ELIAS HASLANGER - CHURCH ON MONDAY

Cherrywood Records is proud to announce the release of Church on Monday, the latest recording from critically acclaimed jazz saxophonist, composer and arranger Elias Haslanger.

A soulful, toe-tapping, instantly accessible jazz recording, Church on Monday features long-time musical director for Ray Charles, Dr. James Polk on Hammond B3 organ as well as former Joey DeFrancesco band-mate Jake Langley on guitar. The result is a highly entertaining musical journey that features two new original compositions penned by Elias and slate of great jazz standards arranged just for this session.

Inspired by the great Blue Note recordings from the '50's and '60's, Elias and his quintet of tenor saxophone, B3 organ, guitar, bass and drums spent two days tracking in an old church in East Austin that is now a recording studio. Capturing a classic sound with swinging arrangements played by outstanding musicians is what this session is all about. For high-fidelity enthusiasts, Cherrywood Records will press a limited number of vinyl records and make the high-definition (24-bit/88.2 kHz) sound files available for download.

Elias Haslanger has played and recorded with Ellis Marsalis, Maynard Ferguson, The Temptations, Asleep at the Wheel, Alejandro Escovedo and countless others. He has released 4 critically-acclaimed recordings as a leader which have been played on radio stations around the world and reviewed favorably in DownBeat, JazzTimes, Billboard, Cadence, Texas Monthly and the Austin Chronicle. He is an active performer performing over 150 shows a year at venues across the United States.

Haslanger is now a major talent, both as a composer and instrumentalist whose future has almost unlimited potential and should be regarded in national terms." -Michael Point, DownBeat  ~ CD Universe

LEGENDARY BAND CHICAGO RELEASES NEW DVD DOCUMENTARY: CHICAGO WORLD TOUR 2011 - "BACKSTAGE PASS"

The multi-platinum, Grammy® award-winning band Chicago has released a new DVD, Chicago World Tour 2011, featuring footage of their concerts from all over the worldThe multi-platinum, Grammy® award-winning band Chicago has released a new DVD, Chicago World Tour 2011, featuring footage of their concerts from all over the world, including London, Paris, Rome, Madrid, Zurich, Oslo, Berlin, Toronto, Brazil, Australia, and dozens of U.S. cities. This unforgettable collection of music features some of the band’s greatest and most popular hits including “Just You ‘n’ Me,” “Feelin’ Stronger Every Day,” “Hard to Say I’m Sorry,” “Old Days,” “25 Or 6 To 4,” “Saturday In The Park,” “You’re The Inspiration” and many others.

Additionally, fans will also experience the band in an intimate rehearsal setting, never-before-seen behind-the-scenes footage from their U.S. tour, in-depth interviews with the iconic founding members and current band members, rare archival photos and much more. The DVD is for sale on the band’s website. Hailed as one of the "most important bands in music since the dawn of the rock and roll era" by former President Bill Clinton, Chicago is the first American band to chart Top 40 albums in five consecutive decades – a landmark achievement. Considered one of the longest running and most successful pop/rock 'n' roll groups in history, they are the highest charting American band in Billboard Magazine's list of Top 100 artists of all time, coming in at #13.

Lifetime achievements include a Grammy Award, multiple American Music Awards, elected as Founding Artists to the John F. Kennedy Center for the Performing Arts, a Star on the Hollywood Walk of Fame, a Chicago street dedicated in their honor, and Keys to and Proclamations from an impressive list of US cities.

Formed in 1967 in Chicago, the “legendary rock band with horns" released their first album “Chicago Transit Authority” in 1969. Since then, they have had record sales top the 100,000,000 mark, and include 21 Top 10 singles, 5 consecutive Number One albums, 11 Number One singles and 5 Gold singles. An incredible 25 of their 34 albums have been certified platinum, and the band has a total of 47 gold and platinum awards. From the signature sound of the Chicago horns, their iconic Vocalists, and a few dozen of ever-Classic Songs, this band’s concerts are celebrations. The band is now in their 46th consecutive year of touring, without missing a single concert date!

This DVD documentary showcases the band’s relentless enthusiasm and sheds light on their amazing musical journey – one that is far from over.

NEW RELEASES - JIMI HENDRIX, AZTECA, MARK DE CLIVE-LOWE

JIMI HENDRIX - SOMEWHERE / POWER OF SOUL

A tremendous little tune – heavy Hendrix at the height of his young powers – working here in a trio with Stephen Stills on bass and Buddy Miles on drums! The tune's never been released before – and both the vocals and guitar are pure Jimi – driven on strongly with great rhythms from Miles! The single also includes "Power Of Soul", recorded a few years later – and also a previously unissued track – not on the upcoming People Hell & Angels album! (Limited numbered edition.) ~ Dusty Groove


       

AZTECA - PYRAMID OF THE MOON
A really special record from a really special group – one of two sublime 70s gems from Azteca – a wicked blend of jazz, funk, Latin, and soul – all put together by a young Coke Escovedo! Coke's ostensibly the leader of the group, but there's also a richly collaborative feel going on – a style that brings together jazz players like Tom Harrell on trumpet, Mel Martin on saxes, George Muribus on Fender Rhodes, and Flip Nunez on organ – and Latin players like Victor Pantoja on congas, Coke Escovedo on timbales, and Pete Escovedo on added percussion. In fact, the set's a key early example of the strength of the Escovedo family – and like their best later efforts, the set really stretches out and pushes the boundaries of conventional genres. There's also some great guest work from Lenny White on drums, Mike Nock on keyboards, and Neal Schon on guitars – and vocals are by a range of singers who really keep things fresh. Titles include "Red Onions", "Mazatlan", "Whatcha Gonna Do", "Mexicana, Mexicana", and "Love Is A Stranger". (Blu Spec CD.) ~ Dusty Groove

MARK DE CLIVE-LOWE - TAKE THE SPACE TRANE
A whole new sound for Mark De Clive-Lowe – and a great one too – a completely different approach than any of his other previous records, and one that mixes his core cosmic grooves with a heavy dose of jazz! The set has Mark working with the Rotterdam Jazz Orchestra – who provide bigger band backing to his sweet keyboards and rhythms, making for a wonderful blend of acoustic and electric that almost takes us back to some of the best MPS sessions of this nature in the 70s! Most tracks feature at least one horn solo out from the larger group – and there's no vocals at all on the record, which further gives the whole thing a fresh vibe compared to some of Mark's recent releases. Titles include "Relax Unwind", "Blues For Six", "Money", "El Dia Perfecto", "Heaven", "Take The Space Trane", "Caravan", and "Filthy Fingers". ~ Dusty Groove

MICHAEL WOLFF / MIKE CLARK - WOLFF & CLARK EXPEDITION

When two of the best musicians on the planet decide to combine their estimable talents to create a band without boundaries, the result is the Wolff & Clark Expedition. Dizzy Gillespie famously said that jazz must have “one foot in the past and one in the future.” With the Wolff & Clark Expedition, the music embraces the past, ventures into the future, but remains rooted in the improvisatory present. After several high profile performances in 2012, jazz legends Michael Wolff and Mike Clark, the Wolff & Clark Expedition, are preparing to release their self-titled debut album in February 2013. Performing with creative bassist Chip Jackson, the Expedition's initial outing aims for uncharted, compelling musical territories while still entertaining a wide audience of astute listeners.

From The Beatles to Zawinul, Wolff & Clark navigate a disparate set of beguiling material. They commune with "Come Together," determine "What Is This Thing Called Love," before showing no "Mercy, Mercy, Mercy." Wolff's beautiful composition in 7/4, "ARP," precedes a burning "Flat Out," rout. By the time Horace Silver's "Song For My Father" is proffered, listeners will realize this is not their fathers' jazz trio. This is something very new, quite different...This is exciting, sublime but accessible music.

The sizzling "Is There A Jackson...?" leads to Wolff's soulful intro to Brother Nat's "Hummin'." After church, the trio tears up Gamble and Huff's "For The Love Of Money" before winding down with the gorgeous ballad "Elise," Michael's homage to his late Mom.

Expedition: A journey undertaken by a group of people with a definite objective; or the group undertaking such a journey. So it is with the fearless, tuneful negotiations of the Wolff and Clark Expedition. Although the name may recall other explorers from another era, Wolff and Clark are thoroughly modern: They blaze musical trails, fresh and fertile, with sounds not previously heard.

Says Wolff & Clark, “We have been playing together for many years – We share the same vision, energy and excitement for jazz music, for improvisation. The musical goal of The Expedition is to utilize well-known tunes in addition to intriguing originals and to deconstruct them, then reconstruct them as vehicles for self-expression. We believe it is time to bring modern sensibilities and styles of playing (and writing) to music that comes from the Blues and the roots of Jazz to create fresh rhythmic and harmonic/melodic adventures.”

“The Wolff & Clark Expedition is what happens when great musicians come together and mean business, but sound like they're having fun doing it!” - Vinnie Colaiuta

Performing together since the 1970's, both Wolff and Clark have each had stellar music careers. Michael Wolff is an internationally acclaimed pianist, composer and bandleader, and is best known for his melodically fresh and rhythmically compelling piano style. Wolff made his recording debut in 1972 with Cal Tjader, and went on to record with Cannonball Adderley, Nancy Wilson, Sonny Rollins, Tony Williams, Christian McBride and many others. As pianist and music director for jazz singer Nancy Wilson, Michael wrote orchestral arrangements and conducted more than twenty-five major symphony orchestras worldwide. From 1989 to 1994, Michael served as the bandleader for the Aresenio Hall Show, which heightened his visibility and gave him the opportunity to perform with many established artists such as Ray Charles, Phil Collins, Whitney Houston, Patti LaBelle, Wayne Shorter, Herbie Hancock and saxophonist/President Bill Clinton. Michael Wolff has released twelve critically acclaimed solo albums as a leader, 'Joe's Strut' being the most recent. He was a recipient of the BMI Music Award for television composition and was also the winner of the Gold Disk Award in Japan for piano. On Feb 23, 2012 Michael performed a solo piano concert at the University of Toledo, in Toledo, Ohio, as part of their Art Tatum solo piano concert.

Drummer Mike Clark is a true percussion legend - Mike Clark gained worldwide recognition as one of America’s foremost jazz and funk players while touring and recording with Herbie Hancock’s group in the early 1970’s. Mike became known as a major innovator through his incisive playing on Hancock’s 'Thrust' album, which garnered him an international cult following. While often referred to as the “Tony Williams of funk,” Mike, a JAZZ musician, has, in fact, become one of the most vital to ever sit behind a set. He has performed with jazz greats Herbie Hancock, Wayne Shorter, Tony Bennett, Bobby Hutcherson, Christian McBride, Joe Henderson, Woody Shaw, Wallace Roney, Donald Harrison, Nicholas Payton, Fred Wesley, Vince Guaraldi, Chet Baker, Larry Coryell, Eddie Henderson, Geri Allen, Billy Childs, Chris Potter, Bobby McFerrin, Al Jarreau, Dave Liebman, Oscar Brown Jr., Lenny White (Mike has a two-drummer band with Lenny called "New Brew"), Mose Allison, Gil Evans and his Orchestra and many more luminaries. Mike is currently finishing his forthcoming solo CD 'Indigo Blue', which features Randy Brecker, Christian McBride, Donald Harrison, Rob Dixon and Antonio Farao.

Says Wolff & Clark, “Together, we have years of combined experience playing with many of the greatest jazz artists of all time, so we share an innate understanding as to how to play at a consistently very high level, with a mutual feel for improvised music. Since we both spent time in the Bay Area, and since we've been friends and band mates for many years, The Expedition is a natural result of our shared, cumulative experiences.”

“It's a joy to hear musicians with so much experience approach the music with such great passion.” - Fred Hersch

Together they bring a combination of swing and groove to a unique deconstructive take on classic jazz, popular standards, and original compositions that creates a freedom in the sound to electrify listeners and audiences worldwide. With their collective vast experience, Wolff and Clark can play with anyone, anywhere, always defying boundaries of genre, mingling and mixing with a kaleidoscope of changing players, keeping the music interesting and dynamic. As such, they are excited to present their VIP (Very Impressive Players) List: Dependent upon the gig, they invite one or several musicians from a roster of colleagues to join them - Jeff Berlin, Larry Coryell, Steve Wilson, James Genus, Christian McBride, Donald Harrison, Randy Brecker, Wallace Roney, Tom Harrell, Alex Foster, Lenny Pickett, Seamus Blake and others constitute explorers willing to join the Expedition's adventures.

Wolff & Clark states, “We strive to take all listeners on unparalleled musical journeys, to unexplored sonic realms. W&C adheres to past musical traditions while pushing the envelope further into the future. We hope to bring great improvised music to as many intrepid listeners as possible; we know that Jazz can be highly entertaining! So hold on tight and join the Expedition...!”

On this expedition, the possibilities are limitless.

The Wolff & Clark Expedition will be released February 19, 2013 on Random Act Records, USA.

Random Act Records: www.randomactrecords.com
Michael Wolff: www.michaelwolff.com/
Mike Clark: www.mikeclarkmusic.com/
Wolff & Clark Expedition Facebook Page: www.facebook.com/pages/Wolff-Clark-Expedition/256266051109019

NEW RELEASES - HRISTO VITCHEV QUARTET, DUSKO GOYKOVICH WITH NATHAN DAVIS & MAL WALDRON, SOFT FOCUS

HRISTO VITCHEV QUARTET - FAMILIAR FIELDS

“Vitchev’s sophisticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations” JazzTimes Magazine. “Vitchev’s multihued compositions are like impressionistic sound painting” JAZZIZ. Hristo Vitchev is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Over the years Vitchev has lead a variety of modern jazz formations, ranging from duets to quintets. On Famliar Fields (his 5th studio recording as a leader), he works alongside Weber Iago (piano); Dan Robbins (bass); and Mike Shannon (drums), to create enduring realms of impressionistic, classical, jazz, experimental, and new age. The music presented in this session clearly displays the multidimensional tonal evolutions of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by Vitchev. Tracks include Ballad For the Fallen, Wounded By A Poisoned Arrow, The Fifth Season, and Willing To Live. ~ hristovitchev.co

DUSKO GOYKOVICH WITH NATHAN DAVIS & MAL WALDRON - SWINGING  MACEDONIA

A legendary German session from the 60s – and a record that really showcases the unusual criss-crossing of modes that was going on in the European scene at the time! There's a very strong MPS vibe here – as trumpeter Dusko Goykovich leads a swinging sextet that includes Nathan Davis on flute, soprano, and tenor – blowing some tremendously soulful reed lines – plus incredible rhythms from Mal Waldron on piano, Peter Trunk on bass, and Cees See on drums. The record's an attempt to bring traditional Macedonian rhythms into a jazz perspective – but with players like these, it swings in a way any Macedonian album never could – damn soulful, and with a great exotic vibe. Davis is especially great, and plays in a soaring modal vein that's similar to his work on his classic MPS sides, and on the records he cut in America in the early 70s. The album's a beautiful session that often get's overlooked because it blends it with the Enja catalog – but it's really more of a record that belongs in an MPS reissue series, and is a great lost groover that's waiting to be rediscovered by the Dusty Groove crowd. Titles include "Macedonia", "Old Fisherman's Daughter", "Jumbo Uganda", "Bem Basha", "Saga Se karame", and "The Nights Of Skopje". ~ Dusty Groove

SOFT FOCUS - SOFT FOCUS

A compelling collaboration from a very unlikely duo – "minister of audiology" Lary 7, working here with Jimi Tenor and Mia Theodoratus! The sound is definitely informed by Lary's long experience with acoustic instruments – and builds beautifully out of a range of harps, flutes, percussion, bells, marimba, and lots of other amazing exotic elements that shift and change as the record moves on – almost like some old school Moondog record, but with a feel that's more laidback and evocative – and quite meditative all the way through! Tenor's production work really helps give the sound some shape, and still has all the spiritual undercurrents of some of Jimi's own recent records – and titles include "EEG", "Polysomnographic", "Brief Arousal", "Hypersomia", "Synitillating", "Quietus", "Reveil", and "Panique Onirique". ~ Dusty Groove

LEGACY RECORDINGS HONORS NINA SIMONE AS ARTIST OF THE MONTH FOR FEBRUARY 2013

"I think she was the greatest female artist of the 20th century" – Elton John

"I always loved the passion in her voice. She’s inspired me as a composer, a pianist, a singer and as a woman with a voice." – Alicia Keys

"Nina Simone’s impact on both jazz and culture will remain monumental; there was simply no one like her.." - Bonnie Raitt

"She was ahead of her time as a concert-level piano player who sang, wrote and spoke her mind...I aspire to be more like her." – india.arie

Legacy Recordings, the catalog division of Sony Music Entertainment, commemorates the life and music of Nina Simone on the occasion of the singer's 80th birthday and celebrates the iconic High Priestess of Soul as the label's Artist of the Month for February 2013.

Nina Simone, who would've turned 80 on February 21, was a strong and vocal civil rights advocate who carried the message of universal rights and personal empowerment, freedom, equality and dignity throughout her career. Whether it was political or emotional or personal, she never failed to tell the truth through her music.

One of the most powerful and uncompromising artists of the 20th century, Nina Simone was a natural talent who developed into a virtuosic performer--an ineffable song stylist with concert hall piano skills and a transcendental on-stage presence. Singer, songwriter, arranger, and pianist, Nina wove classical, blues, jazz, pop, rock, R&B, folk, gospel, torch songs and world music into a body of work as eclectic as it is incomparable.

She began her career as a recording artist in 1958 with her version of "I Loves You, Porgy," from George and Ira Gershwin's "Porgy and Bess," her first US chart success, and made more than 40 albums before her death, at 70, in France on April 21, 2003.

On the Legacy Recordings site, fans and collectors will find access a variety of comprehensive Nina Simone titles including: Nina Simone - The Complete RCA Album Collection; To Be Free: The Nina Simone Story (a four-disc set including DVD); The Essential Nina Simone; Playlist: The Very Best of Nina Simon and, in time for Valentine's Day, Nina Simone - Love Songs, a specially-curated collection of the artist's most sensual and romantic recordings.

In 2008, Legacy Recordings released To Be Free: The Nina Simone Story, a deluxe four-disc (three CDs + DVD) box set that stands as the most comprehensive and wide-ranging collection of Nina Simone’s music ever compiled. Containing 51 audio tracks – eight of them previously unreleased – the collection covered her recording years from 1957 to 1993 for the Bethlehem, Colpix, Philips, RCA (for whom she cut nine LPs that are considered the pinnacle of her output), CTI, and Elektra record labels, plus another nine performances on the 23-minute documentary DVD.

"Nina Simone was one of those controversial figures American pop music puts forward from time to time," wrote Ed Ward in his liner notes for To Be Free: The Nina Simone Story. "To see this African-American woman get angry about the racial situation in her country, right there on stage, was a shock to people who’d come to hear her sing 'I Loves You, Porgy.' Not that she cared; she figured that it was the artist’s job to deliver the truth, and if the truth hurt, so be it. Of course, events wound up proving her right, but she never stopped being prickly about one thing or another. It was just part of who she was, and part of why her music has endured while that of some of her contemporaries has faded: she’s still contemporary."

http://www.ninasimone.com/
https://www.facebook.com/nina.simone?fref=ts

NEW RELEASES - KAKAFONI, BARNEY KESSEL, THE SATIN CHAPS

KAKAFONI - KAKAFONI

In the beginning of the 21st century Gothenburg, Sweden's Pelle Erikson got the idea that he would like to mix melodic jazz with modern technology. This would involve loop based song with strict rhythm and strong, easy melodies. Songs, based in traditional jazz, were recorded and after that overdubs, loops and samples were made in after recording editing, computer wise. Musicians got to put their special trade marks on the nearly finished recording. Out of these recordings KAKAFONI was founded. It's intriguing, special and loveable. The electro-jazz debut album from what could be Swedish Jazz's new superstars was released on January 30th. Musicians: Pelle Eriksson: composition/piano/computer; Pelle Nilsson: saxophone; Jonathan Gustavsson: trumpet; Tobias Grim: guitar; Johan Jansson: drums; and Martin Olsson: bass. https://soundcloud.com/kakafonimusik/kakafoni-presentation3

BARNEY KESSEL - BREAKFAST AT TIFFANYS

One of the grooviest albums ever recorded by guitarist Barney Kessel – a sweet reworking of Henry Mancini's fabulous music for Breakfast At Tiffanys! The set's got a warm feel and more than a bit of bossa nova inspiration – similar to some of the other Kessel and Shorty Rogers projects for Reprise at the time – and the group features some wicked reed work from Bud Shank and Paul Horn, both of whom add some great color to the set – and make it way more than just another trio date from Kessel! The whole thing's wonderful – filled with favorites from the Mancini songbook – titles that include "Something For Cat", "Sally's Tomato", "Mr Yunioshi", "The Big Blowout", "Hub Caps & Tail Lights", "Breakfast At Tiffany's", "Latin Golightly", "Loose Caboose", and "Moon River Cha Cha". ~ Dusty Groove

THE SATIN CHAPS - MIGHT I SUGGEST

Mod grooves from The Satin Chaps – a group that's heavy on organ lines and horns, and who play in a soulful 60s groove! The cuts are mostly instrumental, and they cook along strongly with a sweet blend of sounds from the groove – horns that pack plenty of punch, but which are really sent home by the deft work on guitar and keyboards – the latter of which mostly comes across with a vintage Hammond-style feel! All cuts are originals, and mighty fresh too – different than the usual funk combo mode – and titles include "Funky Matador", "Cry Baby", "Dry Rub", "Jump Shout Shake", "Wet Leather", "Catch On Quick", "Hot Chocolate", and "Pigtail Park". (Includes download card.) ~ Dusty Groove

NEW RELEASES - JEFFREY OSBORNE, HARVIE S WITH KENNY BARRON, ESTHER PHILLIPS

JEFFREY OSBORNE - A TIME FOR LOVE

Over 30 years after creating some of the biggest hits in R&B together, Jeffrey Osborne and George Duke have reunited, taking on classic love songs and pop standards in A Time For Love. Released for Valentine's Day 2013, the CD pairs the Grammy-nominated and platinum-selling artist with George Duke, one of the greatest jazz and R&B producers of all time, to create a collection of beloved songs updated with incredible arrangements and Osborne's signature baritone. His trademark smooth, romantic vocals breathe new life into these timeless classics. Listeners will be charmed by the clever arrangements on standards like "What A Wonderful World, " "Smile, " "Nature Boy, " "My One and Only Love" and Osborne's duet with Chaka Khan, "Baby, It's Cold Outside. " Both sentimental and tender, the 12 tracks on A Time For Love will light a fire when the lights are low -- it's the ideal album for an enchanted Valentine's Day or any time you want to set a special mood. ~ Amazon.com

HARVIE S WITH KENNY BARRON - WITCHCRAFT

Bassist Harvie S' association with piano legend Kenny Barron dates back at least to 1986 when they first recorded a series of duets together with spare time left from another recording session. Witchcraft is cut from the same cloth as their previous album, with S and Barron coaxing quite a variety of textures and color from the two-instrument format, exploring all the tonal possibilities available to them. With its varied set list of standards and jazz tunes, enjoy an hour of some fine and intimate music making with Kenny Barron and Harvie S. ~ Amazon.com

ESTHER PHILLIPS - ALONE AGAIN, NATURALLY

One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". ~ Dusty Groove

GRACE KELLY - SWEET SWEET BABY

After wowing the straight-ahead jazz world and garnering worldwide acclaim, 20-year-old wunderkind Grace Kelly has set her sights upon winning hearts in the mainstream with an infectious crossover confection that will be delivered on Valentine’s Day. Putting the saxophone aside to charm with her enchanting voice, the lilting stomp and clap single, “Sweet Sweet Baby,” will be released by Woodward Avenue Records accompanied by a bouncy, colorful video (www.youtube.com/watch?v=oaHYISe-0_0). Kelly penned the joyous celebration of love certain to appeal to people of all ages that she produced with Alain Mallet. The single has already been officially added to Sirius XM’s Watercolors playlist.

“This song is inspired by the feeling of falling in love with love. It’s a song that captures that special time when someone is totally infatuated - whether it is with a girlfriend, boyfriend, spouse, child, grandchild, pet or musical instrument. It celebrates euphoria and joy. But most of all, it’s a song that celebrates love,” said Kelly, who solos on her trademark alto sax on the frolicking, candy-coated track sweetened with morsels of jazz amidst a playful pop panorama.

With eight albums already to her credit – one per year since she was twelve – Kelly’s prodigious skills have won the Boston native who graduated the prestigious Berklee College of Music at age 19 numerous awards, extensive media coverage that spans CNN, magazine covers, features and rave reviews in the pages of Glamour, Downbeat, JazzTimes, and the Los Angeles Times, and glowing praise from jazz titans including Wynton Marsalis, Randy Brecker and Jimmy Heath. Her mentors include alto sax greats Lee Konitz and Phil Woods, both of with whom she has recorded duet albums. Kelly’s busy touring schedule is chocked full of gigs around the globe at which she leads her own band or performs with luminaries such as Chris Botti, Harry Connick Jr., David Sanborn, Dave Brubeck, Dee Dee Bridgewater, Esperanza Spalding and Jamie Cullum. Marsalis was so impressed that he invited the then sweet 16-year-old musician to perform at President Barack Obama’s first Inauguration Celebration. Her burgeoning trophy case displays five ASCAP Foundation’s Young Jazz Composers Awards and a pair of Boston Music Awards. Kelly was the youngest person ever named in the Downbeat Critics Poll after being selected as one of the magazine’s Alto Saxophone Rising Stars each year from 2009-2012 and she also has the distinction of being voted Boston’s Best Jazz Act in four consecutive years by the Boston Phoenix/WFNX Best Music Poll.

Currently on a U.S. concert trek that includes a two-night stand in New York City on March 5 & 6 at Dizzy’s Club Coca-Cola, Kelly will lead her band at Spaghettini’s near Los Angeles on March 23rd in support of “Sweet Sweet Baby,” which is available on iTunes.

www.gracekellymusic.com.

ANGELINE MORRISON - THE FEELING SUBLIME EP

Already familiar to fans of Freestyle Records acts Frootful and Lack Of Afro after supplying her memorable voice to tracks by both, as well as working with masters of the mellow; The Ambassadors Of Sorrow, Angeline Morrison's ability to craft subtle, yet very catchy melodies infused with folk, bossa nova, R&B and jazz rhythms and textures ensures her music sounds fresh, engaging and highly original.

Now signed to Freestyle Records as a solo artist in her own right, the music that Angeline creates has an ethereal, other worldly quality, due in no small part to the wide ranging styles and influences that inform her highly individual, quirky, song writing and vocal abilities. Stir in elements of 60s torch song style, hypnotic, exotic and eclectic melodies, and you begin to understand the myriad of musical textures Angeline blends into a homogenous soundscape.

As a taster of what's to come from her forthcoming album 'Are You Ready Cat?', this 4-track EP displays her eclectic and skilful style. The Feeling Sublime is simply a lush, exotic, hip swinging bossa nova number, Fool's Gold hits the soulful, bluesy groove that's tailor made for dance floors, Perhaps In A Little While is a touching and introspective piece that drips heartache and pathos, and Are You Ready Cat? is a toe tapping, 60s style pop-soul groover with swinging strings, sax and some indispensable glockenspiel!

"Angeline Morrison returns to show off a different side of her vocal talent. Together with her work with the Ambassadors of Sorrow and Frootful, you get the feeling it is simply a matter of time before she breaks through to a bigger audience" - tokyojazznotes.com

"Angeline Morrison, a tall, willowy and alluring singer who definitely should be a household name" - Blues & Soul magazine

"Ever wondered what Bebel Gilberto would sound like if she sang in English? Now's your chance to find out!" - monkeyboxing.com

FEATURED RELEASES - LAURA VANE & THE VIPERTONES, NORAH JONES, THE STARK REALITY

LAURA VANE & THE VIPERTONES - SUGAR FIX

This is the sugar fix you can’t afford to miss! Drawn together from both sides of the North Sea, Laura Vane & The Vipertones are an eight-piece band assembled from various Dutch & UK projects, pooling their respective skills together for a remarkable funk & soul mission. Since their debut release early 2009 the group has continued to electrify fans, deejays, radio stations, critics, record collectors and bloggers all over the world with their authentic yet modern and raw sound. “Sugar Fix” is a feast for the listener, laying down a rich variety of styles and inspirations, and is a vibrant progression from the first album. Laura’s voice and songwriting has never been stronger. Such personal lyrics combined with The Vipertones’ instrumental elegance results in a record loaded with strong and catchy songs. This record will evoke a strong reaction, whether it be dancing, dreaming or crying, their music will take you there. Laura is the chocolate, the Vipertones are the cream, this is the sugar fix you can’t afford to miss! ~ grooveattack.com

NORAH JONES - COVERS

Covers is an exclusive compilation of ten rare and unreleased tracks recorded over the first decade of Jones’ career. Included are interpretations of songs from some of Norah’s favorite artists: from Bob Dylan, Johnny Cash and Willie Nelson to Tom Waits, Wilco and Horace Silver. The first track, "Sleepless Nights," is a gorgeous Bouldleaux Bryan/Felice Bryant composition made famous by the Everly Brothers, Norah first performed this song as a duet with Beck at a KCRW benefit show in 2002 and it became a staple on her 2003/2004 tours. This version is a studio version out-take from the sessions of Jones’ second album "Feels Like Home" and originally released only on a limited edition deluxe edition of that album in 2004. The second track is a cover of Bob Dylan's song, "I'll Be Your Baby Tonight," it was recorded in the initial 2001 sessions for Jones’ debut album Come Away With Me. Norah took to covering the Wilco favorite "Jesus Etc." Norah has lended vocals to live Wilco performances in the past and collaborated with them recently on the soundtrack for, This Is 40.The Johnny Cash cover "Cry Cry Cry" was a live favorite from Jones’ 2009/2010 tour. ~ giantstep.net

THE STARK REALITY - ACTING THINKING FEELING

Amazing sounds from The Stark Reality – an obscure group from the early 70s, but one who've really risen to fame over the years – thanks to their groundbreaking ear for new music, and their freewheeling way with a funky groove! This package brings together all the incredible work recorded by the group in the late 60s and early 70s – a mindblowing assortment of funky and fuzzy jazz tracks – almost all of which are graced by the offbeat vibes work of Monty Stark! Stark often adds a bit of distortion into his instrument, which makes for a very tripped-out approach to vibes – one that blends perfectly with the heavy funk of some of the rhythms, and the freaky guitar lines added to most tracks by a young John Abercrombie. Yet at other times, things are very laidback and chilled-out – balanced beautifully from track to track, in a way that illustrates the larger picture the group were always going for in their music. This massive package brings together everything Stark Reality ever recorded – their famous Discovers Hoagy Carmichael's Music Shop album, the Acting Thinking Feeling live performance, the Roller Coaster Ride/1969 album, and lots of rare singles too – more than enough music to please any fan of the group, and blow the minds of anyone who's just getting a first taste. Titles include "Roller Coaster Ride", "On Being Black", "New World Generation", "Theme To Say Brother", "Dreams", "Clouds", "All You Need To Make Music", "Rocket Ship", "Cooking", "The Old Prospector", and "Junkman's Song". Great package too – with two LP-styled CD sleeves inside a larger case, plus a big booklet of notes and photos! ~ Dusty Groove

THE SOUL SNATCHERS - SCRATCH MY ITCH

Real soul music never dies. That’s what the insatiable musicians of the Dutch band The Soul Snatchers prove every time they treat a swinging crowd to their timeless, down to earth funk and soul tunes that find their roots in the sixties and seventies of the 20th century. Taking pure soul music right across the bridge into the new century, The Soul Snatchers combine unknown classics and original compositions into a show that not only appeals to connoisseurs, but equally to bigger more mainstream-oriented audiences. The Soul Snatchers don’t claim to have invented soul music, neither do they pretend to re-invent it. They just HAVE it! And they love to share it with Rhythm & Blues-lovers in every corner of the globe.

Founded rock solid on the well oiled rhythm section of clean drums and thumping bass, the dangerously growling Hammond organ and the reverbing guitar sounds find their way into your soul blindly. Add to that the three-headed copper section The Dynamite Horns and the charismatic performances of singer Curtis T. and special guest vocalist Jimi Bellmartin, and all ingredients for a real soul party are present.

Now it’s time to announce the long awaited second full album by the band: “Scratch My Itch”. The album is once again a feast for the listener containing lots of 70′s funk grooves, soulful vocals, powerful horns and a grindin’ Hammond organ, this all served with some ‘swampy’ New Orleans flavor. You will have yourself an album which brings you the best of The Soul Snatchers. Following their successful album release “Sniffin’ & Snatchin’” (2007) which received rave reviews from DJs, press and audiences all over the world, The Soul Snatchers are now ready for their next ride! ~ grooveattack.com

BERES HAMMOND - ONE LOVE, ONE LIFE

It was a four year wait since the last album and One Love, One Life is worth the wait, it’s another five star set, this time with two CDs: disc one showcasing Beres in a mellow mood (hit picks include “In My Arms” & “No Candle Light”) with a second CD displaying a more conscious vibe (“You Stand Alone”, “Still Searching”). Realised with a legion of top musicians, and all tracks produced with highest quality control by Beres Hammond, except “No Candle Light” co-produced with Donovan Germain, “In My Arms” co-produced with Colin ‘Bulby’ York, “Keep Me Warm” and “More Time” co-produced with Michael Fletcher. The title cut on “One Love, One Life” adapts a reworking of Studio One’s immortal mid-60s “Love Me Forever” riddim to a synopsis of Beres’ career: “The journey’s been rough sometimes choices are not there then comes the day when I’m down to I don’t care/the heavens declare and all my fears just disappear and I am singing again”.

Each of the album’s 20 tracks is quintessentially Beres Hammomd: his vocals, as rich and flavorfully bittersweet as dark chocolate, embody the spiritual fervor heard in the secular ballads of Sam Cooke, the laid back cool/political consciousness of 1970s Marvin Gaye and the gritty “Pain In My Heart” passion of Otis Redding. The aforementioned soul icons profoundly influenced the development of Beres’ style, as did Jamaican greats including Leroy Sibbles, lead singer of the Heptones, velvety crooner Ken Boothe and the legendary vocalist Alton Ellis, one of the pioneers of rock steady, reggae’s direct forerunner. ~ grooveattack.com

WILL DOWNING - SILVER

Rewind to 1988, CDs outsold vinyl for the first time while a little known singer from Brooklyn released a self-titled debut on Island Records called Will Downing. Fast-forward to 2013, CDs have taken a backseat to MP3s but that singer from Brooklyn has withstood the test of time. Today, Downing, the Grammy® nominated reigning “Prince of Sophisticated Soul”, celebrates an incredible 25 years of recording excellence with his16th album, Silver. Silver is not a “Best of” or “Greatest Hits” collection. Silver is a personal invitation from Will Downing to his fans to jointly celebrate a quarter-century of giving his heart and soul through every song, concert and note. For loyalists that have been there from day one, it’s their Silver Anniversary. Fittingly, Silver is a sweet combination of something “old”, something “new” and something “borrowed” – nothing “blue.” Starting with the “new,” this collection includes four fresh tracks, written by Downing and Chris “Big Dog” Davis with additional contributions from Tony Tolbert (Prof-T from LoKey?) and Gary Taylor (Anita Baker, The Whispers).

The lead single, “Stuff That I Like” – full of fun and flirty food metaphors and a beat that Steppers will find irresistible – has already been serviced to radio to great support and reviews. “What Would You Do?” rides a bouncy Caribbean feel to ask a pretty heavy question: “If you knew today was your last day…what would you do with it?” “You Were Meant Just For Me” is a sizzling duet of undeniably powerful musical chemistry with rising star Avery Sunshine, lamenting the mutual discovery of a perfect partner at a not so perfect time. “Never Find Another Love” has Downing singing through the footsteps of a man whose inner struggles force him to walk painfully yet mercifully away from an otherwise perfect relationship. Unlike 1988, songs these days rarely come from such emotional places…

Something “borrowed” comes from Downing’s self-released trilogy of 4-song EPs Yesterday, Today and Tomorrow. Today’s challenge for classic artists releasing albums independently is employing a marketing and distribution strategy that keeps your message and product in front of fans. Will hand-picked seven of those songs for Silver including “The Michael Baisden Show“ – driven hit “One Step Closer” and “The Blessing” – voted Song of the Year in the Soul Tracks 2012 Readers’ Choice Awards.

Something “old” (i.e. classic) on Silver is an exclusive “live” rehearsal recording of Will and his band performing a medley of his cover classic hits “I Go Crazy” / “Wishing on a Star” / “I Try”. Capriciously offering up playful banter and hidden flubs on this one, Will still audibly derives great pleasure from his craft.

Dreams have been fulfilled…so Happy Silver Anniversary to the “Prince of Sophisticated Soul” – WILL DOWNING!

SILVER – CD & Digital Album [WD18608] in stores February 12th.
Available on Amazon.com l CD Baby l Itunes l and indie retailers across the U.S.
Facebook: willdowning@facebook.com – willdowningsinger@facebook.com
Twitter: @willdowning3

NICOLAS BEARDE - VISIONS

One of today's premier male jazz vocalists, Nicolas Bearde returns to the studio for his fourth album release, Visions. Produced by long-time collaborator, grammy musical director, and songwriting partner Larry Batiste, Nicolas hits the jazz trail with this largely up tempo offering of jazz classics, sweetened with a touch of late night R&B.


Visions features a large and varied roster of all-star musicians, including renowned bassist Alphonso Johnson (Weather Report), pianist David Garfield (George Benson), drummer Will Kennedy (Yellowjackets) and sax man Gary Meek (Airto). Along with Jon Lucien’s samba gem “You’re Sensational”, produced by bass legend Alphonso Johnson and popular jazz standards such as Errol Garner’s classic “Misty”, given a hip shaking swing infusion here with David K. Mathews’ (Etta James, Santana) gritty and growling B3 accompaniment,

Nicolas gets his groove on with a funky, horn-driven arrangement of Gene McDaniels’ legendary composition, “Compared to What”. Bringing different shadings to his work, Nicolas tests the waters in new approaches to the jazz music that has intrigued and inspired him since he first fell under the spell of jazz greats like Miles Davis and John Coltrane. The Doug Carn straight ahead arrangement of Maurice and Verdine White’s inspirational piece “Mighty, Mighty” simply smokes with Marcus Shelby’s churning bass line, drummer Deszon Claiborne’s rapid-fire stick work and Glen Pearson’s fiery piano. The set is topped off with the title track, Stevie Wonders plaintive plea for understanding “Visions”, featuring the elegant guitar stylings of Bay Area staple, John Hoy.

Release Date: February 5, 2013
1. Falling In Love Again 4:16
2. You’re Sensational 4:31
3. Misty 4:58
4. Everything Must change 5:11
5. The Best Things in Life are Free 2:14
6. (And) It All Goes 'Round And ‘Round 5:34
7. If You Were Mine 4:22
8. Never Let Me Go 4:32
9. Mighty, Mighty 5:23
10. You Better Go 3:25
11. Compared Tto What 5:07
12. Visions 5:26

Tour dates are planned for the East Coast, Europe, Croatia and Russia beginning June 2013, and radio play has already begun in Germany, the UK, Switzerland, Australia and Canada, as well as in many parts of the US - http://smoothjazz.com/jazzblast/GreenStream/nicolas_bearde.htm

Video: http://www.youtube.com/nicolasbearde

CHUCK OWEN & THE JAZZ SURGE - RIVER RUNS

The sun dappling the surface of the water, the roar of a waterfall, the heart-quickening rush of a stretch of rapids - riding a river can be both relaxing and exhilarating, an escape from stress and a thrill ride. Composer and bandleader Chuck Owen captures the beauty and excitement of a day on the river with his latest album, River Runs, which combines his long-running big band the Jazz Surge with a full orchestra for a gorgeous symphonic hybrid.


The Distinguished University Professor of Jazz Studies at the University of South Florida, Owen founded the 17-piece Jazz Surge in 1995. Since then it has been a vehicle for his own compositions and his arrangements of work by the likes of Michael Brecker, who was the subject of Owen's acclaimed 2009 album, A Comet's Tail, which featured guest appearances by Randy Brecker, Mike Stern, Joe Lovano and Dave Liebman. JazzTimes wrote that "while the individual solos are quite impressive, it is the ensemble playing and spirit of the full ensemble that really stands out."

That spirit is vividly amplified with the addition of an orchestra comprising some of South Florida's finest classical musicians on River Runs. The project was facilitated by a 2009 Guggenheim Fellowship; while Owen has undertaken commissions for the Netherlands Metropole Orchestra and began his career writing for the Cincinnatti Symphony Orchestra under the baton of famed conductor Erich Kunzel, the Guggenheim afforded him the freedom to follow his own muse into the orchestral realm for the first time. Longtime Surge members tenor saxophonist Jack Wilkins, guitarist LaRue Nickelson, and violinist Rob Thomas are the featured voices on River Runs, bringing the ensemble's unique voice to the orchestral setting.

"I love the coloristic and dramatic opportunities that an orchestra provides," Owen says. "This project, thanks to the artistic freedom presented by virtue of the Guggenheim Fellowship, was a wonderful opportunity to pursue a vision that from its inception was uniquely mine without having to limit its parameters or compromise on its characteristics."

Dave Liebman calls River Runs "Copland-esque in scope, suitable as a score for an epic Hollywood movie," adding, "Chuck Owen has created an incredibly colorful portrait of a part of America's natural beauty." Randy Brecker writes that the album is "deep, free-flowing into cross-currents, but always moving forward towards it's destination, which is an ocean of melody, sound and soul."

In the end, each movement of the hour-long piece is tied to a specific river, or more accurately, to an emotion tied in Owen's mind to that river. Following a moody, mysterious prologue that suggests the anticipation of setting out at dawn under still-dark skies, the first movement, "Bound Away," recalls a trip Owen made as a Boy Scout on West Virginia's Greenbrier and New Rivers. The piece moves from the peaceful optimism of the early part of the journey to the tension and heady rush of a plunge into the rapids.

"Dark Waters, Slow Waters," with its brooding, cinematic atmosphere, depicts the waterways that snake through the dense foliage and dark swamps of the Everglades and, in particular, Florida's Hillsborough River. "Chutes and Wave Trains" is a giddy ride on rushing rapids, inspired by the Chatuga River, which straddles the border of South Carolina and Georgia and was prominently used in the filming of Deliverance, while "A Ridge Away" draws upon two trips that Owen made with his children. Finally, "Perhaps the Better Claim" braves the treacherous waters of the Salmon River, aka "The River of No Return," and echoes Robert Frost's famous poem "A Road Not Taken," a constant source of inspiration for Owen.

"There's often a luxurious sense of peace, calm, and freedom when you're paddling downriver." Owen says of his love of riding the rivers. "But it can be quite deceptive. For as soon as you turn the corner - boom! - here comes a set of rapids or there's a log blocking the river. In addition to the excitement, however, there's also a sense of play and close camaraderie with your fellow adventurers that I greatly value. In short, rivers and nature in general has a profoundly positive effect on me."

It has not, however, always been a source of such direct inspiration. While Owen writes with a natural sweep that evokes pastoral landscapes and bustling scenes, he typically writes from a purely musical, not programmatic, sensibility. But when setting out to compose the music that became River Runs, the concept of his encounters with these rivers and the bonds they formed - whether with his own children or with his father, who passed away during the composition of the music - provided a strong thematic undercurrent for the piece.

"I'm a real believer in having a concept that unites a piece," Owen explains. "That concept can be simply musical, but a lot of times it can be extra-musical, too. And In working with a piece that I knew was going to be this large, I felt that the conceptual aspect was more important than ever, to find something that could help re-focus the piece whenever my imagination wandered too far afield."

The project started out as a double concerto for orchestra and a few guest soloists, but soon expanded in Owen's mind to encompass the whole of the Jazz Surge. "My focus was on trying to write a piece for orchestra that seamlessly attempted to blend jazz elements - improvisation, strong rhythmic grooves - with a symphony orchestra," he says. "I very quickly realized I was going to need to involve at least bass and drums to be able to provide the atmosphere I wanted, to avoid the sort of rigid division between orchestra and jazz musicians that I really dislike. I wanted to create something that felt very natural and organic and I thought the members of the Surge would add to that." On its four prior recordings, the Jazz Surge has invited masters like Benny Golson, Nat Adderley, John Abercrombie, Tim Hagans, Ingrid Jensen, and Gary Versace into its fold, along with the aforementioned Brecker, Stern, Liebman and Lovano.

A respected and esteemed educator for more than 30 years, Owen also founded and serves as artistic director for the USF Center for Jazz Composition. In 2012, he chaired the Pulitzer Prize in Music committee and has also served as President of the International Association for Jazz Education and as governor for the Florida Chapter of the National Academy of Recording Arts and Sciences. In addition to the Guggenheim Fellowship he has received the prestigious 2000 IAJE/ASCAP commission in honor of Louis Armstrong and three Florida DCA Individual Artist Fellowships.

With his latest project, Owen combines that wealth of professional experience with inspiration from some of his most personally fulfilling moments. River Runs uses the jazz big band and the symphony orchestra as the colors in a bold landscape that is his finest and most ambitious work to date.

Chuck Owen· River Runs / /  MAMA Records· Release Date: April 9, 2013

www.chuckowen.com

NEW RELEASES - MICHAEL WALKER, THE ARUAN ORTIZ AND MICHAEL JANISCH QUINTET, RODRIGO COTELO

MICHAEL WALKER - A SMOOTHER YOU

The CD is co-produced and written by wunderkind Quentin Moore of Dallas, Texas, and exhibits a style that infuses Smooth Jazz and “Southern Soul”. Walker (b. Newport, Arkansas - November 19, 1959), began as a Blues guitarist influenced by the legendary B.B. King. In the year 2000, Michael became leader of the cover band “Chill Factor”of Dallas, Texas. After 12 years with the group, he turned his interests towards Smooth Jazz leaving the band to create the “A Smoother You” project. After sending a few tracks to Producer/Guitarist Paul Brown (who gave his blessing), Michael forged ahead with his project and was signed by Spectra Jazz Records. In addition to his guitar skills, Michael enlists Drummer Kenny Washington II, Quentin Moore (Keyboards, Wah Wah guitar, Bass & Vocals), John Robinson (Bass), Vandell Andrew (Alto Sax), Dunye Nasuhoglu (Congas, Percussion), Karen Bernod (Chaka Khan and Erykah Badu) (Vocals) and Spectra Jazz artist Earl “Tee” Harris of the group“3rd Scenario” (Vocals). The album was released on December 11, 2012 on iTunes and Amazon, and a physical CD release planned for Spring of 2013.

THE ARUAN ORTIZ AND MICHAEL JANISCH QUINTET - BANNED IN LONDON

The Aruán Ortiz & Michael Janisch Quintet is a new international musical collaboration of the highest order. Both leaders have performed at the forefront of contemporary jazz during the last decade with some of the world's greatest artists, such as Joe Lovano, Lee Konitz, Wallace Roney, Don Byron and Terry Lyne Carrington. For their new quintet, Ortiz and Janisch have assembled one of the most exciting casts of recent years, calling on one of the world's most prominent and pioneering artists, saxophonist and featured special guest, Greg Osby, first-call NYC drummer Rudy Royston and perennial award-winning Spanish trumpeter Raynald Colom (Perico Sambeat, Robin Eubanks). 'Banned in London,' the group's debut captures the onslaught of soundscapes, moods, and explorations, which will prove that this is a potent mixture of world class improvising musicians with a sincere empathy for creating improvised music of the now.

RODRIGO COTELO - SER SONIDO (BEING SOUND)

Covering a wide variety of genres and multiple styles, guitarist Rodrigo Cotelo hass been performing professionally for over 20 years. Not necessarily a virtuoso but with a refined taste and tone, he embraces musicality with unparalleled ease and sensitivity. Raised in Maldonado, Uruguay, Cotelo was always in contact with music during his childhood as he was born son of a drummer and a dance teacher. He started to study music (Keyboards and Piano) at age 7 and then continued his development at Schubert Conservatory until he was 15 when his interest in guitar was discovered. His first solo album “Vieja Mochila” (Old Backpack) was released in 2001. Over the years he has produced and recorded for Uruguayan artists such as: Abel Garcia, Walter Cambon, Electric Kool-Aid, Monalisa, Jardin Primitivo, Musiclú and Aida Martinez among others.

MARIO BIONDI - SUN

After two years of work in Milan, Los Angeles, New York and London, Mario Biondi’s new album, Sun, was released to stores on January 29. The album has an international flavor, being produced by Biondi and Jean Paul Maunick (aka Bluey), leader of Incognito. the historic British jazz band. Sun is an album characterized by important collaborations, like the one with the great American artist Chaka Khan, who, with Biondi and Incognito, interprets in a unique manner the song "Lowdown" by Boz Scaggs. Sun also features songs such as the first single from the album "Shine On", written by Mario Biondi, Massimo Greco and Jan Kincaid, drummer and keyboardist for the London-based group Brand New Heavies. The gripping arrangements are assigned to one of the most famous musicians and composers today, Simon Hale, also collaborator of Jamiroquai. ~9colonne.it

Mario Biondi is a singer and composer, born in Catania, Italy on January 28,1971. His father Stefano Biondi was also a singer. Mario's passion for music began at the early age of twelve when he sang in his church choir . His many musical experiences over time in Italy saw him develop more and more into an artist whose scope was destined to be of an international level. For a while he worked as a session singer - then in 1988 he had an important opportunity as support act to Ray Chales' Italian dates. His love for soul music helped shape his particular vocal styling that takes its cue from great vocalists like Lou Rawls, Al Jarreau and Isacc Hayes. His first big break came in 2004 with the release of the single "This Is What You Are". Originally planned for release only in Japan, the cool and irresistible song gets noticed by European radio. A well-known DJ, Norman Jay begins to feature the song on his BBC1 show playlist and Mario's incredible voice crosses the European continent ahead of the artist himself. The British Consulate honors him with an award during the ceremony for Best Artist representing the Uk-Italy Business Association.

In 2006 Mario released his debut album Handful Of Soul, recorded with the High Five Quintet. In less than three months it goes platinum. That same year Mario records "L'Amore Ha Sempre Fame" for the tribute cd, Alex, Tributo ad Alex Baroni dedicated to the memory of singer, Alex Baroni. In 2007, at the San Remo festival Mario guests on a duet with Amalia Grè to sing "Amami Per Sempre", a song written by Grè in collaboration with Michele Ranauro and Paola Palma. 2007 also sees the release of the single "No Matter" teamed-up with famed Italian DJ Mario Fargetta. During this time, Mario also records some inspired covers like Billy Joel's "Just The Way You Are". In November 2007 Mario released a double album with the Duke Orchestra, called I Love You More recorded entirely live at the Smeraldo Theatre in Milano.

In 2009 Mario is once again on the San Remo Festival stage duetting with Karima Ammar in the song "Come In Ogni Ora". The song's producer and co-writer, none other than Burt Bacharach was also on stage conducting the orchestra and playing piano. Mario went on to yet another magical duet performance with premier Italian artist Renato Zero on "Non Smettere Più" included in Renato's album Presente. In November 2009 Mario Biondi released "If" and the first single "Be Lonely" on the Tattica label. The album shot up the charts and went triple platinum. With a voice that references greats like Barry White, Issac Hayes and Lou Rawls while at the same time giving his own spin to the soul and jazz genres, Mario makes music passionately while at the same time, lighthearted and ironic. ~ fanclub.mariobiondi.com

NEW RELEASES - LEON THOMAS, HUBERT LAWS, FRESH STEPS

LEON THOMAS - THE CREATOR 1969-1973: THE BEST OF THE FLYING DUTCHMAN MASTERS

Leon Thomas became a star on the back of his original cut of 'The Creator Had A Master Plan' recorded with Pharaoh Sanders. This success was consolidated with four studio albums and several live sessions recorded for Flying Dutchman. A year as a member of Santana brought him to the attention of an even wider audience. His yodelling style allied with deep blues roots has influenced several generations of jazz singers, most recently the Grammy Award-winning jazz star of 2012, Gregory Porter. ~ CD Universe

HUBERT LAWS - LAND OF PASSION

When Columbia released Land of Passion in 1979, the album received scathing reviews from jazz critics. They knew Hubert Laws for his work as a jazz instrumentalist, and for the most part, Land of Passion isn't instrumental jazz -- it isn't hard bop, post-bop, or even fusion. The main focus of this LP is mellow, mildly jazzy R&B/pop (with the occasional instrumental). So serious jazz standards shouldn't be applied. Unfortunately, the critics who trashed Land of Passion did apply serious jazz standards, which is sort of like a food critic lambasting an Italian restaurant because it doesn't provide Vietnamese or Cambodian cuisine. Land of Passion needs to be judged by R&B/pop and quiet storm standards, and when those standards are applied, one has to say that this record is likable but not mind-blowing. Laws was obviously going after the quiet storm crowd when he recorded gentle tunes like "Music Forever" and "We're in Ecstasy." Arguably, quiet storm music falls into two main categories: R&B/pop vocals (Luther Vandross, Phyllis Hyman, Anita Baker) and R&B-minded crossover jazz (Grover Washington, Jr., David Sanborn, Lonnie Liston Smith). For the most part, this LP (which had yet to be reissued on CD when the 21st century arrived) falls into the former category, although it does contain two gently funky instrumentals: "We Will Be" and "Heartbeats." Neither are masterpieces, but they have a lot more substance and integrity than the sort of elevator Muzak that Kenny G and Richard Elliot were known for in the 1980s and 1990s. Not one of Laws' essential releases, Land of Passion must be taken for what it is: a pleasant but unremarkable collection of mood music. ~ Alex Henderson

FRESH STEPS - THE SOUND OF URBAN SOUL-JAZZ

Fresh Steps are a collective of musicians/writers and producers from the south coast based in and around Brighton,Eastbourne and Hastings. The collective includes the production team Blackfly, singer Laura Holding and Jazz musician Oli Briant and a number of others. Fresh Steps have cut their teeth in various bands, playing at and running some of the coolest clubnights on the south coast As the Fresh Steps collective, The Sound of Urban Soul/Jazz Vol. 1 is their first official project together and takes contemporary tracks from the likes of Rihanna, Jessie J, Lady Antebellum, Pink, Alisha Keys, Lady Gaga and tears up the rule book, delivering a number of excellent soul-jazz renditions. ~ CD Universe

NEW RELEASES - ERIC GALE, MARION MEADOWS, AMANDA BRECKER

ERIC GALE - GINSENG WOMAN / MULTIPLICATION

When it comes to smothering a recording with over-production or being much too slick for his own good, keyboardist Bob James is an expert. In the 1970s, James lent his "expertise" to Eric Gale's albums Ginseng Woman and Multiplication (which were united on a single CD in 1991). To be sure, James' arranging is excessive. But the damage isn't as severe as one might imagine, and the ubiquitous jazz/R&B/pop guitarist actually has enough room to stretch out at times -- as does Grover Washington, Jr. (tenor sax). Far from exceptional but generally decent and enjoyable, these albums make it clear that Gale could be a very appealing and tasteful soloist when given room to breathe. ~ Alex Henderson

MARION MEADOWS - WHISPER

Soprano saxophonist Marion Meadows plays what has to be called smooth jazz, but he stretches the template a bit by incorporating subtly nuanced Latin, Eastern, and African touches into his style. Whisper is Meadows' first new studio album since 2009's Secrets, and in many ways it works as a sort of follow-up bookend to that earlier project, and while it doesn't really ruffle any feathers, or even try to, it does generate a nice little smooth and rhythmic breeze. ~ CD Universe / /  This album will be released on February 26, 2013.

 

AMANDA BRECKER - BLOSSOM

The daughter of the Brazilian pianist/singer Eliane Elias and trumpeter Randy Brecker, singer/songwriter Amanda Brecker had already released two noteworthy albums in Japan in 2008 and 2009. 2012's Blossom is her first album released in the U.S. on the Emarcy label. Brecker reinterprets 11 classic songs that were written mainly by singer/songwriter Carole King. King's soft rock and soul classics are a perfect vehicle for the singer's crossover jazz arrangements, especially on "You Make Me Feel Like a Natural Woman," "You've Got a Friend," "So Far Away," "Will You Love me Tomorrow," and "It's Too Late." Grammy-winning songwriter Jesse Harris produced the session and, in keeping with the album's theme, employed drummer Russ Kunkel and bassist Lee Sklar, who played on the original Tapestry recording sessions. The release of Blossom also coincides with the 40th anniversary of Tapestry's release. ~ Al Campbell

BLACK MOTOR FEATURING VERNERI POHJOLA - RUBIDIUM

Rubidium is the new release of acclaimed Finnish trumpeter Veneri Pohjola along with Finland's leading trio of improvisers - Black Motor.  Together they deliver an album that is bold, innovative and expressive.

Trumpeter Verneri Pohjola has risen to the elite of Finnish jazz in the last few years. He first became known particularly through the Ilmiliekki Quartet and its well-received albums - March of the Alpha Males and Take It With Me as well as Vi sålde våra hemman together with vocalist Emma Salokoski), but has also performed with many other groups, including his ever-changing Aurora ensemble (Aurora), Michelin Star together with Joonas Riippa (Michelin Star) and the Verneri Pohjola Quartet (Ancient History). Pohjola has also been featured as a soloist with the UMO Jazz Orchestra (Agatha) and Orkestrova and performed with the Meta4 string quartet.

Black Motor is an improvisational trio from Tampere in Central Finland that has been performing for almost eight years and has already released seven albums of its own. The group  consists of Sami Sippola on tenor and soprano saxophones; Ville Rauhala on double bass; and Simo Laihonen on drums and together they play uncompromising free jazz in the spirit of their early idols, Albert Ayler, Peter Brötzmann and Rashied Ali, combined with more traditional forms of jazz expression. The trio has also been influenced by other forms of rhythm music from just about the entirety of the music´s hundred-year history. Cooperation with various special guests has been an essential part of Black Motor's operation, including not only musicians but also poets, dancers and performance and circus artists.

Both Verneri Pohjola and Black Motor are known for being adept in melodically rich and expressive improvised music. The group has labored itself into a veritable jazz phenomenon simply by playing their own vigorous and inspirational music and by largely creating their own performance opportunities, for example, by organizing club nights in Tampere's Telakka Restaurant together with special guests like saxophonist Juhani Aaltonen, guitarist Raoul Bjorkenheim, guitarist Jukka Orma, hip-hop artists Hannibal - and Verneri Pohjola. The work is actually bearing fruit as the trio recently performed again at the Tampere Jazz Happening - now with saxophonist Mikko Innanen - also playing at the London Jazz Festival. Rubidium is the first joint project that Black Motor has recorded.

One of the most innovative tracks on the album has to be the title first song 'Waltz Unknown" in which both Verneri Pohjola (trumpet) and Sami Sippola (saxophone) interplay their horns to create a collective texture of beautiful harmonies. Rubidium also includes "Song of India," "Old Papa's Blues," "Sax-O-Phun," and the title track "Rubidium."