CLAYTON BROTHERS AND FRIENDS - THE GATHERING

Clayton Brothers Team Up With  Wycliffe Gordon and Stefon Harris on New ArtistShare Release, The Gathering, Available November 6

"John Clayton is one of the most technically imposing bassists in jazz...Jeff maintains a sweet, preaching delivery; the Adderley influence runs deep in him." - The New York Times

"John and Jeff Clayton are two of the most soulful, swinging siblings on the planet." - NPR "JazzSet with Dee Dee Bridgewater"

Stream Tracks From The Gathering

A new Clayton Brothers release is always a family affair - not only due to the actual blood ties of siblings John and Jeff Clayton and son/nephew Gerald, but in the sense that quintet-mates Terell Stafford and Obed Calvaire have become part of the Claytons' extended musical family through years of touring and recording.

On their new ArtistShare release, The Gathering, that family extends even further with the addition of trombone great Wycliffe Gordon and vibraphone wizard Stefon Harris. "We realized that we've got so many friends in the business that we like playing with," says John. "Wouldn't it be fun if we could pair up with a couple of them and create this new Clayton Brothers sound?"

Using various configurations of this expanded line-up, the Claytons take full advantage of the new sonic and harmonic possibilities granted to them, while staying firmly rooted in the classic Clayton Brothers sound. Raucous hard bop, tender ballads, deep blues and soul-stirring funk all combine to create a typically wide-ranging and moving - in more ways than one - experience.

After decades playing with virtually every seasoned legend and young lion in jazz, it's safe to say that the Claytons had their pick of collaborators for The Gathering. They chose to invite Gordon and Harris due to the very specific dimensions they could add to the Brothers' established sound. "We wanted both bluesy and edgy, and we get that from both of these guys, individually and collectively," John says. "Wycliffe Gordon plays serious blues like other people can't play. With Stefon, you can feel the roots, but you can hear the progress. You can hear the tomorrow."

"We do a lot of things but we don't necessarily have that New Orleans feel in our band," continues Jeff. "Wycliffe is definitely from the Louis Armstrong era and forward to more modern things. And Stefon pushes the envelope. His group Blackout plays some very cutting edge music, so he brings this edge that we get to try to be a part of."

The celebratory nature of The Gathering is represented by two aptly-named, rollicking new pieces, John's swaggering "Friday Struttin'" and Jeff's boisterous "This Ain't Nothing But a Party," written in the Les McCann/Eddie Harris tradition.

"This is about a party," Jeff says. "We knew we could just have fun."

The Brothers seized the opportunity to compose new music with their guests particularly in mind. Jeff penned the breezy, down-home "Coupe de Cone" for Gordon after an intensive study of the versatile 'bonesman's own recordings. "'Coupe de Cone' is a representation of the elements of Wycliffe that I thought would make him feel comfortable," Jeff says. "He exhibited great playing in grand fashion, as he always does."

The fleet, darting lines of "Stefon Fetchin' It" were John's idea to showcase Harris' staggering dexterity. "Watching Stefon play is like watching a ballet dancer," he says. And that really is communicated through the music."

John's moody, ethereal "Touch the Fog" was devised to pair his brother's breathy alto flute with Harris' supernal vibes playing. And Jeff crafted "Simple Pleasures," an elegant ballad that evokes Shirley Horn and Duke Ellington, to shine a spotlight onto Harris and pianist Gerald Clayton, and their unparalleled ability to express heartfelt emotion in the classic style.

Gerald's more modern approach to a ballad is evidenced in the flowing "SomeAlways," which his father first heard when Gerald sat at the piano during a visit home. "When I heard him play it at the piano it sounded almost like a chorale," John remembers. "Since that was my first impression I went with it and tried to create that vibe I initially felt when I heard him play it for me."

The opportunity to engage in a blues with Gordon on hand proved irresistible, resulting in 'Blues Gathering.' John says that while there have been Clayton Brothers recordings that didn't include a blues, they rarely share a stage without at least one. "We're so steeped in the blues," he says. "It's so natural. One of the phrases that we hear often from students is that something is "only a blues." It feels like a second-rate citizen in the minds of too many people, and it's totally not that for us. We could easily do a whole set of blues and be in heaven."

Jeff delved into somewhat darker emotions for the tense, angular "Tsunami," inspired by the recent disasters in Japan which occurred shortly after the Clayton Brothers had toured the country. "A lot of our friends got caught in the tsunami and its devastating effect," he recalls. "But instead of focusing on only the negative, devastating aspects, I thought of all the elements that create a tsunami and tried to put them in the composition. I wanted you to hear the water and the buildings and the devastation, and then hear the water pulling back."

The repertoire on The Gathering also includes a pair of jazz classics reinvented in the Claytons' inimitable style. Jeff's keening alto wrings every ounce of sentiment from his mentor Benny Carter's "Souvenir," which he played for almost a decade while in the Frank Capp/Nat Pierce Juggernaut Band. As John recalls, his brother "spilled his soul" on the first take, then asked for a second, recalling Carter's frequent injunction that "I wrote that melody for a reason."

"In other words, don't screw up my music," John laughs. So we did a second take and everybody in the booth looked at each other and shook our heads like, 'No, we want Jeff Clayton back.' So we went back to the first take and let my brother be himself. I'm sure Benny would appreciate that."

The three Claytons go it alone on John's haunting arrangement of the Billie Holiday classic "Don't Explain," where the melody is traded between John's bowed bass and Jeff's melancholy alto. The three intone the words "Hush now" and "Quiet" like the whisper of a memory directly into the listener's ear. "I wanted it to sound like it was coming from another time," John says, "like it was coming from a crypt."

The entire ensemble assembles again for Jeff's "The Happiest of Times," which sums up the Brothers' current state of mind in both title and in its joyous sound. "It's a testament to the way I feel about where we are now," Jeff says. "We've had a couple of Grammy nominations - no wins, but we're on the map - we're playing and traveling, we all have our health and God is good, so it's the happiest of times."

Upcoming Clayton Brothers Appearances:
November 5 / Sherman Clay Showroom / Santa Clara, CA
November 6-7 / Jazz Alley / Seattle, WA
November 8 / Jimmy Mak's / Portland, OR
November 9 / Jazz Bakery-Musician's Institute Concert Hall / Los Angeles, CA
January 27 - February 3, 2013 / The Jazz Cruise / Various Locations

The Gathering - Track Listing/Personnel
1. Friday Struttin' (John Clayton) - 7:37
2. Tsunami (Jeff Clayton) - 6:05
3: Touch The Frog (John Clayton) - 5:50
4. This Ain't Nothin' But A Party (Jeff Clayton) - 7:29
5. Stefon Fetchin' It (John Clayton) - 3:36
6. Don't Explain (Holiday/Herzog, Jr.) - 6:11
7. Coupe De Cone (Jeff Clayton) - 7:04
8. SomeAlways (Gerald Clayton) - 6:02
9. Souvenir (Benny Carter) - 6:02
10. Blues Gathering (John Clayton) - 6:15
11. Simple Pleasures (Jeff Clayton) - 5:12
12. The Happiest of Times (Jeff Clayton) - 5:16

Jeff Clayton: Alto Sax, Alto Flute
John Clayton: Bass
*Terrell Stafford: Trumpet & Flugelhorn
Gerald Clayton: Piano
Obed Calvaire: Drums

*Appears on all tracks with the exception of "Don't Explain" and "Souvenir"
Special Guests:
Wycliffe Gordon: Trombone - Tracks 1, 4, 5, 7, 8, 10, 11, 12
Stefon Harris: Vibes - Tracks 3, 5, 11, 12

johnclaytonjazz.com
artistshare.com
dlmediamusic.com

HAITIAN GROOVES COLLECTORS EDITIONS FROM SCHLEU SCHLEU, IBO COMBO, TROPICAL COMBO

SCHLEU SHLEU - BACK TO STAY / LES BIBLES DE ORCHESTRA / ORIGINAL SCHLEU SCHLEU / CREATION

Four great albums from this hip Haitian group – all packaged together in one nicely-priced set! First up is Back To Stay – a set that features Haitian grooves, but from the New York scene – making for an excellent mix of modes that really keeps things interesting! The core sounds have that bouncy vibe you'd expect from the Caribbean, but there's definitely some horn arrangements that show some American influences from funk and Latin, and maybe even a bit of jazz – all well-recorded here with a style that avoids any of the too-polished modes that can sometimes hold back a record like this. Tony Moise handles most of the arrangements and music – and also plays lead tenor – and titles include "Haiti", "Mariage", "Devine", and "Boat People". The other three albums – Les Bibles De Orchestras, Original Shleu Shleu, and Creation – all have a similar feel – and the 2CD package features 25 tracks in all! ~ Dusty Groove

IBO COMBO - LA FRAICHEUR

Great rolling grooves from the mid 70s – a Haitian combo who work here with plenty of jazzy touches! Guitar is often layered strongly in the rhythms – in ways that link the music strongly to African highlife of the same period – with lots of lively interplay alongside the group's tight percussion, organ lines, and work on sax and flute. Some cuts have vocals, but the instrumental interplay is what really drives the record – and tracks include "La Fraicheur", "Reve Douce", "Souffrance", "Naked", "Relem Ta Rele", and "Good Vibrations". ~ Dusty Groove

TROPICAL COMBO - CRECHE

A tropical combo, but one with a definite Haitian bent – from the French-language lyrics, right down to the warm rhythms at the core! The album's got a really great blend of trumpet, guitar, and accordion – the last of which is used more like an organ, in ways that are slow-paced, without the solo flourishes you'd hear in other genres – so that the instrument has this cool space-filling quality that's mighty nice! All three group members sing – and titles include "Papa Loco", "Plasir Teenagers", "Anita", "Information", "Timan Man Fe'm Douce", and "Information". ~ Dusty Groove

NEW RELEASES - THE NEW MASTERSOUNDS, THE SLAKADELIQS, JAKI GRAHAM

THE NEW MASTERSOUNDS - OUT ON THE FAULTLINE

As their live shows continue to charm audiences in USA, Japan and Europe, The New Mastersounds have built on their own impressive musical heritage and produced a soulful, funk-drenched eighth studio album - real instruments, recorded this time in downtown San Francisco. The record opens with a classic slice of organ funk (think The Meters, but edgier), quickly followed up with other seriously catchy syncopated gems full of solos, inventive arrangements and gang vocals. There's a nod in the direction of jazz-house (à laSaint Germaine), a rolling-piano-&-spoken-word homage to New Orleans (where the band has performed for the past six consecutive years), then a massive horn track before the tone of the album gradually shifts to close out with a psychedelic Hammond-rock sound reminiscent of Brian Auger. Eddie Roberts' vintage production delivers warm soulful bass, choppy drums, funky organ & piano, and with Eddie's signature roughneck jazz guitar throughout. Out On The Faultline is another corker of an album from the stalwarts of the global funk and soul-jazz movement. Click on the link to listen to their sounds: The New Mastersounds - Out On The Faultline

THE SLAKADELIQS - THE OTHER SIDE OF TOMORROW

A pretty great little project – a surprising turn for Slakah The Beat Child – working here as the leader of this groovy little group! The music has a lot less "beat" than before – and plenty of the warm sunny tones you might guess from the cover – a beautiful blend of soul and solid songwriting, with a genre-crossing approach that could well make these guys huge in years to come! Tunes are very well-written – and inflected by core instrumentation that often includes sweet violin, cello, and flute – which make for a great addition to Slakah's acoustic guitar, and the nicely punctuated rhythms that really get things going. The album's a great surprise – one of those special discoveries you'll be proud to get in on early – and titles include "Dream On", "Speed Of Time", "The Other Side Of Tomorrow", "Dear Lucy", "Keep Breathing", "Call Me Your Friend", "Beneath It All", and "Perfect Summer". ~ Dusty Groove

JAKI GRAHAM - FOR SENTIMENTAL REASONS

A long-overdue album from UK soul singer Jaki Graham – a vocalist who seems to have gotten better and better over the years! As you might guess from the title, a fair bit of tracks on the set are older standards – sung by Jaki in a jazzified approach to soul, with elements that are even warmer and more classic than her older recordings – almost a nod back to the generation of R&B before she got her start! The album's way stronger than we might have expected, and Graham's vocals are still right on the top of their mark – as you'll hear on cuts that include "God Bless The Heartache", "For Sentimental Reasons", "Summertime", "Unforgettable", "My Funny Valentine", and "Lover Man".  ~ Dusty Groove

ITALIAN MOVIE SOUNDTRACKS FROM ROBERTO PREGADIO, GIANNI FERRIO, BILL CONTI

ROBERTO PREGADIO - IL SORRISO DELLA JENA

An early 70s giallo soundtrack by Roberto Pregadio – who we know and love for some very cool and moddish jazzy soundtrack work a bit earlier on – and this is another groovy, yet necessarily seedy and sinister set from the under-appreciated composer! It revolves around a funky theme, with playfully-cooed female vocals – with some really sweet small combo, organ-flavored grooves throughout. The organ allows for some suspenseful and chilling moments when it's called for, but there's actually oddly breezy, early 70s kinda lounge funk vibe permeating this one most of the way through! 26 tracks in all – and all sequences on the title "Il Sorriso Della Jena". ~ Dusty Groove

GIANNI FERRIO - IL KILLER

A definite killer from the great Gianni Ferrio – one of his grooviest soundtracks ever, and a set that's filled with lots of mod 60s touches! There's a bit of electric sitar, cool bubbling Hammond, and even some jazzy horn parts that make for nice flourishes over the top – all changing up in cool and different ways from track to track – creating the kind of instrumental variety that we love in soundtracks like these! The album features vocals on two tracks – and titles include "Strana Gente", "Mr Ice Cream Again", "Week-End On Ice", "Billy's Ice Cream", "Pedigree", "Semifreddo", "Nuovi Ricchi", and "Fino All'Ultimo Gelato". CD also features 16 more bonus tracks – practically a whole extra album of music! (Limited to 500 copies.) ~ Dusty Groove

BILL CONTI - MADEMOISELLE DE SADE E I SUOI VIZI

A rare early soundtrack from Bill Conti – penned for an obscure Italian film in the years before his 70s blockbuster film scores – and done with a groovy groovy sound that's really outta sight! The style is much more mod than we've ever heard from Bill – funky in parts, and playful in others – with all the best range of instrumentation we're used to hearing from Italian composers of the time – a role that Conti fits perfectly with this sweet little score! The mood varies nicely from track to track – usually moving between upbeat numbers and mellower groovers – and there's a few great jazzy moments that stretch out longer than usual for this sort of score. 17 tracks in all – including a few renditions of the vocal number "Juliette"! ~ Dusty Groove

NEW RELEASES - FINIS HENDERSON, EDWIN STARR, CENTRAL LINE

FINIS HENDERSON - FINIS

A sweet 80s classic from Finis Henderson – and the kind of record that should have launched him on a much bigger run as a lead singer! Despite the plastic look of the cover, the album's really solidly put together – produced by Al McKay with a vibe that definitely echoes his work with Earth Wind & Fire – which means lots of jazzy inflections with the grooves, in a style that works perfectly for Finis' style of singing. And given that Henderson has a range that sometimes hits Philip Bailey territory, the match is a great one – and gives the album a sense of class that other Motown soul from the time didn't always have. Titles include "Lovers", "Making Love", "Skip To My Lou", "Vina Del Mar", "Crush On You", "I'd Rather Be Gone", and "You Owe It All To Love". (SHMCD pressing.) ~ Dusty Groove

EDWIN STARR - WAR & PEACE

A real breakout album for Edwin Starr – and the kind of full-on set that really helped give his music a bold new focus! Starr had already scored nicely on some playful tracks from the Motor City scene of the late 60s – but here, he emerges as a singer with a lot more depth than before – not only on the righteous tunes, like the classic title track – but also on some of the warmer ones too, which showcase a new adult style of singing we might not have expected a few years before! Unlike other Motown efforts of this level, there doesn't seem to be any core arranger and producer – which means that Edwin himself did an even greater job of pulling the whole thing together – a great run of tracks that includes the classic "War (What Is It Good For)", a killer version of "California Soul", one of the best Motown-penned tracks from the time – and the tracks "Time", "I Just Wanted To Cry", "All Around The World", "At Last I Found A Love", "I Can't Replace My Old Love", and "She Should Have Been Home". (SHMCD pressing.) ~ Dusty Groove

CENTRAL LINE - CENTRAL LINE

The sweetly grooving first album from Central Line – one of the few British soul groups to really kick it in the early 80s scene – with a catchy dancefloor sound that both encapsulates the era and lays down a killer groove for the ages! The album is a blend of bass riffing, keyboards, group vocals and nice electro touches – always done with a truly soulful approach as a perfect counterbalance to the breezy electronics! Upbeat and fresh early 80s modern soul that holds up better than most huge hits of the time! Titles include the killer opener "Walking Into Sunshine", plus "Don't Tell Me", "Shake It Up", "Breaking Point", and "I Need Your Love". (SHMCD pressing.) ~ Dusty Groove

NEW RELEASES - BILLY PRESTON, THE EBONYS, RAY, GOODMAN & BROWN

BILLY PRESTON - THE KIDS & ME

Billy Preston right in the middle of a classic 70s run – hitting a trademark blend of soul, jazz, and other groovy influences – all with a sound that's very much his own, and which puts him in the same company as Sly Stone or Stevie Wonder! Preston's market was a bit more mainstream than those two, but at this point in his career he's very much on top of his game – really pulling together all the experience of woodshedding in the 60s, and bursting forth with a sense of pop power and pride that's totally great! Billy plays a fair bit of different keyboards on the set – and rhythms run from the respected Preston romping modes, to others that are a bit more laidback and soulful. Titles include the hit "Nothing From Nothing", plus "St Elmo", "Sometimes I Love You", "You Are So Beautiful", "Creature Feature", "Tell Me You Need My Loving", "Sad Sad Song", and "Sister Sugar". (SHMCD pressing.) ~ Dusty Groove

THE EBONYS - SING ABOUT LIFE

The Ebonys sing about life, and a host of other groovy topics too – in this lost soul treasure from the 70s! The set is one of only two albums ever cut by The Ebonys – a consistently great group from the 70s, as is testified by their constant popularity in our racks! The quartet has a 3 man/1 woman harmony sound that's very hip – often applied to righteous themes worked out in a heavy soul mode, and which sounds just as great on the ballads as it does dancefloor numbers. This second album's got an even sharper edge than their debut – thanks to production and arrangements from Tony Camillo – who gives the album some great undercurrents of funk, and a slightly righteous style that reminds us of some of Norman Whitfield's best studio work of the time. Vocals are wonderful – with really great harmonies that balance out beautifully – in ways that are much more unified than other girl/guy soul groups. Titles include "Neighborhood Gossip", "Mr Me, Mrs You", "One Thing On My Mind", "Sing About Life", and "A Love of Your Own". ~ Dusty Groove

RAY, GOODMAN & BROWN - RAY GOODMAN & BROWN

Sweet silky harmony soul from the trio of Harry Ray, Billy Brown, and Al Goodman – the group's first album under a new name – after some previous indie work as The Moments! The album's got the group really stepping up with a rich new sound – drawing on all the best elements of their New Jersey roots, but hitting harmonies that are even more sublime – and put together perfectly by Lou Toby's arrangements. This debut from the trio's a real classic – proof that the indie group soul sound can make it to the big time – and although the lyrics are a bit off-beat, but that's always part of the charm of the group. Titles include "The Way It Should Be", "Inside Of You", "Treat Her Right", "Deja Vu", "Another Day", and "Special Lady". (SHMCD pressing.) ~ Dusty Groove

BILL TRUJILLO - VEGAS

What a Trip It's Been for Legendary Saxophonist Bill Trujillo, Who's Played With Frank, Dino, Elvis, Tony Bennett and Peggy Lee, and Now Takes Center Stage on 'Vegas,' a Jazz-Driven Homage to His Longtime Home Set for Release October 23 

A fixture for several decades in the orchestras at such legendary hotels as the Tropicana, Sands, Stardust, Dunes, Frontier, Flamingo and MGM Grand, Los Angeles native Bill Trujillo has made Las Vegas his home for 50 years while backing everyone from Frank Sinatra and his Rat Pack pals Dean Martin and Sammy Davis, Jr. to Elvis, Ella Fitzgerald and Peggy Lee.

Another legend on the veteran saxophonist's resume of icons is Tony Bennett, who called Bill's tenor solo during his performance of The Beatles' "Something" as the best he had ever heard. Even legendary jazzman Stan Getz trekked to The Strip to see Trujillo do his thing.

Now, with the October 23rd release of his traditional jazz driven full length album Vegas, the 82-year-old Trujillo is giving something back, adding a solo and riffs to a trippy, easy grooving title track that is poised to be Sin City's next theme song.

What Happens in Vegas Stays in Vegas? Catchy -- but not as hip, super cool and "now" as "What a trip it would be,..." the refrain written and spoken-sung, Bennett style, by the saxman's 85-year-old brother Chuck about crossing the desert and seeing your name up in lights back in the Rat Pack days. The colorful closer to the 13-track set is, like the rest of Vegas, a true family affair, featuring music composed by Trujillo's nephew Christopher and soulful background vocals of the saxophonist's daughter Michelle Marie, who sang in Las Vegas in the '70s and '80s.

The collection was produced and executive produced by Bill's son Nick Trujillo (www.nicktrujillo.com), who despite growing up in a musical household, successfully pursued a career in academia before entering the independent music world in a unique way several years ago after his wife died of ovarian cancer. Trujillo has recorded two CDs of quirky songs (Is That Viral Enuf 4 U?, That Is (Still) The Question) under the name Gory Bateson, the mythical nephew of the late British anthropologist Gregory Bateson. With Vegas, Nick adds acid jazz and bebop to his eclectic catalogue.

NEW RELEASES - CLARENCE PENN, THE HERBALISER, JOHN ZORN

CLARENCE PENN - DALI IN COBBLE

A really compelling album from drummer Clarence Penn – maybe his greatest record in years, and that's really saying a lot! The inspiration here is stated plainly in the title – an imagined look by Salvador Dali at contemporary Brooklyn – carried off in sounds that are definitely Brooklyn in execution, even if they're not as Dali-esque as you might expect! Penn's come up with some of his most inventive rhythms ever for the record – followed by these deft lines from Adam Rogers on guitar, who soars along with really intense energy – and topped by excellent work on tenor, soprano sax, and bass clarinet from Chris Potter – a player whose deft turns are a great match for the others. Ben Street keeps things sewn together on bass – and titles include "The B 61", "Cobble Hill", "A Walk On The BHP", "Dali", "Mr C", and "Persistence Of Memory". ~ Dusty Groove

THE HERBALISER - THERE WERE SEVEN

Cinematic funky instrumentals (plus a few guest vocal cuts) from Herbaliser – working with as diverse of a stylistic backdrop as ever before, and once again with a nice live band feel on a good deal of the record – which is quite impressive, given that The Herbaliser duo of Jake Wherry and Ollie Teeba are largely responsible for the sprawling sound on There Were Seven! There's quite a lot of moody hip hop funk on this one, with some deft use of sampled bits of vocal, programming, bass and keys – plus a handful of standout vocal tunes with guests Hanna Clive, Twin Peaks, George The Poet and Teenburger. Includes "Return Of The Seven", "The Lost Boys" with Hanna Clive, "Welcome To Extravagance", "Mother Dove", "Take 'Em On", "Setting Up", "What You Asked For", "Deep In The Woods". "Inside The Machine", "Danny Glover" feat Twin Peaks, "Move As One" and more. ~ Dusty Groove

JOHN ZORN - VISION IN BLAKELIGHT

John Zorn, inspired by the work of William Blake – on an album that's one of his most beautiful in years! There's a really lovely sound going on here – bright, and filled with hope – in ways we never thought we'd be hearing from Zorn many years back – music that's made not by John's own instrumentation, but by a group that features John Medeski on piano and organ, Kenny Wollesen on vibes, Carol Emanuel on harp, Trevor Dunn on bass, Joey Baron on drums, and Cyro Baptista on percussion! The sound is warm and very organic – a shade towards a Terry Riley minimal mode, but more lyrical overall – with an open, flowering quality that's wonderful right from the start. Zorn arranges and conducts – and titles include "An Island In The Moon", "The Hammer Of Los", "The Prophecy", "Marriage Of Heaven & Hell", "Night Thoughts", and "When The Morning Stars Sang Together". ~ Dusty Groove

NEW RELEASES - JUMA SULTAN'S ABORIGINAL MUSIC SOCIETY, CERTIFIED SLIM, THIEVERY CORPORATION

JUMA SULTAN'S ABORIGINAL MUSIC SOCIETY - WHISPERS FROM THE ARCHIVE

Tremendous work from bassist/percussionist Juma Sultan – a wealth of wonderful tracks from the loft jazz years of the 70s! Sultan's a player who doesn't always get his due on record – especially during this formative generation – so the release is a much-needed look at his mighty talents back in the day – and a picture of a very underground level of American jazz that goes deeper than even some of the more-recorded avant players of the time! Most of the tunes are quite spiritual, and feature a shifting lineup that really keeps things fresh – players who include Sultan on bass, percussion, and flute – plus Ali Abuwi on drums, flute, and oboe; Kasa Allah and Earl Cross on piano, Art Bennett on tenor, Talib Kibwe on flute and oboe, Paul Williams on guitar, and Ora Borman and Charlotte Richardson on vocals. Titles include "Darn My Socks", "She Made Me Feel Like Glory (parts 1 & 2)", "Sundance & Hand Clapping (parts 1 & 2)", "AMS", and "Shake Your Money Maker". ~ Dusty Groove

CERTIFIED SLIM - MOVE
Contemporary soul from Miami – a set issued by the legendary Henry Stone, and done with a vibe that's a great update of his TK Records sound from the 70s! Certified Slim is a singer with a definite southern pedigree – a soulful style that's got a few undercurrents of blues, in a way that reminds us a lot of Latimore – yet with a markedly more youthful feel. Like Latimore, Slim gets some great keyboards bubbling underneath his vocals – and some sweet riffing guitar that's definitely a key element in keeping the Henry Stone sound strong. Titles include "Lease To Own It", "Move Somethin", "If It's Love You Want", "Baby I Will", "So Independent", and "She's Her Own Boss". ~ Dusty Groove

THIEVERY CORPORATION - FRAGMENTS.ASCENSION

A solid 12-inch split single from ESL and Ghostly International – pairing up the labels' top shelf talents of Thievery Corporation and Tycho! The A-side features Thievery Corporation's "Fragments", with a steady, hypnotic beat and some sweet keyboard atmosphere floating over. The first side also includes a remix by Tycho – and it's got a spacier style. On the flip is Tycho's slow-building "Ascension" – plus a nice remix by Rob Garza of Thievery Corporation. ~ Dusty Groove

“JUMPINJAZZ KIDS – A SWINGING JUNGLE TALE” RECEIVES PARENTS’ CHOICE GOLD AWARD

SPECIAL CONCERT TO TAKE PLACE AT THE GRAMMY MUSEUM OCTOBER 19TH AND WILL FEATURE GUEST APPEARANCES BY ARTISTS FROM THE CD INCLUDING DEE DEE BRIDGEWATER AND HUBERT LAWS


“A stand-out mix of storytelling and songs . . . an imagination-stirring musical adventure!” – Parents’ Choice Foundation

“An adventure that will definitely get your imagination going!” - National Parenting Publication Awards “The music stands on its own superbly . . . Isn’t this how YOU want young people to get hooked on swing?” – Jazz Weekly

“A unique blend of catchy songs for kids . . . where your imagination can literally run wild.” – L.A. Parent

“A great model for what needs to be presented to young people. The manner in which it’s presented strikes a nerve – everyone should take a look and listen to it!” - Dr. Billy Taylor, founder of Jazzmoblie

JumpinJazz Kids – A Swinging Jungle Tale, the new CD celebrating the rich history of Jazz and Popular music by paying tribute to its legendary pioneers through story, song and a variety of musical styles, is the proud recipient of a 2012 Parents’ Choice GOLD Award from the prestigious Parents’ Choice Foundation – the nation’s oldest nonprofit guide to quality children’s media and toys. In celebration of the CD release as well as the Award, a special performance will take place at The GRAMMY Museum on October 19th at 10am as part of the Museum’s Educational Outreach Series.

JumpinJazz Kids – A Swinging Jungle Tale (the CD) is a unique blend of classic storytelling and fun, original jazz/pop songs performed by world-renowned jazz artists Dee Dee Bridgewater, Al Jarreau and Hubert Laws and backed by an energetic jazz quartet, symphony orchestra and narration and voice characterizations by James Murray. JumpinJazz Kids – A Swinging Jungle Tale introduces children to the imaginative worlds of jazz, the spoken word and the Symphony in a fun yet educational, engaging and unique way. Produced and created by music industry veterans Steve Barta and Mark Oblinger, JumpinJazz Kids – A Swinging Jungle Tale was released September 25th.

The GRAMMY Museum seeks to educate and to inspire all museum visitors and members as to the enduring qualities and cultural significance of popular and classical music. By implementing a variety of innovative educational strategies; by incorporating the advice and needs of scholastic teachers, locally, regionally, and nationally; and by presenting the expertise of nearly 14,000 Recording Academy members, the GRAMMY Museum offers the most dynamic and exciting educational programs available from music museums today. The education mission of the Museum is to use music as a gateway to learning; inspiring and cultivating creativity, critical-thinking and self-expression.

Barta and Oblinger stated, “We are thrilled to be the recipients of a Parents’ Choice Gold Award. Our main goal is to provide quality children’s entertainment that fully engages the listener’s imagination. “A Swinging Jungle Tale” supports this idea through our “Imagination Is Me!” concept that encourages the listeners to actively visualize the story and imitate the animal dance movements in each song to become a “real” part of the tale. We believe that with the quality of the music, the magnetic performances of the artists involved and the imaginative nature of the story, “JumpinJazz Kids” has something to offer all ages. “

All three artists – Bridgewater, Jarreau and Laws – were equally enthralled with the project and offered their support immediately when approached to participate and their performances from the downbeat let you know that this is no ordinary children’s CD. Bridgewater’s unparalleled chops are featured on “ This Elephant’s Gerald,” while Jarreau’s playful vocals highlight “Do The Monkey Swing” and “Hubert Hummingbird.” Laws adds flute to both a song named in his honor, “Hubert Hummingbird” and “Her Name Is Little Growl.”

“JumpinJazz Kids” is a unique line of children’s music that combines classic narrative storytelling with fun, pop-influenced jazz songs backed by a Symphony Orchestra. The stories follow the imaginative adventures of a seven year-old girl named Claire and her stuffed animal friends. The first title in the series, “A Swinging Jungle Tale,” finds Claire in her Grandpa’s backyard jungle looking for a “lost story.” Powered by her imagination alone, Claire’s stuffed animal friends begin to magically come to life and she learns all about their world … and a little bit about herself along the way. In addition, the music for “JumpinJazz Kids” has been fully-scored for live performances with a symphony orchestra.

With the story for “A Swinging Jungle Tale” already translated and recorded in French, Japanese and Spanish, it is the vision of “JumpinJazz Kids” to develop a series of interactive CDs, books, apps, concerts and educational events nationally and worldwide with the premise being to teach jazz and symphonic history, provide music education, promote children’s physical activity through dance and movement, enlighten their understanding of the animal world and most importantly, to allow their imaginations to flow. Concerts have already taken place with full orchestra/jazz quartet in Colorado and Milwaukee and were met with widespread critical acclaim. JumpinJazz Kids - “A Swinging Jungle Tale" - a celebration of story, song and swing . . . where Imagination is King!

Mark Oblinger Songwriter, Composer, Producer and Performer Mark Oblinger is the writer, co/writer of the songs and story for “A Swinging Jungle Tale.” He is a former member of Atlantic Recording Artist “Firefall” and has a long history of award winning work as a songwriter, composer, producer and performer. He created and produced two national award winning Jazz CDs for children, “Jungle Jazz Joint Jam” and “Jazz Joint Jump” and has won 5 Heartland Emmy Awards for his work as a composer/producer for the PBS Children’s Show, “The Big Green Rabbit”, “Yesterday’s Zoo” and “The Sea I See”. Mark has arranged, produced and performed on dozens of CDs for numerous national and Colorado artists including vocal work on CDs by Rock and Roll Hall of Fame member Richie Furay (Buffalo Springfield, Poco) and the Grammy nominated “The Spark” by Chris Daniels. Mark has composed music for short films and television including featured pieces for the Oprah Winfrey Show, Dr. Oz, Gaiam and theme music for Disneyworld’s Dolphin and Swan Resorts. Mark shares his Boulder, Colorado home with his wife and co-author of “A Swinging Jungle Tale” Linda and their two children, Kyle and (you might have guessed it) . . . Claire.

Steve Barta Pianist, Composer, Arranger, Producer, Educator Pianist Steve Barta has stayed true to his creative path for over thirty years as a Composer, Recording Artist, Producer, Author, Educator and Speaker. He has performed his original works as a solo artist with jazz ensembles and symphony orchestras. His contribution to the world of music includes fourteen recordings that reflect his many influences, particularly Brazilian, Jazz and Classical. Steve has worked and/or recorded with the likes of Al Jarreau, Hubert Laws, Herbie Mann, Dori Caymmi, B.B. King, Dee Dee Bridgewater, Paulinho da Costa, Mike Shapiro and many more. His recordings are available worldwide via SteveBartaMusic.com, iTunes, Amazon.com, and CD Baby. Steve has written several works for symphony orchestra that have been performed worldwide. Mr. Barta is a music educator with over thirty years of experience teaching intermediate to advanced students, educators and professional musicians. Special areas of instruction for private students, clinics and Master Classes are Music Interpretation, Improvisation, Arranging and Composition.

SONIA EDEN - TRUTH LOVE & LIFE

Sonia Eden is a Songwriter/Singer who creates her own blend of soulful,jazzy,bluesy pop. Born and raised in Barbados on the beautifully rugged east coast of the island. Music has always been her passion; born into a musical family, she was surrounded by music from a very early age and listened as her father played the vinyl albums of greats such as Bob Marley, Peter Tosh, Otis Redding and Wings on his turntable. She describes music as her purpose, “it fills my dreams…….it is my life.”"I can remember going to work and hiding in the bathroom so that i could get song ideas down on to my voice recorder"

"My music is a fusion of my life experiences and emotions combined with influences from all the music which i love and enjoy expressed in my own unique way" “I love crafting and creating songs….I love writing around a personal theme or telling a story which draws you in so much that you become hooked emotionally and mentally” “I want to create beautiful music, which stirs the listener, or wakes them up in one way or the another” “My goal is not only to progress as an artist, but to become a more evolved human being as well” Tracks include the standout "It's a Beautiful Day", plus 'Is That Enough Time", 'Fantasy", I'm Not Over Love", Like I Do", Never Play The Fool Again", Nothing To Say", and "Be Around".

NEW RELEASES - DOM SALVADOR, MATTHEW HALSALL, MR DRUM & THE SOUND MACHINE

DOM SALVADOR - SALVADOR TRIO

Classic trio material from one of Brazil's greatest pianists ever! Dom Salvador was a heck of a player back in the 60s – working in a tight trio format that was certainly part of the bossa combo sound of his day, yet also heavily influenced by American soul jazz artists of the same era. Here, he's working in an early trio with Edison Machado on drums – switching effortlessly between piano and organ as the rhythm section spins out lush, lyrical lines with more than a bit of soul in the mix. Many of the tracks on the album are quite obscure, making for a fresh little set that goes way past the usual piano trio side from 60s Brazil! Titles include "Indio Perdido", "Samborio", "Um Sonho Azul", "Balanco Do Mar Onda Quebrando", "Fred's Ahead", "Sonho De Carnaval", "Iluminando O Vazio", "A Cancao Do Amor Que Nasceu", and "Eu Compro Essa Mulher". ~ Dusty Groove

DOM SALVADOR - SALVADOR TRIO


Wicked jazzy bossa from 60s Brazil – a crackling early classic from pianist Dom Salvador! The group here is super-tight – a tremendous triangle of piano, bass, and drums – all grooving at equal pace, with a great deal of energy – and given a heck of a lot of soul from Dom's bold lines on the piano! There's a slight lyrical vibe at points, too – making for music that's mighty sweet, and very seductive – and the whole thing's right up there with some of the best bossa trio dates of the time. Trio features bass by Edson Lobo and drums by Victor Manga – and titles include "Arrastao", "Promessa", "Pro Batera", "Santarem", and "Tematrio". ~ Dusty Groove

MATTHEW HALSALL - FLETCHER MOSS PARK   Maybe the best work so far from trumpeter Matthew Halsall – and a wonderful continuation of the spiritual vibe he's been giving us for the past few years! Halsall's a real up-and-comer – a trumpeter with a spiritual sensibility that rivals the best players on 70s Impulse or Strata East sessions – working with a fluid, open quality that's unlike any other contemporary musicians we can think of! There's depth of sound to the record that rivals the best spiritual sessions from Build An Ark – or from Halsall's frequent partner and labelmate, Nat Birchall – whose tenor makes parts of the album sparkle as much as Matthew's trumpet. Other musicians include Rachael Gladwin on harp, Lisa Mallett on flute, Adam Fairhall on piano, and Holly Simpson on violin – and titles include "The Sun In September", "Finding My Way", "Sailing Out To Sea", "Mary Emma Louise", and "Fletcher Moss Park". ~ Dusty Groove  

MR DRUM & THE SOND MACHINE - MR DRUM LOWDOWN   Mr Drum, you're one heck of a funky player – a mysterious Japanese musician from the early 70s, and one who really knows how to kick into a groove! The drums are definitely at the forefront here – breaking hard right at the start of the record, and mixing with raw guitar and freaky big band backings – all in one of the hippest hybrids of styles we've heard from the Japanese scene at the time! Tunes are mostly familiar numbers from American pop – but their reworked in styles that run from funky to trippy to mod – all as instrumentals with a mighty sharp edge. Titles include "The Drum", "Want Ads", "Lowdown", "Brown Sugar", "It Don't Come Easy", "Indian Reservation", and "Never Can Say Goodbye". ~ Dusty Groove 

SONY CLASSICAL RELEASES ORIGINAL SOUNDTRACK OF SKYFALL

Sony Classical announces the release of the Original Motion Picture Soundtrack of SKYFALL™ on November 6, 2012, consisting of original music written by leading film composer Thomas Newman . From Albert R. Broccoli 's EON Productions, Metro-Goldwyn-Mayer Studios and Sony Pictures Entertainment, the film is the 23rd James Bond adventure and coincides with the 50th anniversary of the James Bond film franchise.

SKYFALL™ also marks the debut of distinguished director Sam Mendes in the James Bond franchise. Daniel Craig is back as Ian Fleming 's James Bond 007 in SKYFALL™, the 23rd adventure in the longest-running film franchise of all time. In SKYFALL™, Bond's loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost. The film is produced by Michael G. Wilson and Barbara Broccoli and written by Neal Purvis & Robert Wade and John Logan .

Composer Thomas Newman 's uniquely expressive musical style fits perfectly with the humor and slickness of a Bond movie. His expressive range goes from thunderous and dramatic for the many action sequences to broodingly atmospheric for scenes in which the dark side of the story, marked by mistrust and fear of betrayal, is at the forefront. With its big orchestral effects, this music is equal to the spectacular events that the movie portrays.

Starting with American Beauty in 1999, Thomas Newman has collaborated on all but one of Mendes' films. One of the most respected composers in the film business, he has scored more than fifty feature films and has been nominated for ten Academy Awards®, nine times in the category Best Original Score and once for Best Original Song. He has won a BAFTA, two Grammys and an Emmy, and has also been nominated for a Golden Globe. Born in Los Angeles, he comes from a prominent Hollywood musical dynasty: his father Alfred Newman , brother David, sister Maria and uncle Lionel all composed music for the movies, and his cousin is the noted singer-songwriter and film composer Randy Newman .

Newman's first major work in movies was in 1984 for Reckless. He composed the scores for Erin Brockovich and The Good German for director Steven Soderbergh , as well as for such acclaimed films as Finding Nemo, The Player, The Shawshank Redemption, Wall-E, The Help and The Horse Whisperer. Recent work includes the scores, also released by Sony Classical, of The Iron Lady and The Best Exotic Marigold Hotel. Newman has composed for television, including the HBO miniseries Angels In America, and the theme for Six Feet Under, which won him Grammys for Best Instrumental Composition and Best Instrumental Arrangement. He also has been commissioned to write orchestral concert music.

2013 U.S. BANK PORTLAND JAZZ FESTIVAL FEATURES ESPERANZA SPALDING, KENNY GARRETT, JACK DEJOHNETTE & OTHERS...

Presented By Alaska Airlines: February 15-24, 2013

10th Anniversary Event Celebrates Enduring Jazz Legacy

Featuring Universally Acclaimed Artists and Portland Favorites

Afro Cuban All-Stars, ACS: Geri Allen, Terri Lyne Carrington, Esperanza Spalding; Jack DeJohnette; Kenny Garrett; "The Jazz Message" Celebrating Art Blakey; Barry Harris, Sexmob; Nancy King; Gerald Wilson; Steve Kuhn; Patricia Barber, Among Others

The 2013 U.S. Bank Portland Jazz Festival presented by Alaska Airlines will be held Friday, February 15 through Sunday, February 24 at venues throughout Portland, OR. The 10th anniversary celebration will include a heady mix of world and west coast premieres and For Portland Only performances with a series of concerts featuring an imposing array of internationally recognized and local musicians playing a wide-range of jazz styles. Education and outreach, as always, amplify the festival's recognition of Black History Month through a series of community-wide initiatives.

This year's headliners are NEA Jazz Master Jack DeJohnette in a For Portland Only special quartet configuration featuring Ravi Coltrane, Matt Garrison and George Colligan; The Jazz Message Celebrating Art Blakey in a world premiere featuring Javon Jackson, Bobby Watson, Eddie Henderson, Curtis Fuller, George Cables, Buster Williams and Lewis Nash; The west coast premiere of ACS featuring Geri Allen, Terri Lyne Carrington and Esperanza Spalding; Afro Cuban All-Stars and Alfredo Rodríguez; Steve Kuhn Trio featuring special guest Devin Phillips; Kurt Rosenwinkel Quartet; Kenny Garrett Quartet; Patricia Barber Quartet; Sexmob Plays Fellini; Portland Jazz Master Nancy King with Steve Christofferson and Glen Moore; Barry Harris Trio; Matt Wilson's Arts & Crafts; Gerald Wilson leading two Portland ensembles; Scott Hamilton Quartet; Art Abrams Swing Machine Big Band In Tribute to Stan Kenton featuring Rebecca Kilgore; The Blue Cranes; and more.

States Managing Director Don Lucoff, "This year's vast programming of 17 ticketed shows reflects the eclecticism that is uniquely Portland. In our 10th anniversary we welcome back festival favorites Portland Jazz Master Nancy King, Esperanza Spalding, Patricia Barber, Afro Cuban All Stars, Scott Hamilton, and Rebecca Kilgore. A rare PDX appearance by NEA Jazz Master Jack DeJohnette and The Jazz Message celebration of Steel City icon Art Blakey enhance a robust roster, a drum feast for the ages, as we host the top drummers in jazz throughout the festival: Lewis Nash, Joey Baron, Terri Lyne Carrington, Justin Faulkner and Matt Wilson in the City of Roses."

Other festival highlights include: Berlin-based Kurt Rosenwinkel playing Portland for the first time, Gerald Wilson's first PDX appearance since 1949 when he last played lead trumpet in the Count Basie band at McElroy's Ballroom, the PDX debut by Cuban pianist Alfredo Rodríguez, Art Abrams premiering his 20 strong aggregation in tribute to Stan Kenton, featuring Rebecca Kilgore and a long overdue PDX appearance by 83-year-old NEA Jazz Master Barry Harris.

Community outreach programming including the Student Stage is set to take place at Portland State University on February 16 and 17, "The Incredible Journey of Jazz" school program, Jazz Conversations and more to be announced soon. Continue to check www.pdxjazz.com for up-to-date festival information and follow us on twitter and Facebook.

Complete Concert Schedule
Friday, Feb. 15, 7:30pm @ Aladdin Theater - Afro Cuban All-Stars & Alfredo Rodríguez

Friday, Feb. 15, 7 & 9:30pm @ Jimmy Mak's - NEA Jazz Master Barry Harris with Chuck Israels & Todd Strait in partnership w/ Soul Patch Music

Saturday, Feb. 16, 7:30pm @ Scottish Rite Auditorium - Art Abrams Swing Machine Big Band featuring Rebecca Kilgore in Tribute to Stan Kenton with Shanghai Woolies

Saturday, Feb. 16, 9:30pm @ The Mission Theater - Blue Cranes in partnership with Creative Music Guild

Sunday, Feb. 17, 3:00pm @ Classic Piano - Alfredo Rodriguez, solo piano

Monday, Feb. 18, 7:00pm @ Jimmy Mak's - PDX Jazz All-Star Student Big Band under the direction of Gerald Wilson

Monday, Feb. 18, 9:30pm @ Jimmy Mak's - PDX Jazz All-Star Educators Ensemble under the direction of Darrell Grant Play the Music of Gerald Wilson

Tuesday, Feb. 19 7 & 9:30pm @ Jimmy Mak's - Scott Hamilton Quartet

Tuesday, Feb. 19, 7:30pm @ Evans Auditorium - Kurt Rosenwinkel Quartet in partnership with Lewis & Clark College

Wednesday, Feb. 20, 7 & 9:30pm, Jimmy Mak's - Matt Wilson's Arts & Crafts

Thursday, Feb. 21, 7:00pm @ Winningstad Theatre - Patricia Barber Quartet

Thursday, Feb. 21, 9:30pm @ Winningstad Theatre - Kenny Garrett Quartet

Friday, Feb. 22, 7:00pm @ Newmark Theatre - The Jazz Message; Celebrating Art Blakey

Friday, Feb. 22, 9:30pm, Winningstad Theatre - Steve Kuhn Trio w/ special guest Devin Phillips

Saturday, Feb. 23, 7:00pm @ Newmark Theatre - NEA Jazz Master Jack DeJohnette featuring Ravi Coltrane, Matt Garrison & George Colligan

Saturday, Feb. 23, 9:30pm @ Winningstad Theatre - Sexmob Plays Fellini

Sunday, Feb. 24, 3:00pm @ Winningstad Theatre - Portland Jazz Master Nancy King with Glen Moore and Steve Christofferson

Sunday, Feb. 24, 7:00pm @ Newmark Theatre - ACS: Geri Allen, Terri Lyne Carrington, Esperanza Spalding

www.pdxjazz.com

NEW RELEASES - JIM BRICKMAN, JOHN MCLAUGHLIN, JACKIEM JOYNER

JIM BRICKMAN - MORE GREATEST HITS

SLG Records will release a collection of pop hits by the chart-topping, platinum-selling pianist/producer and composer Jim Brickman . " Jim Brickman: More Greatest Hits" is a compilation of his best compositions and songs including his collaborations with Lady Antebellum ("Never Alone"), Richie McDonald ("Coming Home For Christmas") and the last known recording of Gerald Levert (" My Angel "). Also featured on the album are Sara Evans , Tom Douglas , Marc Antoine and Jake Simpson . " Jim Brickman: More Greatest Hits" will be released by SLG Records on November 6. Jim Brickman 's remarkable career includes six Gold and Platinum selling albums, consistent debuts at #1 on Billboard Magazine's New Age Chart, a Grammy nomination in 2003 and 2010 for Best New Age Album and the distinction of being the most charted male Adult Contemporary artist to date. His many awards include a SESAC "Songwriter of the Year" award, a Canadian Country Music Award and a Dove Award. Tracks include "Never Alone" (w/ Lady Antebellum); "Escape" (w/ Marc Antoine); "Coming Home For Christmas" (w/ Richie McDonald); and "My Angel" (w/ Gerald Levert).

 

JOHN MCLCUGHLIN - NOW HERE THIS   It has been nearly two years since world-renowned guitarist John McLaughlin released To the One, his highly acclaimed, first studio recording, with The 4th Dimension. The veteran guitar aficionado celebrates his 70th birthday year in 2012 with the release of Now Here This (Abstract Logix), as he ups the ante even further with greater fire, finesse and freewheeling interplay. McLaughlin's musical influences carry over to many of the musical elite, with Jeff Beck declaring him in 2010 to be ''the best guitarist alive.'' In 2003, McLaughlin was ranked 49th in Rolling Stone magazine list of the 100 Greatest Guitarists of All Time and in the summer of 2007, McLaughlin performed at Eric Clapton's Crossroads Guitar Festival in Bridgeview, Illinois. Chick Corea remarked to DownBeat Magazine that ''...what John McLaughlin did with the electric guitar set the world on its ear. No one ever heard an electric guitar played like that before, and it certainly inspired me. John's band, more than my experience with Miles, led me to want to turn the volume up and write music that was more dramatic and made your hair stand on end.'' McLaughlin's latest creative venture with The 4th Dimension reflects a slight, yet significant, alteration of the dynamic, specifically the recruitment of powerhouse Indian drummer Ranjit Barot. Cameroon-born/Paris-resident bassist Etienne M'Bappe is back from To the One, as is keyboardist/drummer Gary Husband. This eight track set of McLaughlin originals, recorded at Studio 26 in Antibes, France, testifies to the guitarist's decades-long fascination with Indian music, through his effortless virtuosity, and relentless lyricism, even when the guitarist is shredding at near-light speed. As John himself simply states, ''Now Here This is the culmination of my life's work till now.'' - amazon.com

JACKIEM JOYNER - CHURCH BOY

"Church Boy stems from my time as a young and eager boy who wanted to play a part in the music ministry. I can remember very well a time when I couldn't wait until church service was over so I could get a chance to bang on the instruments! One day the pastor of my church told me that I was going to learn an instrument and be very involved in the Gospel ministry. I had no instrumental ex¬perience and had no idea what he was talking about. Church Boy takes me and the audience back to church. Although my previous albums are in the 'jazz or smooth jazz' genre, I have always believed that my music comes from God. Every new talent that I acquire, I make it a point to dedicate it to my Father God and Lord Jesus Christ. This album will confirm my place in the music ministry of God." Church Boy features a collection of contemporary Gospel songs including Toby Mac's "City On Our Knees," Israel & New Breed s "You Are Good" and Kirk Franklin s "Hosanna." Kirk Whalum joins Jackiem on Kirk Franklin's "I Smile" and Jonathan Butler plays the lead acoustic guitar on Tye Tribbett's "Bless The Lord (Son Of Man)." ~ amazon.com

JAZZ FM FUNKY SENSATION 3 – MORE JAZZ, FUNK & SOUL CLASSICS (VARIOUS ARTISTS)

More Jazz and Funk Soul Classics Including Roy Ayers, Atlantic Starr, Rick James, Howard Johnson, Teena Marie, Shalamar, Jackson Sisters, Willie Hutch

A warm, easygoing and sprawling 2CD set from the Expansion and Jazz FM team – the third and best yet in their Funky Sensation series – with both hits and relatively underappreciated numbers! It's wonderful stuff all the way – and well chosen by Mike Vitti & Ralph Tee – with full-length treasures by Roy Ayers, Rick James, Cameo, Rene & Angela, Willie Hutch, Dazz Band, Charles Earland, Teen Marie and The Gap Band to name but a few. What we love about the Funky Sensation series is the sort of informal, unfussy vibe. It's not so much about shining a lot on particular labels, producers or well-defined scene – and very much about simply putting together some sensationally funky, jazzy and soulful music, nearly all of it from the mid 70s to early 80s, together in a generous double-sized set! 26 tracks on 2CDs – and over 150 minutes of music. Includes "Running Away" by Roy Ayers, "Circles" by Atlantic Starr, "Now That We Found Love" by Third World, "So Fine" by Howard Johnson, "Man Power" by Lalomie Washburn, "I Believe In Miracles" by The Jackson Sisters, "I Need Your Lovin'" by Teena Marie, "I'l Be Good" by Rene & Angela, "Get It Up For Love" by Tata Vega, "Outstanding" by The Gap Band, "Let The Music Play" by Charles Earland and many more. ~ Dusty Groove

KEN GREVES - VINTAGE & RARE: THE SONGS OF HAROLD ARLEN VOL 1

Ken Greves is a passionate interpreter of the Great American Songbook and a specialist in the music of Harold Arlen.

“Arlen’s music resonates profoundly with my musical sensibilities,” says Ken. “Arlen considered himself a jazz composer and wanted to be a vocalist himself. He was unique in that he was unafraid to break out of the standard 32-bar form.”

Another important influence on Ken was the voice of Judy Garland. “My fascination with Garland was her uncanny ability to musically shape a song while acting and telling a story. She demonstrated that a song has a beginning, middle and end.”

Ken grew up in Nassau County, on the south shore of Long Island, NY. Neither of his parents were musicians, but they noted early on their son’s fascination with music, theater, and dance.

“My earliest memories were when I was three” recalls Ken. “My mother told me that I used to dance in front of the TV, mesmerized by the sound of Kate Smith singing, ‘When the Moon Comes Over the Mountain.’”

Classically trained as a dancer and actor as well as a singer, Ken performed in a national tour of Singing in the Rain, played Billy Lawlor in 42nd Street, appeared as Luther Billis in South Pacific, and played opposite Nancy Kulp in an English murder mystery comedy. He sang with the Barry Levitt Trio at Iridium and at Birdland with Jim Caruso’s “Cast Party.”

Ken Greves made his solo debut as a vocalist in April 2000 at Don’t Tell Mama with his program, “Who the Hell Is Harold Arlen?!” Shortly thereafter, he encountered Trudi Mann and her open jazz mic — really an artists’ salon — and immersed himself in the world of jazz.

“I found that world stimulating in a very different way from my classical and theatrical roots,” he says.

In April 2006, Ken launched a new Arlen program, “Last Night When We Were Young — Aspects of Arlen,” at Danny’s Skylight Room in New York City. Accompanied by the Tedd Firth quartet, this popular show comprises songs both well-known and rare, from Broadway, Hollywood and Tin Pan Alley, and explores the many facets of Arlen’s extraordinary contribution to the Great American Songbook.

In December 2010, Ken released his debut CD, The Face of My Love, at the Metropolitan Room. It starts and ends with a dream and in between is a story as old as time, yet as fresh as tomorrow. Love sought, love found, love doubted, love lost – told in a cycle of song, reminiscent of the classic albums of the past. And yet the sound is as modern as the latest jazz releases.

".... It is the sympathetic manner in which vocalist and pianist dance to each other's tunes that makes this artistic relationship a memorable one. In this regard, Hanley and Greves recall the wonderful partnership between Kurt Elling and Laurence Hobgood." Raul d’Gama Rose, CD Editor - All About Jazz

Ken released his second CD, the first volume in the Arlen project, entitled Vintage & Rare: The Songs of Harold Arlen, which explores both the familiar and the little known compositions by the great Harold Arlen in a trio setting. The musicians on this project are Wells Hanley, piano; Peter Donovan, bass; and Jacob Melchior, drums. "Producing this CD and singing vocals on it was a bit of a roller coaster ride; but, with these fine musicians backing me and the Arlen tunes driving me, it was a joyous trip!" says Greves. Upcoming shows will be in November on the 9th and 11th at The Laurie Beechman Theater, 407 West 42nd Street in New York City.

Late 2013, Ken anticipates releasing Night People: a CD of tunes recalling the classic 50's concept albums on Capitol; a collection of song-stylings for the midnight to six AM crowd, capturing the sophistication, wit and heartbreak of that faraway world.

http://www.kengreves.com/

Visit THE JAZZ NETWORK WORLDWIDE "A GREAT PLACE TO HANG" at: http://www.thejazznetworkworldwide.com/?xg_source=msg_mes_network

DENNIS ANGEL - TIMELESS GROOVES

The Jason Miles-produced album is a jazzy R&B throwback; radio grooving to “Forever Funk”

Having successfully released more than a half dozen diverse singles that charted and received radio spins around the globe, trumpeter Dennis Angel will release his debut album, the vintage sounding Timeless Grooves, on November 13th via Timeless Grooves Records. Angel wrote eight songs for the varied 10-track set produced by keyboardist Jason Miles (Marcus Miller, Miles Davis, Whitney Houston, Luther Vandross) that brings something refreshing and unique to the contemporary jazz scene.

Angel has a way of gracefully emoting pristine pop melodies from his horn over the type of laidback grooves that bring to mind jazz-funk hits from the ‘60s and ‘70s. After experimenting and dabbling in a wide array of straight-ahead and contemporary jazz, hip hop, R&B and pop to construct an eclectic variety of instrumental and vocal singles, Angel knew he needed a producer to curate the sound for his first album. Enter Miles, who gave Angel the freedom to create and encouraged the trumpeter to also play flugelhorn on the set. Giving the well-crafted material a distinctive R&B edge, Miles (keyboards, synth bass, percussion) recruited “some of the very best players in the studio to play live” including guitarists Romero Lubambo, Nick Moroch, Dean Brown, and Will Bernard, bassist Amanda Ruzza, and drummer Brian Dunne. Joel Mofsenson plays acoustic piano on the vocal tracks and arranged two of the compositions. Long-time Angel collaborator Gottfried Stoger plays saxophones and deftly arranged the remaining compositions based on the classic American form.

While Angel and Miles toiled away in the studio in the spring and summer on Timeless Grooves, the single “Rio On My Mind” was released as an appetizer. Radio stations instantly embraced the idyllic soul-infused fiesta spotlighting Angel’s flugelhorn and classy acoustic guitar licks from Lubambo. As a follow-up, the groovy “Forever Funk,” on which Angel and Stoger engage in a Soul Train line-like trumpet and sax strut, was just serviced as a single. Angel’s 16 year-old daughter, Rebecca Angel, delivered a heartfelt vocal performance on the empowering “A Song In Harmony,” co-written by the pair. One of two covers, The Beatles’ “Norwegian Wood” receives a beautiful 3/4-time treatment with elegant etchings courtesy of Angel’s flugelhorn and Lubambo’s acoustic guitar along with a sterling performance by Stoger on soprano sax. Flugelhorn and tenor sax top the marquee on the leisurely paced “Vegas Vibe,” which bodes to become a radio favorite. Charismatic baritone vocalist DeForest Raphael pledges allegiance on the patriotic “I Did All This” and is featured on the clever bebop rapper “From Bebop To Hip Hop,” the latter of which charted when released as a single in 2010.

“Releasing Timeless Grooves represents a life-long dream come true for me. After playing the trumpet my whole life, the album embodies my personal contribution to the music scene, which I believe adds something new and fresh to the contemporary jazz genre. We want to bring back some of the great trumpet and sax R&B sounds from the ‘60s and ‘70s and give it a more contemporary feel. The songs have catchy melodies that came to me during quiet times of just putting my trumpet to my lips. For me, the heart of a song is a simple yet memorable melody, which is what I tried to incorporate into each recording,” said Angel.

While in high school, Angel was trained by world renowned trumpeter William Vacchiano and had to decide between studying music at The Julliard School and pursuing a law degree. He chose law school and based his highly respected suburban New York City law practice on the motion picture industry where he works with the major studios. However, he never stopped playing his trumpet and performed at Carnegie Hall in a brass choir. In 2009, Angel wrote and recorded the witty “The Wall Street Recession Time Blues” after the market crash. This timely track garnered considerable airplay and media attention from the likes of the Boston Herald. Encouraged, Angel continued to crank out new singles, which also were welcomed at radio. Some were tongue-in-cheek numbers such as “I Need Smooth Jazz” and “Daddy, Can I Drive Your Car?” while others displayed the true talent behind the soulful grooves (“Dizzy Izzy”). Collaborating with the veteran Miles elevated Angel’s recordings to the next level. Energized, he is looking forward to performing music from “Timeless Grooves” in a concert setting.

Angel’s “Timeless Grooves” contains the following songs:
“Forever Funk”
"Vegas Vibe”
“Norwegian Wood”
“Rio On My Mind”
“A Song In Harmony”
“When Love Is In The Air”
“I Did All This”
“The Breeze”
“Can’t Help Falling In Love”
“From Bebop To Hip Hop”

www.dennisangelband.com

NEW RELEASES - THE SKINNY, TERIVER CHEUNG, PETE ZIMMER

THE SKINNY - DIG ON IT

"With Ben Paterson manning the Hammond B-3, Kyle Asche on guitar, Jake Vinsel on bass and Mike Schlick on drums, the four kindred spirits collectively known as The Skinny have come up with their own personal spin on the soul-jazz tradition. Carrying on in the spirit of Jimmy McGriff, Boogaloo Joe Jones and Grant Green, they also reveal the influences of James Brown, The Meters and Booker T & The MGs along the way. Suffice it to say, these Chicago-based groovemeisters know how to lay it down and slap some bacon fat on it.” – Bill Milkowski
   

TERIVER CHEUNG - MY NOCTURNE  

 "No matter how high the technical bar has been raised for aspiring guitarists, one simple fact remains: musicality is what matters. Teriver Cheung, age 27, has found ways to transcend a chops-centric approach and create music full of breath, space and surprise. On My Nocturne, his auspicious debut, he reveals himself as a player of great skill but also poetic sensitivity. He can do difficult, yes: his single-note lines generate heat and friction, leaping across intervals, avoiding the obvious. But it’s the lyricism, the rhythmic idiosyncrasy and above all the personal quality of his writing and improvising that makes Cheung an artist to watch.” -David R. Adler 

PETE ZIMMER - PRIME OF LIFE

 Self-reliance has been Pete Zimmer’s calling card since he relocated to New York City in 2001. And the same confidence and drive that impelled this fine drummer to establish his own label, produce his own albums, and supply the majority of his recorded repertoire also permeates "Prime of Life," Zimmer’s fifth recording as a leader. The album’s title sets the tone of certainty. "My twenties were still about the learning process, gaining knowledge and experience. With age and practice, I feel that I have the skills and focus to steer my music in the direction it needs to go," says Zimmer, who was thirty-three at the time of the recording. "Now is just the beginning." – Steve Futterman writes about jazz regularly for The New Yorker 
~ tippinrecords.com