Pianist/composer Anne Sajdera takes an introspective turn on It’s Here, her third album, set to be released September 20 on Bijuri Records. The recording features five originals and three covers that juxtapose wistfulness for the past with an embrace of the present, on which the Bay Area–based Sajdera works with a wide-ranging assemblage of musicians whose core comprises bassist Gary Brown and drummer Deszon Claiborne.
The title It’s Here comes from the revelation Sajdera experienced after writing the eponymous track, then trying to determine what it was about. “It was that feeling I get when I look at old photos or mementos, and for a split second you think you don’t have that moment anymore,” she says. “But then you realize it’s right here, if you look for it.”
The feeling of that realization is unmistakable across “It’s Here,” from Sajdera’s winsome melody to the gorgeous solos by Sajdera, trumpeter Mike Olmos, and alto saxophonist Jesse Levit. Yet it also recurs, if in altered forms, throughout the album, from the genial post-bop take on “Stella by Starlight” to the affecting solo piano closer “Just Starlight.”
Which is not to say that the record is confined to any single mood or color. The Slovakian folk song “Ach Anička” (featuring two Czech guest musicians, trumpeter Miroslav Houcal and alto saxophonist Jan Fečo, who also animated her 2018 album New Year) and the Sajdera original “Bounce” both express upbeat joy with hard-driving swing and funk, respectively. “Three Color Study,” another solo piano piece, molds its fraught emotions to an expressive but angular melodic path, while the aptly titled “Lovely” is swathed in rich orchestration with players Rita Thies (flute) and Joyce Lee (violin) augmenting the ensemble, expressionistic solos by Olmos (trumpet) and Levit (alto saxophone), and perhaps a hint of the Brazilian music Sajdera so exquisitely drew on for her debut, 2012’s Azul.
If there are common elements, however, It’s Here is nonetheless a step forward for Sajdera. She remains a resolutely forward-looking pianist and composer, and this album finds her showing a more ruminative side without diminishing the style that had helped her establish her luminescent musical career.
Born in Portsmouth, Virginia on November 5, 1965, Anne Sajdera was a “Navy brat,” largely growing up in the busy fleet center of San Diego, California. Her maternal grandfather was a professional musician in the Chicago area up until the 1940s, and even though he passed away when she was quite young, his love of music left an imprint on the family and inspired her grandmother to make sure Anne received piano lessons. She maintained a steady diet of Chopin waltzes, Bach inventions, and Beethoven sonatas in her piano studies, but at the age of 13 became intrigued by Chick Corea’s My Spanish Heart. Adolescent explorations into other kinds of music helped her to find a tight circle of musical friends who often gathered to play and perform together. After relocating to the Bay Area in 1985, she auditioned at the San Francisco Conservatory of Music and was accepted as a piano performance major, studying under Peggy Salkind, and then switching to a composition major at the end of her sophomore year, studying under Elinor Armer.
Sajdera’s investigation of jazz picked up pace while still at the Conservatory, listening daily to Wayne Shorter and Herbie Hancock, and finally taking flight when she began a relationship with an accomplished jazz guitarist, with whom she was soon playing casuals. A class at Berkeley’s Jazzschool with the great Brazilian pianist/composer Marcos Silva sparked her enduring passion for Brazilian music. Before long she was gigging around the Bay Area with her own band Pelo Mar, and as an original member of Bat Makumba.
Her debut album, 2012’s Azul, also reflects this deep and abiding passion, mixing her ravishing original pieces with classic tunes by the Brazilian masters. It received a place on one of Jazziz magazine’s 2012 Critics Polls and was named one of Latin Jazz Corner’s Great Latin Jazz Albums. The long-awaited follow-up, 2018’s New Year, took on a more straight-ahead postbop aesthetic and won Sajdera another round of critical acclaim. The six-year gap between New Year and It’s Here was, of course, necessitated by the COVID-19 pandemic (which pre-empted Sajdera’s initial plan to record her third album in 2020). Yet it was also the pandemic that inspired the state of thoughtful reflection that gives her third album its essential character of fond remembrance and hopeful outlook.
Anne Sajdera will perform a CD release show, in two sets (5:00 & 7:00pm), at Keys Jazz Bistro in San Francisco on Sunday 10/6, and a CD release/birthday show, in two sets (6:00 & 7:30pm), at Mr. Tipple’s, San Francisco on Friday 11/8.