Trumpeter Dennis Angel Keeps The Timeless Grooves Flowing Right "On Track," New Album Produced by Jason Miles

The Emerging Contemporary Jazz Horn Trumpeter And Flugelhorn Player Is Rising On The Charts Again With His New Single “Soul Strut” Featuring Jazz Greats Kenny Barron and James Genus

Tapping once again into the Timeless Grooves that drove three singles off his critically acclaimed 2012 debut album up the contemporary jazz radio charts, Dennis Angel is right On Track for another successful run with his latest full length release.

The versatile trumpet and flugelhorn player’s latest single, the acoustic jazz-funk driven “Soul Strut”, is a fast rising sensation on various prominent smooth jazz radio outlets, reaching the Top 35 on the Smoothjazz.com Radar chart, debuting in the Top 50 on SmoothIndieStar.com and gaining spins on the Radio Wave Internet Airplay chart.

“Soul Strut” and the coolly swinging “Sunset Café” are driven by an organic quartet arrangement, featuring Angel vibing with jazz greats Kenny Barron (piano) and James Genus (acoustic bass); on the latter tune, Angel successfully experiments for the first time with a more laid back, Chet Baker styled tone.

Timeless Grooves included “Rio On My Mind”, which was #67 on the Groove Jazz Music Top 100 of 2012; “Forever Funk”, which reached the Top 25 on the Groove Jazz Music Top 30; and “Vegas Vibe”, which also received significant airplay.

Both Timeless Grooves and the new album were produced by Jason Miles, a keyboardist, composer and artist in his own right, who is renowned for his work over the past 30 years with Miles Davis, Luther Vandross, Michael Brecker, Whitney Houston, Grover Washington, Jr., Sting, Ivan Lins, Chaka Khan, Diana Ross, Aretha Franklin, David Sanborn and Michael Jackson. Miles arranged the tracks of On Track with longtime Angel collaborator Gottfried Stoger (who also did transcriptions and charts, and plays tenor sax, soprano sax and flute). Miles performs on piano and adds a classic soul-jazz sensibility to the ten tracks with synthesizer, strings and dynamic array of keyboards, including electric piano, Wurlitzer electric piano and Hammond B-3 organ.

Five of the tracks (“I Like It Like That”, “Take Me Away”, “Serenity”, “Jubiliation”, and “Tea for Two”) are anchored by the rhythm section of Amanda Ruzza (bass) and Brian Dunne (drums), with featured appearances by acoustic guitarist Romero Lubambo and bassist Will Lee. Angel’s 18-year-old daughter Rebecca Angel, a jazz vocal major at Ithaca College, showcases her charming vocals on a seductive bossa nova twist on the Jazz Age classic “Tea for Two”.

The high-energy soul-jazz jam track titled “This Song’s For You” features bassist George Porter, Jr., who is well known for his work in the band The Meters and the TV series Treme. The song also features Miles on Wurlitzer and B-3 as well as a colorful flugelhorn-sax doubling by Angel and Stoger.

The funked out, thumping groove infused “Dream Dancer” is a retro disco/Herb Alpert 70s vibe tune with cross genre appeal. Veteran engineer Goh Hotoda from Japan mixed the original track and did another mastered version that could be a dance track. Two other tracks capture the overall emotional dynamics of the set, with the silky and graceful “Serenity” (featuring Gottfried at his most deeply expressive) giving way to the explosive whimsy of the bossa nova carnival “Jubilation”, featuring powerhouse solos by Lubambo on acoustic guitar and Stoger on flute.

After switching off between trumpet and flugelhorn on the first album – which earned Angel the distinction of December 2012’s Artist of the Month from the monthly jazz webzine Sounds of Timeless Jazz – Angel features his fluid and melodic work on the latter exclusively throughout the ten cuts of On Track. This is all the more impressive considering that he only began playing the flugelhorn two years ago.

“After so many years of playing trumpet simply for my own pleasure,” Angel says, “it’s been very exciting for me to write and record these original songs – especially with Jason and so many world class musicians who bring them to life in ways beyond anything I could have dreamed. I love the whole process of creating music, from the initial spark of inspiration through the smallest details of working in the studio to finally sharing it with the world and playing it live for people. My wife Linda came up with the title of the new album and I thought it fit perfectly with what I wanted to say. It has a lot of different meanings. I really feel that I’m On Track, right where I want to be as an artist.”

Musicians include Gottfried Stoger on tenor sax, soprano sax and flute; Jason Miles on piano, keyboards, synthesizers, strings, percussion and string arrangements; special guest Kenny Barron piano;  Will Lee (electric bass); James Genus (acoustic bass) George Porter Jr. (electric bass); Amanda Ruzza (electric bass) Tom "Bones" Malone (trombone); Romero Lubambo (acoustic guitar); Nick Moroch (guitar); JT Lewis (drums); Brian Dunne (drums);

Adrian Harpham (drums); Bashiri Johnson (percussion) Cyro Baptisata (percussion); Maya Azucena, James D Train Williams, Pamela-Driggs; and Rebecca Angel on vocals

Dennis Angel's On Trakc is produced by Jason Miles, and all tracks are arranged by Jason Miles and Gottfried Stoger.

New Releases: Michael Carvin Experience - Flash Forward; Greg Reitan - Post No Bills; Diane Monroe & Tony Miceli - Alone Together

MICHAEL CARVIN EXPERIENCE - FLASH FORWARD

Having played with many of the jazz giants in his impressive career (Dizzy Gillespie, Dexter Gordon, Freddie Hubbard & more), master drummer Michael Carvin taps into a new generation of young, international talent to form his quartet, Michael Carvin Experience. Carvin, who has taught a veritable 'who s who' of drummers, brings his vast experience to put his unique fingerprint on iconic songs on Flash Forward, an album of jazz classics. A top master of the craft of drumming, Michael Carvin has played and recorded with the biggest names in jazz, including Freddie Hubbard, Dizzy Gillespie, Dexter Gordon, Jackie McLean, Hank Jones, McCoy Tyner, Illinois Jacquet, Pharoah Sanders, Bobby Hutcherson, James Moody, Hampton Hawes, Ruth Brown, Johnny Hartman, Abbey Lincoln, Jimmy Smith, Hugh Masekela, Alice Coltrane, Cecil Taylor, Charles Brown, Terumasa Hino, Bobby Watson and Billy Bang. ~ Amazon.com

GREG REITAN - POST NO BILLS

After years of experimentation and exploration, it can be beneficial and, occasionally, revelatory to look backwards to known paths and accomplishments. The reexamination of an older composition can lead to new discoveries and goals for an ensemble that has been performing together for years. Pianist/composer Greg Reitan has led his fantastic trio of bassist Jack Daro and drummer Dean Koba since 1996, formed shortly after their graduation from University of Southern California s Thornton School of Music. Their long and fruitful tenure has created a fantastic partnership, which can be fully enjoyed on their new recording Post No Bills. Originally from Seattle, Washington, Reitan relocated to Los Angeles to study composition at the University of Southern California Thornton School of Music. Upon graduation, he organized the trio with Daro and Koba to perform at the 1996 Hennessy Cognac Jazz Search in New York City, in which Reitan was a finalist. The trio needed an original composition for their performance. Reitan decided to revisit a composition he had written for solo viola and orchestra and he then adapted elements for their piano trio. Being in New York City for the first time, Reitan was inspired by the myriad of sights and sounds, ultimately naming the piece after the nearly ubiquitous warning, Post No Bills. Over the years, Post No Bills fell out of the trio s repertoire. It wasn t until the summer of 2013 that Reitan rediscovered it. Reitan: I made a few changes and decided to record it as the centerpiece for the new album. It s really gratifying to see how the composition 

DIANE MONROE / TONY MICELI - ALONE TOGETHER

Two of Philadelphia s most revered jazz artists unite for an intimate, exploratory duo session on Alone Together. Violinist Diane Monroe and vibraphonist Tony Miceli have been playing together since the mid-'80s, and the fruits of that three-decade relationship are evident throughout their debut collaboration. The album s thirteen tracks encompass the wide range of the pair s mutual interests, from jazz to classical, standards to spirituals, originals to classics, and even an unexpected TV theme song. Both Monroe and Miceli have long histories of forging rich collaborations in Philadelphia and beyond. Monroe has bridged the jazz and classical traditions for most of her career. She studied at Oberlin Conservatory, Philadelphia Musical Academy, Michigan State University, and the Curtis Institute of Music. She toured for more than a decade with the Max Roach Double Quartet and the Uptown String Quartet and performed extensively as a member of the String Trio of New York, all ensembles which fused classical virtuosity with jazz improvisation. Miceli has been a force on the Philly jazz scene since 1980 while touring the world and mentoring young players as an educator. In 1990 he co-founded the group Monkadelphia, dedicated to playing the music of Thelonious Monk. He is also a member of the PhilOrch Jazz Ensemble, a quartet featuring members of the Philadelphia Orchestra. He has worked with countless jazz luminaries as both a leader and a sideman. ~ Amazon.com 

 

Map to the Treasure: Reimagining Laura Nyro Composer/Arranger/Pianist Billy Childs leads an All-Star interpretation of Songwriter Laura Nyro's beloved works Featuring Guest Artists Renee Fleming, Esperanza Spalding, Yo-Yo Ma, Alison Krauss, Ledisi, Wayne Shorter and more

When Grammy Award®-winning musician Billy Childs was 11 years old, his older sisters introduced him to the work of Songwriter and Rock & Roll Hall of Fame singer-songwriter Laura Nyro. Her blend of Broadway-inspired melodies, jazz improvisation and socially conscious lyrics have stayed with him. Now Billy has returned to his early source of inspiration, conceiving and orchestrating his new album, "Map to the Treasure: Reimagining Laura Nyro."

Childs is not alone in his enthusiasm for Nyro's music, an incredible range of musicians join him in interpreting her narratives. Classical soprano Renée Fleming and cellist Yo-Yo Ma add new meaning to her hometown ode, "New York Tendaberry." Jazz stars Esperanza Spalding and Wayne Shorter collaborate on Nyro's pictorial "Upstairs by a Chinese Lamp," and R&B chanteuse Ledisi updates one of Nyro's biggest hits, "Stoned Soul Picnic." Other prominent voices include Alison Krauss, Rickie Lee Jones, Shawn Colvin, Dianne Reeves, Susan Tedeschi, Lisa Fischer and Becca Stevens, with featured instrumental soloists Chris Botti, Jerry Douglas, Chris Potter and Steve Wilson. Childs' own experiences leading jazz chamber groups proved invaluable to creating the widescreen scope of "Map to the Treasure" his focus was on arranging the ensemble and guests to best present Nyro's imagery. Even after Childs' decades of considering Nyro's music, at the heart of it all is his unyielding devotion to her art. That love is the heart of the re-imagination of "Map to the Treasure." ~ billychilds.com / sonymasterworks.com

New Releases: Andreas Varady; Jazz On Film...Bio Pics; Smoke Sessions Vol. 1

ANDREAS VARADY

Varady blends the accomplished technique of Wes Montgomery, soulful voicing of George Benson and Gypsy swing of Django Reinhardt. While he started absorbing these masters from his parents record collection, he also has a fresh view on their legacy. I always knew that I was slightly different than other people, Varady said from his family s home in Limerick, Ireland. Not that I was better, but just slightly different. When I was 12, the kids at my school were into casual things, and I was into way different things. This guitarist also stands out from many veteran musicians. Guitar Player put Varady on its cover in 2012 and that summer he performed at the Montreux Jazz Festival in front the festival s legendary founder, the late Claude Nobs, and world renowned producer Quincy Jones, who has since taken Varady on as a protégé. Andreas is the complete package, Jones said. He s a 360-degree musician whose knowledge and appreciation for all genres from jazz and hip-hop to rock and pop can be felt in his music. ~ Amazon.com

JAZZ ON FILM...BIO PICS (BOX SET)

An amazing collection of music from 50s biopics, scattered with iconic legends that influenced a generation. For the first time, this unique new release compiles a collection of nine stunning jazz scores from classic biographical films that traced the lives of some of the most influential jazz and blues musicians in history, as well as one of the most iconic film actors: James Dean! 6 Discs Include: The Gene Krupa Story (1959) music by Gene Krupa and Leith Stevens; The James Dean Story (1957) music by Johnny Mandel and Bill Holman; The Five Pennies (1959) music by Danny Kaye and Louis Armstrong; St Louis Blues (1958) music by Nat King Cole and Nelson Riddle Orchestra; The Eddy Duchin Story (1956) music by George Dunning & Carmen Cavallaro; The Glenn Miller Story (1954) music by Universal-International Orchestra; Young Man with a Horn (1950) music by Harry James and Doris Day; Pete Kelly s Blues (1955) music by Ray Heindorf; The James Dean Story (1957) music by Leith Stevens; The Benny Goodman Story (1956) music by Benny Goodman. ~ Amazon.com

SMOKE SESSIONS VOL. 1 (VARIOUS ARTISTS)

A collector s edition sampler of the first four titles in the Smoke Sessions catalog! Pressed on

200-gram vinyl by Quality Record Pressings, it is destined to be a rare collector s item as it is

limited to only 500 hand-numbered copies! The packaging is a classic tip-on style gatefold

jacket featuring original artwork and liner notes, as well as photography by noted jazz photographer Jimmy Katz. Mastered by celebrated vinyl mastering engineer Kevin Gray, tracks include: Vincent Herring s exhilarating Elation from The Uptown Shuffle; a classic reading of Kurt Weill s My Ship from David Hazeltine s For All We Know; George Cable s jazz-rock classic Think on Me from Javon Jackson s Expression; and Thad Jones beautiful ballad To You from Harold Mabern's Right On Time. ~ Amazon.com

KERBSIDE COLLECTION - REMIXED AND REWORKED

Not known for his prolific output, Melbourne producer Ennio Styles makes a surprisingly quick return following his recent remix (with Cy Gorman) for London's Los Charly's Orchestra. This time it's the turn of Brisbane's retro jazz-funkers Kerbside Collection for German label Légère. Ennio takes the downtempo Meters-style funk of 'Sweet Like Nectar' and completely flips it into a B-boy disco funk monster. It gets started sounding like a lost early 70s session from ESG, all percussion, heavy snare fills and Jez O'Connor's Fender bass. Then midway it's as though Nile Rodgers and his friends crash the studio, with layers of guitar, horns and flutes joining the party. Ennio Styles again brings his distinctive approach to the art of sampling, with every sound in this remix taken from the back catalogue of the Légère family of labels, yet somehow keeping a very 'live' feel. Even the added keyboards by James Bowers (JamBow/Kirkis/Sex on Toast) are played on sampled sounds.

Kerbside Collection - are an all instrumental jazz funk and rare groove ensemble from the inner suburbs of Brisbane/Queensland/Australia. ‘A gritty rhythm section of old school drums and fender or upright bass, alongside funky hammond and rhodes, with some sweet George Benson-ish jazz guitar licks on top.’ The sound harks back to the 60’s and 70’s Californian West Coast jazz funk music of artists such as Wes Montgomery, George Benson, Chico Hamilton, Joe Sample and The Crusaders, whilst tipping its’ hat to today’s contemporaries keeping the ‘feel’ alive (Soulive, Bobby Hughes, James Taylor, Eddie Roberts & the New Mastersounds, Cookin on 3 Burners, Mattson 2, Frootful, Stance Brothers etc). Their debut LP 'Mind the Curb' was released May 2013 on Indie German funk label Legere Recordings and P-Vine Records to wide acclaim in funk and soul circles from UK to Japan.

MINNIE DRIVER - ASK ME TO DANCE

"This would have come a lot sooner, but I had a baby, and I wanted to focus on being a mum for awhile," Minnie Driver says of Ask Me to Dance, her third Rounder/Zöe album, and her first new release since 2007. 

In a musical career that's run concurrently with her endeavors as one of her generation's most acclaimed and in-demand actresses, Minnie Driver has consistently demonstrated an organic, distinctive set of talents that have been honed through a lifetime of music-making.

Ask Me to Dance marks another notable landmark in Driver's creative evolution.  Where her first two albums, 2004's Everything I've Got In My Pocket and 2007's Seastories, focused on her own vivid songwriting, Ask Me to Dance finds the artist interpreting a selection of compositions by some of her favorite songwriters, demonstrating the breadth of her musical interests while showcasing her substantial interpretive skills.

Driver lends her warmly expressive voice to an impressively diverse set of songs, underlining her talent as a song stylist as well as her deeply personal engagement with the material.  She submerges herself in the bittersweet vibe of "Waltz #2" by Elliott Smith, whom Driver befriended when both were in the early stages of their respective careers, and brings a jazzy lilt to The Cure's "Close To Me."  While her readings of Neil Young's "Tell Me Why," John Prine's "Speed Of The Sound Of Loneliness," and Neil Finn's "Better Be Home Soon" cut straight to the emotional heart of those songs, she reinvents the Killers'  "Human" as an affecting country ballad, reworks the swinging Sinatra standard "Fly Me To The Moon" as a stark, moody ballad, and recasts Stevie Wonder's "Master Blaster" as a pensive, introspective mood piece.

"This is something that I've always wanted to do," Driver says of the covers project.  "Every single song on it has enormous resonance for me, for one reason or another.  It's called Ask Me to Dance because a lot of it is my entire teenage experience of standing at the side of a dark dance hall, just willing someone to ask me to dance.  Some of these songs are the ones that helped me through being a teenager.

"But it wasn't just about going back to the past," she continues.  "The point was to choose songs that I felt a real connection to, and then metabolizing the song and seeing how I could bring something new to it.  It was much harder than I thought it would be, and it was quite a challenge to try to turn these songs into something new, and to find myself in them in a way that would also be meaningful to other people."

London-born Amelia Fiona Driver spent much of her early childhood in Barbados, until her parents separated and sent her back to England to attend boarding school.  As a teenager, she began singing and playing guitar in London jazz clubs, while earning her degree in drama from the Webber-Douglas Academy of Dramatic Art.  By the time she reached her 20s, she was acting regularly on British TV, while singing with the jazz group Puff, Rocks and Brown.

"I don't know if I actually did the whole Malcolm Gladwell thing of playing for 10,000 hours, but I felt like I did," Driver recalls.  "I had planned to make music my primary thing, but then I got offered a film and it all went off in a different direction.  At the time, I thought that I was ready to take on the music industry, but I don't think that I really was.  I had to grow up enough to have something to say."

Although her band won a development deal with Island Records, Driver temporarily put her musical passions on hold when her acting career took off, first with her breakout role in Circle of Friends in 1995, and subsequently with high-profile turns in such films as GoldenEye, Big Night, Grosse Pointe Blank, Sleepers and Good Will Hunting.  Her work in the latter film earned Driver her first Academy Award nomination, along with a London Film Critics' Circle Award for British Supporting Actress of the Year.

As her acting career gained momentum, Driver found time to continue writing songs, gravitating towards a rootsy folk-pop sound that she unveiled with the release of 2004's Everything I've Got in My Pocket and refined on 2007's Seastories.  Both albums received considerable critical acclaim and won Driver a substantial fan base.

Driver was hardly idle in the seven years separating Seastories and Ask Me to Dance.  In addition to raising her now-five-year-old son, she won wide acclaim for the FX TV series The Riches, for which she was nominated for an Emmy Award and a Golden Globe Award as Best Lead Actress.  She also starred in the 2010 BBC series The Deep, and appeared in the feature films Conviction and Barney's Version, for which she won a Genie Award for Best Supporting Actress.

Most recently, Driver starred in the television movie “Return to Zero,” a devastating true story of a couple’s attempts to navigate their way through a pregnancy filled with doubt, grief and trepidation. Driver was nominated for a 2014 Critics’ Choice Television Award, as well as a 2014 Primetime Emmy Award on behalf of her performance in the film. She's also currently one of the stars of the NBC series About A Boy, which will premiere its Second Season on Tuesday, October 14th at 9:30PM.

Driver recorded Ask Me to Dance with noted producer Marc "Doc" Dauer, who also produced her first two albums, and legendary engineer Jim Scott, who worked on Seastories, along with many of the same musicians who played on her prior releases.

"I really like the continuity of working with the same people," Driver states.  "To me, that's a lot more interesting to me than the idea of going to France to make a record with Phoenix or going to North Africa to work on some world beats.  I'm more interested in finding my own groove, and I like where I'm at with these guys, because there's a shorthand and a communication that's developed over time.  This time, we were all in the room together, and it just felt so good and so positive.  I gave a little speech every time we started a new song, letting them know what the song meant to me, and they got it."

Having ended her extended recording hiatus, Minnie Driver is returning to music with a renewed passion.  She's also looking forward to return to playing live, and planning to work around About A Boy's shooting schedule to bring Ask Me to Dance to life on stage.

"Everyone's journey is different, and there's a million different ways of doing it," she reflects.  "With my first record, because I had been waiting for such a long time to do it, I felt such a need to prove myself.  And then people actually listened and realized that it wasn't a self-aggrandizing trainwreck, so now I don't feel like I have quite so much to prove.  But music is still very important to me, and I feel like I'm still learning and still growing.

"You can't talk people into believing that you're good at something," Driver concludes.  "You just have to show them, and then you just have to keep doing it and keep getting better at it, and let the work speak for itself."

Ask Me To Dance will be released on October 7, 2014.

Rafal Sarnecki - Cat's Dream

"Like Rosenwinkel, Sarnecki ventures far beyond the bebop and post-bop idioms of the past and into a freer - though still chordal - musical language. Sarnecki's original compositions merge the high-flown lyricism of Polish culture with an idiosyncratic, thoroughly disarming way of building long and winding musical phrases. He's clearly at the start of forming an improvisational syntax for himself, but it already shows originality and daring . . ." - Howard Reich, The Chicago Tribune 

  

Cat's Dream is the third album from guitarist/composer Rafal Sarnecki, born and raised in Warsaw, Poland, and now based in Brooklyn, NY. The album was recorded in Brooklyn by Michael Perez-Cisneros (known for recording such albums as Kurt Rosenwinkel's Heartcore and Gilad Hekselman's This Just In). The mix was done by Dave Darlington at Bass Hit Recording (Darlington is known for mixing such famous albums as If On a Winter Night... by Sting, Alegria by Wayne Shorter, for which Darlington received a Grammy Award, and Gershwin's World by Herbie Hancock). 

Cat's Dream features eight new compositions from Sarnecki, arranged for a sextet comprised of some of the best and brightest young musicians on the NYC Scene, Lucas Pino (tenor sax, bass clarinet, flute), Glenn Zaleski (piano), Rick Rosato (bass), Colin Stranahan (drums) and Bogna Kicinska (voice). Cat's Dream also marks Sarnecki's first album recorded with American musicians, and the first time he composed for voice. Sarnecki elaborated; "I wrote the music specifically for these musicians, and during the composition process I imagined every musician in the group performing the music and tried to hear how the parts would sound. We have all known each other for many years so I was able to feature their unique abilities and strengths within this music. I definitely felt very privileged to be able to record with such incredible musicians."

  

Each composition on Cat's Dream represents a different period in Sarnecki's life, and also a different stage of his development as a composer. On the album you can find extended forms ("For Anastazja" or "Plane Crashes and Conspiracy Theories"), typical short form jazz songs ("Ordovician Extinction", "Piazza Verdi"), as well as the first song with lyrics the composer has ever written (the title track, albeit in Spanish, "Sueño de Gatos"). Sarnecki's music is a result of being influenced by both traditional Polish songs, and American music he was exposed to on radio and in American films. Sarnecki explains further, "many American musicians consider my compositions very European in style, while in Poland and in the rest of Europe, my music is often described as very American. I like my music to have an American rhythmic character, and feel that introducing European melodic elements doesn't necessarily have to make the music groove less."

  

Sarnecki's music is fascinating in that many musicians perceive his compositions as being complex and challenging to perform (perhaps due to Sarnecki having a degree in Physics). However, the composer actually strives to make his music as user-friendly as possible, only using odd-meters if he is absolutely certain that it is necessary, for example. "Nevertheless the music on Cat's Dream is challenging to perform even for myself. I am really amazed by the ability of my bandmates to improvise with incredible freedom and expression over the complex metric structures of these songs," said Sarnecki.

 

 

Noah Garabedian - Big Butter And The Eggmen

In demand sideman, bassist/composer Noah Garabedian, who has worked with the likes of Ravi Coltrane, Josh Roseman, Ralph Alessi, Andrew D'Angelo, Myron Walden, Nir Felder, Julian Waterfall Pollack and The Amigos Band, is happy to announce his debut recording as a leader, Big Butter And The Egg Men, featuring his sextet of the same name.

The instrumentation of Garabedian's band was inspired by a prolonged Louis Armstrong phase, coupled with the bassist listening extensively to Henry Threadgill's bands Zooid, and Very Very Circus (several of the tracks on the album also reveal Garabedian's love for Bach, and Baroque music in general). He elaborated, "I wanted to create a band where the musicians could all comp for each other, without a traditional chordal instrument, and having a band that can potentially go from being an entire sextet improvising together, to a small duo or trio, was a very exciting prospect for me." Garabedian aimed to compose music that provide a spring board for the improvisers, and that would have a more natural transition between the composed passages and the improvised sections. He explains, "rather than writing in a conventional jazz structures (such as the blues, or AABA forms, etc), I wanted to experiment with several different melodies in a piece, different improvising sections throughout the composition, and a variety of textures within each song."

The Big Butter And the Egg Men Sextet, featuring Garabedian on bass with Kyle Wilson (tenor sax), Anna Webber (tenor sax), Curtis MacDonald (alto sax), Kenny Warren (trumpet) and Evan Hughes (drums), is made up of musicians who are also friends who have been making music together for a long time. Just to cite one example, Garabedian, now based in Brooklyn, and drummer Evan Hughes (both from Berkeley, CA) have known each other since they were teenagers. "Having that band quality is very important to me, especially in an age where so few steady working bands exist. The trust I have in the musicians is something that I value greatly; not only can I rely on them to perform my music at a high level, but I also welcome their input while we are work-shopping new compositions," said Garabedian.

 

Brooklyn Jazz Underground Releases - Seven By Seven

In 2011 the members of the BJU (formed in 2006) composed new music for their first collaborative effort, the recording, A Portrait of Brooklyn. These performances marked the first time that the BJU members came together as an ensemble, and the result was praised unanimously, with Hank Shteamer of Time Out New York calling the BJU Ensemble, "a valuable collective that spotlights underrated local bandleaders", and Chris Smith adding in The Winnipeg Free Press that, "Brooklyn has a thriving jazz community, and an association of artists committed to building a greater awareness of original music coming from there - the Brooklyn Jazz Underground."

From its inception the BJU, a highly influential group that inspired the formation of other artist collectives around the world, including The Paris Jazz Underground, The Queens Jazz Overground and The LA Jazz Collective, has always placed a premium on original composition. The band's much-anticipated second recording, 7 X 7, offers a collection of seven compelling works conceived by each member of the septet, featuring David Smith (trumpet), Adam Kolker (tenor sax, bass clarinet), Anne Mette Iversen (bass), Rob Garcia (drums), and also featuring the addition of vocalist Tammy Scheffer, who plays a shifting role here as a vocalist and as a third "horn", pianist David Cook & drummer Owen Howard, empowering the ensemble alongside Rob Garcia with a dual drummer thrust.

While each piece exemplifies the character of the individual composer, the ensemble devised a cohesive element to lend unity to the entire recording: "The Shorty," a brief composition derived from each of the seven original works. The creative twist was that these variations were to be composed by a fellow BJU artist. "We literally drew names from a hat to pick which composition was to be our 'assignment.' Whether inspired by a melodic phrase, a harmonic structure or simply the vibe of the initial work, each 'Shorty' in turn, found its own character," explained Owen Howard (from the liner notes).

New Releases: The Fat Babies - 18th & Racine; Jared Gold - Intuition; Kalaparush and the Light - Morning Song

THE FAT BABIES - 18TH & RACINE

One of the coolest combos working in Chicago these days – a trad jazz group with a really wonderful sound – one of the few modern groups who can really illustrate the improvisational excitement of jazz back in the Windy City scene of the 20s and 30s! These guys have a freshness that you'd never find with other trad combos – maybe an energy that's generated by their youth, or the fact that in the 21st Century we're now so removed from the cliches of the trad revival, folks can start over again and really get things right. Whatever the case, their sound is great – an electrifying revival of modes we never thought we'd like this much from contemporary players. The lineup includes string bass, cornet, clarinet, alto sax, trombone, piano, drums, and banjo – and titles include "The Stampede", "18th & Racine", "I Can't Dance", "Stardust", "Oh Baby", "The Chant", and "Blueberry Rhyme". ~ Dusty Groove

JARED GOLD – INTUITION

Jared Gold's one of the few up-and-comers who really knows his way around a Hammond – not in a stock funk mode, but in the far-reaching, freewheeling style of great jazz organists like Larry Young or Lonnie Smith! This set's just the kind of cooker we've come to love from Gold – a trio date that has the keyboardist moving madly up and down his instrument – pulling notes out with effortless ease, and bringing them together in ways that few other players might dare! The group's got guitar from David Stryker and drums from McClenty Hunter – and like most of the best of the classic Hammond players, Jared lets his own feet handle all the work on bass. Titles include "Right Nowish", "As It Were", "Bedo's Blues", "Hoopin On Sundays", "The Crusher", and "Pro Zeca". ~ Dusty Groove

KALAPARUSH AND THE LIGHT - MORNING SONG

A beautiful later Delmark album from Kalaparush Maurice McIntyre – one that has all the vivid creative energy of his classic sessions for the label from the 60s! The setting continues McIntyre's work with The Light – a duo of tuba and drums, which makes for some mighty unusual sounds – an odd variant on the bass and drums you might normally hear in an avant trio like this – with lots of complex interplay at the core, and these soaring, searing solos from Kalaparush on tenor sax! His tone is wonderful – as deeply heartfelt all these many years later as it was right back at the start – a rare sound we'd rank right up there with Pharoah Sanders' voice on tenor. Titles include "Noon", "Let Us All Relax", "Here Comes The Light", "Mobo", "Against All Odds", "Evening", and "I Don't Have An Answer Unless It's God". ~ Dusty Groove

New Releases - Yusef Lateef - The Gentle Giant; Joe Magnarelli - Lookin' Up; Jason McGuiness - A Whitfield/Strong Tribute

YUSEF LATEEF - THE GENTLE GIANT

One of the greatest Yusef Lateef albums on Atlantic Records – and that's saying a lot, given the high level of quality he was hitting at the label! The album's a perfect blend of the newly-funky Lateef style with some hipper, more sophisticated touches – a mode that hints at his bigger-concept recordings to come, but which is still pretty lean and clean overall – and damn funky on most of the best tracks! Yusef plays a host of hip flutes here, plus tenor and oboe – and an almost equal star on the record is Kenny Barron, whose electric piano lines really make the album something special. The album begins with a long take on Barron's "Nubian Lady" which begins the record – and Kenny also contributed the tighter grooving "Jungle Plum". Other tracks include "African Song", "Queen Of The Night", "Poor Fishermen", "Below Yellow Bell", and a strange version of "Hey Jude" that goes on for a long time, and really messes with the volume – listed on the cover with the note "Do not adjust the playback level on your audio equipment – readjust your mind!"  ~ Dusty Groove

JOE MAGNARELLI - LOOKIN' UP

A storming set from trumpeter Joe Magnarelli – working here in an excellent quintet that also features equally great trombone from Steve Davis – a perfect partner from Joe in the front line! Davis has sharp phrasing that really matches Magnarelli's deft trumpet lines – and the pair get a soulful swing from a tight rhythm trio that features Anthony Wonsey on piano, Mike Karn on bass, and Jason Brown on drums – a group that brings in bold, strong tones right from the start – and still finds a resonant depth even on mellower numgers. Many tunes are originals from Joe, mixed with a few well-chosen classics – and titles include "44", "Third Set", "Inner Beauty", "Miles Mode", "In Walked Lila", "Blue Key", and "Easy Transition". ~ Dusty Groove

JASON MCGUINESS – A WHITFIELD / STRONG TRIBUTE

A sweet little 3-track EP spearheaded by producer/synth programmer Jason McGuiness – who enlists some of the leading players in the LA funk scene to pay tribute to Norman Whitfield, Barrett Strong, and the psych soul era of Motown Records! Includes freshly-arranged, straight up incredible takes on "Smiling Faces Sometimes", "Cloud Nine", and "Papa Was A Rolling Stone" – with vocals by Mix Master Wolf (Breakestra) and Stephanie Karr, Dexter Story on Rhodes and Hammond, Todd Simon on turmpet, Kamasi Washington on sax, T'Amir Sweeney on drums and more.  ~ Dusty Groove

NEW RELEASES - WALT WEISKOPF - OVERDRIVE; ECCENTRIC SOUL; BAGAR AKA TRICKY D - EQUANIMITY

WALT WEISKOPF - OVERDRIVE

Bold, soulful sounds from tenorist Walt Weiskopf – a player who not only really knows his place as a soloist, but who also comes across as a great leader on a date like this! The whole group's got a focus that comes through right away – Walt's bold horn in the lead, but fused with these strong piano lines from Peter Zak, guitar from Yotam Silberstein, and vibes from Behn Gillece – instruments that really pull together a lot of sound and tones when used this well, creating a sense of force that really drives the album along. All tunes are originals by Weiskopf, save one – and the whole thing's got this unified vision from the start to the finish – a really great step forward for Walt. Titles include "Like Mike", "The Path Is Narrow", "Night Vision", "Waltz For Dad", "Four Horsemen", "Midwinter Night's Dream", and "No Biz". ~ Dusty Groove, Inc.

ECCENTRIC SOUL – THE WAY OUT RECORDING CO (VARIOUS ARTISTS)

Great work from a label that was way out in the Cleveland scene of the 60s – but which bristles with some of the best energy of Detroit and Chicago at the time! The tiny imprint never cracked the big time, but not for lack of quality – as the cuts here have a sharp blend of deep soul vocals and tight arrangements – of the sort that we've always loved in the best smaller Chicago indies of the late 60s – particularly the kind of labels that were operating in the shadows of Chess and Brunswick. A core group of artists recorded most of this music – and make for a very unified feel throughout – especially given that even some of the numbers with solo singers still really maintain a group soul sort of vibe. And the overall quality of the package takes us back to the earliest days of projects like this from the Numero Group – right down to the very detailed story of the label's unique place in 60s soul music. Titles include "There's No You" by The Occasions, "Demanding Man" and "Two Can Make It" by The Sensations, "She Didn't Know" by Sammy Jones, "Ain't That A Heartache" and "Baby Don't Go" by Norman Scott, "You're Not Loving A Beginner" by Jesse Fisher, "How long Will It Last" by The Soul Notes, "Why" by The Springers, and "Party At Lester's" by Lou Ragland & His Bandmasters. 2CD set – with 40 tracks and a great booklet!  ~ Dusty Groove

BAGAR AKA TRICKY D - EQUANIMITY

Dean Bagar aka Tricky D was born and raised in Croatia where he trod the boards as a visual artist as well as playing a leading role in The Punk / New-wave scene of the early eighties. By late eighties moves to London where he discovered the power of Reggae Sound systems. The worsening political troubles and escalation of violence in Croatia left him a refugee in Berlin, but he still found the spirit to immerse himself in the blossoming “Daisy Age” and this is where he began his DJ / production journey. There he got involved in cult underground club “Eimer” and became an underground break-beat activist, and spearheaded one of the first German Drum´n´Bass live bands, Elektronauten, and still found time to open "Tricky Tunes" record shop and after spending some time in Jamaica where together with his friend Mez he did a recording session with local vocalists, decided to start his own “Tricky Tunes” label as well. In 2000 he released together with General Electrick and Dj Deckart a couple of singles and an album under the name “Fab Factory” where they explored and pushed the limits of 2step garage. All the while he honed his craft as a DJ and producer. He became a member of a visual-audio project “Digital Tattoo”. Since 2006 he has travelled often to Colombia, where after regular collaborations with local talents, he went on to produce and manage the Los Transatlanticos project, released on BBE in 2012. On his debut as Tricky D the artist, he presents us with "Equanimity" introducing a different side of his musical productions, a fusion of downbeats, soul, dub, deep dubstepy / future garage beats and cinematic ambient layers, with a twist of Balkan Funk here… and there of tango … and cumbia. A beautiful adventure in music, mirroring those of his life. On the album Bagar features vocal talents from both sides of The Atlantic hemispheres … European and South American.

New Releases: Zara McFarlane - Move (Atjazz Remix); Nathan Woodward; Fire! Orchestra - Enter

ZARA MCFARLANE - MOVE (ATJAZZ REMIX)

‘Move’ was released digitally on the July 14th and is the third single from Zara McFarlane’s highly acclaimed second album ‘If You Knew Her’. Her instantly recognisable voice is truly on show as her vocal acrobatics stretch across both her melodies and her accomplished improvisations, accompanied by a sparse groove rife with tension and release. Zara weaves a tale of finding strength at a moment of uncertainty on which coasts over both Afro-Carribbean rhythms and a solid swing. The B-side is another track from the album, ‘You’ll Get Me In Trouble’. A playful take on temptation – completely captivating yet deceptively simple. the delivery is heartfelt - it is no surprise it went down such a storm on her recent Jools Holland performance. To complete the summery package a suitably deep remix from Atjazz with full toned subs and a laid back beat sure to make even the most stubborn of heads start to nod. Atjazz  brings something new to the table, serving up 8-bit flavours to compliment the jazzy concoction.

Listen to Zara McFarlana Move (Atjazz Remix)

NATHAN WOODWARD

A young, newcomer to the scene, Nathan is an artist that doesn’t waste a single note. His concerts pack an emotional punch and technical precision that continually dazzles. Traveling on average 51 weekends a year, Nathan has already become a name in some circles as a crossover Gospel, Smooth Jazz, and R&B artist. His career has already included work with clients such as the American Red Cross, The American Heart Association, MGM Resorts, Chick-fil-A, and numerous others. “Versatility” is what many have come to appreciate about Nathan. Whether in a small theater or large church, he continues to shine. With over a decade of traveling across the United States and around the world, Nathan’s improvisational jazz style and passionate melodies will encourage the heart and stir the soul. Tracks include: Soho Twilight, Sea Breeze, Presence, Tuesday Rain, Tell Me Why, 2 O’Clock, The Promise, Schipol, Main Street, Sunrise, and  Time Lapse (Bonus Track).

FIRE! ORCHESTRA - ENTER

One of the coolest, wildest performances we've ever heard from the Fire Orchestra – an expanded version of a core jazz combo that includes Mats Gustafsson on tenor – but which here has grown to a very bold lineup of musicians with a trio of voices as well! The album features one long piece – the mighty "Enter" – a strongly spiritual number that mixes soulful jazz expressions with freer improvisations, and some psych elements from time to time – a really amazing blend that holds up tremendously well, even throughout the double-length space of the recording. In addition to Gustafsson on tenor – and also conducting the group – the lineup features Jonas Kullhammar on baritone sax, Fredrik Ljungkvist on baritone and clarinet, Anna Hogberg on alto, Magnus Broo and Emil Strandberg on trumpet, Goran Kajfes on cornet, Sten Sandell on keyboards, Raymond Strid on drums, and the trio of Mariam Wallentin, Sofia Jernberg, and Simon Ohlsson on voices. ~ Dusty Groove

Jazz and Soul Classics Re-Imagined by Vocalist Ranee Lee on 'What's Going On"

Brooklyn-born, Montreal-based vocalist and songwriter Ranee Lee, one of Canada's most treasured jazz vocalists, an award-winning actress, author and jazz educator, releases her 13th recording on Justin-Time Records, entitled What's Going On. Following A Celebration in Time, with piano giant Oliver Jones and receiving a Juno award for Ranee Lee Lives Upstairs, Lee returns with a set of re-imagined jazz, soul and reggae classics, as well as several original compositions. She is accompanied by Richard Ring on guitar, Taurey Butler and Chad Linsley on piano, Morgan Moore and Dave Watts on acoustic bass, Dave Laing on drums and Chet Doxas on tenor saxophone.

Four of the tunes on What's Going On feature the Birds On A Wire String Quartet, with masterful arrangements by Andy Ballantyne. "Working with strings has always been an otherworldly experience for me," says Lee.  The addition of the strings imbues the music with "a brilliant and ethereal presence, an elegant sensuousness that lifts me even further and transports me," she reflects, noting how the strings inspire her to phrase differently, enveloping herself in their currents.

The choice of material for the album stems from Lee's love of interpreting lyrics. "I feel differently about the mood of a particular song and perform it differently based on the arrangement." Chosen for its resonant, still-relevant social commentary, Marvin Gaye's "What's Going On" opens the album with a fresh arrangement. "In 1970, when this song was brought to the world's attention, it caught mine on many levels," recalls Lee. "It was important to me then, as it is now. Communicating the moving lyrics of this beautifully crafted song to my audience confirms the need to be continually vigilant, and support the positive and authentic relationships we should have with one another."

Lee connected with "Where Do You Start?" as a love song that "tells the entire story." Her soulful, heartfelt vocals enhance Alan and Marilyn Bergman's lyrics and Johnny Mandel's tender melody, while Chad Linsley and the string quartet add layered poignancy.  The Coleman Hawkins / Thelonious Monk standard "I Mean You" is treated with verve and infused with a Latin groove as Lee delivers Jon Hendricks' lyrics with a sense of playfulness. Emotionally stimulating, "A Lazy Afternoon" creates a cinematic effect, tapping all the senses. Bob Marley's beloved anthem "One Love" draws on Lee's own heritage; her mother, Inez Monica Johnson, was born in Kingston, Jamaica. Lee performs the song with three of her grandchildren, embracing the message of universal love and respect by all people for all people, regardless of race, creed or color.

   

Lee contributes three originals to the recording. "Writing originals helps me to further my journey of interpretation," she reveals. "I often choose or write a song from a personal perspective, likely the influence of an event in my life, or the association of a story with a message, or because it is challenging to perform." Arranged by Taurey Butler, "Echoes of the Heart" is an up-tempo swing featuring vigorous interplay. "It Will Be What It Will Be" offers words of encouragement for our youth, reflecting the complexity of erroneous decisions and their potentially devastating outcome, and the empowerment that comes with taking positive control and receiving supportive advice. "Silent Tears" was inspired by the difficulties experienced by those suffering from clinical depression, underscoring the importance of recognizing the signs and assisting a loved one.

  

"White Gardenia," a poetic reflection on finding, then losing love, with lyrics by Roger Peace (author of a musical play of the same title starring Lee as Billie Holiday, to be staged in March 2015) coupled with Butler's elegant melody, is enhanced by the strings and, of course, by Lee's haunting delivery. Closing the album is Leon Russell's timeless "A Song For You," which Lee dedicates to her family. Beautifully arranged for strings and featuring longtime collaborator and husband Richard Ring on guitar, the tune showcases her depth and sincerity, her powerful and dynamic vocals. Having drawn comparisons to Billie Holiday, Sarah Vaughan and Dinah Washington, Lee clearly has a sound all her own -- evidenced, once again, on this new recording.

  

Ranee Lee's What's Going On is scheduled for release on Justin Time Records on: September 9, 2014

STREAM TRACKS FROM "WHATS GOING ON"

www.RaneeLee.ca

New Releases: Naomi Shelton & The Gospel Queens - Cold World; Ambient Jazz Ensemble - Suite Shop; El Michaels Affair - Sounding Out The City

NAOMI SHELTON & THE GOSPEL QUEENS – COLD WORLD

With Gabriel (Bosco Mann) Roth at the helm, Naomi and company went into the studio Summer 2013, and cut onto tape what can only be described as bonafide Soul Excitement of the highest order!  At the heart of it, Cold World is a Soul record but the cross section of sub-genres the album weaves through makes it difficult to label it plainly as such.  There are tracks like ‘Sinner’, ‘Heaven Is Mine’, and ‘Humble Me’ that capture the group’s penchant for Soul grooves, seasoned with Naomi’s tough vocal delivery, and the Queens melodic interplay, which captures perhaps better than any of the other tracks, NSGQ’s live show.  Then there’s some hard funk by way of ‘Bound for the Promised Land’, ‘Cold World’, and ‘Thank You Lord’ - the percolating church rave-up of ‘Get Up, Child’, the country heavy ‘One Day’, and ‘I Earned Mine’, and the bouncing rumba of ‘Everybody Knows.'  This album is a menagerie of Soul music at its finest, untied by the strong message-laden lyrics. Trust us, the wait was worth it. ~ Daptone Records

AMBIENT JAZZ ENSEMBLE – SUITE SHOP

Ambient Jazz Ensemble’s sound is inspired by a mix of Brian Eno, Gil Evans and Weather Report. From the offset “Eyes Wide Open” takes us on an glorious orchestral, slightly jazzy direction. Think Pat Metheny Group meets David Axelrod with a modern electronic twist. The horns, brass, strings and synths play off each other to create beautiful soundscapes. “The Journey”, showing the funkier side of Suite Shop, flirts with chorale music at its peak. The aptly titled “Quiet Hero” does exactly what it says on the tin: gorgeous tranquility in a Massive Attack “Teardrop” kind of way which then builds in booth mood and intensity climaxing in electronic orchestral heaven, definitely one for festivals, sunsets and rises, epic moments personified. And then we confidently exit the Suite Shop “Never In Doubt” and roll the credits. Writer, Colin Baldry, is not short of Genius ! Neil Cowley (Brand New Heavies, Jamiroquai, Neil Cowley Trio) plays keys on all 10 tracks alongside strings and a brass section featuring Finn Peters who’s played with Bill Frisell, Sam Rivers and DJ Spinna. ~ Here And Now Recordings

EL MICHAEL AFFAIR - SOUNDING OUT THE CITY

As the work of DJ Spooky and other turntablists indicates, there's a seemingly limitless supply of rare and obscure deep funk grooves out there. However, attempts to replicate the sound have mostly been botched by inappropriate use of "updated" instruments and technology, creating a mutant half-breed that never quite works. Not so with the debut album by Brooklyn's el Michels Affair. Led by organist/drummer Leon Michels, this instrumental group has created a near-perfect simulacrum of late-'60s/early-'70s deep funk, jazz-funk, and soul-jazz, right down to the dub-like lo-fi quality of the sound, as if it were recorded quickly in a cheap studio. If that were all Sounding out the City was, however, it would be an impressive technical achievement but not a particularly interesting album. As it happens, however, Michels and crew have created an album that has as much melodic content (check out the simply gorgeous ballad "Behind the Blue Curtains") and soul as any of the albums it's an homage to. Leading off with the group's prized 2002 debut single "Detroit Twice," Sounding out the City is a canny blend of hard funk and gentler tunes like the Latin-influenced "This Song's for You." All 11 songs (ending with an excellent cover of Isaac Hayes' "Hung Up on My Baby") are between two and four minutes long, which avoids the unfortunate tendency some similar bands have to run a good groove into the ground through static repetition. That's what the repeat button is for, folks, and it should get quite a workout on this hugely enjoyable album. ~ Stewart Mason

New Releases: Mingo Fishtrap - On Time; Fred Hersch Trio - Floating; Ted Rosenthal Trio - Rhapsody In Gershwin

MINGO FISHTRAP - ON TIME

While attending the University of North Texas' College of Music, Roger Blevins, Jr. casually asked a few dorm mates to jam on some old soul & funk tunes. Missing that sound that he had grown up hearing, the Mississippi-native quickly found himself surrounded by an eight-pieceband, complete with a percussion and horn section. Recent support dates for the likes of contemporaries Robert Randolph, Trombone Shorty, MOFRO & Galactic, along with legends such as Parliament, Sting, Little Feat and Earth, Wind & Fire, have raised the rofile of the band. Now the ciritically-acclaimed soul collective plans to release their new record ''On Time'' June 3, 2014 on Blue Corn Music. // ''...the space where melodic pop meets gritty Memphis soul, with a twist of N'awlins funk. That space is growing like Kudzoo vine on the Mississippi Delta, crisscrossing the country with a deep, tenacious groove and a sanctified mission to shake your soul.'' --Texas Music Magazine //  ''If what James Brown supposedly said was true - ''the one thing that can solve most of our problems is dancing''- then Mingo Fistrap has plenty of business to take care of in our nation's capital.'' --Washington City Paper, Zoe Polluck // ''..tight 'n' punchy horns, deep rhythms, restless melodies, and emotive singing has garnered Mingo justified respect as a live powerhouse.'' --Austin Chronicle, David Lynch. ~ Amazon.com

FRED HERSCH TRIO

Floating, the remarkable new album by the Fred Hersch Trio, brings the pianist back into forbidding territory. After a run of lightning-in-a-bottle live albums, he returned to the studio to document the ongoing evolution of his primary ensemble featuring bassist John Hébert and drummer Eric McPherson. Slated for release by Palmetto on July 8, 2014, the album captures the trio in exceptional form, playing with nonpareil rhythmic resourcefulness, ravishing lyricism, and telepathic interplay. The trio's last release, 2012's Fred Hersch Trio - Alive at the Vanguard (Palmetto) was a critically hailed double album that earned the Grand Prix du Disque, France's top jazz award. With five years and numerous national and international tours under their belts, the group has continued to hone its rarified communion, a creative frission evident on Floating. Unfolding with much the same rhapsodic coherence of a trio concert, the new album ranks amongst Hersch's very best work, which is to say that it's one of the era's definitive trio recordings. While the album focuses on Hersch's original compositions, two American Songbook standards serve as lyrical touchstones. Propelled by McPherson's clattering sticks, the trio opens the session with an intricately patterned sojourn through 'You and the Night and the Music' that builds to a two-handed montuno. The trio closes with a sensuous caress of 'If Ever I Would Leave You' and a measured but exacting investigation of 'Let's Cool One,' continuing Hersch s longstanding tradition of closing most performances with a Monk masterpiece. ~ Amazon.com

closing most performances with a Monk masterpiece. ~ Amazon.com

TED  ROSENTHAL TRIO – RHAPSODY IN GERSHWIN

Playscape Recordings is proud to release - Rhapsody in Gershwin, lead by veteran pianist Ted Rosenthal, along with his flagship trio, featuring bassist Martin Wind and Tim Horner on drums. On Rhapsody in Gershwin, his 6th release with Playscape Recordings, Rosenthal pays tribute to eight of George Gershwin's most popular compositions beginning with an extended trio arrangement of - Rhapsody in Blue-. I like to add some of my own jazz improvisations in the cadenza sections, - Rosenthal writes in his liner notes. -Since Gershwin himself did not have the time to write down his solo cadenzas at the premiere, it's a natural way for me to expand and personalize the piece. Additional arrangements include Gershwin's witty -Let's Call the Whole Thing Off - and -Someone to Watch Over Me,- among others. ~ Amazon.com