Trombone Shorty Foundation's 5th Annual Shorty Fest Announces Lineup

The fifth annual Shorty Fest, a benefit concert for the Trombone Shorty Foundation, will fill two stages at the House of Blues New Orleans with an incredible lineup of jazz, blues, funk, rock and soul artists on Thursday, May 4, 2017 – in between the two weekends of the New Orleans Jazz and Heritage Festival. 

Shorty Fest 2017 presented by Presqu’ile Winery is the largest fundraiser of the year for the Trombone Shorty Foundation, which provides music education, instruction, mentorship and performance to young, underserved musicians, helping to pass on the unique cultural and musical heritage of New Orleans to its youth.

Shorty Fest has built a reputation as a showcase for up-and-coming musicians and honoring the mission of mentorship that is at the heart of the Trombone Shorty Foundation. The event, which sells out every year, has become a Jazz Fest tradition, bolstered even more this year with the Trombone Shorty Academy’s partnership with the New Orleans Jazz and Heritage Foundation.

Shorty Fest 2017 will take place May 4 at the House of Blues New Orleans, 225 Decatur St, New Orleans, LA with doors opening at 8:00 p.m. and performances beginning at 9:00 p.m.

“The fifth annual Shorty Fest is the place to be to see the future of our music during Jazz Fest, including the next generation of New Orleans superstars, the Trombone Shorty Academy students,” said Troy “Trombone Shorty” Andrews. “With the support of our incredible sponsors, we are developing our city’s best and brightest young musicians, who would not otherwise be able to pursue this path. Shorty Fest is the culmination of years of hard work, passion and commitment.”

A leading foundation dedicated to preserving New Orleans’ musical heritage, this year marks the first that the Trombone Shorty Academy is officially partnered with the New Orleans Jazz & Heritage Foundation, with a new home at the George and Joyce Wein Jazz & Heritage Center. In addition to Presenting Sponsor Presqu’ile Winery, Shorty Fest is supported by Official Automotive Sponsor, Acura; Official Beer Sponsor, Oskar Blues Brewery; Second Stage Sponsor, CAN’d Aid Foundation; and Media Sponsor, Spread Music Now.

Shorty Fest 2017 Lineup:

Trombone Shorty and Orleans Avenue - a hard-edged funk band that employs hip-hop beats, rock dynamics and improvisation in a jazz tradition. They've rocked audiences headlining New Orleans Jazz & Heritage Festival since 2013 in the coveted closing spot, recently toured with the Red Hot Chili Peppers, and performed at venues and festivals all over the globe.

Seratones – This up-and-coming Shreveport group mixes up a combination of Southern musicality, and garage rock ferocity.

New Breed Brass Band - living and breathing the culture of New Orleans, infusing funk, rock, jazz, and hip-hop into a custom-made enhancement of second-line brass band tradition.

The Main Squeeze- From Red Rocks to High Sierra Festival, the band’s captivating live performances have earned them a devoted national following.

Sexual Thunder- high-energy psychedelic funk band from New Orleans, that blends contemporary synth and electronic percussion sounds with classic funk instrumentation and six-part vocal harmonies.

MainLine- This 8-piece funk/hip-hop/soul ensemble incorporates traditional New Orleans brass band horns with a funk/jam band feel and modern hip-hop elements.

Voices of a Nation - Big Chief Juan Pardo’s music is an electrifying display of a culture that dates back over two hundred years in New Orleans, the Mardi Gras Indian tradition.

The Peterson Brothers– These Austin, Texas brothers feature a uniquely modern blend of blues, soul, and funk. Alex, 17, on bass and vocals, and Glenn Jr., 20, on guitar and lead vocals, have grown up playing together since they were very young.

Trombone Shorty Academy students - The Trombone Shorty Academy provides aspiring underserved high school musicians mentorship and experience in music performance, reading and writing while teaching New Orleans musical traditions like brass-band, traditional Jazz, Blues and gospel, Mardi Gras Indian funk, Hip-Hop, and Shorty’s own hybrid sound of “SupaFunkRock.” The Academy combines education in the region’s rich musical history with immersion in a performance ensemble under the guidance of musicians Erion Williams, Edward Lee, and and Julian Gosin of New Orleans’ own The Soul Rebels, and Jenard Andrews of New Breed Brass Band.

Founded by renowned New Orleans musician Troy “Trombone Shorty” Andrews in 2013, the Trombone Shorty Foundation is Andrews’ vision of sharing his passion to inspire the next generation by developing their musical talent and connecting them to the city’s unique musical heritage. Frontman of the band Trombone Shorty & Orleans Avenue, Andrews credits the support of his own positive role models in the rich New Orleans music community for helping him make his way into the world of music, where he has grown into an internationally recognized, Grammy Award-nominated artist.

Currently in its fifth year, the Trombone Shorty Academy partners with the New Orleans Jazz and Heritage Foundation to perpetuate the musical heritage of the region, by teaching local high school students homegrown New Orleans music—from brass band and traditional jazz to more modern funk and rhythm & blues styles, all of which play an integral role in the richness and depth of New Orleans’ musical legacy. For more information on the Trombone Shorty Foundation, please visit: http://www.tromboneshortyfoundation.org.

Ella Fitzgerald's Centennial Year Commemorated With A Global Ella 100 Celebration The First Lady Of Song Honored With Several Album Releases

The Ella Fitzgerald Charitable Foundation, Verve Label Group and UMe are pleased to announce some of the major initiatives confirmed as part of this year's Ella 100 centennial celebration honoring one of the most beloved and influential vocalists of all time, Ella Fitzgerald. Throughout 2017 to April 2018, the 100th anniversary of Fitzgerald's birthday (April 25, 1917) will be celebrated across the world with prestigious exhibits, a trove of new music releases and myriad independent tributes and concerts.

Fitzgerald's remarkable career and extraordinary legacy will be the focus of several exhibitions and events at institutions throughout the United States. In Washington, D.C., the Smithsonian's National Museum of American History, which since 1997 has housed memorabilia of Fitzgerald's demonstrating the scope of her achievements and character, will open a new display titled First Lady of Song: Ella Fitzgerald at 100 on April 1st, kicking off Jazz Appreciation Month. The year-long exhibit will feature awards, letters, sheet music and costumes from Fitzgerald's archives as well as videos of her performances. The Library of Congress, home to the Ella Fitzgerald Collection, an archive that consists of Fitzgerald's entire music library and thousands of scores, parts, lyric sheets, and arrangements of works performed and/or recorded by Fitzgerald, will celebrate Lady Ella with a concert by award-winning singer Dianne Reeves on March 31. On the day of her centennial, noted jazz historian and Senior Music Specialist Larry Appelbaum will lead a multi-media homage to the beloved singer.

The GRAMMY Museum® in Los Angeles will celebrate the life, music and charitable legacy of the 13-time GRAMMY® winner and Recording Academy® Lifetime Achievement Award recipient, with the opening of a new exhibit titled Ella at 100: Celebrating the Artistry of Ella Fitzgerald. Opening on what would have been Fitzgerald's 100th birthday, April 25, 2017, the all-encompassing exhibit will commemorate the late icon with rare recordings, photos, personal telegram correspondences, wardrobe pieces such as her well-known Don Loper beaded gown and her GRAMMY Awards, all on loan from the Ella Fitzgerald Charitable Foundation. Fitzgerald holds the distinction of being the first African-American to win a GRAMMY® Award: In 1958 at the inaugural ceremony, she won two awards for her vocal performances on Ella Fitzgerald Sings The Irving Berlin Song Book and Ella Fitzgerald Sings The Duke Ellington Song Book. Ella at 100: Celebrating the Artistry of Ella Fitzgerald will be on display in the GRAMMY Museum's Mike Curb Gallery on the fourth floor through fall 2017.

Fitzgerald's Song Book recordings, widely considered her greatest achievement and a cornerstone of 20th century recorded popular music, are the focal point for the Great American Songbook Foundation's recently opened exhibit, Ella Sings The Songbook. Located in the Palladium at the Center for the Performing Arts in Carmel, Ind., the exhibit, which runs until October, shines a spotlight on the classic recordings Fitzgerald made with Norman Granz at Verve between 1956 and 1964. Historic photos, sheet music, magazines and other artifacts, culled from both the foundation's own archives and on loan from the Ella Fitzgerald Charitable Foundation, tell the story of these career-changing albums. The exhibit also includes an interactive multimedia station with video of live international performances and more than 30 audio recordings. In conjunction with the standing exhibit, the foundation has also assembled a traveling display with educational materials that will be available on loan to local schools and community groups. For more information, contact the foundation at (317) 844-2251 or info@TheSongbook.org.

Verve and UMe will celebrate Ella Fitzgerald's centennial with a slate of exciting releases throughout the year and into 2018. On April 21, 100 of her most popular songs will be released as a new 4CD box set titled 100 Songs For A Centennial. The collection, which will also be available digitally, spans Fitzgerald's Decca and Verve years, beginning with her earliest recordings with Chick Webb and his orchestra in 1936 and culminating with the GRAMMY® Award-winning "Mack The Knife," her famous live recording from 1960's Ella in Berlin: Mack the Knife. Some of the many highlights include "Summertime," "A-Tisket, A-Tasket,"  "(I Love You) For Sentimental Reasons," and "I've Got You Under My Skin." 

Also on April 21, Ella Fitzgerald Sings The George and Ira Gershwin Song Books, a collaboration with Nelson Riddle that is highly regarded as the pinnacle of her legendary Song Book series, will be released as a limited edition 6LP vinyl box set. A replica of the rare 5LP set originally released in 1959, the Ella 100 edition recreates for the first time since its initial release the original stereo box set on vinyl, the originally included five lithographs by French impressionist painter Bernard Buffet, as well as the hardcover book, Words And Music, which for this set has been updated with additional historical information and an afterword by noted author David Ritz. The 2017 collection was newly mastered by Ron McMaster at Capitol Studios in Hollywood where the album was originally recorded in 1959 under the supervision of Verve Records founder Norman Granz. A sixth LP enlarges the original 10-inch instrumental EP with orchestra tracks on Side One and additional material from the sessions on Side Two. One of the bonus tracks, a mono alternate take of "Oh, Lady Be Good!," is on vinyl for the first time. View the behind-the-scenes album trailer here: https://youtu.be/5oZKdy3KM6M.

Later in the year, all of Ella Fitzgerald & Louis Armstrong's beloved duets, combining for the first time their Decca singles with three ageless Verve albums and bonus tracks, will be released as a 4CD/digital set titled Cheek To Cheek: The Complete Ella & Louis Duets. Further on, Verve will release a new album featuring Fitzgerald's classic vocal recordings accompanied by new orchestral arrangements by the London Symphony Orchestra.

In an effort to present Fitzgerald's music in the best possible fidelity, the eight classic albums that make up the Ella Fitzgerald Song Books were made available on February 17 in a variety of high-resolution audio formats. The albums, which include Fitzgerald interpreting work by the most beloved composers of Tin Pan Alley, Broadway and Hollywood – Cole Porter, Duke Ellington, George and Ira Gershwin, Harold Arlen, Irving Berlin, Jerome Kern, Johnny Mercer and Rodgers & Hart – are available individually and for the first time as a hi-res audio bundle as Ella Fitzgerald: The Complete Original Song Books. Each album's cover art, inconsistent in all previous digital releases, has been restored to the original design and the albums are in the original sequence. A showcase for Fitzgerald's underappreciated talents as well as a celebration of America's great composers, the Song Book series debuted in 1956 with Ella Fitzgerald Sings The Cole Porter Song Book and launched Verve Records.

Some of Fitzgerald's most cherished earliest recording will be brought into the digital age when the 300 singles she recorded for Decca from 1935-1955, nearly three-quarters of which never appeared on an album, will be made available digitally in the form they were released (A side/B side) for the first time on March 24. With more than half the tracks making their digital debut, the mammoth collection will be divided into four volumes that will encapsulate Fitzgerald's two-decade-long Decca career. Vol. 1, 1935-1939 includes songs teenaged Ella recorded as the featured singer fronting the world-renowned Chick Webb Orchestra while Vol. 2, 1939-1941 features 50 tracks credited to Ella and Her Famous Orchestra, when she took over the Chick Webb Orchestra following Webb's untimely death at age 30. Vol. 3 1942-1949 covers the 1940s, when Fitzgerald formally became a Decca solo artist in her mid-twenties and Vol. 4 1950-1955 chronicles the first half of the 1950s before Fitzgerald's manager Norman Granz created Verve Records and brought her on board.

Ella Fitzgerald's centennial will be celebrated across the globe at a host of official and unofficial tributes and concerts. Some of the key events include the Kennedy Center in Washington, D.C.'s two-night concert March 24-25 featuring acclaimed singers Sy Smith, Capathia Jenkins, and Montego Glover performing Fitzgerald's songs with the NSO Pops. In New York City, Lincoln Center and the Apollo Theater, where Fitzgerald made her stage debut and won Amateur Night as a teenager in 1934, will each honor Fitzgerald with multiple nights of exciting programming. A continually updated list of events can be found at EllaFitzgeraldFoundation.org.

Dubbed "The First Lady of Song," Ella Fitzgerald (1917-1996) was the most popular female jazz singer in the United States for more than half a century. In her lifetime, she sold more than 40 million albums and received most every honor a performer could dream of winning, including the Kennedy Center Honor (1979), the National Medal of Arts (1987), France's Commander of Arts and Letters (1990), the Presidential Medal of Freedom (1992) and 13 Grammy Awards. In 2007, the United States Postal Service honored Fitzgerald with a postage stamp.

In her six decade long career, the Queen of Jazz recorded more than 200 albums and roughly 2,000 songs, making her the most recorded female – and the second most recorded – performer in history. Among those recordings are works with some of history's greatest musicians and legendary songwriters.

Fitzgerald's distinct style has influenced multiple generations of singers and her work transcends generations and musical genres. She had an extraordinary vocal range and flexibility and possessed a preternatural gift for pitch, rhythmic sense and flawless diction. Immensely versatile, she could sing it all from jazz and bebop to ballads, swing, pop and rock. With an unparalleled ability for mimicry and "scat" singing, Fitzgerald also produced melodic lines that put her in the category of great instrumental improvisers. Her voice was flexible, wide-ranging, accurate and ageless.

Fitzgerald performed her last concert at Carnegie Hall in 1991. She passed away due to complications from Diabetes, dying in her Beverly Hills home on June 15, 1996.

The Ella Fitzgerald Charitable Foundation was created and funded in 1993 by Ella Fitzgerald in order to fulfill her desires to use the fruits of her success to help people of all races, cultures and beliefs. Fitzgerald hoped to make their lives more rewarding, and she wanted to foster a love of reading, as well as a love of music. In addition, she hoped to provide assistance to the at-risk and disadvantaged members of our communities - assistance that would enable them to achieve a better quality of life. The Board of Directors of the Ella Fitzgerald Charitable Foundation seeks to continue Ella Fitzgerald's goals by making charitable grants serving four major areas of interest: Creating educational and other opportunities for children; fostering a love and knowledge of music; including assistance to students of music the provision of health care; food, shelter and counseling to those in need and specific areas of medical care and research with an emphasis on Diabetes, vision problems and heart disease.

100 SONGS FOR A CENTENNIAL TRACK LISTING

Disc 1

1. Sing Me A Swing Song (And Let Me Dance)

2. (If You Can't Sing It) You'll Have To Swing It

3. Dedicated To You

4. Big Boy Blue

5. I Got A Guy

6. A-Tisket, A-Tasket

7. I Found My Yellow Basket

8. McPherson Is Rehearsin' (To Swing)

9. F.D.R. Jones

10. Undecided

11. I Want The Waiter (With The Water)

12. Imagination

13. Five O'clock Whistle

14. Cow-Cow Boogie

15. When My Sugar Walks Down The Street

16. I'm Making Believe

17. Into Each Life Some Rain Must Fall

18. And Her Tears Flowed Like Wine

19. I'm Beginning To See The Light

20. It's Only A Paper Moon

21. You Won't Be Satisfied

22. Stone Cold Dead In The Market

23. (I Love You) For Sentimental Reasons

24. My Happiness

25. Baby, It's Cold Outside

Disc 2

1. Oh, Lady Be Good!

2. That Old Feeling

3. I Hadn't Anyone Till You

4. Black Coffee

5. Soon

6. There Never Was A Baby Like My Baby

7. Walking By The River

8. Taking A Chance On Love

9. Until The Real Thing Comes Along

10. You Leave Me Breathless

11. Lullaby Of Birdland

12. Between The Devil And The Deep Blue Sea

13. It Might As Well Be Spring

14. Miss Otis Regrets

15. You Do Something To Me

16. I've Got You Under My Skin

17. Moonlight In Vermont

18. Cheek To Cheek

19. Manhattan

20. Thou Swell

21. I Wish I Were In Love Again

22. Blue Moon

23. (In My) Solitude

24. Comes Love

25. I've Got My Love To Keep Me Warm

Disc 3

1. Let's Call The Whole Thing Off

2. In A Mellow Tone

3. I Never Had A Chance

4. What Will I Tell My Heart

5. Summertime

6. Little White Lies

7. You Hit The Spot

8. You Brought A New Kind Of Love To Me

9. Let's Face The Music And Dance

10. Isn't This A Lovely Day (To Be Caught In The Rain)

11. Puttin' On The Ritz

12. You Make Me Feel So Young

13. Moonlight Becomes You

14. Let's Fall In Love

15. My Old Flame

16. They All Laughed

17. I Can't Be Bothered Now

18. My One And Only

19. I Got Rhythm

20. Stairway To The Stars

21. Misty

22. Hooray For Love

23. Out Of This World

24. Come Rain Or Come Shine

25. Stella By Starlight

Disc 4

1. I Hear Music

2. Love Me Or Leave Me

3. Hallelujah, I Love Him

4. The Very Thought Of You

5. Warm All Over

6. Almost Like Being In Love

7. All The Things You Are

8. A Fine Romance

9. Yesterdays

10. Honeysuckle Rose

11. On The Sunny Side Of The Street

12. Tea For Two

13. Trouble In Mind

14. See See Rider

15. Can't Buy Me Love

16. The Sweetest Sounds

17. Skylark

18. Something's Gotta Give

19. Dream

20. Cotton Tail

21. Duke's Place

22. Something To Live For

23. Whisper Not

24. Time After Time

25. Mack The Knife

Ella Fitzgerald Sings The George and Ira Gershwin Song Books

Limited Edition Vinyl Box Set Track Listing

Vol. 1

Side A

1.  Sam And Delilah

2.  But Not For Me

3.  My One And Only

4.  Let's Call The Whole Thing Off

5.  Beginner's Luck

Side B

1.  Oh, Lady Be Good!

2.  Nice Work If You Can Get It

3.  Things Are Looking Up

4.  Just Another Rhumba

5.  How Long Has This Been Going On

Vol. 2

Side A

1.  'S Wonderful

2.  The Man I Love

3.  That Certain Feeling

4.  By Strauss

5.  Someone To Watch Over Me

6.  The Real American Folk Song

Side B

1.  Who Cares?

2.  Looking For A Boy

3.  They All Laughed

4.  My Cousin In Milwaukee

5.  Somebody From Somewhere 

Vol. 3

Side A

1.  A Foggy Day

2.  Clap Yo' Hands

3.  For You, For Me, For Everyone

4.  Stiff Upper Lip

5.  Boy Wanted

6.  Strike Up The Band

Side B

1.  Soon

2.  I've Got A Crush On You

3.  Bidin' My Time

4.  Aren't You Kind Of Glad We Did?

5.  Of Thee I Sing (Baby) 

Vol. 4

Side A

1.  The Half Of It, Dearie, Blues

2.  I Was Doing All Right

3.  He Loves And She Loves

4.  Love Is Sweeping The Country

5.  Treat Me Rough

Side B

1.  Love Is Here To Stay

2.  Slap That Bass

3.  Isn't It A Pity?

4.  Shall We Dance?

5.  Love Walked In

6.  You've Got What Gets Me 

Vol. 5

Side A

1.  They Can't Take That Away From Mwe

2.  Embraceable You

3.  I Can't Be Bothered Now

4.  Boy! Look What Love Has Done To Me

5.  Fascinating Rhythm

Side B

1.  Funny Face

2.  Lorelei

3.  Oh, So Nice

4.  Let's Kiss And Make Up

5.  I Got Rhythm 

Bonus Vol. 6

Side A – instrumentals originally on box set 10-inch

1.  Promenade

2.  March Of The Swiss Soldiers

3.  Fidgety Feet

4.  Prelude I

5.  Prelude II

6.  Prelude III

Side B – all tracks not in original box set

1.  Somebody Loves Me – from the album Get Happy!

2.  Cheerful Little Earful – from the album Get Happy!

3.  But Not For Me – 45rpm single version

4.  Lorelei – alternate take/from pre-release sampler

5.  Love Is Here To Stay – alternate take/from pre-release sampler

6.  Oh, Lady Be Good! – alternate take/first time on vinyl

ellafitzgeraldfoundation.org  | facebook.com/ellafitzgerald

 

NEW RELEASES: MIKAEL - GROOVEOLOGY: THE FINALE; COLLECTIVE PEACE - INTRODUCING COLLECTIVE PEACE; GABRIEL GARZON-MONTANO - JARDIN

MIKAEL - GROOVEOLOGY: THE FINALE

Hailing from Dayton, OH, former lead guitarist from the famed Commodores for ten years, Mikael has now arrived at another leg of his journey and is launching his third album, “Grooveology (The Finale)”. This CD brings in flavors from Brazil, along with some Ohio Funk, to the sounds of Jazz as one might imagine would have been played behind the doors of the Cotton Club back in Harlem. If you want songs with romance, Mikael has covered that too in his remix of  “Sadie”, as well as in the melody of “If I Could”. These are just a few of the love songs found on “Grooveology (The Finale”. In total, there are 14 songs which also include his hit from a previous album, “Highway 105” as well as “All I Do”. Songs with the Latin beat are “Como Te Llamas” and “ By The Way”. The tempo in the first is wickedly fast and highly upbeat with a brass section that punctuates all the Latin flavors and showcases the brilliance of Mikael on classical guitar. Both of these songs are very exhilarating and sure to liven up any dance floor. Also, his title song “Grooveology” is quite electrifying and shows how well he blended in that crazy Funky sound from his days when he performed with Walter "Junie" Morrison of the “Ohio Players”.

COLLECTIVE PEACE - INTRODUCING COLLECTIVE PEACE

A very cool collective from the contemporary Detroit scene – one led by a soulful saxophonist, and a great female singer – working here with strong guest contributions from Amp Fiddler, Zo, Dwele, Marcus Douglas, and John Bibbs! Saxappeal handles the reed solos and production – and the album has this crispy blend of jazz and contemporary soul, put together without any commercial schmaltz – at a level that reminds us of some of Zo's own music, but with less of a keyboard focus overall. The presentation is wonderful – very fresh, especially in some of the rhythms and instrumentation – but with more than enough classic roots to appeal to our ears, too – and titles include "Love's In Waiting", "Let The Music Play", "Track VI", "Pillow Talk", "Let It Shine", "Soul Bounce", and "Sun Chaser". Japanese pressing features the bonus tracks – "You & Me" and "Let The Music Play (Jon Dixon rmx)". ~ Dusty Groove

GABRIEL GARZON-MONTANO - JARDIN

The Stones Throw debut of Gabriel Garzon-Montano – a soul singer with a nicely laidback vibe – one that lets his crispy, raspy vocals fall in nicely between the keyboard lines and spare rhythms that really set the pace for the record! The tunes are never too over the top – and Gabriel really knows how to to more with less – allowing his understated approach to flow into all the spaces between the notes in a really great way – a mode that might well be echoed by some of his contemporaries. Titles include "Sour Mango", "Fruit Flies", "The Game", "Long Ears", "My Balloon", "Cantiga", and "Bombo Fabrika". ~ Dusty Groove

NEW RELEASES: DONALD BYRD: LOVE HAS COME AROUND: THE ELEKTRA RECORDS ANTHOLOGY 1978-1982; LEON - BODY & SOUL; SOL - UPFRONT

DONALD BYRD AND 125TH STREET, N.Y.C.: LOVE HAS COME AROUND: THE ELEKTRA RECORDS ANTHOLOGY 1978-1982

A great chapter in the career of trumpeter Donald Byrd – his post-Blue Note work with the group 125th Street NYC – which is kind of a second chapter to the jazzy fusion style he developed at the start of the 70s! This time around, there's an equal emphasis on soul and jazz – often with some strong vocals in the lead, but also plenty of room for Donald to stretch out and serve up the kind of perfect solos he worked out with the Mizell Brothers in the years before – modes that are continued here with some great guest help from singers and musicians who include Syreeta, Isaac Hayes, Jim Gilstrap, Wah Wah Watson, and Greg Phillinganes! If you like Donald Byrd albums like Places & Spaces or Stepping Into Tomorrow, you'll find that the sound here is a continuation of that mode – taken into the leaner funk territory that would come to play in the 80s. 2CD set features almost all the best tracks from those years, including some single mixes too – and titles include "Thank You For Funking Up My Life (12" disco version)", "Marilyn", "Butterfly", "Gold The Moon White The Sun", "Sexy Dancer", "Love Has Come Around", "Loving You", "Love For Sale", "Star Trippin", "I Love You", "Midnight", "Your Love Is My Ecstasy", "Have You Heard The News", "People Suppose To Be Free", "Morning", "I'm Coming Home", "Sunning In Your Love Shine", "Everyday", "Falling", "So Much In Love", and "Forbidden Love".  ~ Dusty Groove

LEON – BODY & SOUL

With a new mini album, French multi-instrumentalist, musician and producer Stephane Voituret a.k.a Leon returns with another fine musical journey under the title Body & Soul. With a wide funk concept and unique style his music is blended with fusion touch. As always his cinematic point of view, but this time his music meets an ultra psychedelic rock with a jazz soul. The result? Well, Leon does what he knows best and with this album yes it sounds great! Tracks include: Body and Soul (Original Mix);  The River (Original Mix); Get on the Boat (Original Mix); The Meeting (Original Mix); Friend (That is Still Gone); Feelin' Groovy (Original Mix): and Sexy Toy (Original Mix).

SOL- UPFRONT

When you combine Al Jarreau, Luther Vandross and Musiq Soulchild, you get Sol! Upfront, featuring Gerald Albright. It is super strong from the first track to the last and no fillers, just great music. Some tracks make you want to dance, others make you just want to sit and listen. These songs and the interpretation of them will blow you away. Includes: That’s The Way I Feel You; Always; Invisible; Lovely Day; After The Sunrise; Golden Lady; Broken Record; Glow; and I Want You In My Life.

NEW RELEASES: KARYN WHITE DELUXE EDITION; SOUL LOUNGE 13; JACOB COLLIER - IN MY ROOM

KARYN WHITE - KARYN WHITE DELUXE EDITION

Big Break Records proudly presents the first ever deluxe remaster of Karyn White, which includes a staggering 19 bonus tracks, rare promotional remixes and exclusive interviews with Karyn White, Daryl Simmons and Jeff Lorber, and presented in a super jewel case complete with a 20-page booklet and detailed liner notes. Karyn White became one of the most successful international artists in R&B with this, her debut album, in 1988. The album enjoyed platinum sales and spun off five hit singles including “Siperwoman,” arguably the most popular and enduring soul ballad of the era. This 2CD deluxe edition marks the 30th anniversary of White’s first hit and features bonus songs and remixes. Karyn White began her career as a session singer for R&B artist O’Bryan, while they were supporting Cameo. After using former Tower Of Power vocalist Michael Jeffries’ studio, both White and Jeffries were signed as the lead vocalists for Jazz Fusion artist Jeff Lorber’s Warner Bros. debut album in 1986. The majority of the album was produced by LA & Babyface at the height of both their creative and commercial powers, including the New Jack Swing styled first single “The Way You Lover Me.”

SOUL LOUNGE 13 (VARIOUS ARTISTS)

Latest volume in the attractively priced, ever reliable 3CD Soul Lounge series, with a strong line-up of soul, R&B and jazz artists, including Shaun Escoffery, Tony Momrelle, Simon Law featuring Caron Wheeler, Jarrod Lawson, Avery Sunshine, Incognito, Beverley Knight and Down To The Bone. Released for the first time on this album is a stunning, much requested live TV recording of Shaun Escoffery singing “A House Is Not A Home” at a Royal Festival Hall Burt Bacharach concert, as well as Jarrod Lawson’s Trevor Nelson BBC 1Xtra Live Lounge rendition of Lauryn Hill’s “Ex-Factor”, plus brand new track “Looking For” from Eric Roberson. Available on CD for the first time is the reunion of Soul II Soul writer/producer Simon Law and Caron Wheeler on the brilliant “Morning Love”, the Nigel Lowis remix of Shaun Escoffery’s “Healing Me” and the Ski Oakenfull remix of Bluey’s “Sky”. This latest visit to the Soul Lounge – with more than 3 hours of music on 3 CDs – is sure to find favour with those who like their soul and R&B with a touch of class. Released on the Soul Lounge label.

JACOB COLLIER - IN MY ROOM

22 year old Jacob Collier is recognised as one of the world's most distinctive, inventive and prodigious young musicians. Based in London, Jacob's music combines elements of Jazz, A cappella, Groove, Folk, Triphop, Classical music, Brazilian music, Gospel, Soul and Improvisation (to name a few), all of which culminate to create the world of 'Jacob Collier'. Jacob has embraced the world of the Internet to share his uniquely creative talent, becoming best known for creating his trademark multifaceted YouTube videos from his music room at home, wherein he sings all the parts, plays all the instruments, and visualises every component with a mosaic of screens. Since his first YouTube upload in December 2011, Jacob's online social channels have garnered over 62K international subscribers and more than 6 million views and earned him a global following. Some of his greatest fans are among the elite Jazz community and include Quincy Jones, Herbie Hancock, Pat Metheny, Chick Corea, Steve Vai and Take 6, to name just a few. Jacob has been recording and self-producing his debut album 'In My Room' and creating ever more videos to be shared on his online channels. He looks forward to meeting you, one day.

NEW RELEASES: PHILIP LASSITER – CHILL MODE; ERIC ALEXANDER TRIO – JUST ONE OF THOSE THINGS; LORI JENAIRE - FRUITION

PHILIP LASSITER – CHILL MODE

A sweetly soulful set from trumpeter Philip Lassiter – a jazz musician at heart, but one who's blowing here with a strong range of contemporary R&B elements! Phil's trumpet is often processed a bit – with a cool, compressed sound that fits right in with the well-produced mellow grooves – handled by James Poyser, Jae Deal, Rodley Lil Rod Jones, Bobby Sparks III, and others – sometimes with a bit of vocals from Josephine Rojer, sometimes with more than enough "voice" from Lassiter on his horn! The set's got a nicely different vibe than other efforts of this nature, and is much deeper and is light years from too-familiar smooth jazz. Titles include "Bob Ya Head", "Cheers 2 Life", "Jungle Feva", "Chill Mode", "Hopscotch", and "Smilin Profilin".  ~ Dusty Groove

ERIC ALEXANDER TRIO – JUST ONE OF THOSE THINGS

A totally wonderful setting for the tenor genius of Eric Alexander – a freewheeling trio, which is a format we're not sure we've ever heard him in before – really stretching out in an amazing way, with the sense of of imagination that we've always loved in his music, but with a depth that takes him farther than most of his usual recordings too! We're not sure what happened, but there's a new sort of edge in Eric's horn – one that might well come from the sublime work of Dezron Douglas on bass and Neal Smith on drums – but which might just be Alexander deciding to take off and really blow us away – which he does throughout the set, with a sense of spirituality that we haven't heard from him before. The whole thing's amazing – and titles include "Wise One", "You'd Be So Nice To Come Home To", "You Say You Care", "Beautiful Love", "Bessie's Blues", "Russian Lullaby", and "We've Only Just Begun".  ~ Dusty Groove

LORI JENAIRE - FRUITION

Vocalist and songwriter Lori Jenaire is emerging dramatically on the music scene, rapidly carving her niche in the world of neo-jazz and soul, as she boldly steps in the footprints of, Phyllis Hyman, Anita Baker and  Sarah Vaughn. Lori Jenaire is a statuesque 6-foot-tall beauty with scintillating vocals who conjures up images of divas from an era past. With her sophomore release, aptly titled, “Fruition,” on NBE Records, Jenaire co-writes the majority of the album and takes the jazz/R&B world by storm with her remake of the Mamas and Papa’s smash ‘California Dreamin’. Since Fruition’s release, she has consistently been on the R&R Jazz Indicator charts steadily climbing from her debut at No 26 and reaching No 7 on the Smooth Jazz.com indie chart. Radio & Records Magazine’s Carole Archer describes Jenaires’ California Dreamin as “a swingin’ and sultry version, that delivers big time”.

NEW RELEASES: DAVID BINNEY – THE TIME VERSES; BISCAY – BURNT MEMENTOS; SOIA – HIOP

DAVID BINNEY – THE TIME VERSES

A slightly different album than usual from saxophonist David Binney – a set that still features plenty of the leader's great work on alto sax, but which also includes a few electric textures, and sampled sonic moments – elements used sparely, on short tracks before the main instrumental moments – but in a way that adds a nice degree of color to the record, but without getting in the way of the jazz performance! The piano of Jacob Sacks is also a key part of the album's sense of sound – and the core group also features Eivind Opsvik on bass and Dan Weiss on drums. Jen Shyu joins on vocals for the track "Seen" – and other titles include "Fifty Five", "The Reason To Return", "Dawn", "Arc", "Strange Animal", and "Time Takes Its Time".  ~ Dusty Groove

BISCAY – BURNT MEMENTOS

Their songs can only be described as shamelessly retrospective, fusing jazz, funk and soul grooves. This contrasts with the songs contemporary subjects, which wryly bemoan the state of the modern world. Biscay thrive on this contrast - much like the part of the Atlantic from which they take their name, their music combines smooth sounds with the turbulence of 21st century urban life. Their debut, 6-track EP ‘Burnt Mementos’, due for release on Friday March 24th 2017, explores a range of topics from the flawed worship of good looks, the pointless pursuit of status, bad dates and worse relationships….the lyrics are also semi-autobiographical! The band are a flawless line-up of musicians hailing from London and Birmingham, with the driving force of writer/guitarist Phil Danter, and French lead singer Elea May who adds a soaring flavor of lead vocals which sit perfectly upon the grooves with both her tone and overall sound. https://www.youtube.com/watch?v=WFhnOkA849c

SOIA – HIOP

Spacey soul from Soia – a European singer who works closely here with producer Mez – who served up some great beats on their previous record together! The vibe here is very similar – kind of a mellow take on broken modes from a decade before – with a slowed-down pace that allows for plenty of vocal and keyboard inflections, and a spacey production style that makes all the elements float together in a really beautiful way! At some level, the record's one that might sound best in the smaller hours past midnight – but some tracks also have a more urgent feel that demands rapt attention. Titles include "Habibi", "Hidden In Obvious Places", "Ignite Despite", "Tropical Jinx", "See Me Hollow", "1000 Layers", and "Roaming Deer".  ~ Dusty Groove

CLASSIC JEAN-JACQUES PERREY TITLE MOOG INDIGO TO BE REISSUED ON 180-GRAM VINYL // GROUNDBREAKING ALBUM FROM ELECTRONIC MUSIC PIONEER REMASTERED FROM THE ORIGINAL ANALOG MASTER TAPES

Vanguard Records, a division of Concord Bicycle Music, has announced the vinyl reissue of Moog Indigo, one of the most iconic and influential titles from the catalog of French electronic music innovator Jean-Jacques Perrey. Available March 24th, the album was pressed on audiophile-quality 180-gram vinyl at RTI from lacquers cut by Chris Bellman at Bernie Grundman Mastering using the original analog album master. This meticulously and faithfully reproduced edition will mark the first official hi-fidelity vinyl reissue of this title in the U.S. since the album’s original pressings in 1970. 

Jean-Jacques Perrey, who recently passed away at the age of 87, is credited with being a key player in the development of modern electronic music. From his early collaborations with Gershon Kingsley, a former colleague of John Cage, to his latter day collaborations with French pop duo AIR, Perrey’s unique stylistic approach to the Moog synthesizer opened up a world of possibilities for generations of artists. Primarily employing a combination of the Moog synthesizer, magnetic tape, and the Ondioline  ̶  a French precursor to modern synthesizers  ̶  Perrey assembled space-age, sonic collages that inspired artists as diverse as hip-hop legends Gang Starr to contemporary Australian hit-maker, Gotye, whose Ondioline Orchestra recently paid tribute to the musician with a live performance of his best-known songs. The long list of Perrey’s notable contributions to popular music includes the song “Baroque Hoedown,” written with Kingsley in 1967, and later used prominently by Disneyland for the inimitable Main Street Electrical Parade, which is now making its triumphant return to the park after a 20-year hiatus. 

Released at the height of Perrey’s long career, Moog Indigo offers a kaleidoscopic array of sounds, blending funk, lounge, and the avant-garde, delivered with imagination and the artist’s signature playful sensibility. The centerpiece of the album, “E.V.A.”, has been heavily sampled by acts as diverse as Kool Keith (aka Dr. Octagon) (1996’s “3000”) and Pusha T (2014’s “Lunch Money”) to Fatboy Slim (whose 1997 remix of the song became a classic dancefloor staple) and stands the test of time with its space-age funk. Most recently, “E.V.A.” was included in the critically-acclaimed, sought-after 4-LP collection, Jazz Dispensary: Cosmic Stash, which was released exclusively for Record Store Day in April 2016. Rounding out the record is "Gossipo Perpetuo," a tape loop collage that combines chattering voices with a fast-paced synthesizer samba groove, creating a smile-inducing slice of electronic pop. Apple tapped this tune as part of 2016’s “Shot on iPhone” ad campaign.

  

Track Listing:

A1. Soul City

A2. E.V.A.

A3. The Rose And The Cross

A4. Cat In The Night

A5. Flight Of The Bumblebee

A6. Moog Indigo

B1. Gossipo Perpetuo

B2. Country Rock Polka

B3. The Elephant Never Forgets

B4. 18th Century Puppet

B5. Hello Dolly

B6. Passport To The Futuredigo

Jamie Saft Mines New Musical Territory Project With Guitarist Bill Brovold: Serenity Knolls

Jamie Saft has been a significant presence on RareNoiseRecords since the label's inception: as band leader on New Zion w. Cyro's Sunshine Seas (on piano, analogue keyboards, bass and guitar with percussionist Cyro Baptista) and on The New Standard (on piano and organ with bassist Steve Swallow and drummer Bobby Previte), on celebrated quartet collaborations with Wadada Leo Smith (Red Hill, on piano) and Roswell Rudd (Strength & Power, on piano), as well as on a number of deep free music collaborations involving Joe Morris (Slobber Pup, Plymouth, The Spanish Donkey, on organ and analogue keyboards).

Now, on Serenity Knolls, he stakes out some completely different territory. An intimate duo project with guitarist Bill Brovold, a former member of such New York no-wave bands as the Rhys Chatham Ensemble, the East Village Orchestra and the Zen Vikings, it features Saft alternating between playing dobro and lap steel on a set of 12 ambient type tunes with a distinctive heartland undercurrent to them.

An accomplished keyboardist-composer who has been widely acknowledged for his work with various John Zorn projects, including The Dreamers, Electric Masada and Moonchild, the Queens native and current resident of Kingston in upstate New York has nonetheless has maintained a longstanding relationship with the guitar. As he explains, "I've played guitar since I was a youth as well as bass guitar, so this isn't something new for me at all. In fact, my guitar playing is featured on many of my albums such as Breadcrumb Sins (Tzadik), Sunshine Seas (RareNoise) and Black Shabbis (Tzadik) as well as being prominently featured in my original score for the Oscar nominated film Murderball." 

On Serenity Knolls, Saft is paired with the legendary improviser, woodworker, instrument builder and leader of Larval, an influential Detroit improvising post-rock ensemble. "I met Bill in upstate New York where we both currently live in the Hudson Valley," says Jamie. "Bill is a beautiful and diverse friend and it's a pleasure to improvise music with him."

On spacious tracks like "Sweet Grass," "Saddle Horn," "The Great American Bison" and the title track, Saft creates that high and lonesome feel with his expressive slide guitar playing. He switches to lap steel on the droning "Bemidji", "No Horse Seen" and the minor key "Greybull."

"I've been fascinated by slide guitar styles for many years," he says. "Initially I was exposed to these sounds through Bob Dylan's music, which quickly led me to the universes of country and bluegrass music. I wouldn't say I have specific role models for slide guitar - for me it is a means to produce sustained events from a guitar. I take a more orchestral approach to the instrument. I'm far from a great technician on these instruments. I'd never profess to be in the same league in any way as the legends of pedal steel and dobro. But to me, they are sonic tools to achieve a particular goal."

Recorded at Potterville International Sound in Kingston, New York and mixed there by Saft and his colleague Christian Castagno (the same engineer who co-produced and mixed 2016's Sunshine Seas), Serenity Knolls carries a compelling vibe created by Brovold's atmospheric guitar in combination with Saft's melodic gems on dobro and lap steel. "This concept came from improvisations Bill and I were doing at house parties," Saft explains. "Combining the ambient feeling of Bill's unprocessed big hollow body Guild guitar through a Silverface Fender Vibrolux amplifier and the liquid sound of the dobro and lap steel guitar through a 1950's Alamo Amplifier with subtle tape echo enhancements was the intent. We sought to capture something inspired by the American landscape - the Great American Bison, endless highways, Plains drifting - filtered through a distinctly psychedelic lens. It began with the idea of making music that was 'Country Ambient' and arrived at something of an alternative state of consciousness." 

As for the evocative album title, Saft explains: "Serenity Knolls is both an ideal state of mind as well as the name of the rehab center where Jerry Garcia died." That perfectly captures both the serene nature and expansive, searching attitude heard throughout this beautiful free-flowing recording of strictly guitar music. Serenity Knolls is not only unique in Saft's oeuvre, it holds a unique place in the ever-expanding RareNoise catalog.

TRACKS

1. Sweet Grass

2. Mitchimakinak

3. Saddle Horn

4. Wendigo

5. Thermopolis

6. The Great American Bison

7. Bemidji

8. No Horse Seen

9. Splintering Wind

10. Greybuli

11. Serenity Knolls

12. Silent Midpoint