Microplastique Unleashes Bold, Eclectic Soundscapes in blare blow bloom! – A Live Album Celebrating Improvisation and Musical Innovation

Microplastique Unleashes Bold, Eclectic Soundscapes in blare blow bloom! – A Live Album Celebrating Improvisation and Musical Innovation

Microplastique, led by the visionary Adam Shead, presents blare blow bloom!, a daring new album capturing the essence of their 2024 U.S. tour. With 10 tracks recorded live in concert across five cities—Cleveland, Detroit, Milwaukee, Lafayette, and Indianapolis—this album reveals the ensemble's extraordinary ability to transform, reinterpret, and energize each composition, night after night.

From the moment the album kicks off with the fiery "blare," listeners are thrust into the raw energy of microplastique’s world. Known for their unrelenting sound and inventive use of "tiny instruments," the band harnesses every ounce of intensity, pushing the limits of volume and texture in a performance that elicits a cathartic audience reaction. Following the explosive opening, the second track, "blow," delivers a percussive solo that blurs the line between the minimalist precision of Roscoe Mitchell’s small percussion and Tony Oxley’s dense, textural playing.

But blare blow bloom! isn’t all about high-octane moments. Track four offers a striking shift, as the ensemble creates a beautifully sparse sonic landscape—an ethereal ballad that highlights lush, improvised harmonies between flute, melodica, and harmonica. The juxtaposition of these contrasting energies defines the album’s dynamic nature. By track nine, the ensemble dives deep into minimalist territory, drawing inspiration from Steve Reich’s iconic percussion works. As the album progresses, the pieces continue to surprise, with the final track resembling a Charles "Threadgill-inspired" composition that evolves from a slow, deliberate march into a full-throttle swing, with the horns of Ben Zucker and Molly Jones weaving together in rhapsodic dialogue.

blare blow bloom! is a sonic journey that is as playful as it is profound, blending grounded improvisation with otherworldly moments. It's a unique fusion of sound that speaks to both the absurd and the serious, inviting listeners to experience a captivating world of musical invention.

Meet the Creators Behind Microplastique

The ensemble brings together a diverse group of musicians, each with a distinct voice and background.

Ben Zucker – A celebrated improviser and multi-instrumentalist, Zucker is known for their "stirring compositions" and "lifetime of musical curiosity" (Chicago Reader). With contributions across North America and the UK, Zucker has played a pivotal role in experimental music scenes, working with a wide range of artists and frequently performing on vibraphone, brass, and electronics. Zucker’s mastery of improvisation is a cornerstone of the ensemble’s sound.

Molly Jones – A versatile performer and composer, Jones blends her experience in jazz, new music, and Balkan brass with her background in software engineering and mindfulness practices. She brings a unique electroacoustic flavor to the group, adding depth with saxophones, flutes, and electronics. Her work is characterized by playfulness, attention, and a deep connection to sound exploration.

Josh Harlow – A pianist and keyboardist with a diverse musical palate, Harlow is a fixture in Chicago’s music scene. Known for his work with groups like Teiku and Submerser, Harlow’s collaborations with notable musicians including Wadada Leo Smith and Michael Formanek have solidified his reputation as a talented and innovative keyboardist. His contributions to microplastique inject a soulful complexity into the ensemble’s sound.

Adam Shead – A driving force behind microplastique, Shead is an acclaimed composer, improviser, and multi-instrumentalist whose work spans continents. Having collaborated with legendary musicians such as Roscoe Mitchell and Marilyn Crispell, Shead’s compositions for microplastique are bold, experimental, and deeply rooted in improvisational exploration. As a permanent member of the NYC-based band Cellular Chaos and the founder of multiple ensembles, Shead continues to push boundaries with his creative endeavors.

blare blow bloom!

blare blow bloom! is more than just an album—it’s a testament to microplastique’s ability to take risks and create a musical world where chaos and control coalesce. With performances that transform nightly, the ensemble’s improvisational prowess and inventive use of sound bring each track to life in its own unique way. Whether diving into minimalist exploration or pushing the boundaries of texture and volume, microplastique’s blare blow bloom! is an album that’s as bold as it is captivating, capturing the essence of their live energy and pushing the limits of what’s possible in modern jazz and experimental music.

Tracklist Highlights:

1. blare – A fiery opening full of raw energy and bombastic sound.
2. blow – A percussion solo that delves into dense, textural minimalism.
3. Track 4 – A sparse and balladic exploration, with lush, improvised harmonies.
4. Track 9 – Minimalism meets percussion ensemble, inspired by Steve Reich.
5. Final Track – A Threadgill-inspired composition that transitions from march to up-tempo swing.

blare blow bloom! is a must-listen for fans of experimental jazz, modern improvisation, and the thrilling possibilities of live music.

Jackson Potter Announces New Album small things – A Masterful Blend of Tradition and Innovation

Guitarist and composer Jackson Potter, based in New York City, is set to release his second album as a bandleader, small things, on January 24th, 2025, via Shifting Paradigm Records. This highly anticipated album showcases his unique blend of traditional jazz and modern composition, featuring a stellar lineup of New York musicians, including saxophonist Jaleel Shaw and tenor saxophonist Troy Roberts.

Potter, who grew up in St. Paul, MN, was immersed in music from an early age. His father, a guitarist, taught him to play the instrument at 10, following the musical legacy of his mother, Joyce Paul, a Nashville country singer who once opened for Elvis Presley. Joyce’s 1969 hit single "Phone Call to Mama" even charted on the Billboard Hot Country Songs list. With such a musical heritage, Potter quickly made his mark, winning several guitar competitions in his teens. In 2016, he moved to Miami to study jazz guitar at the Frost School of Music under John Hart, laying the foundation for his professional career.

Potter’s debut album, Restless (2021), received widespread acclaim, reaching the Top 3 on Roots Music Report’s Jazz Album Chart and garnering recognition from critics and audiences alike. Since relocating to New York City in 2021, Potter has performed at iconic venues like Dizzy's Club, The Django, Jazz at Lincoln Center's Atrium Stage, and The Aman. His performances alongside notable musicians such as Richie Nuzz, Tyreek McDole, and April Varner (winner of the 2023 Ella Fitzgerald Vocal Competition) have further cemented his reputation as a versatile and dynamic musician.

small things marks a significant evolution in Potter's artistry, capturing his growth as a guitarist, composer, and arranger since moving to NYC. The album features a carefully curated quintet, with Potter on guitar, Alex Ridout on trumpet, Troy Roberts on tenor saxophone, Hamish Smith on bass, and Marcello Cardillo on drums. The album also features special appearances by Jaleel Shaw (saxophone) and Sophia Formella (vocals) on the title track.

The compositions on small things reflect a range of influences, from the straight-ahead swing of traditional jazz to more modern, boundary-pushing sounds. Tracks like “Sophia’s Waltz” and “Mr. M” nod to classic jazz, while “small things” and “Background Noise” explore more contemporary styles. Potter’s music blends the old and the new, creating a distinctive sound that is both timeless and fresh.

Highlights of the album include Potter’s lush interpretation of the jazz standard “Smoke Gets in Your Eyes” and his adventurous guitar work on “Trams.” With its captivating melodies, virtuosic solos, and emotional depth, small things is an album that truly showcases Potter's artistic maturity and innovation.

As Potter reflects, “small things is about capturing the essence of personal and artistic growth. New York has been a place where I’ve been able to expand my musical horizons, and this album reflects that journey.”

About Jackson Potter

Jackson Potter is a guitarist, composer, and bandleader based in New York City. Raised in St. Paul, Minnesota, Potter began playing guitar at the age of 10, influenced by a strong musical legacy from his mother, a country singer. He went on to study jazz guitar at the University of Miami’s Frost School of Music before moving to New York City to pursue a career in music. Since then, Potter has become a sought-after performer and collaborator in the jazz and music scenes, performing with renowned musicians and earning acclaim for his innovative compositions and captivating guitar work.

small things is his second album as a leader, following his debut Restless (2021), and it marks an exciting new chapter in his career as an artist.

Antoine Cara Unveils Status Quo – A Bold New Album Blending Jazz, Funk, and Fusion

French-born drummer, composer, and producer Antoine Cara announces the release of Status Quo, a dynamic new album that showcases his talents as a player, writer, and leader. Featuring an impressive lineup of musical legends—guitar virtuoso Mike Stern and trumpet icon Randy Brecker—on three tracks each, Status Quo offers an exciting fusion of hard-hitting funk, Latin jazz, melodic pop, and uptempo jazz, with Cara’s vibrant, multi-genre approach at its core.

“I wanted to create energetic, feel-good music with horns, percussion, guitars, and keys,” says Cara. “With the incredible musicians who joined me, we were able to bring the solo sections to life, each artist contributing their distinctive sound and phrasing. The drums play a central role, not just as part of the ensemble, but also as a featured solo instrument. Seven of the nine tracks include drum solos, which are an essential part of the project.”

Cara’s remarkable musicianship and inventive sonic vision make Status Quo a captivating listen from beginning to end. As the leader of this vibrant ensemble, he showcases his mastery of rhythm and groove, while placing the drums at the forefront of the album's musical journey.

To craft the album’s sound, Cara drew inspiration from his experience in electronic music production, utilizing techniques like chopping micro-samples and creating musical collages. “Some of the horns come from sample banks I used, transposed and time-stretched,” he explains, highlighting his ability to merge electronic and live jazz sounds. Anchoring the album’s energy is French bassist Kevin Reveyrand, whose impeccable groove and production experience serve as the foundation for the nine tracks. “Kevin brought his incredible sound, groove, and production skills,” says Cara.

Other key highlights include Yvonnick Prene’s soulful harmonica solos, which are both lyrical and expressive on tracks like “When We Were Young” and the closing “Nevermind.” Yannick Soccal’s powerful tenor saxophone adds a fiery edge to “Status Quo,” “Déjà Vu,” and “Let’s Play.”

Keyboardist Jerry Léonide (known for his work with Christopher Cross and Frank Gambale) contributes rich textures and fiery solos on “Wrong Turn,” “Let’s Play,” and “Quidproquo,” further enhancing the album’s musical depth. Guitarists Oz Noy and Nazim Kri bring their distinctive styles to Status Quo, with Noy contributing to “Take It Easy” and Kri adding flavor to “Déjà Vu.”

“Challenging myself was a key motivation behind this album,” Cara reflects. “After years of working as a producer and mixing engineer in electronic dance music, I wanted to test those skills in jazz and funk. The title Status Quo reflects the feeling of being stuck in a loop—a routine where change feels elusive. This album is about breaking free from that cycle, trying something different, and stepping out of familiar situations. It represents personal and professional growth, pushing past fear, and breaking the cycle of the status quo.”

About Antoine Cara

Antoine Cara, born and raised in France, is a versatile drummer, composer, and producer. He began his musical journey studying classical percussion, later focusing on jazz drumming at the American School of Modern Music in Paris and the conservatory in the 9th district. In 2006, Cara moved to New York City to further his studies at the Manhattan School of Music and City College of New York. He quickly immersed himself in the city's vibrant music scene, performing with a range of artists and projects. Notably, he toured with Lulu Gainsbourg, son of the legendary Serge Gainsbourg, performing his father’s iconic repertoire.

In addition to his work in jazz, Cara has also made a significant mark in the world of electronic dance music, signing with Ultra Music/Sony and releasing tracks with over eight million streams on Spotify. With Status Quo, he now brings his eclectic background together, creating an album that bridges genres and reflects his multifaceted musical vision.

Tango, Spirituals, and Cultural Reflections in Trace of Time by Apollo Chamber Players

\Featuring Commissions from Hector del Curto and Adolphus Hailstork, Plus Works by Julia Smith, Jessie Montgomery, Astor Piazzolla, and Agustín Bardi on Azica Records

“Apollo recasts music for a diverse and multi-ethnic generation.” – Strings Magazine

Apollo Chamber Players have will released their seventh album, Trace of Time, a digital debut on Azica Records. This album features a unique blend of cultural narratives, reflecting on the passage of time and the way diverse traditions endure in our collective memory. The collection includes works by Héctor Del Curto, Julia Smith, Jessie Montgomery, Adolphus Hailstork, Astor Piazzolla, and Agustín Bardi. Three of these pieces were commissioned by Apollo with the explicit request that each composer weave aspects of their own heritage into the music, resulting in an album that traverses genres ranging from Argentine tango to African-American spirituals and West African rhythms.

Apollo Chamber Players, based in Houston, is a distinguished ensemble known for its vibrant interpretations and commitment to multicultural programming. The core group consists of violinists Matthew J. Detrick and Anabel Ramirez Detrick, violist Aria Cheregosha, and cellist Matthew Dudzik. For Trace of Time, they are joined by esteemed bandoneonist Héctor Del Curto and guest violists Melissa Reardon and Ashleigh Gordon.

This album continues Apollo’s mission to use music as a vehicle for storytelling, celebrating the rich diversity of cultural expressions and fostering connection across communities. The ensemble’s previous album, Moonstrike (2022), was lauded for its “inestimable, multi-cultured, rhythmic chamber sounds” (Take Effect), and Trace of Time builds on this foundation. The album is visually enhanced with digital artwork created by Houston-based artist Lynn Lane, featuring portraits of the composers and a cover image of a classic Argentine “farole” streetlamp—a poignant symbol of time, guiding light, and historical memory, including its use in the Underground Railroad as a symbol of freedom.

Matthew J. Detrick, founder and director of Apollo, notes: “Trace of Time is a journey of musical discovery and cultural connections. It builds upon what Apollo does best—celebrating the creativity of composers whose works reflect the dynamic and beautiful world we live in. We hope this album will contribute to fostering cultural harmony for generations to come.”

**Key Works on Trace of Time

Héctor Del Curto’s Trace of Time—the title track of the album—was commissioned by Apollo and reflects Del Curto’s deep Argentine roots. A GRAMMY® Award-winning bandoneonist, Del Curto blends tango, milonga, and waltz with the influences of his mentors, including Osvaldo Pugliese, Astor Piazzolla, and Pablo Ziegler. Written during the COVID-19 pandemic, the work captures the sense of time standing still and reflects on the shared, surreal experiences of that period. As Del Curto wrote in his composer’s note, the piece serves as a “trace to find myself in the future when recollecting this challenging time for human history.”

Also by Del Curto is Bien Curiosa (“Very Inquisitive”), a lively milonga-inspired piece dedicated to his son, Santiago Del Curto. The work is an adventurous exploration of the milonga rhythm, infused with dissonance and chromaticism, offering a fresh take on the traditional style.

Another Apollo commission, Deep River: Rhapsody for String Quartet by Adolphus Hailstork, draws from the spiritual Deep River and reflects on the journey of enslaved people who hoped for freedom by crossing the Ohio River. Hailstork’s arrangement is both poignant and energetic, conveying a sense of hope amidst the hardship, ultimately embracing the distant vision of freedom.

Julia Smith’s Quartet for Strings (1964) is a deeply evocative work reflecting the landscapes and character of Texas, the state of both Smith and the Apollo ensemble. Its three movements range from energetic to melancholic, capturing the vast emotional breadth of the Lone Star State. This album marks the first contemporary recording of this “lost” work.

Jessie Montgomery’s Voodoo Dolls is a rhythmic and expressive exploration of West African drumming patterns and chant motifs. Commissioned by the Jump! Dance Company of Rhode Island, this suite was choreographed to depict dolls from various cultures, including the titular voodoo dolls, Russian Matryoshka dolls, and others, each representing different facets of identity and tradition.

Astor Piazzolla’s Tango Ballet, an iconic work in the Nuevo Tango tradition, is a key highlight. Originally composed in 1956 as a film score, Piazzolla reworked it in 1964 into a piece for string quartet and orchestra. Its six continuous movements—slow-fast-slow—mirror the structure of Gershwin’s An American in Paris and offer a sophisticated meditation on the tango form.

Agustín Bardi’s Gallo Ciego (1927), a celebrated tango, is reimagined here through a new arrangement by Jisoo Ok. This work, once a staple of Osvaldo Pugliese’s orchestra, captures the drama and vitality of Argentine tango, and Apollo’s performance offers a fresh take on this classic.

About Apollo Chamber Players
Apollo Chamber Players, hailed for their “rhythmic flair and virtuosity” (The Strad), are dedicated to recasting music for a global, multi-ethnic audience through innovative programming and collaborations. The ensemble has performed on prestigious stages such as Carnegie Hall, The Kennedy Center, and in Cuba, and they are frequent guests on American Public Media’s Performance Today.

Apollo's commitment to contemporary music and diverse voices is reflected in their extensive commissioning project, which includes more than 50 works by leading composers such as Jennifer Higdon, John Corigliano, and Libby Larsen. Their 20x2020 initiative, which concluded with the commission of 20 multicultural works, includes pieces by composers like Jerod Impichchaachaaha' Tate and Tracy Silverman.

Apollo is also a passionate advocate for community engagement, working with schools, at-risk youth centers, and refugee organizations. Their Library Voyage project, a groundbreaking initiative to perform in every Harris County/Houston Public Library, is the first of its kind in the nation.

Hector del Curto
Héctor del Curto is a GRAMMY®-winning bandoneonist recognized as one of the leading figures in the tango world. Born into a musical family, he was awarded the title of “Best Bandoneon Player Under 25” in Argentina and later became a member of Osvaldo Pugliese’s and Astor Piazzolla’s orchestras.

Melissa Reardon
Melissa Reardon, a GRAMMY®-nominated violist, is known for her exceptional versatility across musical genres. She is a member of the Borromeo String Quartet and the artistic director of the Portland Chamber Music Festival.

Ashleigh Gordon
Ashleigh Gordon, a charismatic violist, has performed with renowned ensembles such as Germany's Ensemble Modern and the Chineke! Orchestra. She is co-founder and artistic director of Castle of our Skins, a Boston-based initiative that celebrates Black artistry through music.

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With Trace of Time, Apollo Chamber Players continues to push the boundaries of classical and contemporary music, offering a rich tapestry of cultural reflections and musical innovation.

Eric Bell's "Vulnerability" Blends Jazz, Blues, and Global Influences for a Bold Musical Statement

Emerging as a new voice in the contemporary jazz scene, pianist Eric Bell is unafraid to venture into uncharted territory. While jazz is undoubtedly a primary influence, Bell’s music draws from an eclectic mix of genres, including gospel, country, blues, and even pop. His debut album, Vulnerability, released on August 5, 2024, exemplifies his unique approach, blending traditional jazz elements with boundary-pushing sounds and a deep respect for musical history. The album features Bell's core trio—bassist Cole Sainburg and drummer Nico Vasquez—alongside special guests guitarist Dean Anbar and tenor saxophonist Eric Hirschhorn, creating a potent combination of established jazz techniques and fresh, inventive ideas.

A Diverse Soundscape Fueled by Experimentation

The result is a musical landscape that’s as unpredictable as it is captivating. Bell’s trio spends ample time rehearsing, focusing not only on tight grooves but also on creating complex, layered soundscapes that expand the boundaries of the classic jazz trio. The group can swing with tremendous energy, but they are equally at ease exploring more experimental territories.

The album opens with “Start”, an atmospheric track with a moody, free-time intro, featuring a dialogue between Sainburg and Vasquez before Anbar adds texture over Bell's repeating piano and Hammond organ ostinatos. "I’ve always been fascinated by how jazz artists open their albums," Bell explains. “For Vulnerability, we used soundscapes, reverb guitar, and Hammond organ in addition to the standard jazz trio setup.”

Bell's diverse influences are felt throughout the album, which nods to both his personal tastes and broader musical traditions. One standout track is his arrangement of “The Way You Look Tonight,” which pays tribute to South African flugelhorn legend Hugh Masekela. Unlike many jazz interpretations of the classic ballad, Bell’s version retains the romantic intimacy of the original, while adding a distinct, rhythmic flavor that channels Masekela’s influence.

Explorations of Rhythm, Tempo, and Emotion

Wayne Shorter's "Witch Hunt" is another highlight, where Bell’s trio takes on a complex, interactive arrangement. Shorter famously said that jazz is about the challenge of daring to create something new. In Bell’s arrangement, the musicians play freely with tempo and rhythm, allowing each section to change pace at any time. “Once we finish playing the form, one of the players will give a large, bombastic cue,” Bell explains. “Then there is silence, and I set a new tempo by playing part of the opening line.”

In “Hans”, Bell offers a tribute to two great musical figures: film composer Hans Zimmer and Israeli bassist Avishai Cohen. The composition juxtaposes the cinematic, lyrical qualities of Zimmer's work with the intensity of Cohen’s bass, creating a compelling contrast of moods.

A particularly poignant track is “Fighting the Sun”, inspired by Bell’s trip to Japan. While waiting outside an ancient castle under the intense heat, Bell’s only way of enduring the sun was through music. The track features a continuous quarter-note drumbeat as a symbol of the relentless Japanese sun, with the tension between the tempo and the music representing the struggle between nature and humanity.

Vulnerability in Sound and Meaning

The album’s title track, “Vulnerability”, touches on the contrast between bebop’s fast tempos and complicated harmonies and the more laid-back, soulful pace of gospel music. Bell explains that playing jazz with simple changes and slow tempos requires bravery and vulnerability—a theme that runs through the album. “Vulnerability” captures the courage it takes to embrace simplicity in a world that often values complexity.

The album concludes with “I Didn’t Need You Anyways”, a track that contrasts its title’s apparent bitterness with a more reflective message about the “gatekeeping” mentality of older jazz musicians. Bell explains, “I have learned a lot from my jazz elders, but I felt confined by the pressure to impress them, instead of focusing on the music itself.” This tune blends traditional jazz elements with a New Orleans parade beat, soulful harmonies, and a straight-ahead swing solo section, highlighting Bell’s deep respect for jazz tradition while making his own path forward.

A Fusion of Tradition and Innovation

Vulnerability is a striking debut that showcases Eric Bell’s ability to blend jazz tradition with forward-thinking innovation. The album balances heartfelt tributes to jazz legends with an openness to experimentation and cross-genre influences, creating a distinctive and deeply personal sound. With his trio and collaborators, Bell has crafted an album that is both exploratory and rooted in the musical history that inspires him.

Fans of jazz that pushes boundaries while staying true to its roots will find much to love in Vulnerability. As Bell continues to grow as a musician, it’s clear that his blend of influences and commitment to musical integrity will make him a key figure in the contemporary jazz world.

Joe Alterman and Houston Person Serve Up Southern Soul Jazz on Brisket for Breakfast - A Celebration of Friendship, Food, and Music

Joe Alterman, a gifted pianist from Atlanta, Georgia, has always embraced a musical journey that blends Southern roots with jazz tradition. While his early passion for bluegrass and the blues shaped his musical identity, Alterman soon became captivated by jazz greats rooted in the blues, such as Oscar Peterson, Les McCann, and Houston Person. These influences helped guide Alterman toward becoming an acclaimed torchbearer of the genre, known for his fresh approach to jazz that pays homage to its roots while adding his unique voice.

In Brisket for Breakfast, Alterman teams up with legendary saxophonist Houston Person for a joyous live album that showcases their deep musical bond and shared love for Southern culture. Set for release on February 7, 2025, the album is a celebration of the duo's friendship, their mutual appreciation for good food (especially Southern comfort food), and their exuberant, soul-filled jazz interpretations. As the album's title suggests, Brisket for Breakfast is a hearty, down-home experience, steeped in the warmth and soul of the South.

A Soulful Partnership Built on Blues

The connection between Alterman and Person goes beyond music. Both share a passion for blues-rooted jazz, with Person’s burly tenor sax sound and Alterman’s soulful, blues-infused piano lines coming together seamlessly on stage. "Every time we're on stage together, from the first note I hear, I feel so lucky to be in the room with Houston, let alone playing with him," Alterman says. "His sound makes me realize how great it is to be alive." The feeling is mutual, with Person adding, “Joe plays with a lot of humor, and he's just an all-around nice guy.”

Their musical chemistry is palpable throughout Brisket for Breakfast, recorded live during two performances in Georgia: one at the Breman Museum & Cultural Center in Atlanta and the other at the Savannah Music Festival. Alterman’s long-time trio—bassist Kevin Smith and drummer Justin Chesarek—provides solid support, with a rhythm section that evokes the soulful traditions of the South. "Joe keeps that southern heritage alive," Person says. "You get a little bit of country and western, a little bit of gospel, he plays all of that stuff with feeling."

From Fan to Collaborator: The Story Behind the Music

Alterman’s admiration for Houston Person dates back to his childhood, when he would listen to Person’s recordings and dream of meeting the saxophonist. The two first crossed paths at New York University in 2010, when Person gave a masterclass that Alterman attended. “Houston walked in the room and said, ‘Who wants to play some blues?’” Alterman recalls. “He counted off the slowest blues imaginable, and it was clear from the start that the blues is not easy.” Despite the 50-plus years between them, Alterman and Person immediately hit it off, forging a close mentorship and a musical partnership that would grow into a lasting friendship.

Alterman’s relationship with Person has been integral to his development as a musician, with Person joining him for live performances and contributing to two of Alterman’s previous albums, Give Me the Simple Life (2012) and Georgia Sunset (2015). Brisket for Breakfast represents the culmination of their musical journey together, capturing the joy and camaraderie they share when performing live.

Track-by-Track Highlights

Brisket for Breakfast opens with the Sammy Cahn and Jimmy Van Heusen classic, “The Second Time Around,” a playful duet between Person’s breathy tenor and Smith’s bass, before the rhythm section gently kicks into gear. The track is a perfect introduction to the album’s laid-back but swinging vibe. “That’s All” showcases Person’s elegant side, while the lesser-known “Namely You” channels a high-spirited, freewheeling energy. “Since I Fell for You” dives deep into the blues, with Alterman and Person delivering a soulful interpretation, while “Only Trust Your Heart” brings a light Latin flavor to the mix.

One of the standout tracks is the sultry R&B ballad “Never Let Me Go,” which takes on a more intimate, late-night vibe. The album closes with the celebratory gospel-tinged rendition of “You Are My Sunshine,” a perfect ending to an album brimming with warmth and soul.

The Spirit of Brisket for Breakfast

From the playful exchanges between Person’s saxophone and Alterman’s piano to the intimate moments shared between the trio, Brisket for Breakfast is a tribute to friendship, food, and the joy of making music. “Our goal with Brisket for Breakfast was to make sure that you can tell that we were smiling while we were playing,” Alterman shares. Indeed, the album’s infectious joy and uplifting spirit shine through in every note.

Brisket for Breakfast is an album that invites listeners to experience the heart and soul of jazz, as Alterman and Person bring the comfort of Southern traditions and the excitement of live jazz to every track. It’s a celebration of life, music, and the bonds that form through shared experiences—whether on stage or over a good meal.

Lucia Sarmiento Breaks Free with Debut Album Escape – A Bold Fusion of Jazz, Fusion, and Personal Expression

Peruvian American tenor saxophonist Lucia Sarmiento’s debut album Escape marks the arrival of a distinctive voice in contemporary jazz, one that blends daring improvisation with rich cultural influences and deep personal expression. With her powerful, commanding sound and vibrant personality, Sarmiento brings an intensity to her music that resonates deeply with listeners, making her a rising star in the jazz world.

Sarmiento, now based in Chicago after spending ten years in Minneapolis, has crafted a record that’s both a tribute to her musical influences and a reflection of her journey as an artist. Escape is an exhilarating mix of smooth jazz, jazz fusion, Afro-Peruvian rhythms, funky beats, and synthesizer colors, all wrapped in the rich tones of her saxophone and flute. But it’s also an album that highlights Sarmiento’s fearless approach to music—a trait she says she’s always carried with her. "When I play the saxophone, I love that feeling of danger," she shares. "I'm drawn to music filled with intensity and risk that captures every fiber of your being in the moment; that’s why I love jazz."

A Journey from Peru to the Jazz World

Sarmiento’s musical roots trace back to her early years in Lima, Peru, where she was first introduced to jazz through the sounds of legends like Charlie Parker, Sonny Rollins, and John Coltrane. But her journey didn’t stop there. By the time she attended the McNally Smith College of Music in Saint Paul, Minnesota, on a scholarship, she discovered more modern jazz giants, including Michael Brecker, Bob Mintzer, and Chris Potter. "Minneapolis raised me musically," she reflects. "It’s a smaller city, but the music scene is vibrant, steeped in the legacy of Prince. I began performing with Prince’s long-time collaborators and Weather Report’s legendary drummer Eric Gravatt right out of college."

Her time in Minneapolis was formative, not only in terms of honing her skills but also in cultivating a musical identity that could transcend genres. "I explored every genre from Minneapolis funk to brass band, from Motown to free jazz," she says. "What was really important was that I came to develop my own sound." The influence of players like Brecker, Mintzer, and Potter remains strong in her approach—combining strength with urgency in every note.

Escape – An Amalgam of Styles and Cultures

Sarmiento's debut album, Escape, is an exciting tapestry that blends genres, styles, and cultures, weaving together the intricacies of jazz with the boldness of rock and Latin grooves. "I’ve always felt different as a Latina in jazz," Sarmiento admits. "For years, I had been a side woman, but I always dreamed of leading my own band and telling my story through music. Music has always been the lodestar illuminating my path, and it has taken me all over the world."

The album’s title track, which was initially released as an experimental single, captures the essence of Sarmiento’s creative journey—a song in three movements that blends various styles, textures, and emotions, from sensuality to happiness and uncertainty. It’s a perfect representation of her dynamic approach to jazz.

“Look Up,” the third track, is one of the album’s standouts, drawing heavily on Afro-Peruvian influences. The beautiful melody dances over intricate rhythms, demonstrating Sarmiento’s ability to merge beauty and complexity in a way that feels effortless. “I remember sitting in my studio during a long cold Minneapolis winter, looking out the window at the gray sky. I remembered the stunning sunsets in my hometown of Lima, and ‘Look Up’ was born,” she recalls. The song, which Sarmiento originally titled "Peruvian Skies," evokes the innocence and wonder of looking up to the sky for inspiration.

Another notable track, "Porcelain," is a reimagining of the Red Hot Chili Peppers' hit from 1999. The song starts with a beautiful vocal choir before transitioning into Sarmiento’s signature saxophone improvisation, creating a dreamy and ethereal atmosphere. "I wanted to sing it myself," she explains. "I recorded the melody and layered nearly twenty tracks of vocal harmonies for a dreamy, ethereal quality."

Musical Collaborations and Special Guests

One of the highlights of Escape is the impressive lineup of guest musicians that Sarmiento brings together. Snarky Puppy guitarist Mark Lettieri features on the track “Dreamland,” which blends dreamy textures and an infectious melody with a groovy 7/8 rhythm. Lettieri’s gritty guitar solo, paired with Sarmiento’s expressive saxophone, adds a layer of complexity and depth to the track.

Another standout collaboration is with trumpeter Adam Meckler, who adds his magic to "The Prof." Meckler, a college professor turned collaborator, is given free rein to craft a dynamic horn arrangement, and his trumpet solo adds fire to the track’s pulsating energy. "Adam is amazing," Sarmiento notes. "I told him to do his thing over the end of the song, and he did, creating a fantastic horn arrangement and a face-melting trumpet solo."

From Pop to Jazz: A World of Experiences

Before her debut album, Sarmiento had already experienced a wide range of musical worlds. In 2021, after a decade-long hiatus from playing guitar, she was invited to join Pitbull's world tour. "Even though I hadn’t played guitar in ten years, I said yes," she remembers. "Ten days later, I was on a plane to Miami to rehearse with Pitbull for a year-long stadium tour." As the only woman in Pitbull's 60-person crew, she thrived as both the saxophonist and guitarist, performing for 70,000 people a night. Her experience with Pitbull and later with Colombian reggaeton star Karol G on her 2023 US tour exposed Sarmiento to the world of pop and live performance, offering a stark contrast to the improvisational nature of jazz. "In jazz, the music is paramount," she says. "In pop, the visuals and the show often take precedence. Sometimes, I felt like I was more of an actress than anything else, and I loved it."

Escape – A Personal Refuge

When asked about the album title, Sarmiento reflects on its significance. "Escape is perfect," she says. "The song was written during a turbulent time in my life. At the time, the process was so healing to be with myself and my music in the studio. And that’s what music has always been to me. A place where my mind can escape to and tune out all the unnecessary noise or problems. My place of refuge and solace. With ‘Escape,’ I can leave all the noise behind.”

With her debut album, Lucia Sarmiento has not only found her voice but is now offering it to the world—bold, expressive, and filled with an infectious sense of adventure. Escape is an album that captures the essence of who she is as both a musician and a person—one who is not afraid to take risks, explore new territories, and embrace the full range of human emotion. For listeners seeking a fresh, dynamic voice in jazz, Escape is the perfect entry point to Lucia Sarmiento’s extraordinary musical journey.

Track Highlights:

• “Signal Flow” – Electro-jazz fusion with a funky bebop bass and dreamy saxophone.
• “Morning Delight” – A smooth, sexy saxophone melody leading into an energetic jazz fusion piece.
• “Look Up” – Afro-Peruvian rhythms with a lively 12/8 time signature.
• “Porcelain” – A reimagined Red Hot Chili Peppers classic with lush vocal harmonies and ethereal sax.
• “Dreamland” – Featuring Mark Lettieri’s gritty guitar and a robust 7/8 groove.
• “The Prof” – A collaboration with trumpeter Adam Meckler, featuring a face-melting trumpet solo.

Conrad Herwig: Celebrating Over 25 Years of the Latin Side Series

New York-based jazz trombonist Conrad Herwig has established himself as a formidable force in both the Latin and mainstream jazz worlds, recording nearly 30 albums as a bandleader and earning four GRAMMY® nominations. His latest release, The Latin Side of McCoy Tyner (Savant Records), is the newest installment in his celebrated Latin Side series, which has spanned more than two decades. This album follows The Latin Side of Mingus (Savant, 2022) and the series’ previous tributes to jazz legends such as Horace Silver (2020), Joe Henderson (2014), Herbie Hancock (2010), Wayne Shorter (2008), Miles Davis (2004), and John Coltrane (1996). Each of these albums brings fresh, vibrant Latin interpretations to iconic jazz works, featuring a diverse array of collaborators, including Randy Brecker, Ruben Blades, Michel Camilo, Joe Lovano, Eddie Palmieri, Paquito D'Rivera, and Dave Valentin, among others.

Herwig’s latest project, The Latin Side of McCoy Tyner, continues his legacy of musical innovation, blending Tyner’s groundbreaking jazz compositions with Afro-Cuban and Afro-Caribbean rhythms. Reflecting on his deep connection to McCoy Tyner and other jazz giants, Herwig says, “I’ve been blessed with mentors like McCoy, Horace Silver, Miles Davis, and Eddie Palmieri. Eddie Palmieri is not just my mentor; he’s also my son’s godfather. Afro-Cuban and Afro-Caribbean music are ancient traditions—40,000 years old, going back to Africa—and they’re a gift to the planet. You accept this gift with reverence and respect.”

The Latin Side series is a testament to Herwig’s unique ability to fuse diverse musical traditions. Raised in Hawaii, he was influenced by trombone greats like Trummy Young, Generoso Jiménez, and Barry Rogers, while also immersing himself in jazz under the guidance of Clark Terry, Buddy Rich, and Joe Henderson. Herwig's musical journey took him from playing Tejano and cumbia on a Texas stage to becoming an integral part of New York's vibrant Latin jazz scene. In NYC, he performed with legends such as Mario Bauza, Tito Puente, Paquito D'Rivera, Michel Camilo, and Victor Paz. After years of gigging in the Bronx, Palmieri famously awarded him his "salsa badge," cementing Herwig's place in the Afro-Cuban jazz world.

Herwig’s experience in both the Latin and jazz worlds allowed him to develop the concept for the Latin Side series, which he began experimenting with as a member of Palmieri’s octet. Herwig recalls, “Eddie always encouraged us to take chances and experiment. Sometimes we’d play ‘Azucar,’ then overlay ‘Impressions’ on top of it, or play ‘EP Blues’ and suddenly jump into ‘Blue Train.’ It was all spontaneous.” This spirit of musical freedom gave birth to The Latin Side of John Coltrane in 1996, the first album in the series. Now, more than 27 years later, Herwig’s The Latin Side of McCoy Tyner stands as the latest evolution of this musical journey.

As Herwig explains, The Latin Side of McCoy Tyner is a dream project for him: “McCoy is one of my heroes. He literally wrote the book on jazz piano. I grew up listening to his classic albums, and interpreting his music is both an honor and a responsibility. It’s about honoring McCoy’s legacy while also respecting the Latin traditions. This project is a dream come true.”

More on Conrad Herwig:

Conrad Herwig is a master trombonist equally at home in Latin and mainstream jazz. Voted #1 Jazz Trombonist by DownBeat magazine and a multiple nominee for Trombonist of the Year by the Jazz Journalists Association, Herwig is in high demand as a sideman. He has performed with jazz greats such as Joe Henderson, Horace Silver, McCoy Tyner, and Joe Lovano, as well as Latin music legends like Eddie Palmieri, Tito Puente, Paquito D'Rivera, and Michel Camilo. Herwig is also a longtime member of the Mingus Big Band, having served as musical director and arranger for the band’s 2011 GRAMMY®-winning Live at the Jazz Standard.

In addition to his extensive performance career, Herwig has appeared on over 200 albums and has received numerous accolades, including the 2006 Paul Acket Award (formerly the “Bird Award”) at the North Sea Jazz Festival. He is a recipient of grants from the National Endowment for the Arts and has served on the Board of Advisors for the International Trombone Association. As Artistic Director and Chair of Jazz Studies at Rutgers University’s Mason Gross School of the Arts, Herwig continues to influence the next generation of jazz musicians.

Herwig’s career spans more than four decades, during which he has performed and recorded with jazz legends such as Clark Terry, Buddy Rich, Miles Davis, and Quincy Jones, as well as with the Gil Evans Orchestra. His career is a testament to the power of musical cross-pollination, cultural exchange, and the evolution of genres through respect and artistry.

New Orleans Jazz Luminary Matt Lemmler Drops Two New Albums Celebrating Culture, History, and Faith

“Powerhouse: New Orleans in Stride Volume III (Trios, Quartets & Quintets)” and “The Book of Psalms Volume I” now available

Renowned New Orleans jazz pianist, vocalist, and educator Matt Lemmler has once again exceeded expectations with the simultaneous release of two distinct and deeply resonant albums: Powerhouse: New Orleans in Stride Volume III (Trios, Quartets & Quintets) and The Book of Psalms Volume I. Both albums are now available on vinyl, CD, and digital platforms via his New Orleans Jazz Revival label, with another highly anticipated release due in January.

Lemmler, a proud ambassador of New Orleans jazz, continues to channel the city’s rich musical heritage, blending its storied traditions with his personal artistic vision. His latest recordings reflect his dedication not only to preserving the cultural and historical legacy of The Big Easy but also to sharing its profound influence on his life and music through his dynamic performances, recordings, and educational efforts.

“Powerhouse: New Orleans in Stride Volume III” expands upon Lemmler’s earlier New Orleans in Stride series, bringing fresh vitality to the project with his unique piano skills and a talented lineup of collaborators. Co-produced by Lemmler and Misha Kachkachishvili, the album features an all-star ensemble of musicians, including drummer Brian Blade, saxophonist Joel Frahm, bassist Nathan Lambertson, and trumpeter Ashlin Parker. Together, they offer a captivating exploration of New Orleans jazz in trio, quartet, and quintet formats. The album’s opening track, “Powerhouse (Theme from Looney Tunes),” is a swinging tribute to the timeless animation music of Bugs Bunny cartoons, dedicated to comedian Robin Williams and Lemmler’s late friend, Colette Buis.

As Lemmler explains, "I used to hear this kind of music growing up with the great Bugs Bunny cartoons. This track is dedicated to Robin Williams and to Colette, who was a powerhouse in her own right, always bringing joy and humor into our lives.”

Other standout tracks include Lemmler’s soulful rendition of “The City of New Orleans,” a tribute to the classic song made famous by Arlo Guthrie, and a powerful, genre-defying take on the spiritual “I Am A Poor Wayfaring Stranger,” which creatively integrates Stravinsky’s “Serenata” to create an emotionally stirring fusion of classical and jazz elements.

Lemmler also honors the legendary Nat King Cole with a tribute to the timeless ballad “Nature Boy,” and delivers a funk-infused version of “Bye Bye Blackbird,” a nod to the jazz giants Miles Davis and John Coltrane. Lemmler explains, “This arrangement premiered at our local screening of the ‘Miles Davis: Birth of the Cool’ documentary. After the screening, we recorded it live in the studio the next morning, as part of the ‘Powerhouse’ album."

A digital bonus track, “Come Sing Your Song To Me,” closes the album with a soothing, lullaby-like melody, rounding out the album with a tender touch.

"The Book of Psalms Volume I” is a deeply personal project born from Lemmler’s ongoing “Psalm Sundays: Live From New Orleans” initiative, a series he began during the challenging period when his stepdaughter was diagnosed with leukemia. Now in remission, Lemmler has compiled 21 Psalms and three canticles into this sacred solo piano and vocal album. Drawing directly from scripture, Lemmler’s compositions are infused with soulful melodies and inspired lyrics. He’s currently working on additional volumes, with plans for The Book of Psalms Volume II and Volume III to complete his ambitious musical journey through the Psalms.

"I’ve been composing music to the Psalms for the last two years, sharing them live every Sunday,” says Lemmler. “This project has been incredibly healing for me, and I hope it will bring comfort to others, just as it has to me and my family."

In addition to his music career, Lemmler serves as a jazz piano professor at Loyola University College of Music and Media in New Orleans, where he nurtures the next generation of jazz artists. His diverse career also includes performing with some of New Orleans’ most iconic figures and touring internationally. He has appeared at major jazz festivals, mass performances, and educational workshops around the world.

Known for his skillful arrangements and film scoring work, Lemmler’s contributions to jazz continue to inspire, and his latest releases are further proof of his enduring commitment to the art form.

Both Powerhouse: New Orleans in Stride Volume III and The Book of Psalms Volume I are available now through digital platforms, vinyl, and CD via New Orleans Jazz Revival.

Judy Wexler Unveils No Wonder – A Journey Through The Great American Songbook

Celebrated West Coast jazz vocalist Judy Wexler is back with her seventh album, No Wonder, set for release on January 24, 2025. Known for her emotionally resonant voice and distinctive interpretations of lyrics, Wexler’s latest project marks her first full exploration of songs from the Great American Songbook.

A Stellar Career Defined by Unconventional Repertoire

With a 20-year career that has established her as one of the most captivating jazz vocalists on the West Coast, Wexler has built a reputation for defying convention. She’s known for taking on material that often lies off the beaten path. In 2021, her album Back to the Garden presented 1960s pop tunes through sophisticated jazz arrangements, while in 2019, she explored contemporary jazz with Crowded Heart, showcasing rare gems by modern jazz artists.

As Dan Bilawsky of All About Jazz puts it, "Judy Wexler is more than a mere singer of songs. She’s an actress, mood painter, song archaeologist, and vocalist par excellence."

Now, in No Wonder, Wexler embraces the classic songs of the American jazz canon, adding her unique stamp of interpretation with the help of Jeff Colella, her longtime pianist and arranger, who co-produced the album.

The Heart of No Wonder: Personal Interpretations of Timeless Standards

The album's title track, "No Wonder", written by vocalist and songwriter Luciana Souza, opens the collection with an irresistibly energetic performance by Wexler. Souza’s original composition sets the tone for an album filled with vibrant and nuanced takes on beloved standards. Wexler’s voice, warm and intimate, brings depth to each piece, whether it’s the evocative, noir-inspired treatment of Michel Legrand’s "The Summer Knows" or the West Coast cool of "You Stepped Out of a Dream".

A longtime admirer of Kitty Margolis, Wexler adds her own lyrics to Cedar Walton’s hard-bop instrumental “Firm Roots,” retitled "Firm Roots (Are What You Need to Win)". The track features fiery trumpet and drum solos, showcasing Wexler’s natural ability to swing with ease.

Wexler also revisits Henry Mancini's iconic "Slow Hot Wind" with a sultry arrangement, featuring Bob Sheppard on sensuous soprano sax. Another highlight is her playful take on Blossom Dearie's classic "I Wish You Love," with a spirited arrangement by Brian Swartz that features a fun soli with Danny Janklow on tenor sax.

A Unique Blend of Styles

For a unique twist on Leonard Cohen’s "Dance Me to the End of Love", Wexler asked Colella to arrange the song in Klezmer style. This emotional rendition, paired with Sheppard’s plaintive clarinet and a captivating guitar solo from Larry Koonse, is a standout track.

The album closes with a stripped-down version of "The Night We Called It a Day", a classic recorded by everyone from Frank Sinatra to Bob Dylan. Wexler’s wistful vocals are supported only by Colella’s subtle, sensitive piano work, offering a moment of pure intimacy to close the album.

A Team of A-List Musicians

Wexler’s stunning vocal delivery is complemented by a stellar group of musicians who elevate the album with their masterful musicianship. The ensemble includes some of the busiest and most respected players in the Los Angeles jazz scene: Danny Janklow (Stevie Wonder, Wayne Shorter), Bob Sheppard (Joni Mitchell, Chick Corea), Jay Jennings (Snarky Puppy), Larry Koonse (John Patitucci, Luciana Souza), Gabe Davis (Arturo Sandoval), and Steve Hass (Christian McBride, The Manhattan Transfer).

The arrangements, primarily written and produced by Colella, give each track an innovative touch, reflecting his deep understanding of Wexler's vocal style and strengths.

Wexler’s Storytelling and Musicality Shine Through

Wexler’s ability to tell a story through song has always been one of her greatest strengths. On No Wonder, she brings a depth of emotion, shifting rhythms, and creative melodic variations, allowing the narrative of each song to unfold in a way that is both intimate and grand.

As always, her voice is at the forefront, delivering subtle twists in phrasing and use of dynamics that keep listeners engaged from start to finish. Her voice is not just a tool for singing—it’s an instrument of expression, capturing the essence of the music while adding her own distinctive flair.

A Must-Listen for Jazz and Vocal Fans

With No Wonder, Judy Wexler continues to prove that she is more than just a jazz vocalist. She is a master interpreter, a storyteller, and a true artist who can imbue classic songs with fresh life. This album offers a sophisticated blend of vocal artistry, innovative arrangements, and top-notch musicianship, making it an essential listen for both jazz aficionados and fans of beautiful, soulful music.

No Wonder will be available digitally on January 24, 2025, through Jewel City Jazz/A-Train Entertainment, with physical copies available on Amazon, Bandcamp, and other retail outlets.

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Tracklist:

1. No Wonder
2. The Summer Knows
3. You Stepped Out of a Dream
4. Never Will I Marry
5. Firm Roots (Are What You Need to Win)
6. Slow Hot Wind
7. I Wish You Love
8. Dance Me to the End of Love
9. That Sunday, That Summer
10. A Weaver of Dreams
11. The Night We Called It a Day

KYN: A Global Sound Journey of Three Powerful Female Voices

Album Release Date: January 24, 2025

Label: ears&eyes Records

In a world where boundaries often divide, KYN—a unique trio of vocalists—brings together a harmonious convergence of global voices, creative freedom, and artistic exploration. Their debut album promises to be a vibrant mosaic, blending diverse musical traditions with a free-spirited approach to sound-making. KYN is set to release their first full-length album on January 24, 2025, under the independent label ears&eyes Records, and it is already generating excitement within the global music community.

KYN: Three Voices, One Unifying Sound

KYN is composed of three exceptionally talented women, each bringing a unique set of experiences, influences, and cultural backgrounds to the ensemble. The trio features Yoon Sun Choi, Hanna Schörken, and Noa Fort, whose collective sonic exploration has already earned praise from critics and fans alike.

• Yoon Sun Choi—a Korean-Canadian artist now based in the U.S.—brings a rich musical journey to KYN, starting as a classical pianist and later transitioning to jazz vocals. Her career has taken her to prestigious venues like The Blue Note and Carnegie Hall, and her ability to blend classical precision with jazz improvisation and pop influences has helped shape KYN's dynamic sound.

• Hanna Schörken, hailing from Germany, adds a distinct experimental edge to the trio. With a focus on avant-garde jazz vocals and experimental improvisation, her approach is deeply influenced by literature and global travel. Hanna’s rich, narrative-driven performances push the boundaries of vocal expression, making her an invaluable voice in the ensemble.

• Noa Fort, an Israeli-born artist now based in New York, adds yet another layer of complexity to KYN's music. A classical pianist turned jazz vocalist and band leader, Noa has collaborated with artists such as William Parker, Mat Maneri, and Chad Taylor. Her dual role as a musician and creative arts therapist also brings an emotional depth and healing resonance to the trio's improvisational approach.

Together, these three voices form a collective entity that transcends geographical and musical boundaries, creating a sound that is as exploratory as it is unified. Despite the vast distances between them, with Hanna residing in Germany and Yoon Sun and Noa based in Brooklyn, the trio's rare reunions spark a musical alchemy that defies the limitations of time and space.

The Sound of KYN: Uninhibited, Joyful, and Unpredictable

KYN's music is defined by a spirit of uninhibited creativity and an unorthodox approach to vocal expression. The trio’s debut album has been described as a “joyful and talkative meeting of opinionated and eccentric extraterrestrial pixies,” with music that is “beautiful and sensual, unpredictable and funny.” The album blends a wide array of musical elements, from the structural complexity of classical music to the improvisational freedom of jazz, the catchy hooks of pop, and the avant-garde experimentation of boundary-pushing sound art.

In a review from Salt Peanuts, a pan-Nordic web-based journal dedicated to strong improvised music, the album is praised for transcending familiar genre boundaries, offering a truly original listening experience. Each track on the album takes listeners on a journey through various textures, moods, and sonic landscapes, creating a sense of spontaneity and excitement.

KYN's music does not adhere to traditional song structures. Instead, the trio allows their voices to intertwine in a free-flowing, organic way, often taking unexpected turns and creating moments of delightful unpredictability. This dynamic approach results in a sound that is both playful and profound, pushing the limits of vocal improvisation while maintaining an undeniable sense of beauty and sensuality.

The Debut Album: A Sonic Exploration

The debut album from KYN is a sonic journey through this vibrant fusion of influences. The album's tracks are short, yet highly evocative, giving a sense of a conversation between the voices that is ever-shifting and deeply immersive.

Tracklist:

1. One Stop Pop – 2:11
2. Resign The Throne – 3:33
3. Landing Inside – 3:18
4. Traces – 6:07
5. Wicca Dance – 4:33
6. Fun House – 3:58
7. Spelunking – 5:44

The album begins with "One Stop Pop", a short but punchy track that sets the tone for the trio's playful exploration of sound. From there, the album moves through a series of dynamic tracks, each offering a distinct vibe and emotion. The energetic "Resign The Throne" contrasts with the more meditative and expansive "Traces", while "Wicca Dance" and "Fun House" showcase the trio’s ability to create intricate, layered harmonies and rhythmic complexity.

The music of KYN feels alive—always shifting, evolving, and never static. Each track offers a different window into the trio's creative minds, blending whimsy, abstraction, and elegance into a seamless whole.

A Live Performance to Remember

KYN’s live performance at Main Drag in Brooklyn in 2023 was recognized as one of the best improvised music performances of the year by Musical Path, a contemporary music magazine. This recognition speaks to the extraordinary chemistry and improvisational skill of the trio, as well as their ability to connect with the audience in a deeply impactful way.

Album Credits and Release Information

• Recording: April 2023 at Bunker Studios, Brooklyn
• Mixing and Mastering: Eivind Opsvik, Brooklyn, NYC
• Album Concept/Design: Jacob Sacks
• Original Art: Kook Kang Choi

KYN's debut album promises to be a bold, inventive, and genre-defying exploration of sound and voice. It is a celebration of the power of cross-cultural collaboration, where diverse musical identities blend together in a beautiful, unpredictable symphony. As the trio invites listeners to join them on this sonic adventure, KYN proves that music can unite, surprise, and transcend in the most wonderful ways.

L'Orage Returns with “Water Tower” – A Captivating Jazz Journey Inspired by the Swiss Alps

Swiss jazz ensemble L'Orage is back with their third album, "Water Tower," released on October 4, 2024. This highly anticipated record captures the evolution of the band’s sound, showcasing their ability to move effortlessly through eras and styles while pushing the boundaries of jazz.

Led by drummer Nelson Schaer, the quartet features an exceptional lineup of musicians, including Ganesh Geymeier on tenor saxophone, Robin Girod on guitar, and Fabien Iannone on bass. Together, these four musicians have become pillars of Switzerland’s vibrant music scene, bringing their distinct voices and cohesive chemistry to this remarkable album.

A Journey into Nature and Sound

The making of Water Tower is as much a story of place as it is of music. The album was recorded in the intimate, cozy studio of bassist Fabien Iannone, nestled in the heart of the Swiss Alps. The studio, situated in a secluded spot amidst chestnut trees, became the perfect backdrop for the band’s creative process, which included long days of chestnut-picking, fireside meals, and the sound of the wind rustling through the pines.

L'Orage drew deep inspiration from the breathtaking natural landscape surrounding them. The rolling hills, dry stone walls, and crisp mountain air became catalysts for the music, infusing the album with an organic and atmospheric quality. The result is an elegant fusion of rhythms, melodies, and ballads that evoke the magic and mystery of nature itself. Each composition on Water Tower tells its own story, like a landscape of mountains, lakes, and rivers, evoking feelings of gentle melancholy, warm memories, and the crisp, invigorating chill of a January sun.

The Sound of L'Orage: Cohesion and Freedom

Over the course of eight years, L'Orage has honed its sound, moving freely through the intricate paths of jazz and expanding their creative expression with each release. On Water Tower, the quartet finds a perfect balance between freedom and cohesion, staying true to their organic approach while exploring new sonic territories.

The album’s arrangements flow seamlessly, showcasing the interplay between the individual members. Ganesh Geymeier’s tenor saxophone breathes life and lyricism into the music, while Robin Girod’s guitar adds texture, warmth, and versatility. The rhythm section, made up of Nelson Schaer’s intuitive drumming and Fabien Iannone’s resonant bass lines, provides a steady foundation that allows the group to move freely while maintaining a magnetic sense of unity.

From the very first track, the album sets a unique tone, inviting listeners into an ethereal atmosphere. Water Tower builds on delicate rhythms and elongated phases, crafting a rare narrative of a complete musical journey. It’s an album that demands to be experienced in its entirety, as the shifting moods and landscapes of sound intertwine to create a deeply immersive experience.

Limited Edition and Digital Release

Water Tower will be available on limited edition LP (only 150 copies) and digital formats, offering fans an opportunity to own a physical piece of this remarkable work. The album will be released through Orage Records, continuing the band’s tradition of high-quality, finely crafted music. Fans can expect a dynamic listening experience that will transport them into the heart of Switzerland’s majestic natural beauty.

Live Performances – Fall 2024 Tour

In support of the album, L'Orage will be embarking on a European tour this fall, showcasing their new music live. Catch the band at the following dates:

• September 28 – Le Singe, Bienne
• October 09 – Café de la Plage, Geneva
• October 10 – Waxy Bar, Zurich
• October 11 – Werft Proberaume, Lucerne
• October 12 – La Spirale, Fribourg
• October 13 – Le Bout du Monde, Vevey
• November 02 – L’Ecurie, Genève
• January 16 – Winter Jazz Festival, Bern
• March 22 – KVO, Neuchâtel
• April 09 – Bird’s Eye, Basel
• May 03 – Stanser Musictage, Stans (TBC)

A New Chapter for L'Orage

Water Tower represents the culmination of years of growth, collaboration, and exploration for L'Orage. With this album, the band has truly captured the essence of their sound—a mix of jazz, freedom, and the spirit of nature. It’s a work that reflects both their personal journey as musicians and their deep connection to the world around them.

Whether you’re a long-time fan or new to L'Orage’s music, Water Tower promises to be a deeply rewarding listen, transporting you to the heart of Switzerland’s natural beauty through the power of sound.

"Cherry Peach" – A Funky New Joint Featuring Ari Joshua, John Medeski, Billy Martin, and Jason Fraticelli

Music Factory Records has released a funky, soul-infused track titled "Cherry Peach" on November 8th, featuring a stellar lineup of jazz and funk heavyweights, including composer and guitarist Ari Joshua, keyboard virtuoso John Medeski, legendary drummer Billy Martin, and bassist Jason Fraticelli. The track, recorded at the famed Applehead Recording Studio in Woodstock, NY, combines the raw energy of classic funk with a fresh, modern edge.

A Dream Collaboration

Ari Joshua, the composer and guitarist behind "Cherry Peach," reflects on the recording experience as a dream come true. "Working with John and Billy was a dream realized," he shares. "I’ve admired Medeski, Martin & Wood since my high school days. The session at Applehead, with Chris Bittner and Michael Birnbaum at the helm, was both creatively immersive and comfortable." Joshua recalls Billy Martin’s humorous remark that he’d have enough music to enjoy for a lifetime after the session. “Billy joked afterward that I’d have enough music to enjoy for a lifetime, or as he put it, more than I would know what to do with. Both Billy and John were brilliant. Some of the things they said and the way they contributed will impact me for the rest of my life. ‘Cherry Peach’ captures the unique energy and connection that was prevalent during the entire session—there are no bad songs, it's all solid gold."

The Track: A Retro Groove with Modern Polish

"Cherry Peach" opens with John Medeski’s soulful organ lines, laying the foundation of a deep, swampy funk groove that hits hard from the first note. As the track progresses, Ari Joshua’s Hendrix-inspired fuzz guitar solo blends effortlessly with a cascading melody that propels the song forward. The chemistry between the musicians is palpable—Billy Martin’s inventive drumming and Jason Fraticelli’s resonant bass work together to create a rhythm section that drives the track while allowing room for creative expression.

Adding extra layers to the track is Jeff Fielder, guitarist for Painted Shield, the Indigo Girls, and Duff McKagan, who helped polish the final version in the studio. Fielder’s contribution adds a playful, bouncy energy, elevating the track’s dynamic, infectious spirit.

Ari and Jeff are also working on a series of re-imagined versions of their songs, with "Cherry Peach" being just one of the tracks undergoing this creative treatment. An original unedited quartet version of the song will be released at a later date, offering listeners a different take on the track.

The Engineering Team and Visuals

The track’s lush, textured sound is the result of a skilled engineering team. Recorded by Chris Bittner at Applehead Recording, mixed by Jeff Fielder at Oliver Blue Studio in Mount Baker, WA, and mastered by Ed Brooks at Resonant Mastering, the track boasts a rich, dynamic soundscape. Monte Mitchell from Forest Shore Designs created the complementary visuals for the promotional video, perfectly capturing the vibe of "Cherry Peach."

About Ari Joshua

South African-born and U.S.-raised, Ari Joshua has established himself as a versatile and dynamic force in the music world. A graduate of The New School in New York City, Ari has collaborated with a wide range of notable artists, including members of The Trey Anastasio Band, Robert Glasper, Delvon Lamarr, and Skerik. Through his label, Music Factory Records, he has been steadily releasing an eclectic blend of jazz, funk, and improvisational music.

In addition to his work as a composer and performer, Ari is the founder of The Music Factory, a music school dedicated to fostering a love of music among students of all ages. "Cherry Peach" is one of 32 highly anticipated releases slated for 2024, marking a prolific year for both Ari and the label. Over the last year, Ari's music has garnered over 1 million organic listeners across various platforms, a testament to the growing popularity and impact of his sound.

What’s Next?

"Cherry Peach" is just the beginning of what promises to be an exciting year for Ari Joshua and Music Factory Records. With 32 releases planned for 2024, fans can look forward to a continued journey through rich, groove-heavy soundscapes, pushing the boundaries of jazz, funk, and improvisation.

Stay tuned for more releases and follow Music Factory Records to keep up with Ari Joshua’s growing musical catalog.

Eric Benét's Duets Album: A Celebration of Love, Music, and Iconic Collaborations

A New Chapter in Eric Benét’s Legacy

Known for his smooth R&B sound and soulful vocal prowess, Grammy-nominated artist Eric Benét is taking his artistry to new heights with his upcoming Duets album. As a true master of collaboration, this project offers fans a deeply personal, yet universally relatable, celebration of love, life, and music, through the lens of some of the most iconic voices in contemporary music.

For over two decades, Benét has been known for his rich, emotive vocals, whether crooning smooth ballads like "Spend My Life With You" or delivering funky grooves such as "Let’s Stay Together." With his new duets album, he brings together a collection of songs that span genres and generations, teaming up with both legendary and rising stars from various musical landscapes.

The Power of Collaboration

Benét’s Duets album is not just a typical compilation of collaborations but a carefully curated collection that showcases his versatile talent and deep musical connections. The album features some of the most celebrated vocalists in the industry, including Faith Evans, Brian McKnight, Toni Braxton, Chaka Khan, and John Legend, among others. These collaborations reflect Benét’s ability to harmonize with diverse styles, creating magic through a powerful synergy of voices.

The album’s tracklist includes heartfelt ballads, mid-tempo grooves, and vibrant duets, each carefully crafted to highlight both Benét’s emotional depth and the distinctive qualities of his collaborators. Whether he’s sharing the stage with a legendary diva like Chaka Khan or creating a smooth romantic vibe with Toni Braxton, the synergy between the artists is palpable.

A Tribute to Timeless Love

At its core, Duets is a celebration of love—romantic, familial, and platonic—and the many ways it manifests in life. One of the standout tracks, "Love's a Journey", features a stunning duet with Faith Evans. The song combines Benét's signature falsetto with Evans' powerful, soulful voice, weaving a timeless message of love as an evolving, never-ending journey. The track’s gentle, sweeping melodies and intricate harmonies make it one of the most poignant on the album.

The theme of love continues with “True to You”, a jazzy collaboration with John Legend that showcases the two artists' effortless chemistry. Benét’s smooth, velvety vocals complement Legend’s soulful, piano-driven performance in a perfect harmony. Together, they offer a song about unwavering devotion, a sentiment that resonates across all generations.

Other notable tracks on the album include "Never Say Goodbye" with Toni Braxton, where their voices interlace in a tender ballad about the fragility and beauty of relationships, and "I Will Always Love You", a powerful, stripped-back cover of the classic Dolly Parton ballad, featuring Brian McKnight. Both songs are infused with Benét's hallmark sensitivity and elegance, reaffirming why he is regarded as one of R&B’s most celebrated vocalists.

A Soundtrack to Life’s Most Special Moments

The Duets album isn’t just about love in its most romantic sense; it’s also about the way music connects us to life’s most special moments. Whether it’s the feeling of joy that comes with an unexpected connection or the deep sorrow that accompanies the end of a relationship, Benét captures it all with vulnerability and warmth. His smooth, velvety voice and insightful lyrics resonate with listeners, making the album an emotional journey from start to finish.

Through his collaborations, Benét elevates each song, bringing out the best in each of his guests. The seamless blending of voices with artists from a variety of genres—soul, pop, jazz, and gospel—creates a diverse yet cohesive sound. Fans of Benét’s earlier work will undoubtedly appreciate his signature style, while newcomers will be drawn in by the album's rich mix of influences and the timeless quality of its duets.

A Vision Realized

Eric Benét has always been a visionary artist, constantly evolving and pushing the boundaries of his sound. His Duets album represents both a celebration of the past and a step forward into new territory. The collaborations speak to the mutual respect Benét has cultivated over his career with some of the most respected names in music.

"I’ve always believed that music has the power to bring people together," says Benét. "This album is about sharing that power of connection and love. Each artist I collaborated with brought something unique to the table, and together we created something that transcends genre or style. It’s a tribute to the power of music and how it can touch people in a deep and meaningful way."

What’s Next for Eric Benét?

With Duets, Eric Benét continues to demonstrate why he remains one of the most beloved and influential voices in contemporary R&B. The album’s release is sure to cement his place in the music world as not just a solo artist but as a true collaborator, one whose versatility and heartfelt approach to music continue to resonate with fans around the globe.

A New Era of Eric Benét

As Duets prepares for release, fans can expect a continued blend of smooth R&B, heartfelt ballads, and unforgettable vocal performances. Whether you’re a long-time listener or new to Benét’s music, this album offers something for everyone—a timeless collection of songs that will continue to inspire and captivate for years to come.

Cédric Hanriot’s “Ego Chase” from Time is Color Vol. 2: A Fusion of Hip-Hop and Jazz

Cédric Hanriot’s track “Ego Chase,” featured on his upcoming album Time is Color Vol. 2, is a captivating fusion of hip-hop and jazz, showcasing the unique stylistic blend that defines Hanriot’s artistry. The track not only highlights his skillful composition and arrangements but also carries an important message about the complexities of human nature. “I wanted to express that human beings are multifaceted,” says Hanriot. “It’s difficult to sum up a person in a few attributes, and it’s these very attributes that create attraction, mystery, and connection between individuals—ultimately, this is part of the magic of life.”

As one of the most versatile musicians of his generation, Hanriot has worked alongside icons like Herbie Hancock, Robert Glasper, and Terri Lyne Carrington, contributing to GRAMMY-winning projects and earning a reputation as a sought-after pianist, composer, sound designer, and arranger. Now, with Time is Color Vol. 2, Hanriot presents a deeply personal and artistic evolution of his sound, following the success of his Time is Color project released in 2022. The first volume of the project garnered critical acclaim and even earned a spot on former U.S. President Barack Obama’s coveted summer Spotify playlist that year.

The Evolution of Cédric Hanriot’s Sound

Time is Color Vol. 2 is a natural progression from Hanriot’s previous work, delving deeper into the fusion of modern jazz with elements of hip-hop, funk, soul, and electronica. Tracks like “Comforting Glow” carry the echoes of jazz great Bill Evans, while others, like the high-energy “A Luminous World Part 2,” bring in powerful vocals from U.S. singer Tony Moreau.

One of the standout moments on the album is “Ego Chase,” where Hanriot is joined by British saxophonist and rapper Soweto Kinch, whose head-nod verses complement the track’s blend of jazz rhythms and hip-hop flow. Kinch’s involvement was something Hanriot envisioned from the moment he started writing the song. “When I created ‘Ego Chase,’ I knew I wanted Soweto’s unique style to be part of it,” Hanriot shares. “His voice perfectly captures the essence of what the track is about—human complexity and the journey of self-discovery.”

In addition to Kinch, Time is Color Vol. 2 features contributions from some of the most exciting voices in contemporary music, including American MCs JSWISS and Charles X, as well as saxophonist and singer Braxton Cook, who adds a soulful touch to the album’s rich musical landscape. French narrators Arthur H and Cyrielle Clair provide beautiful spoken word on tracks like “La Source” and “La Barque Du Temps,” while Swiss trumpeter Erik Truffaz delivers a stunning performance on “A Luminous World Part 1.”

A Journey of Spiritual and Musical Exploration

For Hanriot, Time is Color Vol. 2 is more than just an album—it’s a reflection of his personal and spiritual growth. “In recent years, I’ve delved deeper into my spirituality, influenced by a wide range of encounters, books, experiences, and reflections,” he explains. “Quantum physics has started to shed light on some of life’s mystical phenomena, and I believe that spirituality and quantum physics are not opposing forces. They are two expressions of the same underlying reality. This insight became a crucial catalyst for the album.”

The album is dedicated to the people who have enlightened Hanriot along his spiritual journey, and he hopes the music will resonate with listeners, bringing them the same positive energies that have guided him. “We are energy, music is energy, and life is magic,” Hanriot says. “I hope that this album helps people tap into that magic, through its vibrations and its messages.”

A Groundbreaking Musical Experience

Time is Color Vol. 2 explores new sonic territory while staying deeply rooted in the jazz tradition. The album’s eclectic mix of genres, its fearless experimentation, and its stellar guest appearances position Hanriot as one of the most innovative and exciting musicians working today. Tracks like “Ego Chase” are a testament to his ability to fuse genres in unexpected ways, creating a sound that is uniquely his own.

With Time is Color Vol. 2, Hanriot proves that his musical journey is far from over—he continues to push boundaries, challenge conventions, and create art that speaks to both the heart and the mind. The album is a must-listen for anyone who appreciates music that is as thought-provoking as it is sonically captivating.

As Hanriot says, "The proof is in the listening," and with Time is Color Vol. 2, listeners are sure to discover a rich and rewarding musical experience that transcends genres and touches on universal truths about life, energy, and connection.