, renowned for pushing the boundaries of modern jazz with electronics and advanced compositional techniques, takes a strikingly intimate turn with his latest release. Departing from his signature experimental approach, Allen presents an album composed entirely of ballads from the Great American Songbook, offering listeners a warm, introspective, and deeply lyrical side of his artistry.

For this project, Allen expands his usual chordless trio by adding pianist Brandon McCune to the ensemble, joining longtime collaborators Ian Kenselaar on bass and Nic Cacioppo on drums. The inclusion of piano provides a lush harmonic layer, enriching the group’s sound and allowing Allen to explore the emotional depth and nuance of each composition. The ensemble approaches these classic tunes with clarity, restraint, and quiet power, creating an intimate musical conversation that resonates with both seasoned jazz enthusiasts and new listeners.

The album’s tracklist reads like a masterclass in ballad interpretation: from the tender vulnerability of You Are Too Beautiful to the poignant longing of I Get Along Without You Very Well and the timeless elegance of Stardust. Each performance highlights Allen’s ability to combine technical mastery with heartfelt expression, weaving a narrative that feels personal and universal at once.

Allen’s decision to focus on these timeless standards is a testament to his versatility as an artist. By slowing down and emphasizing melody, harmony, and emotional resonance, he offers a fresh perspective on the music that has shaped generations of jazz musicians. The collaboration between Allen, McCune, Kenselaar, and Cacioppo captures a rare intimacy, demonstrating the power of listening, responding, and creating as a unified ensemble.

For fans of nuanced, expressive jazz, this album is a deeply satisfying exploration of the human heart through song. It reveals a reflective, contemplative side of JD Allen, one that embraces beauty, emotion, and connection in every note.

Tracklisting

1. You Are Too Beautiful

2. I Get Along Without You Very Well

3. Don't Go to Strangers

4. Where Are You?

5. My Buddy

6. I Love You

7. Stardust

8. Tell the Story

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Mavis Staples Returns With Sad and Beautiful World: A Celebration of Community and Timeless Music

Legendary singer Mavis Staples is set to release her much-anticipated new album, Sad and Beautiful World, via Anti Records. Known for her enduring voice, fearless artistry, and decades-long contributions to American music, Staples continues to bridge generations with her unmistakable sound.

Produced by Brad Cook, Sad and Beautiful World is a masterful exploration of seven decades of the American songbook. The album reimagines songs by artists as diverse as Tom Waits, Sparklehorse, Gillian Welch, and Frank Ocean, reflecting Mavis’ ability to make any song uniquely her own.

The spirit of collaboration is central to the project. Cook envisioned the album in the tradition of Nitty Gritty Dirt Band’s Will the Circle Be Unbroken, bringing together a community of musicians to celebrate Mavis’ artistry. Collaborators on the album include Buddy Guy, Bonnie Raitt, Jeff Tweedy, Derek Trucks, Katie Crutchfield, MJ Lenderman, and Justin Vernon, each contributing their own voice to a project steeped in shared history and musical reverence.

Staples’ accolades speak for themselves: Blues, Rock, and Gospel Hall of Fame inductee, Kennedy Center Honoree, multiple GRAMMY Award winner, and recipient of a Lifetime Achievement Award, she has collaborated with legends from Bob Dylan to Prince, Aretha Franklin to Willie Nelson, as well as countless artists from later generations. Sad and Beautiful World reaffirms why Mavis Staples remains a vital and inspiring figure in music today.

Tracklist

Disc 1 / Side 1:

1. Chicago

2. Beautiful Strangers

3. Sad and Beautiful World

4. Human Mind

5. Hard Times

Disc 1 / Side 2:

1. Godspeed

2. We Got to Have Peace

3. Anthem

4. Satisfied Mind

5. Everybody Needs Love

Mike Clark Marks 79th Birthday with Itai Doshin: A Fearless New Album on Wide Hive Records

As ever, drummer Mike Clark refuses to conform to anyone’s expectations on Itai Doshin, set for release October 3, 2025—the leader’s 79th birthday—via Wide Hive Records. The celebrated Californian’s second Wide Hive album is a searing set of (mostly) straight-ahead jazz that keeps listeners guessing, even as it never wavers from Clark’s solid, unerring sense of swing.

Joining Clark for the festivities is a true all-star quintet: trumpeter and NEA Jazz Master Eddie Henderson, tenor saxophonist Craig Handy, pianist Patrice Rushen, and bassist Henry “The Skipper” Franklin.

What “Itai Doshin” Means

The album’s title, Itai Doshin, comes from Japanese and translates to “many in body, one in mind.” Rooted in Nichiren Buddhism, it describes a state in which people unite in both spirit and purpose. Jazz musicians might call it being “in the pocket.” On this album, Clark and company embody that concept fully—finding a shared groove and passing it seamlessly among one another in improvisations.

“Itai Doshin accurately and honestly captures where I am as a jazz artist at this point,” Clark explains. “The artists I have chosen to play on this date, along with the arrangements of Towner Galaher, brought my musical vision to life. … As a Buddhist bandleader, I can say that this band delivers Actual Proof!”

Inside the Music

Produced by Wide Hive’s Gregory Howe, arranged by drummer Towner Galaher, and framed by two hard-driving versions of Thelonious Monk’s “Epistrophy” (Clark’s unofficial theme song), the album thrives on variety and surprise.

Highlights include:

• A tender ballad treatment of Ray Noble’s “Cherokee”, with a luminous Franklin solo.

• A funk-infused Fender Rhodes spin on Bob Marley’s “I Shot the Sheriff.”

• Clark’s own rollicking jump-blues original, “Yakini’s Dance,” driven by Henderson and Rushen.

• An unexpected free-jazz workout, “Savant Clark,” showcasing Clark’s rhythmic abstraction and ties to his boundary-breaking past.

This eclecticism reflects Clark’s wide-ranging career—from his iconic role in Herbie Hancock’s Headhunters to his decades of collaborations with artists like Tony Bennett, Dave Liebman, Julius Hemphill, Dr. Lonnie Smith, and countless others.

A Life in Rhythm

Born in Sacramento, California, on October 3, 1946, Clark was raised in a household where jazz ran deep—his father, George, was both a union man and a drummer. By age four, Clark was already astounding his father with Gene Krupa licks and sitting in with bands.

By the early 1970s, Clark had become a central figure in the Bay Area jazz scene, working seven nights a week with bassist Paul Jackson before joining Hancock’s Headhunters in 1973. That gig secured Clark’s place as one of jazz and funk’s most distinctive drummers, known for fusing groove, swing, and bold improvisation.

Over the decades, Clark has never stopped evolving, building a discography that cements his reputation as both an innovator and a torchbearer of jazz tradition.

Release Shows

Clark will celebrate the release of Itai Doshin with live performances featuring the album band (with Essiet Essiet subbing for Franklin):

• SFJAZZ, San Francisco – Saturday, Oct. 4 & Sunday, Oct. 5

• Kuumbwa Jazz, Santa Cruz – Monday, Oct. 6

With Itai Doshin, Mike Clark demonstrates that at 79, he’s still not only swinging, but pushing jazz forward with fearless energy and creativity.

Nick Gomez Drops Jazz-Funk Single ‘Stimulus’ as Hollywood Grit Hits Theatres Nationwide

For jazz saxophonist Nick Gomez, this week has been nothing short of career-defining. His fiery new jazz-funk single, “Stimulus”, dropped on Friday, the very same day that Hollywood Grit—the noir-inspired feature film for which Gomez composed the score and cowrote, produced, and arranged ten songs—opened in 22 AMC Theatres across the U.S.

The milestones arrive as Gomez also marks a personal achievement: six years of sobriety, a turning point that he says made all of these successes possible.

“‘Stimulus’ was born out of one of the most uncertain moments of my life. I made the decision to get sober in August of 2019. Six months later, the world shut down due to the pandemic… Eventually, I found my way back to music. When those stimulus checks started going out, that spark gave me the freedom to pick up my horn and write again. ‘Stimulus’ channels that spirit of joy, freedom, and gratitude into song,” Gomez explained.

Pulling inspiration from the high-energy grooves of James Brown and Motown Records, “Stimulus” is a full-throttle funk workout. Gomez’s tenor saxophone leads the charge, but each member of his quartet—Jon Gus (guitar), Steve Aguilar (Hammond B3), Russell Walters (bass), and Joshua Zeigler (drums)—gets their moment to shine. Trumpeter Chris Lawrence adds brass firepower to the mix.

The single already began collecting radio playlist adds this week and is accompanied by a vibrant music video, filmed at Total Access Studios in Redondo Beach, now streaming on YouTube: Watch “Stimulus” here.

Meanwhile, Gomez’s work on Hollywood Grit is equally ambitious. The saxophonist composed sixty minutes of original music for the film, collaborating closely with director Ryan Curtis (a creative partner since 2014). The soundtrack blends big band, straight-ahead, contemporary, orchestral, avant-garde, and free jazz with flashes of R&B, pop, and funk. The result is a rich sonic palette that plays as much of a starring role as the actors, who include Max Martini, Tyrese Gibson, Linda Purl, and Patrick Duffy.

Both the soundtrack (listen here) and film score (listen here) are available now.

Next up, Gomez will kick off a three-month residency at the Lighthouse Café in Hermosa Beach starting October 12, performing one show each month.

An eight-time Emmy Award nominee, Gomez has long been a creative force in both the music and entertainment worlds. But with “Stimulus” and Hollywood Grit, 2025 may mark his boldest leap forward yet.

Chad Lawson’s Where We Are, Together: A Healing Musical Offering for World Mental Health Day

*"Lawson gives listeners something grounding to come back to when life starts to feel out of control." — Equinox

Pianist, podcaster, and certified breathwork educator Chad Lawson has announced his new EP, Where We Are, Together — a three-song collection reimagining music from his 2024 album Where We Are. The new project, arranged by Geoff Lawson, embraces community, collaboration, and healing, aligning with World Mental Health Day 2025.

Releasing October 10 via Decca Records US, the EP features striking collaborations with VOCES8, violinist Esther Abrami, cellist Seth Parker Woods, harpist Ashley Jackson, and lyrics by acclaimed poet Rupi Kaur. Visual artist and writer Morgan Harper Nichols designed the artwork, creating a vivid visual expression of the project’s message.

The lead single, “Solace (Together)”, is out now, blending an excerpt from Rupi Kaur’s The Sun and Her Flowers with arrangements for VOCES8 and Woods. The track embodies Lawson’s belief that healing feels more possible when experienced in connection with others.

“At its core, Where We Are, Together is about something simple — how healing feels a little more possible when we don’t feel so alone,” Lawson explains. “I didn’t want this to be a solo project. I wanted it to feel shared. Like something made with others, not just by me.”

Expanding His Mission of Wellness Through Music

This EP follows Lawson’s single “Where There Is Hope”, released July 12 for the inaugural International Day of Hope, a new United Nations observance dedicated to combating hopelessness with resources and strategies for emotional resilience.

With Where We Are, Together, Lawson continues his mission to create music that promotes wellness and awareness. Earlier in 2025, he released Where We Are: Unity Edition for Mental Health Awareness Month, adding new tracks and reworks to his 2024 full-length. His 2023 double album breathe, created for National Suicide Prevention and Awareness Month, was hailed by Forbes as “melodic and soothing.”

Beyond recordings, Lawson reaches audiences through his iHeart-nominated podcast Calm It Down, which explores mindfulness and emotional health, amassing over 6 million downloads to date. He has also brought his music and breathwork practices into the offices of Amazon, Nike, and Peloton, and to children’s hospitals through his ongoing collaboration with the Ryan Seacrest Foundation.

With over 1 billion streams, soundtrack placements on The Walking Dead, Vampire Diaries, and campaigns for Chevrolet, Microsoft, and Delta, Lawson’s music continues to balance mainstream reach with deeply personal impact.

Tracklist – Where We Are, Together

1. Solace (Together) [with VOCES8, Seth Parker Woods, lyrics by Rupi Kaur]

2. Sanctuary (Together) [with Esther Abrami]

3. Like The Stars In The Sky (Together) [with Ashley Jackson]

Chad Lawson’s Where We Are, Together arrives October 10, 2025, on World Mental Health Day, reminding listeners that being human was never meant to be a solo act.

Ledisi Honors Dinah Washington with For Dinah: New Album Out October 3 + Worldwide Tour

Grammy-winning vocalist Ledisi has released her luminous new rendition of “What a Difference a Day Made,” the Dinah Washington classic that earned the pioneering singer a GRAMMY in 1959 and a place in the GRAMMY Hall of Fame in 1998. Arriving just in time to celebrate what would have been Washington’s 101st birthday on August 29, Ledisi’s interpretation is both reverent and boldly personal, honoring Dinah’s influence while asserting her own artistry.

The track is the latest preview from For Dinah, Ledisi’s forthcoming album due October 3 via Candid Records. Co-produced by Christian McBride and longtime collaborator Rex Rideout, the album is Ledisi’s deeply personal tribute to her lifelong hero — a fearless woman who opened doors for generations to follow.

“For Dinah blends my own soul with Dinah’s bold spirit,” says Ledisi. “She gave me permission to move freely, create freely, and lead as a woman in music. Before there was Aretha, there was Dinah. Instead of asking me ‘Why Dinah?,’ you should be asking ‘Why not Dinah?’”

The album features collaborations with Gregory Porter (“You’ve Got What It Takes”), Christian McBride (“You Don’t Know What Love Is”), and guitarist Paul Jackson Jr., alongside rising pianist Michael King.

🎧 Listen to “What a Difference a Day Made”
🎥 Watch the live performance video

For Dinah Tracklist

1. What A Difference A Day Made

2. If I Never Get To Heaven

3. Caravan

4. Let’s Do It

5. You Don’t Know What Love Is (feat. Christian McBride)

6. You’ve Got What It Takes (feat. Gregory Porter)

7. You Go To My Head (feat. Paul Jackson Jr.)

8. The Bitter Earth

North America Tour Dates

• Sept 18 – High Point, NC – High Point Theatre

• Sept 20 – Paradise Island, Bahamas – Bahama Breeze Music Festival

• Sept 27 – Monterey Park, CA – Monterey Jazz Festival 2025

• Oct 2 – Chandler, AZ – Chandler Center For The Arts

• Oct 3 – Los Angeles, CA – Walt Disney Concert Hall (Album Release Show)

• Oct 5 – Davis, CA – Mondavi Center

• Oct 6 – San Francisco, CA – Davies Symphony Hall

• Nov 9 – Dallas, TX – Majestic Theatre

• Nov 11 – Denver, CO – Paramount Theatre

• Nov 13 – Omaha, NE – Steelhouse Omaha

• Nov 14 – Prior Lake, MN – Mystic Showroom At Mystic Lake Casino

• Nov 15 – Rockford, IL – Hard Rock Casino Rockford

• Jan 20–27, 2026 – Fort Lauderdale, FL – Christian McBride’s World At Sea

Europe Tour Dates

• Oct 9 – London, UK – O2 Shepherds Bush Empire

• Oct 10 – Aulnay-sous-Bois, France – Le Nouveau Cap

• Oct 11 – Cébazat, France – Sémaphore

• Oct 13 – Madrid, Spain – Sala Villanos

• Oct 14 – Barcelona, Spain – Sala Apolo

• Oct 15 – Utrecht, Netherlands – TivoliVredenburg

• Oct 16 – Den Haag, Netherlands – PAARD

• Oct 17 – Duivendrecht, Netherlands – Poppodium Q-Factory

• Oct 18 – Hautmont, France – Centre Culturel Maurice Schumann

• Oct 21 – Skellefteå, Sweden – Sara Kulturhus

• Oct 23 – Oslo, Norway – Cosmopolite Scene

• Oct 24 – Malmö, Sweden – Victoriateatern Malmö

• Oct 25 – Zagreb, Croatia – Kino SC

• Jan 17, 2026 – Lugano, Switzerland – LAC Lugano Arte E Cultura

With For Dinah, Ledisi brings Dinah Washington’s legacy into the present, illuminating the timelessness of her music and the trail she blazed for today’s women in jazz, R&B, and beyond.

Album out October 3, 2025 on Candid Records.