KIRK WHALUM - EVERTHING IS EVERYTHING: THE MUSIC OF DONNY HATHAWAY

Eight-Time Grammy nominated saxophonist Kirk Whalum has already had a whirlwind year with the recent release of the long-awaited third installment in his popular genre-bridging gospel jazz series, The Gospel According To Jazz: Chapter III (GATJ3). GATJ3 debuted at #4 on the Billboard Jazz Album chart and #11 on the Billboard Gospel Chart. After recently being named President & CEO of the Stax Museum of American Soul Music & Stax Music Academy, Whalum now caps off a stellar year with the release of Everything Is Everything: The Music of Donny Hathaway via Rendezvous Music, an imprint of Mack Avenue Records. Everything Is Everything consummates Whalum’s chart-topping For You and The Babyface Songbook trilogy to complete a collection that brilliantly exhibits Kirk’s singular interpretive skills. Donny Hathaway would have been 65 years old on October 1, 2010. Although the passing of this visionary and multi-talented artist left a significant void, his pervasive influence left an indelible mark on popular music. There could be no better standard bearer for Hathaway’s work than tenor saxophonist Kirk Whalum, whose work has similarly crossed the boundaries between R&B, gospel and jazz with an emotional immediacy that is beyond compare. Highlights on Whalum’s Donny Hathaway tribute standards CD include “You Had To Know,” featuring a heartfelt performance by Donny’s daughter & neo-soul phenom Lalah Hathaway. Also, R&B crooner Musiq Soulchild gives a retro take on “We’re Still Friends.” This intricate and principled CD also features arrangements by Gil Goldstein and John Stoddart and collaborations from a virtual who’s who of contemporary jazz masters such as Rick Braun, Jeff Golub and Christian McBride. Helping to push the boundaries on this musical tribute celebration is pedal steel scorcher Robert Randolph. All of these dynamic artists come together with Whalum’s passionate tenor to tell the musical story of one of the most important figures in popular music.

JACKIEM JOYNER'S NEWEST RELEASE

Soul and R&B Saxophonist Jackiem Joyner is back and ready for his close-up. It has already been a whirlwind year for this multi-dimensional saxophone player. Dramatic events offstage, such as reuniting with his father after 23 years, have inspired his work in the spotlight and influenced the songs, sounds and textures used in the creation of his third album, a self-titled disc. The result is the new CD Jackiem Joyner is out now on Artistry Music, an imprint of Mack Avenue Records. Sonically and compositionally, the new collection reflects artistic progress and evolution while remaining true to Joyner’s core sound. Much like a silent film, Jackiem Joyner tells a story without words, with an instrumental voice that for the first time in the artist’s recording career includes a tenor sax in addition to his trademark alto and soprano horns. He also plays most of the other instruments on the album. As on his previous releases—Lil’ Man Soul and Babysoul—Joyner wrote, produced, recorded and mixed the record aside from a few select cover tunes. The one thing that shaped Jackiem Joyner most of all during the recording of this new CD was an unexpected family reunion. At the age of 30, Joyner recently reunited with his father and two older sisters whom he had not seen or spoken with since he was seven years old. This exciting gathering spawned the song “The Reunion,” which is an aural celebration with a melody as warm and familiar as a homecoming. More striking than their physical resemblance is Joyner’s musical resemblance to his father. Joyner’s father was a bass player, which subconsciously influenced the deep bass heavy “Back Home Again” which features Joyner letting loose on a free-form sax solo. Thematically, the moods and tones on this project are varied, yet at their essence they are deeply rooted in the rich soil of soulful expression and raw emotion. Rhythmically, Joyner audaciously explores complex, astute and frenetic beats. Joyner explains, “Ever since I was 12 in my mom’s house, I’ve been drumming on walls, tapping out rhythms with spoons and beating on anything that I can. I still have that habit today. I always hear beats in my head;it’s intriguing to see where they take me. This whole record is about writing and making the type of record that I wanted to make. You can really hear me right up front. My first two albums were titled after my nicknames, but now it’s just me front and center for the entire world to see,which is why I decided to go with a self-titled album.” Jackiem’s last project, Lil’Man Soul topped the smooth jazz radio charts for an incredible 12weeks. The lead single “I’m Waiting For You” was the longest-running #1 single in 2009 and is up for Song of the Year at the inaugural American Smooth Jazz Awards this year. In 2010 the album’s Take Me There climbed to the summit position and setup camp.

Babysoul, Joyner’s first album,debuted at #15 on the Billboard chartin 2007 led by the single “Stay With Me Tonight,” a duet with iconic smooth jazz guitarist Peter White. As an artist Joyner is truly maturing, yet he continues to exude a youthful enthusiasm. Hitting his stride, he is bolstered by the confidence to take risks and push the envelope creatively. He’s hungry yet his humility is admirable. Although he’s topped the charts with his solo efforts, he’s equally comfortable as a sideman for top acts such as Peter White, Joe Sample, Gerald Albright and Keiko Matsui as when he’s commanding the stage solo. However it’s becoming more clear that his days in supporting roles are fleeting fast in favor of his rightful position at center stage. Versatile and blessed with a visceral gift, Joyner is a rising star that has yet to reach its zenith.

ALBERT RIVERA - INNER PEACE

Jazz saxophonist Albert Rivera, in concert with Turnaround Records, has released his second album on Turnaround Records, entitled Inner Peace. This album is a contemporary addition to Rivera’s unique collection of smooth, musical grooves that includes his highly acclaimed first album, Re-Introduction. For Rivera, Inner Peace represents a musical triumph in its accessibility. “The listener, whether a newcomer to jazz or a seasoned fan, will be able to appreciate and enjoy this album,” says Rivera. A number of prestigious musicians accompany him on Inner Peace, including guitarist Mark Whitfield, bassist Luques Curtis and pianist Zaccai Curtis. Of the Curtis brothers, Rivera says, “Both Luques and Zaccai are and always will be a cornerstone for my music. They add a distinctive flavor and groove and together we enjoy a deep musical connection.” The album also features outstanding up-and-coming jazz musicians including Beck Burger on Hammond B3 organ, Jean Caze and Nick Roseboro on trumpet, and John Iannuzzi and Nathan Jolley on drums. Inner Peace features nine original Rivera compositions, including groove-driven improvisations and tender, emotional ballads. “Remembrance” is a reflective tribute to 9/11 where Rivera deepens the emotional connection with his audience. Rivera wrote “It Always Comes Back to This” specifically for those new to the jazz world. He says, “I wanted to write a song in which the groove was so strong, yet so simple, that it would stay with the listener. A pulse, starting with the saxophone and organ, stays consistent throughout the entire piece.” The title track, “Inner Peace”, is Rivera’s gift to his listeners, offering a musical route to relaxation and deep thought. Rivera hopes the melody and harmonious grooves of “Inner Peace” will create a passage for his audience to their own, personal space of peace and tranquility. This latest album represents yet another achievement in Rivera’s long list of musical accomplishments. Born in Bronx, N.Y., Rivera began playing classical music at age 10, and became hooked on the sounds of Charlie Parker and John Coltrane while studying in the selective LaGuardia High School for Music and Arts program. His long musical journey has taken him to illustrious venues like the Litchfield Jazz Camp and Festival and Smalls in New York City. Rivera has played with many contemporary jazz greats such as Don Braden, Jimmy Green and Claudio Roditi. Others in this illustrious group include Reggie Workman, Chico Hamilton, Billy Harper, Rachel Z and Charli Persip. Rivera has toured throughout North America with his own Trio and Quartet, playing at several New York venues like Sweet Rhythm, Zinc Bar, Cleopatra’s Needle, Nuyorican Poets Cafe and the River Room of Harlem.

SMOOTH JAZZ RADIO WJCD SWITCHES FORMATS

Clear Channel Radio in Norfolk, VA has switched some of their stations, bringing an end to one of the last remaining large-market Smooth Jazz stations. The Oldies format that had been airing on WCDG at 92.1 heads to WKUS and relaunches as "Magic 105.3." That moves WKUS's Urban Adult Contemporary programming to a simulcast on 92.1 and 107.7, taking over the latter frequency from Smooth Jazz WJCD. With regard to the new Magic 105.3, Clear Channel Radio/Norfolk Operating Manager Travis Dylan told the Virginian-Pilot, "It's not a new format like you were creating some kind of monster in the laboratory format. This is a format that is out there in other markets and they've had success with it. We feel that Hampton Roads deserves a station like this." He said the flips were in response to surveys over the past year and to ratings issues. "Whenever that happens, you have to look hard at your options," Dylan said. "And we felt this was an option that would work here based on the needs of this area."

JASON MILES, MARC ANTOINE, NICK COLIONNE & GERALD VEASLEY TOPLINE THE REHOBOTH JAZZ FESTIVAL

The 21st annual Rehoboth Autumn Jazz Festival, held at the Rehoboth Beach Convention Center, is set to pack the seaside resort town with smooth sounds for five days of great jazz performances from October 13-17. The Contours, featuring Sylvester Potts, and Slim Man opening the show, kick off the annual jazz celebration on Wednesday night, Oct. 13, for the kick-off party, which doubles as a fund raiser for Beebe Medical Center. Thursday's entertainment features The Rehoboth Smooth Jazz Project, starring Nick Colionne, Steve Cole, Marc Antoine, Jeff Kashiwa, Jackiem Joyner, Brian Simpson and Gerald Veasley. Grammy-winning writer and keyboardist Johnny Neel is joined by Ed Shockley for the Friday and Saturday afternoon Jazz Fest Happy Hour at The Cove. At Blue Moon Restaurant on Friday and Saturday nights, jazz guitarist Carey Smith, inspired by Charlie "Bird" Parker, takes the stage in the dining room, while Pamela Stanley offers "An Evening of Jazz Classics and More" in the lounge. Boney James, with special guest Matt Marshak, headlines the Friday night show at the convention center. Master musician Jason Miles, with special guests Walter Beasley and Kashiwa, tells tales behind smooth jazz's greatest songs and artists on Friday at the Theatre of the Arts. Saturday's jams begin at the convention center with Veasley's Salute to the Philly Sound, featuring Will Downing, Carol Riddick, Beasley and Colionne. Up next, at the Theatre of the Arts, is The Latin/Funk Encounter, with Antoine, Simpson and Kashiwa. A late afternoon session, at Epworth Church, features Colionne and Cole. The Cove hosts at Saturday afternoon Jazz Happy Hour. Award-winning singer-songwriter Doug James, whose tunes have been performed by the likes of Michael Bolton, Joe Cocker, Barry Manilow and Dionne Warwick, joins Rehoboth Beach's Kevin Mack, guitarist of Patty Smyth and Scandal fame, Saturday night on the Epworth Church stage. Saturday's convention center entertainment is Remembering a Legend... Celebrating the Music of Grover Washington Jr., featuring a variety of artists, and the day ends with The Rehoboth Avenue Groove, starring Four80East, Marshak, Joyner and Paul "Shilts" Weimar, at the Theatre of the Arts. The festival wraps up on Sunday with the Gospel Brunch at the Bay Center, The Carey Smith Trio (including Dave Wundrow on bass) at The Blue Moon and the Super All-Star Smooth Jazz All-Star Grand Jam at the convention center.

http://www.rehobothjazz.com/

DAVE KOZ - HELLO TOMORROW

In a career that spans 20 years and a dozen albums, saxophonist Dave Koz has established himself as one of the most prominent figures in contemporary jazz. Yet, as noteworthy as his body of recorded work, entertaining live performances and other past accomplishments might be, Koz finds himself in an era of dramatic and sweeping change where everything once taken for granted is suddenly up for grabs. For Koz – and for all of us in this first decade of the new century – it’s a new day, full of new challenges and opportunities, and new rules that are still being written. Koz embraces this era of change – and even the uncertainty that comes with it – on Hello Tomorrow, his debut on Concord Records. Hello Tomorrow includes the #1 single ‘Put The Top Down” featuring guitarist Lee Ritenour. The celebrated album includes Dave Koz on lead vocals on the ‘60’s classic song “This Guy’s In Love With You” which features Herb Alpert (note that this song was also a huge hit for Alpert). A recent review by the New York Times calls Hello Tomorrow “an event record, featuring Mr. Koz, the ever-upbeat saxophonist alongside a parade of guests,” including Dave’s first collaborations with Keb’ Mo (“Think Big” and the bluesy jam “There’s A Better Way”) and Boney James, who trades licks with Koz on “When Will I Know For Sure.” Produced by Grammy-winners John Burk and Marcus Miller (who also appears on several tracks), the album features a diverse army of other high-profile guests: Jonathan Butler, Brian Culbertson, Sheila E., Boney James, Jeff Lorber, Keb’ Mo’, Ray Parker, Jr., Christian Scott and others. Each of the thirteen tracks – most of then written by Koz and his collaborators, others penned by friends and legends – focuses on being open to new beginnings, and trusting that the future is unfolding in all the right ways for all the right reasons.

Hello Tomorrow Tracklist:
1. Put The Top Down
2. When Will I Know For Sure
3. It’s Always Been You
4. Getaway
5. This Guy’s In Love With You
6. Anything’s Possible
7. There’s A Better Way
8. Start All Over Again
9. Think Big
10. The Journey
11. Remember Where You Come From
12. Whisper In Your Ear
13. What You Leave Behind

http://www.davekoz.com/

CASSANDRA WILSON - SILVER PONY

Silver Pony is the forthcoming new album from multiple Grammy Award-winning jazz-pop chanteuse Cassandra Wilson, will be released by EMI’s Blue Note Records on November 9. Wilson, whose remarkable, husky-tinged vibrato has created a trademark sound for her as an artist, will be touring worldwide in support of the release which features special guests saxophonist Ravi Coltrane (“Silver Moon”) and R&B singer-songwriter John Legend (“Watch The Sunrise”).A unique hybrid live/studio album, Silver Pony moves seamlessly between live recordings from a European tour and studio recordings laid down at New Orleans’ Piety Street Studios. The album features a mix of jazz/pop classics as well as songs newly-written by Cassandra and her band. Silver Pony draws its title from an experience which Cassandra had as a child and which left an indelible mark in her memory bank, and thus on her career itself. “A man came around my neighborhood in Jackson, Mississippi, with a pony and camera,” she recalls. “You could pay to get your picture taken.” Her brothers declined, but Cassandra was eager. Her mother hesitated-“there were certain things young ladies just didn't do,” Wilson adds. But Cassandra seized the moment, got the picture. “I'm so happy she let me ride the pony,” she says now. “I was fearless, and I guess she wanted to encourage that in me.” That priceless photo is now featured on the cover of “Silver Pony,” and such fearlessness now fuels Wilson's work. “I prepare for each recording but you can never truly prepare,” Wilson says. “Because you don't really know what's coming. You just place yourself in the circumstances that will allow the project to reveal itself.” Silver Pony was produced by Cassandra Wilson and John Fischbach (owner of Piety Street Recording Studios) and features Cassandra on vocals and synthesizer, Marvin Sewell on electric guitar, Jonathan Batiste on piano, Reginald Veal on electric bass, Herlin Riley on drums, and Lekan Babalola on percussion. Ravi Coltrane adds saxophone on “Silver Moon” and “Watch The Sunrise” features both vocals and piano by John Legend.

Silver Pony Track Listing:

1. Lover Come Back To Me 6:51 (Hammerstein/Romberg)

2. St. James Infirmary 7:12 (Traditional)

3. A Night in Seville 3:00 (Wilson/Sewell/Veal/Riley/Batiste/Babalola)

4. Silver Moon 6:41 (Wilson/Sewell/Veal/Riley/Batiste/Babalola)

5. Pony Blues 9:32 (Patton)

6. If It’s Magic 4:34 (Wonder)

7. Forty Days and Forty Nights 4:58 (Roth)

8. Silver Pony 0:36 (Wilson/Sewell/Veal/Riley/Batiste/Babalola)

9. A Day in the Life of a Fool 7:35 (Bonfa/Sigman)

10. Blackbird 6:43 (Lennon/McCartney)
11. Sunrise 3:32 (Laird/Jones/Stephens)

JOWEE OMICILL – ROOTS & GROOVES

New from saxophone and winds master Jowee Omicill is Roots & Groove which is due out on November 2. The spellbinding journey of Roots & Grooves incorporates musicians and technicians spanning four continents – from Africa and Haiti to Madagascar and Japan to Cuba and back to the United States. The music features Jowee’s own voice singing his lifting chants and hooks, as well as his “voice” on woodwinds, an assured and righteously pure tone destined to make believers of listeners ‘round the globe. Equally inspired by the folk melodies of his culture, the freedom of jazz, the reverence of gospel and all manner of soul-replenishing groove. Jowee stirs it all together into an irresistible brew.The Montreal-born musician of Haitian descent had the distinct honor of being invited to perform for the White House’s inaugural observation of Haitian Flag Day on May 18, sharing the enveloping sound of his alto and soprano saxophones and clarinet for 150 VIP guests. The son of a father who was born a minister and professor of philosophy, Jowee believes his calling to music has a higher purpose. “There’s a song on my CD titled ‘4 My People’ that I wrote for the flood victims of Haiti,” he shares. ‘I have since rededicated it also to the earthquake flood victims. That melody is what I wanted them to hear. Haitians are of African origin and Africa is the mother of civilization, therefore, ultimately, the song is for the world…which pretty much describes all of my music. It’s simple and spiritual…precisely what I want them to feel for the journey I am taking them on. I believe family is music as therapy.”

http://www.joweeomicill.com/
www.joweeomicill.com/facebook

NEW RELEASES BY CONYA DOSS, DAVE KOZ, MARCOS VALLE, LOUIS ARMSTRONG & MORE...

Aloe Blanc - Tezeta
Antonio Carlos Jobim – Stone Flower (Remastered/Bonus Tracks)
Black Lillies – Black Lillies
Classic Jazz (Various Artists)
Conya Doss – Blu Transition
Cookers - Warriors
Dave Douglas – Spark Of Being
Dave Koz – Hello Tomorrow
Eric Bolvin – No Boundaries
Hidden Orchestra – Night Walks
Hôtel Costes 14 Stéphane Pompougnac (Various)
James Brown – Singles Vol. 9: 1973-1975
James Moody – 4B
Jason Roebke – In The Interval
Jazz For Lovers Vol. 2 (Various Artists)
Jneiro Jarel - Fauna
John Legend & The Roots – Wake Up
Lizz Wright – Fellowship
Louis Armstrong – The Hit Years: 1963-1969
Marc Antoine – My Classical Way
Marcos Valle – Estatica
Orgone – Killing Vaults
Ray Charles – Rare Genius
Return To Paradise: A History Of Exotica (Various)
Richard Earnshaw – In Time
Santana – Guitar Heaven
Seductive Souls – Spirits
Soul Lounge 7: 40 Soulful Grooves (Various)
Soul Togetherness 2010 (Various Artists)
Stanley Turrentine – Sugar (Remastered/Bonus Tracks)
Spanish Harlem Orchestra – Viva la Tradicion
Taylor Eigsti – Daylight At Midnight
Terca Feira Trio – TFT
Van McCoy – Night Time Is A Lonely Time
Woima Collective - Tezeta

BUDDY GUY - LIVING PROOF

Five-time Grammy winner and Rock and Roll Hall of Fame inductee, Buddy Guy, will release his new album, Living Proof on October 26th. His 11th Silvertone/Jive studio release marks an historic first as it brings together the incomparable B.B. King and Guy on the introspective and moving lead single, "Stay Around A Little Longer." The landmark single represents the first time that these two blues titans have ever joined together on a studio release. Asked what he considers himself Living Proof of, Buddy Guy answers modestly. "Do you know how many guys I started out with who just threw up both hands and quit?" he says. "My first wife said to me, 'It's me or the guitar,' and I picked up my guitar and left. We still laugh about that. But I'm still picking away at it, I don't know nothing else." In addition to the collaboration with B.B. King, Guy recruits fellow guitar legend Carlos Santana, who joins him on the slinky tune "Where the Blues Begins."

At 74-"years young," he's been a major influence on rock titans like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, a pioneer of Chicago's fabled West Side sound and a living link to that city's halcyon days of electric blues. In a career than spans nearly 50 years he has received 23 W.C. Handy Blues Awards (the most any artist has received), the first annual Great Performer of Illinois Award, the Billboard magazine Century Award for distinguished artistic achievement, and the Presidential National Medal of Arts. Rolling Stone ranked him in the top 30 of its "100 Greatest Guitarists of All Time." Recently, Buddy Guy wrapped shooting the "Stay Around A Little Longer" video with B.B. King in Las Vegas and just held "An Evening With Buddy Guy" at the Gammy Museum's theater in Los Angeles where he discussed his storied career and performed a selection of songs. Right now the indefatigable musician is on tour throughout North America.

ESPERANZA SPALDING TOUR DATES

Esperanza Spalding is in the midst of a world tour in support of Chamber Music Society, her second solo release on the Heads Up International label, a division of the Concord music Group.Esperanza Spalding first took the world by storm in 2008 with her self-titled debut recording that spent more than 70 weeks on the Billboard Contemporary Jazz Chart. Spalding was booked on the Late Show with David Letterman, Jimmy Kimmel Live, the CBS Saturday Early Show, the Tavis Smiley Show, Austin City Limits and National Public Radio. Other highlights included two appearances at the White House, a Banana Republic ad campaign, the Jazz Journalists Association’s 2009 Jazz Award for Up and Coming Artist of the Year, the 2009 Jazz Week Award for Record of the Year, and many high profile tour dates, including Central Park SummerStage in New York and the Newport Jazz Festival. 2009 was capped by an invitation from President Obama to perform at both the Nobel Prize Ceremony in Oslo, Norway – where the Nobel Peace Prize is awarded – and also at the Nobel Peace Prize Concert. In early 2010, Spalding was the subject of an in-depth profile in The New Yorker, she was also featured in the May 2010 Anniversary issue of O, The Oprah Magazine’s “Women on the Rise” (in a fashion spread that features portraits of 10 women who are making a difference in various careers), and she was again nominated by the Jazz Journalists Association for their 2010 Jazz Award for Up and Coming Artist of the Year. “I’m confident that this music will touch people,” she says of her recent release Chamber Music Society. “We all want to hear sincerity and originality in music and anyone can recognize and appreciate when love and truth are transmitted through art. No matter what else has or hasn’t been achieved on this recording, those things are definitely a part of this music. Those are the things I really want to deliver.”

 Esperanza Spalding upcoming tour dates:

Oct 10 @ Davies Symphony Hall, San Francisco, CA

Oct 11 @ Kate Buchanan Hall, Humbolt State University, Arcata, CA

Oct 16 @ Plenary At the National Assembly of State Arts Agencies Conference, Austin, TX

Oct 24 @ Philarmonie, Luxemburg, LX

Oct 27 @ Muzikgebouw, Amsterdam, Holland

Oct 28 @ Theaterhaus Gessnerallee Zurich, Winterthur, CH

Oct 29 @ Stockholm Konzerthus, Stockholm, Sweden

Nov 1 @ Goteborg Konzerthus, Goteborg, Sweden

Nov 2 @ Black Diamond, Copenhagen, Denmark

Nov 4 @ Logen Thatre, Bergen, Norway

Nov 5 @ Sentrum Scene, Oslo, Norway

Nov 8 @ Theatre de L'Atelier, Paris, France

Nov 10 @ Victoria Hall, Geneve, CH

Nov 13 @ Queen Elizabeth Hall, London, UK

Nov 17 @ Festival Jazz (Teatro F. Fernan Gomez), Madrid, Spain

Nov 19 @ Auditorio, Zaragoza, Spain

Nov 20 @ Festival Jazz, Cartagena, Spain

Nov 21 @ Teatro Isabel La Católica, Granada, Spain

Dec 9 @ Hancher Auditorium, Iowa City, IA

Dec 10 @ Chicago Symphony, Chicago, IL

Dec 11 @ Buffalo State Performing Arts Center, Buffalo, NY

2011

Jan 11-16 @ Village Vanguard, NY

Jan 21 @ Weber Chapel Auditorium, Sellinsgrove, PA

Jan 22 @ Bergen Community College, Paramus, NJ

Feb 25 @ Newmark Theater, Portland, OR

Feb 26 @ Bovard Auditorium, Univ of Southern California, Los Angeles, CA

Feb 27 @ Campbell Hall, Univ. Of Santa Barbara, Santa Barbara, CA

Mar 3 @ Shaftman Performance Hall, Jefferson Center, Roanoke, VA

Mar 4 @ Weinberg Center, Frederick, MD

THE RAT PACK'S 50th ANNIVERSARY WITH THE VERY BEST OF THE RAT PACK & CHRISTMAS WITH THE RAT PACK

Iconic entertainers Frank Sinatra, Dean Martin, and Sammy Davis Jr. — the Rat Pack, a sheer force of nature on stage and film that defined suave masculine brio in the early 1960s are celebrating their 50th anniversary. To commemorate the 50th anniversary of this legendary act, Reprise Records and Capitol/EMI will release two essential collections: The Very Best Of The Rat Pack (Reprise) on November 9, and Christmas With The Rat Pack (Capitol/EMI) on October 5, available at all retail outlets (CD and digital), including www.sinatra.com. Featuring 18 Vegas-era favorites that spotlight each singer, The Very Best Of The Rat Pack captures the upbeat entertainment style synonymous with the trio. Showcasing swinging classics from each member solo along with two duets that feature Sinatra and Davis ("Me And My Shadow") and Davis and Martin ("Sam's Song"). The collection also includes a previously unreleased alternate version of Sinatra's "I'm Gonna Live Until I Die."

Ol' Blues Eyes opens the album with the signature track "Come Fly With Me" and also contributes his irresistible hits "I Get A Kick Out Of You" and "Witchcraft." The collection also includes "I've Got You Under My Skin," ranked among Sinatra aficionados as one of his finest collaborations with Nelson Riddle, and "Luck Be A Lady," a song featured in the musical "Guys And Dolls." Dino's velvety croon takes the spotlight on six unforgettable performances that include "Volare (Nel Blu Dipinto Di Blu)," the dramatic Italian ballad that Martin took to #12 in 1958, "Who's Got The Action?" from the 1962 film of the same name starring Martin and Lana Turner, and "Ain't That A Kick In The Head," a tune he sang in the Rat Pack's classic 1960 heist film Ocean's 11. Davis' ebullient delivery and vocal power shine on standout tracks such as "Eee-O Eleven" from the Ocean's 11 soundtrack, "A Lot Of Livin' To Do," a song originally written for the 1960 musical Bye Bye Birdie, and "Too Close For Comfort," from the 1956 Broadway play Mr. Wonderful in which Davis played the starring role.

Christmas With The Rat Pack, a 16-track collection of festive holiday classics begins with Dean Martin's "Let It Snow! Let It Snow! Let It Snow!," followed by Frank Sinatra's take on "Mistletoe And Holly," and Sammy Davis Jr.'s "Christmas Time All Over The World." Other songs featured in the ollection include Martin's "Silver Bells," "White Christmas," "Rudolph, The Red-Nosed Reindeer," and "Winter Wonderland," Sinatra's "Hark! The Herald Angels Sing," "Have Yourself A Merry Little Christmas," "It Came Upon A Midnight Clear," and "The First Noel," and Davis' "Jingle Bells" and "The Christmas Song," among others.

THE VERY BEST OF THE RAT PACK
1. Come Fly With Me – Frank Sinatra
2. Ain't That A Kick In The Head – Dean Martin
3. Too Close For Comfort – Sammy Davis Jr.
4. I've Got You Under My Skin – Frank Sinatra
5. Who's Got The Action? – Dean Martin
6. A Lot Of Livin' To Do – Sammy Davis Jr.
7. Ring-A-Ding Ding – Frank Sinatra
8. Eee-O Eleven – Sammy Davis Jr.
9. Luck Be A Lady – Frank Sinatra
10. Volare (Nel Blu Dipinto Di Blu) – Dean Martin
11. Birth Of The Blues – Sammy Davis Jr.
12. Witchcraft – Frank Sinatra
13. You're Nobody 'Til Somebody Loves You – Dean Martin
14. I Get A Kick Out Of You – Frank Sinatra
15. Sam's Song – Dean Martin & Sammy Davis Jr.
16. I'm Gonna Live Until I Die – Frank Sinatra (Alternate Version)
17. Everybody Loves Somebody – Dean Martin
18. Me And My Shadow – Frank Sinatra & Sammy Davis Jr.

CHRISTMAS WITH THE RAT PACK
1. Let It Snow! Let It Snow! Let It Snow! – Dean Martin
2. Mistletoe And Holly – Frank Sinatra
3. Christmas Time All Over The World – Sammy Davis Jr.
4. Hark! The Herald Angels Sing – Frank Sinatra
5. Silver Bells – Dean Martin
6. The Christmas Waltz – Frank Sinatra
7. Rudolph, The Red-Nosed Reindeer - Dean Martin
8. Jingle Bells – Sammy Davis, Jr.
9. Have Yourself A Merry Little Christmas – Frank Sinatra
10. Peace On Earth / Silent Night – Dean Martin
11. It Came Upon A Midnight Clear – Frank Sinatra
12. Winter Wonderland – Dean Martin
13. The Christmas Song – Sammy Davis Jr.
14. The First Noel – Frank Sinatra
15. White Christmas – Dean Martin
16. I'll Be Home For Christmas (If Only In My Dreams) – Frank Sinatra

GILLES PETERSON PRESENTS WORLWIDE: A CELEBRATION OF HIS SYNDICATED RADIO SHOW

Gilles Peterson’s “Worldwide” Radio show has been broadcast on BBC Radio One since 1998. Not only does he 'join the dots' between artists, producers and styles, but he's a DJ who places equal legitimacy on a Max Roach album and a Jig Master's 12-inch. With Worldwide now broadcast in 15 countries from New Zealand to Croatia to Nigeria to the USA to Cyprus, his popularity and message can only grow. The compilation Gilles Peterson Presents: Worldwide is a celebration of his syndicated radio show and presents a fine selection of favorite tracks. Music lover, record collector, DJ, broadcaster… Perhaps most famous for his much loved genre-exploding radio shows on BBC Radio 1 (and 17 other stations around the world including Japan’s leading commercial station J-Wave), Gilles Peterson’s insatiable appetite for new music undoubtedly lies at the heart of his success. Worldwide is 10 years young and fresher than ever – a benchmark for broadcasters the world over.Ten years in the making, this compilation is a tribute to a truly groundbreaking show, music and a serious music personality who is ahead of the curve and debuts awesome records on his show before anyone else. Gilles Peterson is a truly revered international club and radio DJ and one of music’s foremost tastemakers (possibly the most well known in the whole world) in a world dominated by style over substance. The focus of this compilation is to present to its audience not just a DJ’s favorite selection or songs that stood the test of time but it represents a great collection of songs and grooves premiered on Gilles Peterson’s Worldwide show before any other station in the world. It’s about music that Gilles has helped popularize across the world on his show which is syndicated in 15 countries. It’s a musical journey for DJ’s and radio listeners across the world.

In addition to his Worldwide radio show, Gilles is also the head of Talking Loud Records where he introduced the world to Jamiroquai, Roni Size, 4 Hero, Courtney Pine, Brand New Heavies, Galliano and many more. He was a key founding member of the late 80′s Acid Jazz boom and recently set-up a new record label, Brownswood Recordings, to sign and develop exciting new talent as well as putting on his Worldwide Awards every year in London and the Worldwide festival every summer in the south of France. His compilation albums have become legendary and he continues to be a breath of fresh air on the dance floors of the world playing a unique selection of music that is rarely heard elsewhere.

Release date: Oct. 11th. Gilles Peterson is also touring and will be spinning here:  October @ 13 Blois (France); and October 16 @ La Coruna (Spain).

CD 1
01 – Nitin Sawhney – Tides
02 – Cinematic Orchestra feat Roots Manuva – All Things To All Men
03 – Quasimoto – Come on Feet
04 – Qtip – Lets Ride
05 – Erykah Badu – Green Eyes
06 – Jill Scott – He Loves Me [Lyzel In E Flat]
07 – Herbert – The Audience
08 – Jay Dee – Rico Suave Bossa Nova
09 – Dwele – Too Fly
10 – Amy Winehouse – Take The Box
11 – Gotan Project – Triptico
12 – Dizzy Rascal – I Luv U
13 – M.I.A. – Galang
14 – Vikter Duplaix – Manhood

CD 2
01 – Sa-Ra – Rosebuds
02 – Steve Spacek – Dollar
03 – Outlines – Just a Lil’ Lovin
04 – Recloose – Dust

05 – Amerie – 1 Thing

06 – Seun Kuti & Fela’s Egypt 80 – Many Things

07 – RSL – Wesley Music

08 – Sebastien Tellier – La Ritournelle

09 – Little Dragon – Twice

10 – Jose James – Dreamer

11 – Theo Parrish – Goin’ Downstairs (Part 1)

12 – Benga – Emotions

13 – Darkstar – Aidy’s Girl Is A Computer

ANGIE WELLS – WELL SWUNG!

The newly formed record label Manhattan Avenue Jazz (a division of Robo Records, now partnered by Rocket Science Inc. & Sony Distribution) has announces Angie Wells - Well Swung! as its debut release. Jazz fans of all ages will delight in the mix of big band and jazz combo standards on Well Swung!” according to Rob Christie, Grammy winning producer & president of Manhattan Avenue Jazz. “Fans of Ella Fitzgerald, Sarah Vaughan and even The Rat Pack, will enjoy Angie’s fresh take on some of the greatest jazz standards of all time”.

Born to a Mom who sang gospel and standards and a Dad who only listened to the legends of Jazz and blues, Angie Wells grew up surrounded by great music. According to her mother, the first song Angie ever danced to was a B.B. King song. Angie’s love of singing started in her teens, when she sang in talent contests at school and won first place as a jazz singer in college. “The seeds of my professional singing career were planted in a wonderful little supper club called Chez Papa in Paris’ St. Germain Des Pres, where I was first invited to sing with a pro jazz band” said Angie. She has recorded and performed with various world-class musicians, including Grammy winning pianist, composer and arranger, Bill Cunliffe (credits include Frank Sinatra, Buddy Rick, Ray Brown and Joshua Redman, etc.), the much sought after bassist Tom Warrington ( Peggy Lee, Freddie Hubbard, Arturo Sandoval, etc.) and talented drummer Joe La Barbera (Bill Evans, Chuck Mangione, Art Farmer and Tony Bennett, etc.).

The CD release party for Well Swung! (an apt debut title for the swingin’ Miss Wells) was celebrated with a performance by The Angie Wells Quartet at Jazz Lounge (The Crown Plaza LAX), on September 23rd, 2010 in Los Angeles.

www.myspace.com/angiewjazz

PAUL BROWN - LOVE YOU FOUND ME

Smooth Jazz legend, producer, artist, sound engineer and double Grammy winner Paul Brown released his newest album, Love You Found Me, on September 28th via the Shanachie Entertainment label. Already, this eagerly anticipated album is being anointed by his loyal fans, radio personalities, and industry icons as his best yet. With something for every cool musical taste, you'll find a delectable variety of laid-back, contemplative to up-tempo charts, perfectly seasoned by Brown's inimitable R&B style. "This CD is a real reflection of my musical influences. Folk, rock, blues and jazz all mixed together," Brown reflected, on the album's release date. The album opener, "Sugar Fish," eases the listener into Brown-ville with the help of Jessy J's flute and Greg Adams' flugelhorn. Further in, don't miss Brown's unaffected reunion with Marc Antoine in "Right Back At Ya," that continues their magical spell created on the 2009 hit album, Foreign Exchange. The namesake track uses Brown's own vocals, as a "love story" tribute to his wife, Jacqui, celebrating their 30th wedding anniversary. According to Brown, it became a family affair as she decided to venture, for the first time, into producing her husband's vocals. Brown reflected, "She's never really had much to do with my music before, so I think she had a huge effect on the performances." With Brown literally singing to the love of his life, who was right there in the studio, the track really captures his emotion, bottling it for us to replay over and over.

LA devotee Tom Brady enthused, while "Shakin" to the unmistakable groove of Brown's soulful Gibson L-5 electric guitar, "Multi-talented Paul Brown really delivers on this album. He's cut a tantalizing mood-setter to start the weekend 'chill' outdoors, or that drive home. Destined for a hit single, 'Toast and Jam' incorporates the sultry sax talent of Jessy Jto create a perfect dance number." "Offering lots of vocal variety throughout," he continues, "the 'End of the Day' track evokes a Jackson Browne vibe, yet you'll hear definite Bruce Springsteen-like overtones in 'The One You Lean On.' Brown really infuses his cool,mellow sound with an upbeat energy throughout, his melodies, plus a hint of Southern love. 'Let Me Love You' is a must to add to your romantic collection. Now a personal favorite, 'Right Back At Ya' features Marc Antoine's sweet guitar accents juxtaposed with Paul Brown's characteristic driving rhythms. Get ready for a ride to the intersection of Romance and Groove Streets, where the lights are low and the mood is just right. Bravo!" Paul Brown performs live with Marc Antoine on October 8, 2010 at Palm Desert's La Quinta Resort before he heads to England on a smooth jazz cruise.

www.paulbrownjazz.com/index.php

SANTANA SUPERNATURAL: A TRIP THROUGH THE HITS

Carlos Santana and his legendary band continue the successful run of Supernatural Santana: A Trip Through The Hits at The Joint at Hard Rock Hotel & Casino with the addition of seven new concert dates in January 2011. In addition to the newly added dates, Santana fans can enjoy the show's ever-changing set list as it continues its current run at The Joint through Sunday, September 5. A multi-sensory journey through the band's career-spanning classics such as "Oye Como Va," "Black Magic Woman," "Evil Ways" and "Maria Maria," Supernatural Santana: A Trip Through The Hits marks the first and only rock-n-roll resident show in Las Vegas. The show was exclusively designed for The Joint, which was named "Best New Major Concert Venue" by Pollstar Magazine, and is produced by AEG Live. New dates for 2011 announced thus far are: January 5, 8, 9, 12, 14, 15 and 16, with more 2011 dates to be announced soon.

In the meantime, Santana's brand new album, Guitar Heaven: The Greatest Guitar Classics Of All Time (in stores as of September 21st on Arista Records) features a Who's Who of guest vocalists to perform on every track. Songs from the new album will be rotated into the show's set list. Singers on Guitar Heaven range from Chris Cornell (on Led Zeppelin's "Whole Lotta Love"), Pat Monahan (on Van Halen's "Dance the Night Away"), india.arie and Yo Yo Ma (on The Beatles' While My Guitar Gently Weeps), Chester Bennington and Ray Manzarek (on The Doors' "Riders on the Storm"), Rob Thomas (on Cream's "Sunshine Of Your Love), Scott Weiland (on the Rolling Stones' "Can't You Hear Me Knockin'"), Chris Daughtry (on Def Leppard's "Photograph"), Gavin Rossdale (on T. Rex's "Bang A Gong") to rapper Nas (on AC/DC's "Back In Black"), veteran Joe Cocker (on Jimi Hendrix's "Little Wing"), and more.

Forty years and as many albums later, Santana has sold more than 90 million records and has performed to more than 100 million fans at concerts worldwide. To date, Santana has won ten GRAMMY® Awards, including a record-tying nine for a single project, 1999's Supernatural (including Album of the Year and Record of the Year for "Smooth"). In 1998, the group was ushered into the Rock and Roll Hall of Fame, whose web page on their induction notes, "Guitarist Carlos Santana is one of rock's true virtuosos and guiding lights." Among many other honors, Carlos Santana has also been cited by Rolling Stone as #15 on their list of the "100 Greatest Guitarists Of All Time," and #90 on their 2005 survey of the "100 Greatest Artists Of All Time."

http://www.hardrockhotel.com/
http://www.thejointlasvegas.com/
http://www.aeglive.com/
http://www.supernaturalsantana.com/

RAY CHARLES - RARE GENIUS: THE UNDISCOVERED MASTERS

Concord Records is celebrating the 80th birthday of the legendary Ray Charles with a special gift for his legions of fans: Rare Genius: The Undiscovered Masters. This treasure trove of newly discovered recordings, highlighted by a duet with fellow icon Johnny Cash, will become available at physical and digital retailers October 26, 2010.Culled from four decades worth of demos and other previously unreleased material, Rare Genius showcases the remarkable artistic vision, stylistic range and emotionally rich vocals that crafted Charles enduring legacy. Listening to the ten gems from the '70s, '80s and '90s that comprise this CD, fans will have no trouble envisioning the late singer rocking back and forth at the piano as he effortlessly segues between R&B/soul, pop, country and gospel. “Ray would always get inside the meaning of a lyric and make the listener believe every word, ” says Concord Music Group Chief Creative Officer. John Burk. “His vocals carried incredible emotion and intensity, even on demo tapes. What we have here with Rare Genius is on par with some of his greatest works.” And that’s crystal clear right from the album’s sparkling opener, "Love’s Gonna Bite You Back." The March 1980 session track features an upbeat horn arrangement behind what Rare Genius liner notes author Bill Dahl calls “a Charles vocal that’s a signature mixture of sandpaper grit and heavenly goodness.” Up next is the stunning ballad "It Hurts to Be in Love, " which underscores the album’s main thematic focus and one of Charles’ favorite subjects: the ups and down of romance. Another compelling standout is the gospel-stirred Charles and Cash duet on Kris Kristofferson’s "Why Me, Lord?" Discovered in the Sony vaults, the song was produced by Billy Sherrill in Nashville and recorded in 1981 for an anticipated release on a CBS album. For unknown reasons, that didn’t come to pass. What’s more important, however, is the emotional charge you get listening to these two powerful voices come together in this spirited and inspired pairing. Except for "Lord, " the nine other Rare Genius tracks including the soul-drenched "I Don’t Want No One But You, " a blues-infused cover of songwriter Hank Cochran’s country classic "A Little Bitty Tear" and the joyous "I’m Gonna Keep on Singin'" were found in the vault at Charles’ R.P.M. International studios in Los Angeles. Adding a little sweetening to some of the sparse, stripped-down tracks was a team of top-notch musicians and artists: guitarists Keb' Mo' and George Doering, organist Bobby Sparks, trumpeter Gray Grant, trombonist Alan Kaplan, bassists Trey Henry and Chuck Berghofer, drummers Gregg Field and Ray Brinker and background vocalist Eric Benet.As with its Concord predecessor, 2004’s Grammy-winning Album of the Year Genius Loves Company, Rare Genius: The Undiscovered Masters is another fitting tribute to Charles, who would have turned 80 on September 23. It’s a fresh, vibrant reaffirmation of the music icon’s unparalleled artistry and legacy.

Rare Genius – The Undiscovered Masters

TRACK LIST:

1. Love’s Gonna Bite You Back (copyright control)

2. It Hurts To Be in Love (Julius Dixon-Rudolph Toombs)

3. Wheel of Fortune (Bennie Benjamin-George David Weiss)

4. I’m Gonna Keep on Singin’ (copyright control)

5. There’ll Be Some Changes Made (William Blackstone-Benton Overstreet)

6. Isn’t It Wonderful (Limuel Taylor-Joel Webster)

7. I Don’t Want No One But You (copyright control)

8. A Little Bitty Tear (Hank Cochran)

9. She’s Gone (copyright control)

10. Why Me, Lord? featuring Johnny Cash (Kris Kristofferson)

TAYLOR EIGSTI - DAYLIGHT AT MIDNIGHT

Concord Jazz has released Daylight at Midnight, the newest album from pianist and composer Taylor Eigsti. This collection includes original Eigsti compositions, as well as other remarkable musical renditions by composers such as Nick Drake, Imogen Heap, Elliot Smith and Rufus Wainwright. The 11-track collection marks Eigsti’s third Concord Jazz release. On Daylight at Midnight, Eigsti continues to challenge the norms of what constitutes jazz today. While Eigsti pays full respect to the jazz tradition, he also exercises his passion for melodies of esteemed songwriters from his generation and explores a variety of music that piques his curiosity. In this collection, he not only finds resonance in the aforementioned top-tier, pop-oriented composers... but also brings to light a doubleheader of personal revelation: 20th-century Catalonian classical pianist Federico Mompou and up-and-coming vocalist/songwriter Becca Stevens, who sings five of the 11 tunes and adds her own flavors of the ukulele and charango. As fitting for an adventurous repertoire, the young pianist augments his unique and lyrical style with the Fender Rhodes, Rhodes PianoBass, Wurlitzer electric piano and Mellotron samples to add color and texture to the tunes.

Daylight at Midnight opens with an inventive instrumental interpretation of Coldplay’s “Daylight,” where Eigsti’s brilliant piano lines and his simpatico rhythm team of bassist Harish Raghavan and world-renowned jazz drummer Eric Harland create beautiful and unpredictable sound waves. The end of the tune affirms Eigsti’s principle, stating, “I can play standards the rest of my life. But I wanted to step away to see what I could do that was different.” The first track is followed by producer Matt Pierson’s selections: Wainwright’s “The Art Teacher,” which is an instrumental piece that showcases the pianist’s adept Fender Rhodes accompaniment, and “ The Water,” which features luminous vocalist Becca Stevens in a sensual, yet confident and concentrated manner. Stevens also stars on Imogen Heap’s “Little Bird,” a whimsical tune that is performed as a duo with Fender Rhodes, and on Elliot Smith’s reflective beauty “Between the Bars” as well as the collaborative originals, “Magnolia" and "Midnight After Noon.” Of the latter piece, Eigsti explains, “I’d been trying to finish this song for some five years…Once the words came, I realized that the loop melody I had written started sticking in my head.” In the middle section of the album, Eigsti strips his band down to a duo with guest guitarist and longtime musical partner, Julian Lage, on Nick Drake’s “Pink Moon.”

Even as important as Daylight at Midnight is to Eigsti's growth as an artist, the pianist is already thinking about his next musical projects. The once prodigious child pianist is unsatisfied staying static. He is always craving for change in a new music project or exploring different sounds. “With Daylight at Midnight, I wanted to tap into the singer-songwriter world, which will hopefully lead to the next compositional phase in my musical development.”

TrackList:
1. Daylight
2. Magnolia
3. The Art Teacher

4. The Water

5. Pink Moon

6. Little Bird

7. Secreto

8. Chaos

9. Between the Bars

10. Speaking Song

11. Midnight after Noon

HEATHER PARK - STAY

Korean R&B/Soul singer Heather Park is back with her highly anticipated second album Stay. A new look, an unleashed sound, and breaking free of all expectations she delivers music that expresses finding comfort in oneself. In 2005, Heather’s debut album, Dream In Pictures on Independent label Stush Music quickly achieved international recognition. With a Play Network licensing deal Dream In Pictures songs were played in major retailers such as the GAP, The Limited and Old Navy from coast to coast. In 2006, her song “Is What It Is” was chosen for licensing by Japan’s Avex Records. Finally, in 2007, power ballad “Leave Me To Dream” was featured on the soundtrack of the feature film “West 32nd”. Heather Park has performed all over the U.S, the UK and in 2009 opened for entertainer/actor/rapper “Common”.Once again partnering with producer Steve Francis, Heather Park has created a collection of intensely intimate songs. Drawing from a range of genres, R&B, hip-hop, soul, folk —she masterfully merges them into a language all her own. The album embodies Heather’s signature style of lush harmonies, refreshing live instruments, and poetic rhetoric. In the album’s title song, “Stay”, the stripped down acoustic track frees Heather’s sultry voice to soar and dominate. Deeply expressive and musically sound, Stay is a musical statement of personal strife wrapped in lyrical complexity and smooth resonance. It’s radiant, tough, tender and unique — just like its creator. Stay was released on September 28, 2010. Heather's current lead single “Trust You” tells a tale of love and lust. Other notable tracks include “Endless Possibilities,” “Just Can't Wait,” and “Stay With Me Til Dawn” a remake of Judie Tzuke’s 1977 version. Heather's angelic like voice on the track is blissfully enticing and clearly undeniable. "This album has been such a personal journey – it’s a musical autobiography of my life over the past years. It’s fiercely personal, deeply honest and very much represents who I am," said Heather Park. The powerful, sultry soul unleashed in “Stay” packs the kind of punch you never see coming. With a new support team behind her, Heather is prepared for a stellar year. Truly at her best when on stage, audiences can experience an intimate look into the soul singer’s life on September 28, 2010 at her album release party. Heather's release party at Crash Mansion will include songs from both “Dream In Pictures” and the new release “Stay”. You’ll will fall in love with Heather's realness intermixed with her enticing raw talent. In addition to preparing for her album release party, Heather has also teamed up with CancerCare for their annual Champagne & Chocolates event October 14, 2010 at Room Service in NYC. CancerCare is non-profit organization that provides free support services to anyone affected by cancer.

ADELE HARLEY - COME INTO MY LIFE

Adele Harley was born and raised in England. She studied music from the age of five playing various instruments including violin, flute, piano and guitar. By the time she was fifteen Adele put together her own band and over the years played numerous gigs including a three year residency At the Leeds Jazz club and played alongside such artistes as Corrine Bailey Rae.Heavily influenced by reggae as a teenager and singing with local reggae artists Adele has also enjoyed touring Europe as a session singer, she has supported many famous acts such as Betty Wright, Desmond Decker and Misty in Roots. Adele has also gained the opportunity to work with influential Reggae producers ‘Pickout’ from ‘Pickout Records’ and to Date has written three tracks with him including ‘It Was You’. Adele has often been compared to such greats as Janet Kay and Marcia Griffiths and to date Adele continues to be a successful artist and has just releases her stunning new album Come Into My Life with highly acclaimed producers ‘Mafia & Fluxy’. Most recently Adele has released a cover of Whitney Houston’s ‘Million Dollar Bill’ with ‘Lee Francis’ from ‘Smart Move Records’ and is working on the latest R&B to Reggae album alongside ‘Mafia & Fluxy’ and has also worked with the duo on previous volumes of R&B to Reggae, strictly vocals album and on the JA to UK album alongside such seasoned artists as Richie Spice, Turbulance and Gyptian. Produced by 'Mafia & Fluxy' this seventeen tracked album is tipped to be the top Female Reggae album of this year and beyond. With seventeen blazing tracks, thirteen of which are original tracks written by Adele Harley and Mafia & Fluxy. Featuring collabs with Glamma Kid and Leroy Mafia, the legendary Dean Fraser on sax, and the multi talented Ms Harley playing strings and flute on two tracks

GEQ ARE ALL ABOUT VERSATILITY

At a time when established jazz “groups” are scarce, GEQ is that rare gem that plays classic jazz, bebop and nu-jazz music of the highest artistic order. GEQ has been respectfully likened to Art Blakey's Jazz Messengers as well as Miles Davis and John Coltrane’s ensembles continuing the rumbling of excellence through their musicianship and professionalism. Composer/Trumpeter, Guymon Ensley originally assembled his band in 2001 and debuted it at the historic "Bakers Keyboard Lounge" in Detroit, Michigan in 2002. In August of 2003, the band had four major tours under their belt, billed with such internationally known artists as Yolanda Adams, Jefferey Osborn, The Isley Brothers, The Whispers and Frankie Beverly. GEQ has worldwide aclaim performing to audiences prestigous venues on numerous islands of Jamaica and aboard luxiurious cruise ships like the Royal Caribbean and Carnival Cruise Lines. Guymon has performed with bands of various genres, from Latin Jazz to R&B, big band to chamber ensembles and solo performances with piano accompaniment. Like a magnet, classic jazz and be-bop kept tugging at his creative wellspring.

In 2006, Here Put This On, was released containing songs written and originally performed by such legends as Miles Davis, Charlie Parker, Wayne Shorter and Dizzy Gillespie along with three originals. The CD was re-released in 2009 with two more original ‘bonus’ tracks penned by Ensley. After receiving a nomination by the Detroit Music Awards in 2006 for ‘Outstanding Modern Jazz Group’ and ‘Outstanding Jazz Composer and Outstanding Jazz Instrumentalist’ the following year garnered him yet another nomination for ‘Outstanding Modern Jazz Artist/Group. Ensley is the featured artist on The Jazz Network Worldwide the week of August 23-29, 2009 and giving a glimpse of what’s to come to his fans in the jazz community and beyond of his current single “Where Am I Going With You?” from his upcoming release “This Comes With It”. Guymon looks forward to traveling the world with his band and playing all the great music in his catalogue as well as the new music he has up his sleeve.

http://www.geqjazz.com/.

SPANISH HARLEM ORCHESTRA - VIVA LA TRADICON

Concord Picante has announced the release of Viva la Tradicón, the newest album from the Grammy winning 13-piece collective Spanish Harlem Orchestra. The 12-track collection marks the orchestra’s debut album for Concord Picante and overall fourth outing. Viva la Tradicón takes up where its three predecessors left off – stirring the pot of mid-20th century influences and keeping the salsa simmering for current and future generations. Now in its tenth year, the Spanish Harlem Orchestra is one of the most formidable and authentic Latin jazz combos of today. Yet for all of its appeal with contemporary audiences, the group’s success is actually rooted in the past. A lively and energetic affair, Viva la Tradición draws on inspiration from the music’s history and enduring traditions. The collection is comprised largely of original compositions and arrangements of classic salsa tunes by bandleader/founder Oscar Hernandez. Hernández is one of the most respected musicians in Latin & Latin Jazz music. His track record & discography are extensive. On the new CD he enlists the support of veteran composer and arranger Gil Lopez on three of Lopez’s compositions (“Son De Corazon,” “Nuestra Cancion,” and “Regalo De Dios).Viva la Tradicón opens with the exciting “La Salsa Dura,” a song bursting with punching horn lines and spirited vocals that “really captures what we’re about,” says Hernandez. Amid the series of salsa tracks, one of Gil Lopez’s arrangements, “Nuestra Cancion,” acts as an unlikely addition to the high-powered energy of the set. The collective included this ballad as a point to their listeners, in order to communicate, “you need to listen to this, because this how it was done back in those days. It was just beautiful music.” The orchestra finishes with two songs: Hernandez’s “Rumba Urbana,” a percussive and complex tune that shimmers with tight trumpet lines and syncopated rhythms around improvised solos, and “El Negro Tiene Tumbao,” a tune that draws on the bold and artistic delivery by featured guest vocalist Isaac Delgado.Front to back, Viva la Tradición is very much a nod to the countless artists – well known and obscure – who helped usher salsa music into the cultural mainstream several decades ago. “Preserving that legacy and introducing it to new audiences in a new century,” says Hernandez, “is more important than being the musical flavor of the month.”

Track Listing:

La Salsa Dura

Mi Herencia Latina

Son De Corazon

Como Baila Mi Mulata

Si Me Quieres Te Quiero

Baila Latino

La Fiesta Empezo

Nuestra Cancion

Linda

Regalo De Dios

Rumba Urbana

El Negro Tiene Tumabo

STEVE BAXTER - EXTRA SUGAR ON THE BONE

Steve Baxter is a rare combination of talent and humility. He has a reverence for performing and being a creative artist who has a commitment to build on jazz and music pioneers' legacy. His undeniable love for playing and producing music has reached and inspired people around the world. He continues to bring music to another level and contribute to the vision of music destined to inspire generations of artists. After serious study of the Jazz masters, he participated in events such as the Thelonious Monk Memorial Concert series featuring Grady Tate, Charlie Rouse, Wallace Roney; and workshops with musical greats like Lionel Hampton. You can sense all the wonderful influences in Steve’s artistry that is uniquely all his own.

His new CD Extra Sugar On The Bone brings all the 'extra' sweetness out of some very creative moments from his original recording “Sugar On The Bone”. “Seems like you just can’t get enough of his melodies and funky grooves on this CD coupled with the best musicians in the business, its a soulfully rhythmic backdrop to any setting, you can tell they had a ball during this recording” says Jaijai Jackson, Creator of The Jazz Network Worldwide. Some of the musicians included on these unreleased tracks and remixes are Michael Beardon, Everette Harp, Michael Lington, Munyungo Jackson, Welton Felder, Brandon Fields, Sekou Bunch, Randy Crawford, Billy Valentine, Oscar Seaton and parade of notables too long to mention!

Baxter is not a ‘new-comer’ to the music industry, his credits span across the gamet of genres. He’s a dynamic, high energy, multidimensional artist whose skills as a musician, songwriter, and producer has elevated his talent to another level. His repertoire covers everything from R&B to Latin, Salsa to Afro Cuban Jazz and has shared the stage and studio with some of the biggest names in the music industry, including the Ray Charles World Tour (1985), Horace Tapscott, The Crusaders, Barry Manilow, Gladys Knight & The Pips, The Temptations, The O'Jays, The Four Tops, Bobby Matos, Babyface, Eric Benet, 13 Cats, Patti Labelle, Sheila E, Alicia Keys, Macy Gray, Beck, and Ziggy Marley, to Joss Stone, Norman Connors, Sergio Mendes, Teena Marie, Elliott Yamin. S.M.V. and Stevie Wonder. You name it, any genre and Steve Baxter’s name is highly regarded as an “A List” musician on call for the best bands in the music industry. He has appeared on ‘American Idol’, ‘Dancing With The Stars’, BET Awards, The GRAMMYs, NAACP Awards and many other shows and films.

http://www.stevebaxtermusic.com/

THIRD ANNUAL 2010 SUNNY ISLES BEACH JAZZ FEST

The Third Annual 2010 Sunny Isles Beach Jazz Fest is pleased to announce an artist line-up that will bring cool jazz sounds to the beautiful city on the weekend of October 15-17, 2010. The Sunny Isles Beach Jazz Fest will celebrate the extraordinary sounds of jazz music throughout the event weekend; featuring renowned jazz artists. Headlining the festival is one of the most recorded saxophonists in jazz history, Ed Calle. Calle is known for his extraordinary ability to play bebop, Latin jazz, contemporary jazz, and pop. He appears on such Grammy award-winning albums by Frank Sinatra, Arturo Sandoval and Jon Secada. Ed has also recorded and performed around the world with such artists as Gloria Estefan, Julio Iglesias, Michael Bolton and Rihanna. Additional musical guests include successful saxophonist and flautist Jesse Jones, JR. whose amazing talent in playing everything from traditional jazz to Bebop has allowed him to perform with such notable artists as Donald Byrd, Blue Mitchell and Ira Sullivan. Jesse Jones, JR. will be featuring multi- talented vocalist Yvonne Brown, and the performance is sponsored by the Sunshine Jazz Organization. Also, performing will be the always distinctive sounds of the Afro-Cuban Jazz band, Oriente.

The Sunny Isles Beach Jazz Fest, produced by the City of Sunny Isles Beach in partnership with the Sunny Isles Beach Tourism and Marketing Council, will showcase and highlight the best that the city has to offer including great music, fine dining, exclusive resorts, beautiful beaches and much more! The Jazz Fest’s special nonprofit partners, who will get partial event proceeds, are Joshua’s Heart Foundation (http://www.joshuasheart.org/), which strives to “Stomp out Hunger” by providing necessities such as food and water to individuals in underserved communities and Miami Children’s Hospital (www.mch.com), a world leader in pediatric healthcare.

The weekend Festival kicks off on Friday, October 15th with musical performances at the elegant Jazz Club in the Acqualina Resort & Spa. The festival will continue on Saturday, October 16th, at the spectacular Samson Oceanfront Park with a performance by the headlining artist, Ed Calle and ends on Sunday, October 17th with a sumptuous Sunday Jazz Brunch at the Newport Beachside Resort. Event Corporate sponsors include Miami Dade County, Commissioner Sally Heyman, Greater Miami Convention and Visitors Bureau, Around Town Magazine, Barefoot Wine, Polar Beer, Continental Group, Epicure Market, J. Milton & Associates, Newport Beachside Resort and Acqualina Resort. “The Third Annual Sunny Isles Beach Jazz Fest keeps getting better every year!” adds Ibis Romero, Executive Director of Sunny Isles Beach Tourism and Marketing Council. “We are happy to produce an event that, after three years, continues to attract both local residents and tourists.”

http://www.sunnyislesbeachjazz.com/

THE QUINCY JONES SIGNATURE LINE

HARMAN International Industries has announced the arrival of the Quincy Jones Signature Line by AKG. The premium headphone collection represents a momentous partnership between AKG and one of the most accomplished musicians of the 20th century – Quincy Jones. Musician, artist, humanitarian – Quincy Jones is an American icon. His productions, which include the best-selling album (Thriller) and single (“We Are the World”) of all time, have garnered him an unprecedented 79 GRAMMY® nominations and 27 GRAMMY awards, more than any other living artist. His list of notable achievements is unrivaled in the music industry. The list of legendary and contemporary artists with whom he has worked includes Aretha Franklin, Mary J. Blige, Ray Charles, Duke Ellington, Michael Jackson, Ludacris, Paul McCartney, Frank Sinatra and Usher, among many others. “Music is so much more than notes on a sheet of paper,” Jones said. “When it’s created with passion, with soul, we get something that is greater than ourselves – and it can move us deeply. Throughout my entire career, I have trusted only AKG to deliver the highest standard of sound – the same standard I hold myself to when I make my music.”

The Quincy Jones Signature Line includes three models: the Q701 reference-class premium over-ears, the Q460 high-performance portable on-ear mini headphones and the Q350 in-ear headphones that will boast distinctive AKG®-built quality and unrivaled audio engineering in an elegant, portable design, so music lovers everywhere can experience sound the way every artist intended for their music to be heard. Quincy Jones and AKG have shared a long-running passion for quality sound and the infinite power music has to connect people and touch lives,” said Dinesh C. Paliwal, chairman, president and CEO, HARMAN International. “We have partnered to introduce products into the marketplace that shine a light on how important sound quality is when you’re experiencing music in all aspects of your life.”

A share of the proceeds from every set of headphones sold in the Quincy Jones Signature Line by AKG will go toward the Quincy Jones Musiq Consortium, a foundation dedicated to making music education an ongoing part of the lives of American children.

The Q701, Q460 and Q350 headphones will be available in October 2010, in time for the holiday season, at prices ranging from $149.99 to $479.99.

A 27-time GRAMMY Award winner (who has received more of the awards than any other living musician) and the all-time most GRAMMY-nominated artist, with a total of 79 nominations, Quincy Jones’s career has spanned six decades and encompassed the roles of composer, arranger, conductor, instrumentalist, record producer, record executive, film and television producer, magazine founder, multimedia entrepreneur and humanitarian. As a master inventor of musical hybrids, Quincy Jones has shuffled pop, soul, hip-hop, jazz, gospel, blues, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performances, movies, television, broadcasting and magazine publishing. Named by Time Magazine as one of the six most influential jazz artists of the 20th century, Jones won the first of his many GRAMMY awards in 1963 for his Count Basie arrangement of “I Can’t Stop Loving You.” His three-year musical association as conductor and arranger with Frank Sinatra in the mid-‘60’s also teamed him with Basie for the classic Sinatra at the Sands, containing the famous arrangement of “Fly Me to the Moon,” the first recording played by astronaut Buzz Aldrin when he landed upon the moon’s surface in 1969. As producer and conductor of the historic “We Are the World” recording (the best-selling single of all time), Michael Jackson’s multiplatinum solo albums Off the Wall, Bad and Thriller (the best-selling album of all time), and the multi-GRAMMY-winning Album of the Year Back on the Block, Quincy Jones stands as one of the most successful and admired creative artist/executives in the entertainment world.

http://www.akg.com/Quincy.

PHIL COLLINS RECREATES THE MOTOWN SOUND ON 'GOING BACK'

Atlantic recording artist Phil Collins has announced the U.S. release of his hugely anticipated new album, Going Back. The legendary artist's first full-length solo work in eight years arrives in stores and at all digital retailers on Tuesday, September 28th. Going Back is described as a deeply personal labor of love that finds the eight-time Grammy winner faithfully recreating the Motown and soul music that played such an influential role in his creative life. The album - Collins' eighth solo studio recording - will be available in a number of digital and physical editions, with exclusive extras including 7 bonus tracks, a 90-minute DVD making-of documentary, and limited edition lyric sheet lithograph. In addition, a very special "Singles Box" comprising 30 tracks across 15 vinyl 7" singles is also on offer. Going Back has quickly proven a worldwide phenomenon, receiving platinum certification in Germany and gold certification in both France and the United Kingdom after little more than one week in release. The album hit #1 in the UK this week as well as in Belgium and the Netherlands. Going Back has seen top 3 sales in Germany, France, Austria, and New Zealand, as well as top 5 successes in Switzerland and Italy. Going Back has received unanimous critical acclaim from all corners of the globe. "So faithfully have Collins and his confreres recreated 'The Sound of Young America' -- shimmering tambourines drowning out drums, bass compressed to a fat, distorted throb -- that it's hard not to be swept along," declared BBC Music, which also named the collection as BBC Radio 2's "Album of the Week." "You have to take your hat off to Phil Collins," hailed England's Daily Express, noting "the 59-year-old singer zips through a selection of mostly-Motown classics like 'Jimmy Mack' and 'Uptight' with the verve, energy, and wit of a man reborn." Closer to home, the Seattle Post-Intelligencer praised Collins for having "a way of personalizing a song, not so much to make it his own but to convince listeners its theirs... He succeeds most in doing so on relative obscurities like the Ronettes' 'Do I Love You?' and the Temptations' 'Girl (Why You Wanna Make Me Blue),' both evoking an air of wistful romance. Another noteworthy highlight is the Stevie Wonder ballad, 'Blame It On the Sun,' which Collins renders with empathy and striking conviction."

Earlier this summer, Collins heralded Going Back with a series of seven intimate, SRO shows - including a 3-night stand at NYC's Roseland Ballroom. One of the shows was filmed for a concert special entitled "Phil Collins 'Going Back' Motown Special Live from Roseland" that is currently airing on Comcast's ON DEMAND network through October 31st. On stage, Phil brought his homage to life with a big band anchored by three members of Motown's legendary Funk Brothers studio team - bassist Bob Babbitt and guitarists Eddie Willis and Ray Monette - who are also featured on the album. The live band also included long-time Collins cohorts Chester Thompson (drums), Daryl Stuermer (guitar), and Brad Cole (keyboards), plus Leslie Smith (percussion). Rounding out the ensemble was a five-member horn section and six backing vocalists. In its review of the New York show, Rolling Stone enthused: "...Collins pulled it off. Backed by a killer 18-piece band, he got most everybody in the Roseland Ballroom dancing to classics by Steve Wonder, the Temptations, Smokey Robinson and the Ronettes... From the moment he took the stage and burst into 'Ain't Too Proud To Beg,' it was clear this music was much closer to his heart than even some of his own hits. Every nuance of the original arrangements was meticulously recreated..." Staged as an "old school" style dance concert, the shows prompted Time Out New York to state, "No fancy stadium gimmickry here, but in Phil-style parlance, a bloody lovely show." "It was when he dug deeper into the archives that the show blossomed," said The Hollywood Reporter. "Collins' talents as a balladeer were showcased in such songs as 'Blame It On The Sun' and 'Never Dreamed You'd Leave In Summer' (both by Wonder) and especially on the Goffin/King reverie 'Going Back,' the lyrics of which encapsulate the rationale for the whole project." While in the past Collins has paid tribute to his roots by covering some of his favorite songs -- including "You Can't Hurry Love," "A Groovy Kind Of Love," "Tomorrow Never Knows," "True Colours," and others -- this marks the first time in his 30-year solo career that he has devoted an entire project to the work of other songwriters and performers.

"The '60s were without doubt a pinnacle of the songwriting, producing and performing art," Collins comments in the liner notes to Going Back. "My aim in finally making this record was to see if it was possible for me to recapture the sound and the feelings I got from listening to these songs the first time around. I've always loved covering other people's songs, and this collection is something I've been burning to do." Legendary Motown songwriter and producer Lamont Dozier hailed Going Back: "Recording an album of Motown covers can be tricky, but I have to say this album has exceeded my expectations. Phil Collins has truly given us the real thing vocally, instrumentally, and production-wise... It's spectacular, making it impossible to pick a favorite because they're all masterfully done."

The career of Phil Collins is one that, by any measure, stands among the most creative, prolific, and impressive in the history of modern music. It is a career that really has been many careers -- musician, singer, composer, producer, actor -- from art rock beginnings to pop stardom, from big band leader to film soundtracks and Broadway. It has been an exceptional musical life spanning four decades, some 100 million solo albums sold (250 million if you count his work with Genesis), an extraordinary string of hits, eight Grammy Awards, an Oscar, two Golden Globes, five BRIT Awards, numerous industry accolades, and, above all, an inestimable influence on countless fellow artists and passionate fans around the globe.

http://www.philcollins.com/