Friday, July 04, 2014

NEW RELEASES: DADO MORONI - FIVE FOR JOHN; JONATHAN BLAKE - GONE, BUT NOT FORGOTTEN; JUSTIN ROBINSON - ALANA'S FANTASY: A TRIBUTE TO WAYNE BURNO

DADO MORONI - FIVE FOR JOHN

The John for five here is John Coltrane – whose songs are featured on about half the record, but which take on a very different sound in the hands of these excellent musicians! Key here is vibist Joe Locke – who adds an element you'd never hear in Coltrane's own recordings – and the rest of the lineup really gives the record a special sparkle, too – with Max Ionata on some searing tenor lines, Dado Moroni on piano, Marco Panascia on bass, and the great Alvin Queen on drums – a timekeeper with a bit more of a soulful swing than Elvin Jones. The set features great readings of "Naima", "After The Rain", and "Mr PC" – plus the McCoy Tyner tunes "Latino Suite" and "Contemplation" – and a version of Elvin Jones' "EJ's Blues". Also features strong originals "Mr Fournier" and "Sister Something" – and a version of "Uncle Bubba", a Gary Bartz tune.  ~ Dusty Groove

JONATHAN BLAKE - GONE, BUT NOT FORGOTTEN

Don't worry about the title, because drummer Jonathan Blake is very much with us – stepping out strongly in his Criss Cross debut as a leader! The set's got a unique approach – a quartet with no piano, just drums and bass – plus tenor and flute from Chris Potter, and tenor and soprano from Mark Turner! Both reedman work wonders together – deftly twisting and turning around each other, then sliding into solo spaces that are really tremendous – filled with inventive elements, yet still soulfully swinging – at a level that may well make the record one of the best performance from either player in awhile. Many tunes are tributes to folks passed from the Philly scene in which Blake grew up – including Trudy Pitts and Charles Fambrough – and tracks include "Firm Roots", "Broski", "Anysha", "New Wheels", and "The Shadower". ~ Dusty Groove

JUSTIN ROBINSON - ALANA'S FANTASY: A TRIBUTE TO WAYNE BURNO

Saxophonist Justin Robinson serves up a tribute to bassist Dwayne Burno – in a set that wasn't originally intended that way, but which turned out to be Burno's last time in the studio! Dwayne passed away from kidney disease after the album was recorded – and hearing his wonderful work throughout, we're already missing him greatly – for his warm spirit, his flawless sense of swing, and his commanding tone that really seems to hold fast throughout the entire set. The leader is great too – a soulful voice on alto, with a style that takes us back to Jackie McLean in the 70s – and a great writer too – as evidenced by a handful of excellent tracks in the set. The group also features Michael Rodriguez on trumpet, Sullivan Fortner on piano, and Willie Jones on drums – and titles include "Easy E", "Alana's Fantasy", "Jeremy Isaiah", "When We Were One", "Answering Service", and a version of Gary Bartz's "Libra". ~ Dusty Groove


Neil Diamond’s All-Time Greatest Hits Set for Release July 8 on Capitol/UMe, with 23 Original Studio Recordings; Includes Rare and Original Solo Version of “You Don’t Bring Me Flowers”

Grammy® winner and Rock and Roll Hall of Fame inductee Neil Diamond gets a comprehensive compilation of his career with ALL-TIME GREATEST HITS, a 23-track collection that will be released July 8 on Capitol Records/UMe, marking the first release since signing a long-term recording agreement with the iconic label, Capitol Records. The historic agreement unites Diamond’s complete Columbia, Uni/MCA and Bang catalogs, encompassing the artist’s entire body of work, from the earliest recordings through the present day. Later this year, Capitol Records will release Diamond’s first original studio album since his 2008 HOME BEFORE DARK which debuted at #1 on the Billboard Top 200 Chart. The new album will be Capitol’s first original Neil Diamond release since THE JAZZ SINGER which debuted three of Diamond’s all-time greatest hits: “Hello Again,” “America,” and “Love On The Rocks.”

Neil Diamond’s ALL-TIME GREATEST HITS features the original studio recordings of such standards as “Sweet Caroline,” “Holly Holy,” “I Am…I Said,” and chart-toppers like “Cracklin’ Rosie,” “Song Sung Blue” and the rarely heard original solo version of “You Don’t Bring Me Flowers.” The set captures his beginnings as a songwriter-turned-singer in New York to his multi-platinum days in Hollywood.

Throughout an illustrious and wide-ranging musical career, Neil Diamond has charted 37 Top 10 singles and 16 Top 10 albums in the U.S. and has sold more than 128 million records worldwide, racking up 72 multi-platinum, platinum and gold album certifications in the United States alone. His most recent studio releases, 2008's HOME BEFORE DARK debuted at #1 in the U.S. and UK, and 2010’s DREAMS, a collection of Diamond’s favorite songs by other composers from the rock era, debuted in the Top 10 and was highly critically acclaimed.

A Grammy® Award-winning artist, Diamond is a member of the Rock and Roll Hall of Fame, Songwriters Hall of Fame and a recipient of the Sammy Cahn Lifetime Achievement Award, one of the highest honors bestowed upon songwriters. Diamond’s many other achievements include a Golden Globe Award, 13 Grammy® nominations and 2009’s NARAS’s MusiCares Person of the Year award. In 2011, Diamond received the prestigious Kennedy Center Honor for his lifetime contributions to American culture.

Here is the complete track listing for Neil Diamond’s ALL-TIME GREATEST HITS.

Cracklin’ Rosie
Forever in Blue Jeans
Song Sung Blue
Sweet Caroline
Holly Holy
Red, Red Wine
Hello Again
Beautiful Noise
America
September Morn
Love on the Rocks
Shilo
You Don’t Bring Me Flowers
Morningside
Soolaimon
Play Me
Kentucky Woman
Girl, You’ll Be a Woman Soon
Solitary Man
I’m a Believer
Brother Love’s Traveling Salvation Show
Cherry, Cherry
I Am...I Said


RICK BRAUN'S "GET UP AND DANCE!" ENTERS TOP 5 ON BILLBOARD CHART

The boisterous party tune “Get Up And Dance!” by contemporary jazz stars Rick Braun (www.RickBraun.com) and Dave Koz has rapidly risen into the Top 5 on the Billboard chart ahead of Braun’s new album release next Tuesday (July 8). The energizer powered by Braun’s trumpet and fervent flexing from the muscular horn section is an infectious R&B/funk jam beckoning to become the instrumental song of the summer. It will definitely be another No. 1 single added to Braun’s lengthy list of chart-toppers that are radio playlist staples and fan favorites.  

Braun produced “Can You Feel It,” his sixteenth album that revisits the spirit of his twenty-year-old breakthrough album, “Beat Street.” It’s his first contemporary jazz foray in five years, the album his worldwide fan base has eagerly anticipated. On the new set, for which he wrote or co-wrote most of the material, Braun surrounded himself with friends such as fellow luminaries Brian Culbertson, Euge Groove, Jeff Lorber, Philippe Saisse, Elliot Yamin and some of the best sidemen in contemporary jazz. The up-tempo collection recalls Braun’s past playing in War and invokes the potent horn-ignited fun of the mighty Tower of Power.   



Thursday, July 03, 2014

Smoke Sessions Releases New Albums by Cyrus Chestnut, Orrin Evans and Eric Reed

Smoke Sessions Records, the new imprint of New York City's influential uptown club Smoke, releases new live recordings by a trio of three masterful jazz piano peers, Cyrus Chestnut, Orrin Evans, and Eric Reed. Smoke has a reputation among a number of pianists as "the place" in New York City and these recordings will only help to reinforce this claim. "Smoke is the best place musically to play in New York," says pianist David Hazeltine, who released an album on Smoke Sessions Records earlier this year. "It's very intimate and they get a great sound: it's studio quality with the added energy of a live audience." 

CYRUS CHESTNUT - MIDNIGHT MELODIES

Cyrus Chestnut, the soulful straight-ahead piano master, releases his first live recording, captured in front of an enthusiastic and appreciative audience in the club's comfortably intimate setting. In addition, Chestnut boasts that Smoke's Steinway B is the best piano in the city. "It's just my ticket. We connect. It's warm and it's sharp at the same time with a lot of earth in it. I like clubs like the Jazz Standard or Smoke, where you can sit down at the piano and get down-home, because that's the kind of audience they attract."

Joining Cyrus are bassist Curtis Lundy and drummer Victor Lewis, two veterans of the John Hicks' trio. Together they take listeners on a musical odyssey that includes music by Billy Strayhorn, John Coltrane, and, of course, John Hicks like the album's penultimate masterpiece, "Naima's Love Song." Cyrus is one of the great piano voices of his generation as he proves again with this rewarding live debut. Midnight Melodies is available for purchase as an 8-panel CD-Deluxe Album complete with liner notes, interview and additional photos or as a high resolution download mastered for iTunes.

Cyrus Chestnut · Midnight Melodies / Smoke Sessions Records · Release Date: July 8, 2014

ORRIN EVANS - LIBERATION BLUES

Orrin Evans - pianist, bandleader and musical catalyst - is a bona fide, jazz original. Brimming with music and ideas, Orrin's Liberation Blues debuts one of his most impressive projects yet, a new quintet lineup that includes Sean Jones, JD Allen, Luques Curtis, and Bill Stewart. It's a group wholly of Orrin's imagination that pairs established stars Sean Jones and JD Allen for the first time. It's also hard to miss Bill Stewart's presence. When planning for this project, Orrin recalls a conversation with his wife and main sounding board, "Let me do something that people wouldn't expect, somethin' that I wouldn't even expect," the pianist explains. "Listen...now is the time for Bill Stewart!"

The recording, made live at Smoke Jazz Club in New York City, occurred immediately following the passing of Orrin's close friend and fellow Philadelphian, the bassist Dwayne Burno and is dedicated in his memory. The opening selections comprising the "Liberation Blues Suite" are also dedicated to Dwayne and feature two of his compositions. Orrin explains, "In my eyes, Burno is now a 'Free Man'... but with that freedom, we've lost a great man right here on earth. So, there's still a blues we feel missing our brother and friend." Simply put, the playing is inspired. The varied program with compositions by Paul Motian, Trudy Pitts, Miles Davis, and, of course, Orrin, concludes with a memorable surprise visit from Philadelphia vocalist Joanna Pascale on a impassioned version of "The Night has a Thousand Eyes." Liberation Blues is available for purchase as an 8-panel CD-Deluxe Album complete with liner notes, interview and additional photos or as a high resolution download mastered for iTunes.

Orrin Evans · Liberation Blues / Smoke Sessions Records · Release Date: August 12, 2014

ERIC REED - GROOVEWISE

When pianist Eric Reed decided he wanted to make a live record at Smoke Jazz Club, he didn't want to make a good record...he wanted to make a great one. "I could have got guys who play exactly what I want, but it wouldn't have been very interesting. It would have been good. It would have been swinging or it would have sounded nice, but there wouldn't have really been a spark. You don't just want it to sound good, you want it to be killing," states Reed. His Groovewise is that record. Though Reed is usually heard in trio, the new album features a quartet with Seamus Blake, Ben Williams, and Gregory Hutchinson and is the first recorded meeting of Reed and Hutchinson in over 15 years.

Inspired in front of a live audience, the creative energy flies off the bandstand. Groovewise opens with what was a spur-of-the-moment reading of Clifford Jordan's "Powerful Paul Robeson" for Jordan's wife, Sandy, who was in attendance and it closes with the extended title track "Groovewise." In between these solid bookends is a swinging program heavily influenced by the weight of loss. Eric celebrates the memories and music of Mulgrew Miller, Cedar Walton, and Marian McPartland with original compositions dedicated to them. His original title, "Until the Last Cat has Swung," makes the explicit point that the music is alive and well and will continue to be in the hands of new generations who are dedicated to the art form. Although Eric confesses that he'd like a few more years before he is responsible for being a "keeper of the flame," Groovewise makes the point that jazz is much better off that he already is. Groovewise is available for purchase as an 8-panel CD-Deluxe Album complete with liner notes, interview and additional photos or as a high resolution download mastered for iTunes.

Eric Reed · Groovewise / Smoke Sessions Records · Release Date: September 9, 2014
  
Several new titles for 2015 are already in production including recently recorded dates from Eddie Henderson (with Gary Bartz, George Cables, Doug Weiss, and Carl Allen) and Steve Turre (with Bruce Williams, Xavier Davis, Gerald Cannon, and Willie Jones III.) Henderson's set reimagines some of his heavily sampled '70s hits in an acoustic jazz context and includes an energized version of Miles' "Gingerbread Boy." Turre's program includes his highly original arrangements of Gershwin's "S'Wonderful" and Rodgers and Hart's "With a Song in my Heart," as well as moving originals like "Trayvon's Blues." Both recordings were made at the legendary analog studio Sear Sound in NYC. Look for these releases to arrive in early 2015.

All Smoke Sessions releases are produced using vintage techniques and audio paths - i.e.; Rupert Neve-designed mixing consoles (Amek-Angela), Studer mastering decks, and Manley tube equalization - in combination with modern high definition recording techniques. Label co-founder Paul Stache records the sessions and works closely to mix the dates with GRAMMY® Award-winning engineer Roman Klun who then masters them. Each release features original photography by Jimmy Katz, as well as an original 2,000-word artist interview. The recently released limited edition 200-gram audiophile collection was mastered for vinyl by celebrated engineer Kevin Gray and includes a classic "tip-on style" gatefold record jacket. Smoke Sessions titles are handsomely packaged as an 8-panel CD-deluxe album complete with liner notes, interview and additional photos or as a high resolution download mastered for iTunes.

Jonathan Butler releases 'African Breeze" first single to radio from "Living My Dream" album

“Each album is a page of your life and this is the season of Jonathan Butler, the season of me,” said the South African singer-songwriter-guitarist about his just released “Living My Dream.” The two-time Grammy nominee and crossover chart-topper has always worn his heart on his sleeve while ruminating about his colorful life in his musical tales. He puts it all out there lyrically and on emotionally-charged instrumentals with the new set of original songs that he produced chronicling his struggles over the past couple of years. 

Embodying his native land’s sound and spirit, “African Breeze,” the first instrumental serviced to radio from the new session, is No. 6 on this week’s Billboard Smooth Jazz Singles chart. The tune featuring Butler’s crafty nylon string guitar work was originally penned by the artist 30 years ago for “The Jewel of the Nile” soundtrack and was completely overhauled for the new disc. Fans of Butler’s impassioned vocal numbers will soon hear “Heart and Soul” on the air at urban adult contemporary radio stations. His music has been a staple at multiple radio formats ever since he inked with Jive Records in the mid-1980s. But Butler’s recording career dates back even earlier to when he grew up under Apartheid and won two South African Grammy Awards as a child star, the first black artist played on white radio stations.   

“Living My Dream” is a balanced mix of soulful R&B vocals and expressive guitar poetry - love songs, spirituals and melodic meditations on family, country and faith. Butler has come through the fire tested yet never more aware of his blessed life thus the material conveys a profound sense of gratitude. The tracks were recorded using a live band in the House of Blues studio in Los Angeles and includes collaborations with George Duke, Marcus Miller and Elan Trotman.
  
Butler is performing music from the new release while touring the U.S. with Grammy winner Norman Brown and keyboardist Alex Bugnon. Next week, he will tape an interview and a performance to air on PBS’s Tavis Smiley Show.


Laurie Antonioli Sings The Music of Joni Mitchell On Her New Origin CD, "Songs of Shadow, Songs of Light," Set for August 19 Release

Laurie Antonioli Songs of Shadow Songs of Light Vocalist Laurie Antonioli delivers the most personal and soul-baring statement of her esteemed career with the release, on August 19, of Songs of Shadow, Songs of Light: The Music of Joni Mitchell. The CD, her first for the Origin label, finds the acclaimed Bay Area jazz singer returning with obvious passion and inspiration to her earliest musical influence.

"Joni's music is such a part of me, it's like a second skin," says Antonioli. "So is jazz, of course, but this goes even deeper. It's where I started. It's both a personal and a generational thing."

Repertoire is largely drawn from early-period Mitchell, including "Marcie" from Mitchell's 1968 debut album Song to a Seagull and the obscure "Eastern Rain," recorded by Fairport Convention in 1969 but never by the composer herself. Antonioli puts her stamp on some of Joni's less frequently covered songs, such as "Woman of Heart and Mind," "Hissing of Summer Lawns," "Cold Blue Steel and Sweet Fire," and "People's Parties," on which Theo Bleckmann contributes the background-vocal choir effects.

Also included is "Both Sides Now," Joni's most recorded song. For that reason, Antonioli wasn't sure about tackling it, but "each day, at the end of the session, [pianist] Matt [Clark] and I did one or two takes to see if we could get something. We didn't rehearse or even talk about it, other than to agree we wanted to find a different approach to it. The song evolved into a haunting jazz ballad."

Clark and the other members of Laurie's band of eight years' standing -- guitarist Dave MacNab, bassist John Shifflett, drummer Jason Lewis, and reed player Sheldon Brown -- are her full collaborators on this project, handling arrangements as well as helping to shape the material in performances in the year before it was finally recorded in December 2013.

Laurie Antonioli In fact, Antonioli recalls the moment, three years ago, when she decided that she had to do this project. Clark started playing "Boho Dance" and "I started singing along. I asked: do you know this tune, do you know that one? And he knew them all, by heart, just about every song she ever wrote."

Songs of Shadow, Songs of Light was recorded "live" at Fantasy Studios in Berkeley, with "each of us isolated so we could all play at the same time. Thus the improvisational sections and endings and all the interaction were happening as it would in a concert. This is generally not how people make records anymore," adds Antonioli. "Most singers get their 'tracks' and redo or practice their parts and then record."

Early on in her career, Bay Area native Laurie Antonioli was a protégée of Joe Henderson, Mark Murphy, and Pony Poindexter, who recruited the 22-year-old singer for an extensive European tour that turned into an eight-month sojourn in 1980.

Following the release of her 1985 recording debut Soul Eyes, a duo album with George Cables, Antonioli was one of the region's most visible singers, booked at leading venues and festivals with her own band, performing regularly with Bobby McFerrin, and sitting in with luminaries like Tete Montoliu, Jon Hendricks, and Cedar Walton at Keystone Korner. Raising her daughter, combined with Antonioli's work as an educator, subsequently kept her off the U.S. scene for too many years.

Laurie Antonioli In the summer of 2006, she returned to the Bay Area from a four-year tenure running the Vocal Department at The Jazz Institute in Graz, Austria to take a position as the Chair of the Vocal Program at the Jazzschool in Berkeley. The Jazzschool is now an accredited institution known as the California Jazz Conservatory, Antonioli's unique eight-semester vocal program holding up under the rigors of the reviewing committees.

Laurie's second album, 2004's Foreign Affair, is a bracing blend of post-bop jazz and Balkan music created with players from Serbia, Albania, Germany, and the U.S. In 2005, her long-running partnership with Richie Beirach culminated in the release of The Duo Session on Nabel Records, a critically acclaimed album featuring Miles Davis jazz standards and Antonioli's lyrics set to the pianist's compositions.

Her fourth album, American Dreams (2010), was inspired by feelings that arose during her years abroad and features a number of her collaborations with Austrian pianist Fritz Pauer. "It is not hyperbole to say," wrote C. Michael Bailey in his All About Jazz review of the CD, "that Laurie Antonioli is emerging as the most important vocalist, let alone jazz vocalist, this decade. Let us hope for much more music from this brilliant constellation in the west."

Laurie Antonioli and her American Dreams band will perform a CD release show for Songs of Shadow, Songs of Light at Yoshi's San Francisco, Sunday 9/28.

Tracklist:
People's Parties (2:41)  Court and Spark
Rainy Night House (5:01)  Ladies of the Canyon
Barangrill (3:26)  For the Roses
Eastern Rain (4:27)  [Not previously recorded by Mitchell]
Cold Blue Steel and Sweet Fire (4:52)  For the Roses
Both Sides Now (5:18)  Clouds
Hissing of Summer Lawns (4:56)  The Hissing of Summer Lawns
Woman of Heart and Mind (5:02)  For the Roses
This Flight Tonight (4:37)  Blue
River (4:41)  Blue
I Don't Know Where I Stand (4:39)  Clouds
California (4:32)  Blue
Marcie (5:49)  Song to a Seagull


Wednesday, July 02, 2014

SAXOPHONIST RICHARD ELLIOT RELEASES "LIP SERVICE" NEW ALBUM ON HEADS UP

Richard Elliot has been blowing audiences away with his talent for more than 30 years and is now set to release Lip Service, an album that celebrates romance, on July 15. Currently playing on the “Summer Horns” tour with fellow saxophonists Dave Koz, Mindi Abair and Gerald Albright, Elliot has delivered a 10-song album featuring seven new original compositions and three covers of soul and pop hits from the ’80s (“Shining Star” by The Manhattans), the ’90s (“Anytime” by Brian McKnight) and today (“When I Was Your Man” by Bruno Mars). In collaboration with contemporary jazz guitar giant Paul Brown, this is the 17th solo project by Elliot.

“It’s not a radical departure,” Elliot says with a chuckle, “just a softer edge. The intensity is still there, just channeled in a different way. I’ve been madly in love with my wife Camella for 20 years (courtship and marriage combined). Romance has always been an important part of our relationship. With five children, there’s never a dull moment in our home but we always take time away for us…something we never had to work at. It just gets better every year - and that’s not lip service!”

A Southern Californian to the core, slow burning intensity has been Richard Elliot’s stock-in-trade since debuting as a member of the novel Chapman Stick-based quartet Kittyhawk in 1979 at the age of 19. With influences ranging from Grover Washington, Jr. to John Klemmer, his broad range of saxual expression knows no bounds. He has topped charts and toured the world as a leader as well as with innovative groups such as Guitars & Saxes and Tower of Power.Lip Service Set for Release July 15 (international release dates may vary).

Complete Track Listing:
  1. Desire (4:16)
  2. Lip Service (4:35)
  3. Givin'It Up (4.01)
  4. Sweet Spot (3:58)
  5. Sookie Sookie (3:38)
  6. All the Way (4:16)
  7. When I Was Your Man (3:35)
  8. Shining Star (4:52)
  9. City Lights (4:02)
  10.  Anytime (5:27)


NEW RELEASES: PAUL HARDCASTLE - MOVIN' & GROOVIN'; ALMA - FOR A POET; STEVE LEHMAN OCTET - MISE AN ABIME

PAUL HARDCASTLE - MOVIN' & GROOVIN'

Cutting his musical teeth beginning in the 70's when disco, bell bottoms and Soul Train were king, super producer of sexy and syncopated sides Paul Hardcastle comes out of the woodshed with back to back new projects, the latest in the Jazzmasters series VII and this a dance down memory lane with a 21st century twist. Moovin And Groovin is a collection of disco infused pieces that recall an era where music was all about getting your 'move on' with Barry White, Donna Summer and
Saturday Night Fever casting their respective spells on the masses. You'll feel instantly transported back in time with this highly infectious romp that brings to bear all of the feeling moods and vibes that made the 70's and 80's what they were, yet all spun with musical yarns of today.Disco has made a bit of a resurgence since 2013 with disco styled songs released by Daft Punk, Justin Timberlake and Bruno Mars, and now from a name that has been synonymous with disco infused beats.This is Hardcastle at his absolute best, highly syncopated infectious grooves done in his own inimitable style, one that has earned him a place in musical royalty. For you lovers of his multi genre classic 'Rainforest', M and G is an extension of that classic sound and will be sure to energize his already rabid base and cause a seismic shift in this new century with this nod to the past but his eye solidly on the future. As the title suggests, this set will get you doing just that. Come and get your groove on. ~ Amazon.com


ALMA – FOR A POET

Chicago-based Pop and Soul vocalist Alma has released her new single “For A Poet.”  Through witty lyrics, tight vocal harmonies and a laidback groove, Alma weaves a story about the tension faced by someone who realizes that the one they love might not be a great fit for them.  The song is stylistically accessible and will appeal to fans of adult contemporary and neosoul genres, particularly listeners who favor Corinne Bailey Rae, Joss Stone and Jill Scott.  Alma is currently planning a full length album entitled Tactics, which will lean more heavily into her neosoul sensibilities.  ~ www.hearalma.com


STEVE LEHMAN OCTET - MISE EN ABIME

Mise en Abîme is the highly anticipated return of the Steve Lehman Octet, and the follow-up to 2009 s Travail, Transformation, and Flow, which was named the #1 Jazz/Pop CD of 2009 by the New York Times and described as a breathtaking accomplishment for its unprecedented synthesis of spectral harmony, complex rhythms, and torrid soloing. It was also named one of the Top 10 Jazz CDs of the Year by over 30 media outlets, including ArtForum, Newsweek, Village Voice, and NPR, universally heralded as futuristic, funky, and engaging in both the jazz and new classical communities. ~ Amazon.com


NEW RELEASES: MATISYAHU - AKEDA; KALBATA & MIXMONSTER - CONGO BEAT THE DRUM; DEEP FOREST- DEEP AFRICA

MATISYAHU - AKEDA

Matisyahu might have the market cornered on his particular niche of expression, that of reggae-tinged high-polish hip-hop beats with lyrical inspiration stemming from his roots in Hasidic Judaism and its traditions. While themes of belief, retribution, and religious tropes come through from time to time on fifth album Akeda, spirituality takes somewhat of a back seat to Matisyahu's huge beats and reggae-pop basslines, though each song comes across in a wash of positive sentiments and philosophical musing. The album runs back and forth between tunes steeped in traditional reggae influence such as "Black Heart" and the Collie Buddz guest-spotted "Confidence" and more pop-minded tunes like the brilliant horns of "Watch the Walls Melt Down" and the Coldplay-meets-Bruno Mars croon of "Ayeka (Teach Me to Love)." Matisyahu may be the only "Hasidic reggae superstar" (a distinction he makes in reference to himself on more than one of Akeda's tunes), but over the album's hour-plus running time he delivers such solidly catchy and meticulously produced pop music that much of its lyrical content and any deeper message get lost in the head-bobbing beats and pleasantly dubby basslines. ~ Fred Thomas Recording information: 40 Hurtz Studios, Brooklyn, NY; June Street Studios, Los Angeles, CA; Studio G, Brooklyn, NY. Personnel: Francisco Botero (10-string bass). Audio Mixer: Joel Hamilton. ~ CD Universe


KALBATA & MIXMONSTER - CONGO BEAT THE DRUM

The world of roots reggae & dancehall has been fully awoken to the fantastic analogue sounds of Kalbata & Mixmonsters' music - and even Rob Da Bank, Robert Elms, & Toddla T and The Wire magazine have supported and enthusiastically raved about their brand new yet wonderfully old school music.And now - in time for summer festivals and carnivals, the floor shaking, speaker rattling track Congo Beat The Drum featuring Major Mackerel gets the 12 inch single treatment. The pounding drums and the larynx busting vocal performance from the Jamaican veteran is an unstoppable, unforgettable and frankly mesmerising experience! Released alongside the original (and an instrumental version of stand out album track Out Of Road) is an amazing remix by Kahn - the Bristol based producer, renowned dubstepper, remixer, member of the Sureskank Collective - who with this remix displays his mastery of blending all kinds of styles, and injects his remix with some of his favourite influences - including Middle Eastern music scales - which ensures his reworking of Congo Beat The Drum is fresh, original and inspiring.

DEEP FOREST- DEEP AFRICA

French electronic duo Deep Forest have built their style through incorporating internationally sourced sound rituals, songs, and other sonic elements into their more modernized European electronica. Appearing first in the mid-'90s, Deep Forest rose to huge success and kept the same basic outline for most of their albums. Deep Africa follows Deep India and Deep Brasil in a series of albums where the band focuses on a particular region with their brand of sonic appropriation, blending native sounds with chilled-out beats. ~ Fred Thomas



NEW RELEASES: MADLIB - SHADES OF BLUE; WEATHER REPORT - LIVE IN TOKYO; MELBA MOORE - READ MY LIPS

MADLIB - SHADES OF BLUE

Madlib invades Blue Note! He gets free reign of the catalog for this mix of sampler genius and live band interpretations, too, as/with Ahmad Miller, Yesterdays New Quintet, Malcolm Catto, Medaphoar, and others from the Stones Throw camp. This one's truly a conceptual triumph, if there ever was such a thing – one of the greatest hip hop producers alive, given carte blanche with the source beats of the century! Madlib's Blue Note crates are heavily weighed in the mid 60s through mid 70s electric beats that often get the shaft in mainstream jazz round-ups, but floor the beathead world into overdrive. Re-interpretations, remixes, and revisions are spliced seamlessly with the source samples, creating a whole new world where hip hop and late model live funk not only co-exists with classic Blue Note jazz, but it actually draws a linear transition between the 2 genius art forms. Beautiful stuff – if the album isn't the most original idea to come along all of these years into the hip hop & jazz underground, it's certainly one of the most perfectly realized projects of its kind, ever! It's one for the time capsule – easily one of Madlib's masterpieces, and pure funky sample wizardry by any standard! Includes Monk Higgins' "Slim's Return" interpreted by Ahmad Miller and DJ Lord Such on cuts, "Donald Byrd's "Distant Land", "Ronnie Foster's "Mystic Bounce", Yesterday's New Quintet's adaptation of Wayne Shorter's "Footprints", Madlib Invazion's "Funky Blue Note", the Joe McDuphrey Experience take on Horace Silver's/Herbie Hancock's "Peace/Dolphin Dance" and lots more. LP, Vinyl. ~ Dusty Groove

WEATHER REPORT - LIVE IN TOKYO

This is a specially imported limited edition 20-bit digital remaster from Japan. While side two of I Sing the Body Electric gives us heavily edited glimpses of Weather Report as heard live in Tokyo, this two-disc Japanese import contains entire group ensembles from that concert -- and as such, it is a revelation. Now we can follow the wild, stream-of-consciousness evolution of early Weather Report workouts, taking the listener into all kinds of stylistic territory -- from Joe Zawinul's lone acoustic piano to dissonant free form and electronic explosions -- with lots of adjustments of tempo and texture. The pulse of jazz is more evident in their work here than on their American albums, and the example of Miles Davis circa the Fillmore concerts directs the fierce interplay. In his subsequent recordings with Weather Report, and as a leader, Wayne Shorter would rarely equal the manic intensity he displayed in Tokyo. All of the music is encapsulated in five lengthy "medleys" of WR's repertoire, three of which contain elongated versions of themes from the group's eponymously titled debut album from 1971. This would be the radical apogee of Weather Report on records, though they could retain this level of fire in concert for years to come. ~ Richard S. Ginell 

MELBA MOORE - READ MY LIPS

The most versatile and underrated item in Moore's often overlooked catalog, Read My Lips runs the gamut from funky R&B radio numbers to quietly passionate ballads to rock-stenciled up-tempo fare. Moore packs a tight-lipped, defiant punch on kinetic affairs such as "Mind Over Matter" and "Winner." Meanwhile, she's pure and sultry on the slow burn of "To Those Who Wait" and the emotional intensity of "I Can't Believe It (It's Over)." Having plenty of able assistance on hand doesn't hurt her case, either: producers Keith Diamond and Paul Laurence bring a meld of jazz, funk, pop, and soul influences to the fold, and intertwine them with remarkable consistency. This resourceful approach results in material that far surpasses earlier hits like "Love's Comin' at Ya" and "Keepin' My Lover Satisfied"; and it also turns out a surprising remake of Fleetwood Mac's "Dreams." With arrangements that are always on the dot, solid songs, and stellar vocals, Read My Lips is a must for every Moore fan's collection. ~ Justin M. Kantor



Engelbert Humperdinck Set To Release "Engelbert Calling" to include duets with iconic music artists Dionne Warwick, Johnny Mathis, Lulu, Charles Aznavour, and more

Legendary music artist Engelbert Humperdinck proudly announced today that his highly anticipated new album “Engelbert Calling” is set to release in the US and Canada on September 30th and will feature duets with some of the world’s most recognized names in music, including Elton John, Willie Nelson, Olivia Newton-John, Gene Simmons, and more. Fans will be able to purchase “Engelbert Calling” on iTunes and at all major music retailers across North America.

The album, which will be released by OK!Good Records, was produced by Grammy Award-winner Martin Terefe, who is well-known for his work with Jason Mraz, James Morrison, KT Tunstall, and Mary J Blige. “Working with Engelbert is such a truly remarkable experience,” Terefe stated when asked about his work with Engelbert. “He is without doubt one of the best singers around today and brings so much other musical knowledge to the table.”

After being released in May in the UK, Australia and New Zealand, “Engelbert Calling” wowed music fans as it jumped to the top of the top of the international music charts and continues to soar in record sales. As Engelbert has been hard at work in the studio creating these tracks with friends and some of music’s most influential artists, North American fans can look forward to a slew of great new songs.

“He is one of the sweetest and nicest people I have ever worked with,” Elton John said about his experience collaborating with Engelbert. “We had a great time singing together and he is so quick, what I call a ‘one-take singer,’ 76 years old and still sounding as good as ever!”

“Seeing the success this album has had overseas has made me even more excited to release it to the US and Canadian fans,” Engelbert said about the album. “I am grateful to have had the opportunity to partner up with some of the best artists in the history of music. To continue putting out successful albums after 45 years in the business is a real testament to the loyalty of my great fans and this album is a ‘thank you’ to all of them.”

More than 45 years after his massive hit “Release Me” reached #1 on the pop charts and created a worldwide frenzy, spending six full weeks at #1 and an incredible 56 weeks in the Top 50 in a single chart run, Engelbert’s newest album comes as a celebration of his remarkable career which has spanned nearly five decades. After selling more than 150 million albums world-wide, including 24 certified with platinum status and 63 with gold, Engelbert has solidified his name as an international pop legend and has established himself as one of the world’s most influential artists.

This summer Engelbert will be giving fans even more to be excited about, as he hits theaters and arenas across North America, playing tracks from the new album. Tour dates and more information can be found here, http://www.engelbert.com/tour.

The upcoming “Engelbert Calling” track list (not final running order) includes:

“Something About The Way You Look Tonight” with Elton John
“Since I Lost My Baby” with Cliff Richard
“Never Never Never” with Olivia Newton-John
“Spanish Eyes” with Il Divo
“Make You Feel My Love” with Willie Nelson
“I Need You Now” with Lulu
“Spinning Wheel” with Gene Simmons
“Real Love” with Shelby Lynne
“Release Me” with Wynonna Judd
“She Believes In Me” with Kenny Rogers
“Ain't That Peculiar” with Andrea Corr
“A Certain Smile” with Johnny Mathis
“Kiss Me Honey” with Tini
“The Hungry Years” with Neil Sedaka
“It Matters To Me” with Dionne Warwick
“She” with Charles Aznavour
“After The Lovin'” with Beverley Knight
“It's Impossible” with Armando Manzanero
“Quien Te Dijo Eso” with Luis Fonsi
“Something To Hold On To” with Ron Sexsmith
“Better” with Louise Dorsey
“Father and Son” with Bradley Dorsey



NEW CD FROM VOCALIST CARMEN LUNDY, ‘SOUL TO SOUL,’ SET FOR RELEASE SEPTEMBER 23

Album Features A Myriad Of Special Guests Including Geri Allen, Randy Brecker, Simphiwe Dana, Bennie Maupin, Carol Robbins, Patrice Rushen, Warren Wolf And More

“Soul To Soul,” a passionate new song cycle from vocalist, songwriter, producer and musician Carmen Lundy, is set for release September 23rd, 2014 via Afrasia Productions.  “Soul To Soul”, Lundy’s 14th album, is the next chapter in her critically-acclaimed career as both a musical artist and a visual artist; a return to her roots but also an exploration of these roots -- and the journey that those roots can take you on.  The release of “Soul To Soul” will be accompanied by tour dates both in the U.S. and overseas. 

Carmen Lundy began working on “Soul To Soul” well over a year ago in a very hands-on manner – literally composing, co-composing and arranging eleven of the thirteen tracks and then playing and recording all the instruments - including bass, drums, piano, guitar and percussion - in her home studio to get a working “feel” for how the music might sound. She then “sweetened” the songs by adding string sounds and other software instruments to elaborate and experiment with the aural mood of each track, interpreting and identifying with each track’s sound individually as well as part of the overall song sequence.  On the final CD, Lundy plays guitar on all tracks, piano and Rhodes on many tracks, and drums on two. 
  
“I wrote the music with specific players in mind for each respective instrument,” says Lundy.  “My producer and label co-owner Elisabeth Oei encouraged me to reach out to those musicians whose music I have loved and have been inspired by; some of whom I had worked with but never recorded with. I consider these artists specialists on their instruments.  These are players who bring a distinctive sound to everything they play andadd another layer of individuality to my original music.” 

Patrice Rushen, for example, is featured on nearly every track on “Soul To Soul” because of the deep musical connection Carmen felt with her.  “I could hear her sound in my music,” says Lundy, “Patrice creates these beautiful sonic palettes from which I could soar freely through the music.  This project would not be as special to me if it were not for her incredible contribution.”
  
Featuring the stellar talents of guest artists Patrice Rushen, Geri Allen, Randy Brecker, Mayra Casales, Simphiwe Dana, Bennie Maupin, Carol Robbins, Ada Rovatti, and Warren Wolf along with Carmen’s core rhythm section members Darryl Hall and Jamison Ross , “Soul To Soul” invites the listener on an intriguing journey. Whether the source of inspiration comes from time spent in Sardinia, Italy (“Soul To Soul” and “Sardegna”) or from her hometown of Miami in the songs “Kindred Spirits” and “Grateful” – “It’s important to acknowledge and remember where you come from and all those who provide unwavering moral support” says Lundy; from the beauty of Mary Lou Williams’ “What’s Your Story, Morning Glory” - “Geri Allen and I have spent many years performing the works of this great pianist,” Lundy remarks, “I could not miss the chance to have yet another of the great pianists/composers of our time be a part of this musical journey”; to the sexy bossa nova beat of “Everything I Need”, the moods and moments of  “Soul To Soul” are genre-bending and traverse many borders, both literally and figuratively.
  
Of special note is the story of the track “Grace,” the result of a meeting with South African vocalist  Simphiwe Dana.  At the time of the meeting – which coincided with tour dates Lundy and Dana had in Johannesburg and Los Angeles – Lundy was in the process of writing the song on guitar and had been haunted by it for months.  She then played the track for Dana who immediately began to sing the melody in her native tongue, and whose contribution to the track on the CD adds yet another dimension to the journey of “Soul To Soul.”
  
Added Lundy, “It is an honor to have these players joining in this majestic musical adventure.  I hope listeners – both new and established - enjoy the voyage.”
  
Carmen Lundy is also a celebrated mixed media artist and painter, and her works have been exhibited in New York at The Jazz Gallery in Soho, at The Jazz Bakery in Los Angeles, and at a month-long exhibition at the Madrid Theatre in Los Angeles, CA. 


GET ON UP: THE JAMES BROWN STORY ORIGINAL MOTION PICTURE SOUNDTRACK

“The Godfather of Soul.” “The Hardest Working Man in Show Business.” “Mr. Dynamite.” “Soul Brother Number One.” For more than 50 years, these and other honorifics have described American music icon James Brown. On July 29, Polydor/UMe will release the soundtrack for Universal Pictures’ upcoming drama, GET ON UP.

GET ON UP: The James Brown Story (Original Motion Picture Soundtrack) features studio and live versions of many of Brown’s top soul/funk hits—from his first, 1956’s “Please Please Please,” to “Out Of Sight,” “I Got You (I Feel Good),” “Try Me,” “Papa’s Got A Brand New Bag,” “It’s A Man’s Man’s Man’s World,” “The Payback,” and “Get Up (I Feel Like Being A) Sex Machine.” Brown’s hits fed an incredible legacy of live performances, and the soundtrack further highlights Brown’s legendary stage prowess with two previously unreleased concert recordings heard in the film: spine-tingling performances of “Please Please Please” and “It’s A Man’s Man’s Man’s World” recorded on April 23, 1966 at Tampa, Florida’s historic Fort Homer W. Hesterly Armory. The soundtrack also includes five recordings with new music production and arrangements by The Underdogs.

In his follow-up to the four-time Academy Award®-nominated blockbuster The Help, Tate Taylor directs 42’s Chadwick Boseman as James Brown in GET ON UP. Based on the incredible life story of the Godfather of Soul, the film is a fearless look inside the music, moves and moods of Brown, taking audiences on the journey from his impoverished childhood to his evolution into one of the most influential figures of the 20th century. Boseman is joined in the drama by Nelsan Ellis, Dan Aykroyd, Viola Davis, Craig Robinson, Octavia Spencer, Lennie James, Tika Sumpter and Jill Scott.

Academy Award® winner Brian Grazer (A Beautiful Mind, 8 Mile) produces for Imagine Entertainment, with Mick Jagger and Victoria Pearman (Shine A Light) producing under their Jagged Films banner. Imagine’s Erica Huggins (Flightplan) also serves as a producer on GET ON UP, while Taylor produces under his Wyolah Films label. Peter Afterman, Trish Hofmann, Jez Butterworth, John Butterworth, John Norris and Anna Culp serve as executive producers.

In 1986, James Brown was inducted into the Rock and Roll Hall of Fame as a charter member. A multiple GRAMMY® Award winner, Brown was honored with the Recording Academy’s Lifetime Achievement Award in 1992, and in 2003 he received the prestigious Kennedy Center Honors. Brown died on Christmas Day 2006 at the age of 73.


GET ON UP: The James Brown Story (Original Motion Picture Soundtrack)
1. Get Up (I Feel Like Being A) Sex Machine
2. The Payback. Pt. 1
3. Out Of Sight
4. I Got You (I Feel Good)
5. Caldonia +
6. Please Please Please (Live) * +
7. Night Train (Live)
8. Papa’s Got A Brand New Bag, Pt. 1
9. It’s A Man’s Man’s Man’s World (Live) * +
10. Cold Sweat, Pt. 1
11. Mother Popcorn, Pt. 1
12. I Got The Feelin’ (Live)
13. I Can’t Stand Myself (When You Touch Me) (Live)
14. Say It Loud-I’m Black And I’m Proud, Pt. 1
15. Get Up (I Feel Like Being A) Sex Machine (Live)
16. Super Bad (Live)
17. Soul Power (Live)
18. Try Me (Live) +
19. Please Please Please +
20. Get Up Offa That Thing

All tracks produced by James Brown
* previously unreleased
+ soundtrack version 


NEW RELEASES: GRANT GREEN - FIRST SESSION; INDIGO JAM UNIT - MILESTONE; MELAZA

GRANT GREEN – FIRST SESSION

Grant Green's first-ever session as a leader – recorded by Blue Note in 1960, and not issued until now! The set features Green's guitar playing in a piano quartet, with rhythm by Wynton Kelly, Paul Chambers, and Philly Joe Jones – about as fine a backing trio as Green could hope to find. We're not sure why Blue Note didn't issue this material at the time – perhaps because they were trying to break Green as R&B-inflected soul jazz player, and this set had more of a straight jazz quality (like his Sunday Morning album) – but whatever the case, it's all here now, along with 2 other tracks from a 1961 session with Sonny Clark on piano. Titles include "Seepin", "Sonnymoon For Two", "Just Friends", "Woody N You", and an early recording of "Grant's First Stand". (SHMCD pressing.)  ~ Dusty Groove

INDIGO JAM UNIT – MILESTONE

Massively funky work from Indigo Jam Unit – but in a way that's quite different from all the other funky combos around today! These guys have always had a very unique, very personal vibe – one that draws heavily from jazz, but blocks its energy into these full, rich, round acoustic basslines – which drive along powerful drums and freewheeling piano – with a sound that's even more breathtaking here than on previous records! We've loved every single records these guys have ever given us – each one more than the last – and they're one of the world's great musical secrets, given that they've hardly ever gotten much circulation outside of Japan. Titles include "Windscreen Rain", "Zeus", "Hunt", "Milestone", "Corazon", and "Shiosai".  ~ Dusty Groove

MELAZA – MELAZA


A crack salsa combo from New York – contemporary, but with a very old school vibe – and a really rich sense of arrangement! The group's got two trombones and two trumpets – but arrangements are by pianist Mike Eckroth, who's got a really broad sense of color – and uses the horns carefully alongside lots of rootsy percussion, and some great work on tres as well! Vocals are by Renzo Padillo – and titles include "De Nueva York", "Abusador", "El Niche", "Estas A Tiempo", "Mal Amigo", and "En El Pasado Quedara". ~ Dusty Groove


NEW RELEASES: GUNTER BABY SOMMER – DEDICATIONS; BARRY GUY NEW ORCHESTRA – AMPHI: RADIO RHONDO; LEE RITENOUR - RIT

GUNTER BABY SOMMER – DEDICATIONS

One of the best examples of the drum skills of Gunter Sommer we've heard in a long long time – and a great return to his Hormusik format from many years back! The album's all solo – and has Sommer working in a haunting blend of percussion and drums – but with sounds that are beautifully melodic, and as much filled with a sense of tone and color as they are with rhythm! The record features a set of dedications to important drummers who've influenced Gunter over the years – Baby Dodds, Pierre Favre, Paul Lovens, Ed Blackwell, Max Roach, and others – each given a solo piece with a very distinct sound, and sometimes a bit of spoken introduction by Sommer. Titles include "Von Baby Zu Baby", "Art Goes Art", "A Letter To Paul", "Ed Blackwell", "Selfportrait", and "Von Max Fur Max".  ~ Dusty Groove

BARRY GUY NEW ORCHESTRA – AMPHI: RADIO RHONDO

Two great large group works from bassist Barry Guy – both with the sort of individual qualities we love in his music with the London Jazz Composers Orchestra! The players here are from a wider range of European sources, and all work together as a whole, but get plenty of space for personal expression – tones and voices that are initially most strong from the bass of Guy and violin of Maya Homburger – but which evolve to include Evan Parker and Mats Gustafsson on saxes, Hans Koch on bass clarinet, Johannes Bauer on trombone, and Paul Lytton and Raymond Strid on percussion. "Amphi" is a long work that begins with a more careful sense of presence – but "Radio Rondo" rolls in with much greater group force, and continues boldly for nearly 30 minutes. ~ Dusty Groove

LEE RITENOUR – RIT


Few people did soulful fusion better than Lee Ritenour back in the early 80s – and the guitarist always seemed to find a way to really link together all the different sounds of the electric genre – from heavy jamming to soulful grooving to a rock-like appreciation for a good hook! Harvey Mason provides some great heavy drums, and also helped Lee produce – which gives the record a sharp, soulful focus that's like some of Harvey's own great records of the time – an undercurrent of funk that more than helps keep the Ritenour vocals moving along! Titles include "Mr Briefcase", "Countdown", "Good Question", "Dreamwalk", "Is It You", and "Just Tell Me Pretty Lies".  ~ Dusty Groove



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