NEW VAN MORRISON 2-CD COLLECTION FEATURES 31 TRACKS

Manhattan/EMI Music Catalog Marketing will release The Best of Van Morrison, Volume 3 on June 19. The new 2-CD collection, compiled by Morrison himself, offers a comprehensive overview of his later material. The set's 31 tracks include previously unreleased collaborations with Tom Jones and Bobby Bland, as well as duets with John Lee Hooker, B.B. King and Ray Charles.

THE BEST OF VAN MORRISON, VOLUME 3 (2-CD and Digital Album)
Disc 1
1. Cry For Home (with Tom Jones) (previously unreleased)
2. Too Long In Exile
3. Gloria (with John Lee Hooker)
4. Help Me with Junior Wells (live)
5. Lonely Avenue / 4 O' Clock In The Morning (with Jimmy Witherspoon,
Candy Dulfer & Jim Hunter) (live)
6. Days Like This
7. Ancient Highway
8. Raincheck
9. Moondance
10. Centerpiece (with Georgie Fame & Annie Ross)
11. That's Life (live)
12. Benediction (remix) (with Georgie Fame & Ben Sidran)
13. The Healing Game (re-mix)
14. I Don't Want To Go On Without You (with Jim Hunter)

Disc 2
1. Shenandoah (with The Chieftains)
2. Precious Time
3. Back On Top (remix)
4. When The Leaves Come Falling Down
5. Lost John (with Lonnie Donegan) (live)
6. Tupelo Honey (with Bobby Bland) (previously unreleased)
7. Meet Me In The Indian Summer (orchestral version) (remix)
8. Georgia On My Mind
9. Hey Mr. DJ
10. Steal My Heart Away
11. Crazy Love (with Ray Charles)
12. Once In A Blue Moon
13. Little Village
14. Blue and Green
15. Sitting On Top Of The World (with Carl Perkins)
16. Early In The Morning (with B.B. King)
17. Stranded

From THE BEST OF VAN MORRISON, VOLUME 3 liner notes (By Michael Heatley) It's now been more than four decades since Van Morrison left his native Belfast to embark on a career as a professional musician. And while there will be a number of people buying this third volume of highlights from that career who remember the days of Them, and others who picked up the story with legendary late 1960s/early 1970s albums like 'Astral Weeks' and 'Moondance,' there is yet another generation that tuned in during the 1980s.

The first 'Best Of Van Morrison' made the UK Top 5, proof that his fan base was still expanding after a quarter of a century at the cutting edge of music. And the reason is clear. Live shows are no 'greatest hits' parades but have always incorporated healthy amounts of new music, and the
public has responded by buying tickets and albums in ever-increasing numbers. The 1990s would prove to be a fruitful and prolific period in Morrison's history, with a release round about every year taking his original recordings total past the 30 mark by the middle of the following
decade.

All of which means the people who purchase this double album will differ widely in their knowledge of the man's back catalogue. Some of the songs here will be familiar -- even if not in these exact versions – while others will have escaped all but the most ardent Van-ologist. What's
certain is that it's a hand-picked selection with something for everyone whose life has been touched by Morrison's music.

Van Morrison will perform the following concerts: April 27 at New Orleans Jazz & Heritage Festival in New Orleans LA, April 28 at Chastain Park Amphitheatre in Atlanta GA, May 11 at Roundhouse in London UK, and June 9 at Forest High Lodge in Thetford UK

CEU - SEXY, FUNKY & SOULFUL

Just when you thought that Brazil must surely have exhausted its supply of irresistibly jazzy, funky, sexy, soulful electro-pop singer-songwriters, CéU (pronounced Say-Ew) comes along and makes you think that maybe that particular well is bottomless after all. CéU's self-titled US debut comes hot on the heels of a Latin Grammy nomination for "Best New Artist of 2006." She is also riding high on a wave of international success in Brazil, Holland, Italy, Canada, and France.

CéU's stateside release opens enticingly with "Vinheta Quebrante," a brief introductory track that builds itself up in delicate rhythmic layers. With "Lenda," CéU stakes out her musical territory more assertively. Anchored by the juxtaposition of a subtle melody and a lazy funk groove, ornamented with a gracefully understated turntable scratch, the song exudes hints of reggae with dub lurking in the background. "Malemolnêcia," a more explicitly reggae-flavored song, is featured in the soundtrack to "Cidade dos Homens," the television adaptation of the celebrated film City of God. The album's most surprising track is her cover version of Bob Marley's archetypal sufferer's anthem "Concrete Jungle." Samba, reggae, dub, electronica, love, heartbreak, chaos and sweet, sweet tunefulness - sounds like the perfect recipe for an irresistible album by a thrilling new talent. And so it is.

MEDESKI MARTIN & WOOD TOUR DATES

Medeski, Martin & Wood will perform the following concerts: April 13-14 at Fillmore Auditorium in Denver CO, April 25 at Kitty C Hart Theatre in Albany NY, April 26 at Tarrytown Music Hall in Tarrytown NY, April 27 at McCarter Theatre in Princeton NJ, April 28 at Grand Opera House in Wilmington DE, April 29 at Birchmere in Alexandria VA, May 25 at Festi de Bella Luna in Clarks Grove MN, June 10 at Wakarusa Festival in Lawrence KS, and September 20 at Montalvo Arts Center in Saratoga

SUZANNE VEGA SET TO RELEASE FIRST CD IN SIX YEARS

Over 20 years into her storied career, singer Suzanne Vega shows that she remains one of the freshest voices in popular music today with the release of Beauty & Crime, her seventh album and her debut for Blue Note Records.

Revolving around the theme of New York, the city where Vega was raised and still lives, the 11 original songs on Beauty & Crime present Vega's signature poetry and folk-pop songcraft illuminated by lush orchestral arrangements that are juxtaposed against cutting-edge beats.

From the driving opener "Zephyr & I," which recounts a conversation with the seminal graffiti artist while strolling down West End Avenue, to the ghosts of Lower East Side haunts depicted in "Ludlow Street," to "New York is a Woman," which personifies the city as a hard-luck lady whose beauty still shines, Vega captures the spirit of her hometown's past, present and future. The album also includes two of her most personal songs yet, a love song for her husband ("Bound") and a dedication to her daughter ("As You Are Now").

The sessions, recorded in both New York and London, were produced by Jimmy Hogarth (Sia, Corinne Bailey Rae, KT Tunstall), mixed by Tchad Blake, and included an eclectic cast including orchestral arranger Will Malone (Dido, Seal, Corrine Bailey Rae), background vocalist and vocal arranger KT Tunstall, guitarists Gerry Leonard (David Bowie) and Lee Ranaldo (Sonic Youth), bassist Tony Shanahan (Patti Smith), as well as members of Vega's touring band, bassist Mike Visceglia, and drummer Doug Yowell.

With the release of her self-titled debut on A&M Records in 1985, Vega began paving a path for an entire generation of female singer-songwriters to follow in the 1990s. Her 1987 album Solitude Standing established her as an international star, first with its surprise hit "Luka," and again later when UK electronic dance duo DNA released a remixed version of the a cappella "Tom's Diner" (the song has since been remixed upwards of 25 times). Vega's other albums include Days of Open Hand (1990), 99.9 F° (1992), Nine Objects of Desire (1996), and Songs in Red and Gray (2001).

DENIECE WILLIAMS - 'LOVE NIECY STYLE' DUE APRIL 24

Multi Grammy-Award Winning & Platinum Selling R&B Singer Deniece Williams Makes Major Return to R&B After A Decade with Shanachie Debut Love, Niecy Style


Deniece Williams will forever be one of the great all-time R&B divas. Processing an infectious, angelic and soulful honey -coated voice with an awe-inspiring range, Deniece Williams set the bar high for R&B singers back in the 70s and to this day her influence can be heard on everyone from Mariah Carey to Beyoncé. Her songs have been sampled by dozens of artists including Will Smith and Master P. Deniece's pure, rich and spine-tingling vocal quality, along with her impeccable diction and ability to honestly connect with any song has resulted in a vast catalog of hits. Some of her timeless anthems include "Silly," "Too Much, Too Little, Too Late" (her No. 1 pop and R&B duet with Johnny Mathis), "Let's Hear It For The Boy" (the million-selling pop/soul chart-topper from the movie Footloose), "It's Gonna Take A Miracle," "Free" (from her gold-certified This Is Niecy album) and "Black Butterfly." In recent years the chanteuse has primarily been recording gospel records but on April 24, 2007 Shanachie Entertainment will release Deniece Williams' highly anticipated return to R&B Love, Niecy Style produced by renowned Philly soul producer Bobby Eli.  Deniece's label debut will mark her first major return to R&B in over a decade.  For this momentous occasion Deniece called upon some of the artists who have been instrumental throughout her career: Stevie Wonder, George Duke and Philip Bailey.
 
In 1978, Deniece Williams' sophomore album Songbird was released, coming two years after the classic "Free" (from her gold-certified This Is Niecy album) propelled her into international fame and success.  The title was a perfect description of the soulful vocal beauty associated with this legendary singer/songwriter and it is as appropriate now as it was back then.  Indeed, a songbird with a dynamic range, a distinctive sound and a true gift for lyrical interpretation, Deniece has long enjoyed a place in the hearts of music buyers who embraced her through a rich legacy of close to thirty charted singles and a dozen best-selling albums. Her career also includes four Grammy wins and an extensive list of credits including sixteen Grammy nominations, three Stellar Awards, an American Music Award and an Oscar nomination.
 
As Deniece reflects "I wasn't really thinking about making a new record until a mutual friend put me in touch with Bobby, who I knew from the recording sessions I did with Thom Bell in the early '80s which included songs like "Silly" and "It's Gonna Take A Miracle."  Bobby talked to me about the idea of doing a project of songs that I've always loved. I thought it was a great way to honor artists like Luther Vandross, Donny Hathaway and Gwen Guthrie and what their music has meant to me.  When people listen to this project, I hope it will take them back down memory lane as well as create new memories for those who may not be familiar with all the songs on the album."
 
Within weeks of agreeing to Love, Niecey Style, Bobby Eli (whose extensive production credits include such favorites as Sister Sledge, Atlantic Starr, Major Harris, Blue Magic and Engelbert Humperdink and whose discography includes countless Philly soul sessions as a star guitarist with Billy Paul, The Spinners, Wilson Pickett, The Salsoul Orchestra, The O'Jays, MFSB, The Temptations and Elton John) and Deniece had begun selecting songs for it.  "There were so many songs I had been carrying around forever, humming them, singing them and never thinking I would be recording them!" she declares. "By the time we finished, I felt we had done what we set out to do."  For Eli, working with Deniece was "a pure pleasure.  She's a producer's dream, a very special artist and someone I always wanted to work with from being on the Thom Bell sessions with her."  
 
Love, Niecey Style is particularly special, given the presence of three distinguished music men who have played an integral role in Deniece's career at different times: icon Stevie Wonder (with whom Deniece got her first gig as a member of his touring backup vocal group Wonderlove in 1972); super producer, songwriter and artist in his own right, George Duke (who produced 1984's Grammy-winning "Let's Hear It For The Boy"); and renowned vocalist Philip Bailey, of Earth, Wind & Fire, with whom Deniece was associated by virtue of working with EW&F's Maurice White and Kalimba Productions from 1976 to 1982.        
 
In addition, what distinguishes Niecy's new CD from other albums of R&B 'cover' tunes is the range of her choices, starting with the 1963 Baby Washington chestnut "That's How Heartaches Are Made" through to Donny Hathaway's eternal "Someday We'll All Be Free" and on to Luther Vandross' first solo 1981 smash, "Never Too Much."  For good measure, Deniece re-recorded her own "Cause You Love Me Baby," a staple in her repertoire since the track was included in her 1976 Columbia debut album as well as cutting a brand new song, "The Only Thing I'm Missing Is You," a prime romantic mood-setting, sensuous cut which showcases the songbird sounding better than ever!
 
The basic tracks on Love, Niecey Style were cut by producer Eli in Philadelphia;  an all-star cast of West Coast musicians including saxman Everette Harp, bass player extraordinaire Freddie Washington and Tower Of Power trumpeter Greg Adams then added their musical skills to the album.  Says Deniece, "It was an extraordinary experience to make music with such gifted musicians…words could never truly express how special it made me feel being in the studio again with Stevie, George, Philip, Greg, Freddie and Everette.  Truly, I was surrounded by friends and loved ones."
 
The spirit of love and celebration is displayed throughout Love, Niecey Style. Speaking about her choices for the album, Deniece explains, "I'd been wanting to record "That's How Heartaches Are Made" for years.  I was thirteen when I first heard Baby Washington sing this song.  It touched my heart because at the time, I was in love with this boy but he didn't love me the same way!   When we started recording the song, I could hear Stevie (Wonder) playing harmonica on it.  'Can you come down?' I asked and he was gracious enough to play on the track.  It turned out beautifully. Then, "Love's Holiday" has always been one of my favorite EW&F songs. 
 
It was also written by Skip Scarborough, who I feel was one of the best songwriters of our generation.  Then having my dearest friend Philip Bailey sing on it…it doesn't get any better than that!"
 
The standout ballad "This Time I'll Be Sweeter" (previously cut by both Angela Bofill and Roberta Flack, one of the many artists whose recordings - including Minnie Riperton and Esther Phillips - benefited from Deniece's work as a session singer in the '70s) is a tribute to a longtime friend: "The song was written by the late Gwen Guthrie who we lost to breast cancer. Gwen used to sing with me, Lani Groves and Patti Austin - we were in the same circle of background singers when I lived in New York and I remember when she wrote the song.  I always wanted to do it and it's my way of honoring Gwen."
 
Deniece says the two most challenging tunes were her reading of Donny Hathaway's "Someday We'll All Be Free" (which features Greg Adams) and one of the only covers ever done of Luther's "Never Too Much."  The vocalist shares, "I told Bobby (Eli) and Executive Producer Danny Weiss that I wanted to do Donny's song.  After I listened to his rendition again, I just broke down and cried. I thought, 'do I have the audacity to do this song?' I called the record company and told them I'd made a mistake.  They said, 'are you crazy?  No…you gotta do the song!'  It has a beautiful message of encouragement so I'm glad I did it.  As for the Luther song, well, he was a friend and certainly one of the best vocalists of our time.  I had no idea how hard a song "Never Too Much" was to sing – you can hardly sing and breathe on it. I tell people, when I get to heaven, I'm going to tell Luther how hard it was to do!"     
 
Keeping with contemporary classics of the '80s, Deniece chose Kool & The Gang's "Cherish"  about which she says, "real love only happens on a few occasions and when we have it, we shouldn't take it for granted"; and George Benson's 1983 hit, "Love Me (One More Time)" which she declares is her favorite Benson song, given "something really special by George (Duke) who played on the track."  Rounding out this stellar collection are her own "Cause You Love Me Baby" and "If You Really Love Me," another nod to Stevie Wonder. "I sang this song so much as background for Stevie that at one time, I was singing it in my sleep!  I was very apprehensive about doing this song because he was and still is my mentor and I wanted to please him.  I think I've made him proud."  The choice for Deniece Williams to revisit one of her own classic tunes "Cause You Love Me Baby" was easy: "I've been very blessed as a songwriter and publisher to have so much of my music sampled.  I was going to re-do "Free" but then I thought it would be good to do something up-tempo because it's been sampled by so many other artists…and being the romantic I am, it seemed perfect for this project."  
 
Since the mid-'80s, Deniece has been busier than ever, recording a children's CD, Lullabies To Dreamland, appearing in the London cast of the pioneering musical "Mama I Want To Sing," producing and hosting her own radio program, "The Deniece Williams Show" for BBC Radio for almost ten years.  Purposely devoting much of her time to raising her four sons, Deniece says she made a conscious choice to limit her touring activities: "I've been doing maybe ten concerts a year and in recent years, I've really got into writing theater pieces and developing film scripts with my older sons.  I felt it was time to test myself in other creative ways.  Now with my children grown, it's time for mom to be out there again!  I chose to stay at home and did only 10% of what I could have done.  Vocally, I think I'm stronger than I've ever been and it's time to get out there and do it.  I've been blessed with a fantastic audience and I'm always humbled by that.  My audience reminds me that this is what I'm supposed to be doing!"

NEW STANDARDS SET FROM AMIEL LARRIEUX

Bliss Life Records, will release Amel Larrieux’s collection of great American standards, “Lovely Standards” on May 22.

“I grew up watching musicals from the 40’s and 50’s, and my grandfather used to play standards on the piano while our family sang," explains Larrieux, "It was inevitable that I try my hand at interpreting these songs because they were surely as influential in shaping who I have become as an artist.”

Singer, songwriter Amel Larrieux and producer Laru Larrieux have handpicked a collection of songs.  Their nuanced delivery once again exhibits this pair's versatility and devotion to their craft while defying stereotypes.  Parlaying Amel's reputation for vulnerable yet intense interpretations of her own songs into an intimate and relevant portrait of classics ranging from Ellington to Rodgers and Hammerstein.

Having sold over one million albums, the Grammy-nominated songbird has three critically acclaimed solo albums, Morning (Bliss Life), Bravebird (Bliss Life), and Infinite Possibilities (Epic). Larrieux fuses a range of genres—R&B, soul, hip-hop, jazz and folk, with flashes of Middle Eastern, West African, and Indian styles.  As lead siren and co-writer for Groove Theory, Amel enjoyed success with "Tell Me," which broke the top ten on the Billboard Hot 100 and the top five on the R&B charts before being certified gold in October 1995.

Larrieux’s influence on the music world is widespread, having contributed to film soundtracks, such as Barbershop, Love Jones, Down To Earth, and Sunset Park, and having collaborated with artists from former Sade guitarist Stuart Matthewman in her work with Sweetback to working with hip hop supergroup, The Roots.  Equal to Amel’s vocal and writing talent is her alluring beauty and eclectic style. She has been spotlighted as a style maven in Essence, Honey, Harper’s Bazaar, Trace, The Fader and was also featured in the Coach anniversary print campaign.

CHILL GROOVES & SMOOTH JAZZ NEWS: FOUR 80 EAST, DIANA KRALL, DENIECE WILLIAMS, PETE ESCOVEDO, CORINNE BAILEY RAE & MORE

Catch nu jazz/acid jazz/chill vibe groove gurus Four 80 East in their only NYC appearance on Tuesday, April 24 @ Opia! The band will be celebrating the release of their amazing new CD En Route.

A new release from Corinne Bailey Rae is due out on June 19 from Capitol as she is currently in the studio (during her tour stops) recording the new album.

Blue Note will release Birthday Bash - Live at Yoshi's from Kenny Burrell and Dear Miles by Ron Carter – no release date has been set as of yet.

Chris Botti has been in the studio in London, recording at least 18 songs with an orchestra, for an album with an Italian feel, reports smoothvibes.com. The project includes versions of "Don't Give Up" by Peter Gabriel, and the classic operatic aria "Nessun Dorma" from Turandot by Puccini. Botti also covers the theme from the film The Mission by Ennio Morricone, and "Caruso" by Lucio Dalla.

Grammy winner Diana Krall has just signed with the Las Vegas Hilton for a four-night run at the hotel's Hilton Theater, featuring the Clayton/Hamilton Jazz Orchestra, from June 14th through the 17th.

R&B diva Deniece Williams is set to release her first album in a decade, titled Love, Niecy Style, on the Shanachie label. The disc is a collection of cover tracks that honor the artists who influenced her own career as a soul singer, including Stevie Wonder, Roberta Flack, Angela Bofill, Gwen Guthrie, Luther Vandross, Kool & The Gang, George Benson, Donny Hathaway, and Earth Wind & Fire. The album, slated for an April 24th release, also showcases newer impressions of some of the 55-year-old singer's original efforts: the 1976 staple "'Cause You Love Me Baby," and the new romantic track "The Only Thing Missing Is You."

The Bad Plus, Herbie Hancock Quintet, Ken Ford and the Pete Escovedo Orchestra are among the slew of artists slated to perform at the 30th annual Atlanta Jazz Festival over Memorial Day weekend. To be held May 26-28 at Piedmont Park, the festival has tis year added the Future of Jazz stage, featuring newer avant-garde artists The Atlanta Jazz Festival is also presenting a trio of dates for the Soulful Sounds of the City concert series at Chastain Park Amphitheatre. George Benson and Al Jarreau will perform Saturday (April 14), Joe Sample and Randy Crawford will take the stage May 12 and Aretha Franklin is scheduled for Sept. 1. Tickets are now on sale.

NEW CD FROM EUGE GROOVE; TOUR DATES ANNOUNCED

Smooth Jazz Saxophonist Euge Groove is highly anticipating the birth of his new project, Born To Groove. The disc will be in stores on June 19th. Recorded entirely in hi-definition sound, the album features eight original instrumentals, a writing and performance collaboration with Jeffrey Osborne, and an appearance by Ali Ollie Woodson on a neo-soul remake of Donny Hathaway's I Love You More Than You'll Ever Know. Euge Groove's touring schedule is filling up, with dates through the summer.

To check for additional dates, check eugegroove.com.
Euge Groove tour dates are as follows:
April 28 - Alta Monte, FL - Crane's Roost
May 4 - New Haven, CT - John Lyman Center
May 5 - Annapolis, MD - Rams Head On Stage
May 19 - Newport Beach, CA - Lexus Jazz Festival
May 26 - San Diego, CA - Gas Lamp Quarter
May 27 - Las Vegas, NV - Spring Mountain State
June 22 - Overland Park, KS - Corporate Woods
June 23 - Greenwood Village, CO - Coors Amphitheatre
July 6 - Carlsbad, CA - Four Seasons Resort
July 14 - St. Joseph, MI - Jazz At Sunset
August 4 - Woodinville, WA - KWJZ Smooth Jazz Fest
August 17 - Newport Beach, CA - Hyatt Summer Jazz Series
August 18 - Temecula, CA - Thornton Winery
September 7 - West Bend, WI - Riverside Park
September 8 - Avon, CO - Ritz Carlton

WILL DOWNING DIAGNOSED WITH CHRONIC DISEASE

Smooth Jazz singer Will Downing has cancelled his current tour dates after having been diagnosed with polymyositis, a debilitating chronic inflammatory disease of the muscles that can lead to paralysis. The 46-year-old performer first noticed symptoms over the holidays, when he felt extremely tired and sick, according to SmoothVibes.com.

Although remission is rare, treatment can improve muscle strength and function. Downing has been hospitalized since January and is now undergoing physical rehabilitation in an attempt to retain his strength. Fortunately, his voice has not been affected.

Downing is still going forward with his plans to release a new album this September, via Peak Records.

Downing is one of those rare artists with fans in both smooth jazz and R&B circles, and he says that working with producers who add elements of various genres keeps things challenging for him as an artist.

Downing adds that even jazz or gospel elements in the arrangements make the music more interesting for him as well as the audience: "I hate things to be boring. So I think that's where the jazz elements kind of kick into the music. We may come up with an R&B kind of a groove and all of a sudden from a chordal standpoint, there's certain things that are just a lot more fun to sing over than others. "

He adds that the public's natural affinity for categorizing what they hear can cause some issues, but Downing says that his fans know exactly what they're getting: "That's when the confusing part comes into most folks' ears. They kinda go: 'I mean, it's not R&B because he's got this in there. All of a sudden, there's a sax solo or there's a ... you know, a trumpet solo, or ....' It's like, that's what music is. It's supposed to be fun like that. And fortunately I've been able to sell records based on that kind of 'warped' theory all these years." 

For more information on Will, visit his website at:  www.willdowning.com.

LAO TIZER RELEASES NEW ALBUM

Keyboardist/composer Lao Tizer released his sophomore effort, Diversify, on Tuesday (April 3rd), via his own Yse Records. The young prodigy creates invigorating jazz in a wide variety of deliveries, including contemporary jazz, world music, R&B/funk, fusion, classical, Latin and instrumental pop -- hence the title. The 14-track album boasts an equally diverse array of special guests, including guitarist/Tizer mentor Chieli Minucci, violinist Karen Briggs, percussionist D. Munyungo Jackson and saxophonist Andy Suzuki. Tizer plans to tour behind the album, kicking off his dates by opening for George Benson and Al Jarreau at the Jacksonville Jazz Festival on April 13th a,nd touring the jazz festival circuit through the early fall.

Lao Tizer Diversify tour dates are as follows:
June 24 - Big Bear, CA - JazzTrax Summer Music Festival
June 27 - Anderson, CA - Summer Concert Series
July 1 - Newport Beach, CA - Summer Concerts in the Park
July 5 - Wichita, KS - Summer Concert/Segwick County Zoo
July 6 - Boulder, CO - Friday Afternoon Club Concert Series
July 7 - Denver, CO - Festival Nights/Cherry Creek Arts Festival
August 3 - Milwaukee, WI - Summer Sizzle/Historic Third Ward Jazz Fest
August 11 - Las Vegas, NV - Jazz by the Lake
August 12 - Chula Vista, CA - Summer Concert Series
August 19 - Pasadena, CA - Levitt Pavilion for the Performing Arts
October 19 - Avalon, CA - Catalina Island JazzTrax Festival
For more information, go to www.laotizer.com.

DIONNE WARWICK’S SCEPTER AND WARNER BROS. CATALOGS ARE REMASTERED AND REISSUED BY COLLECTORS’ CHOICE MUSIC

All titles are available on CD for the first time and contain extensive liner notes

Collectors’ Choice is set to reissue ten classic Dionne Warwick albums from the Scepter and Warner Bros. years, all remastered from the original tapes and all with extensive liner notes by Ritchie Unterberger. Featured are the multi-Grammy® Award-winning artist’s first six albums and nine out of her first ten, including a definitive cross-section of her masterpieces with Burt Bacharach and Hal David. Street date for the CDs is May 15.
 
The Collectors’ Choice reissues complement recent reissues on Rhino Handmade, which featured the singer’s final Scepter sessions.
 
Collectors’ Choice’s Dionne Warwick reissues include:
 
• Presenting Dionne Warwick: This 1963 album marked not only the emergence of a brand-new vocal star, but also the debut of the Burt Bacharach/Hal David/Dionne Warwick team, which is responsible for nine of this album’s 12 tracks. Featured are Warwick’s first single, “Don’t Make Me Over,” and “Wishin’ and Hopin’,” which was later a hit for Dusty Springfield.
 
• Anyone Who Had a Heart: Released in 1964, this album featured Warwick’s first Top Ten hit as its title track, plus plenty of Bacharach and David songs along with expertly chosen compositions from other songwriters such as Doc Pomus and Mort Shuman. “Anyone Who Had a Heart” boasts an impressively bittersweet, unpredictably shifting melody; shifts in time signature from 5/4 to 4/4 to 7/8 and back to 5/4; a brief, smoky sax solo; gorgeous orchestration and swelling background vocals; and Warwick’s impassioned vocal.
 
• Make Way for Dionne Warwick: Make Way, released in ‘64, was Warwick’s first charting album, powered by “Walk On By” and a host of other Bacharach-David classics, including “Close To You,” a hit for the Carpenters some ten years later.
 
• The Sensitive Sound of Dionne Warwick: Taking a slight turn toward adult pop with this ‘65 release, the album contained the hit “Who Can I Turn To?” from the Broadway play The Roar of the Greasepaint — The Smell of the Crowd. The album contains some of Warwick’s more adventurous vocal work.

• Here I Am: This album, released in late 1965, contained nine Bacharach-David compositions out of 12 songs. Its biggest hit, "Looking With My Eyes,” reached only No. 64, and perhaps had a few too many melodic twists and turns to be a big AM radio hit. For those who savor Bacharach-David’s risky sophistication, however, it’s an obscure nugget, particularly in those passages that suddenly change gears to a stuttering, melancholy jazzy piano lick wholly unrelated to other parts of the song.
 
• Dionne Warwick in Paris: Europe was quicker to catch on to the enormity of Dionne’s talent than were American audiences. She was particularly big in France, where they dubbed her "The Black Pearl," so it was logical that her first live album would be recorded at the Olympia Theater in Paris, the very venue that hosted her first European concert. This January 18, 1966 show won raves from the local press.
 
• Here Where There Is Love: Released in ‘66, this was Warwick’s first Top 20 pop charting album and a No. 1 hit on the R&B charts, thanks to a quartet of Bacharach and David masterpieces: “Alfie,” “What The World Needs Now,” “Trains and Boats and Planes” and “I Just Don’t Know What To Do With Myself.” She even covers Bob Dylan’s “Blowin’ in the Wind”
 
• The Magic of Believing: Dionne Warwick was so hot on the pop charts with hits like “Do You Know the Way to San Jose?” and “(Theme From) Valley of the Dolls” that she could afford to do such an avowedly noncommercial project as this tribute to her gospel roots. And those roots were deep — her mother, Lee Warrick, was a founding member of the Drinkard Singers with Cissy Houston (Whitney’s mother) and Dionne herself got her start with the Gospelaires along with her sister Dee Dee. Fittingly, the Drinkard Singers back Dionne in a labor of spiritual and musical love.
 
• Love at First Sight: This album concluded Dionne’s association with Warner Bros. Records in 1977. By then, the “marriage” of Bacharach and David had dissolved in acrimony, so noted producers Steve Barri and Michael Omartian took the reigns. The inclusion of songs by Brill Building folks like Barry Mann and Cynthia Weil and Evie Sands brings it back to the classic Warwick sound.

DEBORAH COX SINGS THE CLASSIC SONGS OF DINAH WASHINGTON ON - DESTINATION MOON

Platinum-selling recording artist Deborah Cox reinterprets the classic songs of Dinah Washington on her Decca debut, Destination Moon.  Set for release on June 19th, Destination Moon thrusts the R&B/dance diva into whole new territory, showcasing her range and scope as an artist capable of tackling jazz, blues and “big-band” with ease and confidence. 
 
"This is a complete labor of love, a concept album that I've had in mind for years," Cox explains.  "This is a project that's an introduction to all of the styles that I grew up with. It's a way to expose another side of me that I've kept quiet.  It's a chance to look inside my history of influences and hear where I'm coming from as an artist.” 
 
Having conquered the pop and R&B charts, including one of the longest-running #1 songs in history on Billboard's R&B singles chart and an impressive nine #1 hits on Billboard's Hot Dance Club play chart, Deborah was another protégé of legendary record executive Clive Davis. She starred on Broadway in Elton John's and Tim Rice's "Aida," and now the 32-year-old Toronto-born singer/actress pays effusive tribute to her childhood idol, the beloved and troubled Washington.  Deborah Cox's first exposure to Washington came very early, when she was a little girl.  "I first became aware of Dinah when I was growing up, when I was about 8 or 9 years old" she says.  "A lot of jazz was played about the house. I heard my mother playing a 45 of "This Bitter Earth" -- this first song I had ever heard from Dinah.   It was the richness and the tonality of her voice that I gravitated to.”
 
Later in life, Deborah realized that apart from the turbulent personal issues, she had a great deal in common with Dinah in terms of how she wants to be perceived as an artist.
“I'm doing this to broaden people's awareness of what I can do and also for the sheer love of her music."  As a result, Deborah's homage to Dinah Washington does not lean overwhelmingly toward one particular style. It was designed from the beginning to be a compendium of several of Dinah's idioms -  the big-band swing of "All Of Me" and "Destination Moon,"  swaggering R&B ("I Don't Hurt Anymore)," the blues that earned her the misleading nickname "Queen of the Blues" ("Misery," "New Blowtop Blues"), the lush ballads that put her on the jukeboxes of Middle America ("What A Diff'rence A Day Made," "This Bitter Earth").
 
For the arrangements and the production, Deborah turned to the highly-versatile New York-based music man Rob Mounsey, whose credits with such diverse performers as Paul Simon, Steely Dan, Aretha Franklin and Tony Bennett to name a few.   The record was made live in the studio, with 40 musicians in the same room with her, playing and singing in real time under Mounsey’s direction.
 
To celebrate the release of Destination Moon, Deborah Cox will be appearing for one night only at Dizzy’s, in New York City’s Jazz At Lincoln Center on June 25th, with more appearances to be announced.

DR. JOHN TO BE INDUCTED INTO BLUES HALL OF FAME

On Wednesday, May 9, in Memphis, Tennessee, The Blues Foundation's Hall of Fame committee will honor Blue Note/EMI recording artist and Blues legend Malcolm John "Mac" Rebennack Jr., famously known as Dr. John, as an inductee into the Blues Hall of Fame. Other 2007 Inductees include Dave Bartholomew and late artists, Eddie "Guitar Slim" Jones and Sister Rosetta Tharpe. Non-performer inductees are Ahmet Ertegun and Art Rupe.

Beginning his career as a sideman in his home town of New Orleans, Dr. John quickly developed his own musical voice based on the Jazz, Blues, and Rock music of the Louisiana Delta. As the infamous character Dr. John the Night Tripper, Mac achieved breakthrough success with his 1968 album Gris Gris. Dr. John went on to record more than 30 albums and work with similar legends including B.B. King, Buddy Guy and Junior Wells, Big Joe Turner and Aretha Franklin, solidifying his place as a New Orleans Blues icon. Blue Note Records released his most recent album Mercernary in 2006.

Dr. John has also become one of the leading spokesmen for the New Orleans region after hurricane Katrina struck in 2005. Immediately following the storm, Dr. John recorded a seven-track EP dedicated to the Crescent City, Sippiana Hericane. All the proceeds from the CD's sales were divided equally between the New Orleans Musicians Clinic, the Jazz Foundation of America and the Voice of the Wetlands.

The Blues Hall of Fame induction ceremony will be conducted in association with The Blues Foundation's Charity Member Dinner, Wednesday, May 9 in Memphis, Tennessee, the night before the 2007 Blues Music Awards.
 

2007 JVC JAZZ FESTIVAL – NEW YORK, JUNE 17-30

Keith Jarrett / Jack DeJohnette / Gary Peacock, Eartha Kitt, Nancy Wilson, Ron Carter, Herbie Hancock, Wayne Shorter, Jim Hall, Patti LaBelle, Branford Marsalis, Joshua Redman, Jean-Luc Ponty, India.Arie, Bela Fleck, Preservation Hall Jazz Band, Lee Konitz, Cesaria Evora & More!

New York takes over the city June 17 - 30 with more than 300 artists in nearly 200 concerts and events (including clubs) at 28 venues in Manhattan, Brooklyn, Queens and reaching as far as Philadelphia. Tickets go on sale Wednesday, April 18.

Festival highlights include 80th birthday celebrations for Eartha Kitt and Lee Konitz; 70th birthday festivities for Ron Carter and Nancy Wilson; the return of soul diva Patti LaBelle and the barefoot diva Cesaria Evora; salutes to Benny Carter, Ruby Braff, Jimmy McPartland and jazz maven Phoebe Jacobs; a double dose of hot new talent with India.Arie and Lizz Wright; a unique concert pairing with Branford Marsalis and Joshua Redman at The Town Hall; and six free concerts at Macy's across New York City and Philadelphia.

“Every year, it gets more challenging to present a great festival; but every year, I believe we succeed,” said George Wein, Chairman of Festival Productions, a division of The Festival Network, LLC. “This year, you can count on two weeks of outstanding music featuring some of the best of traditional, straight-ahead, contemporary, Big Band, Second Line, R & B, Latin, world music and more.”

The 2007 JVC Jazz Festival presents eight concerts at Carnegie Hall Stern Auditorium and three at Zankel Hall. The 8:00PM Carnegie Hall concerts begin on Thursday, June 21, with Keith Jarrett, Jack DeJohnette, Gary Peacock followed by young vocal powerhouses India.Arie and Lizz Wright on Friday, June 22 and Patti LaBelle and the Lou Donaldson Quartet on Saturday, June 23. Don't miss C'est Si Bon: Eartha Kitt's Fabulous 80th Birthday Concert with Eartha Kitt and many special guests on Monday, June 25, and the “Barefoot Diva” from Cape Verde, Cesaria Evora, and The Bird and the Bee on Tuesday, June 26. Ron Carter: The Master @ 70 takes the stage on Wednesday, June 27, featuring Ron Carter & Friends in four group - Quartet with Herbie Hancock, Wayne Shorter & Billy Cobham; Trio with Mulgrew Miller & Russell Malone; Duets with Jim Hall; and New Quartet with Stephen Scott, Payton Crossley & Rolando Morales.

Carnegie Hall concerts continue with Nancy Wilson's Swingin' 70th Birthday Party featuring the Nancy Wilson Trio with special guests Regina Carter, Kurt Elling, Nnenna Freelon, Herbie Hancock, Ramsey Lewis and Dianne Reeves on Friday, June 29. Making his Carnegie Hall debut as a headliner is Bela Fleck & The Flecktones plus The Del McCoury Band on Saturday, June 30.

Zankel Hall is the spot to celebrate Lee Konitz's Beautiful 80th Birthday Party featuring Lee Konitz with Orquestra Jazz Matosinhos & New Nonet & String Quartet plus special guests Paul Motian & Steve Swallow, directed by Ohad Talmor on Monday, June 25. The festivities continue on Tuesday, June 26, with Benny Carter Centennial Celebration: The King of New York starring Loren Schoenberg Big Band with Chris Neville, Catherine Russell & Roberta Gambarini. Spend An Evening with Jean-Luc Ponty on Wednesday, June 27. All three concerts are at 8:30 p.m.

The Kaye Playhouse at Hunter College spotlights some of the best in traditional jazz with salutes to Jimmy McPartland, Ruby Braff and Phoebe Jacobs. Kicking off the series is Jimmy McPartland Centennial Celebration featuring Marian McPartland with Howard Alden, Bill Crow, Eddie Locke, Joe Muranyi, Ken Peplowski, Bobby Pring and Warren Vach on Tuesday, June 19. Then, on Wednesday, June 20, We Remember Ruby: A Musical Salute to Ruby Braff stars Warren Vach, Jon-Erik Kelso, Scott Hamilton, Harry Allen, Norman Simmons, Dick Hyman, Jon Wheatley, Bucky Pizzarelli, Howard Alden, Frank Tate, Chuck Riggs, Daryl Sherman, Jackie Williams and JVC Jazz Festival impresario George Wein.

The Kaye series ends on Thursday, June 21, with Phoebe Jacobs - A Life Well-lived: A Work Still in Progress featuring the Music of Eubie Blake, Benny Goodman, Peggy Lee, Duke Ellington, Ella Fitzgerald, Sarah Vaughan & Louis Armstrong performed by Terry Waldo, Mary Louise, Barbara Carroll, Jay Leonhart, Steve Johns, Bucky Pizzarelli, Ken Peplowski, Jon Faddis, Mercedes Ellington, Andre de Shields, Antoinette Montague, Carolyn Leonhart, Jonathan Batiste, Peter Washington and many others. All concerts are at 8:00 p.m.

JVC Jazz Festival - New York moves to The Town Hall for three 8:00 p.m. concerts including Preservation Hall at Town Hall: Bourbon Street Comes to Broadway featuring Preservation Hall Jazz Band with Jenny Scheinman, Allen Toussaint, Steve Wilson and many other special guests on Tuesday, June 19, followed by a double bill with Branford Marsalis and the Joshua Redman Trio on Wednesday, June 20. Wrapping up the series is YKK Presents Jazz: East & West featuring Bass Talk with Yoshio “Chin” Suzuki and Soichi Noriki, Shinpei Inoue & Yoichi Okabe, The Tokyo Trio with Kei Akagi and Tomokazu Sugimoto & Tamaya Honda plus special guests Dave Liebman and Billy Hart on Thursday, June 21.

Kenny Barron & Eliane Elias with Marc Johnson & Satoshi Takeishi perform at The Allen Room at the Frederick P. Rose Hall on Sunday, June 24, at 7:00 p.m. and 9:00 p.m. Making its debut as a JVC Jazz Festival venue is the Rubin Museum of Art with three 7:00 p.m. concerts including Raw Materials featuring Vijay Iyer & Rudresh Mahanthappa Duo on Friday, June 22; Anat Fort on Wednesday, June 27, and Ned Rothenberg & Glen Velez on Friday, June 29.

Hurry up to Harlem for A Father's Day Gift presenting Sonny Fortune Quartet with Michael Cochrane, Chip Jackson & Steve Johns on Sunday, June 17, at 3:00 p.m. at Schomburg Center for Research in Black Culture. Geri Allen Trio with Rashaan Carter, Kassa Overall & tap dancer Maurice Chestnut light up the night at the Studio Museum in Harlem on Wednesday, June 27, at 7:30 p.m.

The JVC Jazz Festival - New York returns to the Jazz Standard for five World Jazz Nights featuring Lionel Loueke Trio with Ferenc Nemeth & Massimo Biolcati on Tuesday, June 26, and Avishai Cohen Sextet with Lionel Loueke, Jason Lindner, Omer Avital, Daniel Freedman & Yosvany Terry on Wednesday, June 27. Then Roswell Rudd's MALIcool with Kadialy Kouyate, Balla Kouyate, Mawuena Kodjovi, Henry Schroy, Jorge Amorim & Mar Gueye takes up residence for a three-night run Thursday, June 28 - Saturday, June 30. All sets are at 7:30 p.m. and 9:30 p.m. with an 11:30 p.m. set added on Friday and Saturday.

The 2-for-1 Club Night series with special discounts to JVC Jazz Festival ticket holders will be offered throughout the festival at The Blue Note, Iridium Jazz Club, The Oak Room at the Algonquin Hotel, Smoke, Sweet Rhythm and Zinc. Artists include Eric Person & Meta-Four and Larry Carlton at the Blue Note; Yellowjackets and Keiko Matsui at Iridium; and Barbara Carroll and Sarah Partridge at The Oak Room.
Catch two free concerts Outdoors at Citicorp Plaza at St. Peter's Church at 12:30 p.m. Downbeat Presents: Jazz Combos with Berklee College of Music JVC Jazz Festival Ensemble, Eastman Jazz Performance Workshop and William Paterson Jazz Sextet on Thursday, June 21. JVC Jazz Festival & Midtown Arts Commission Celebrate International Women in Jazz featuring Ada Rovatti Quintet and Sherry Luchette Trio on Thursday, June 28.

The JVC Jazz Festival - New York teams up with Celebrate Brooklyn! to present Groove Collective, Ravi Coltrane Quartet and Craig Harris Ensemble in a free concert at Prospect Park Bandshell at 7:00 p.m. on Friday, June 29.

Shop and bop 'til you drop at six free concerts at Macy's where guests can sign up for a chance to win a pair of tickets to see Patti LaBelle's JVC Jazz Festival concert at Carnegie Hall. Catch Sonny Fortune at Macy's Herald Square on Tuesday, June 7, at 6:00 p.m.; an artist to be announced at Macy's Brooklyn on Friday, June 8, at 6:00 p.m.; International Women in Jazz featuring Audrey Silver at Macy's Queens on Saturday, June 9, at 3:00 p.m.; Eric Mintel at Macy's Center City in Philadelphia at 3:00 p.m. on Saturday, June 9; Roni Ben-Hur at Macy's Herald Square on Thursday, June 14, at 6:00 p.m.; and an artist to be announced on Monday, June 18, at noon.

JVC Special Events & Educational Programs include Take the A Train: The Music of Billy Strayhorn, featuring New York City Gay Men's Chorus with Music Director Casey J. Hayes, arrives at Nokia Theatre Times Square on Monday, June 18, at 8:00 p.m. Incorporation of Artists on the Move presents Swing, Bebop to Hip-Hop: To Mary Lou Williams with Love, curated by Gwendolyn Black with Musical Director Emme Kemp, June 19 - July 30 at Harlem Branch Library and Citibank Financial Center.

Don't miss a visit to the Langston Hughes House: Harlem Renaissance Continued when Motema Music presents “Bujo” Kevin Jones & 10th World on Wednesday, June 13, at 7:30 p.m. and 9:30 p.m.; The Kit McClure Band on Friday, June 15, at 8:00 p.m. and 10:00 p.m.; Claudia Beth Hayden Band on Saturday, June 16, at 8:00 p.m. and 10:00 p.m.; Elmolenium Orchestra performing the music of Elmo Hope on Tuesday, June 19, at 7:30 p.m. and 9:30 p.m.; Marc Cary Experience & Abstrakt Blak on Thursday, June 21, at 8:00 p.m. and 10:00 p.m.; Lynne Arriale on Friday, June 22, and Saturday, June 23, at 8:00 p.m. and 10:00 p.m.; Jana Herzen Band on Friday, June 29, at 8:00 p.m. and 10:00 p.m.; and Roni Ben-Hur: Strayhorn Project on Saturday, June 30, at 8:00 p.m. and 10:00 p.m.

JVC Jazz Festival - New York supports JazzReach featuring Bruce Hornsby-Jack DeJohnette-Christian McBride on Wednesday, May 23, at 8:00 p.m. and 10:30 p.m. at B. B. King Blues Club & Grill and Matt Wilson Arts & Crafts and Metta Quintet on Tuesday, June 19, at 8:00 p.m. at The Ailey/Citigroup Theater. Then JVC joins in the festivities at The New School for Jazz and Contemporary Music 20th Anniversary Celebration on Wednesday, June 20, at 7:30 p.m. with performances by notable alumni and mentors including Chico Hamilton, Marcus Strickland, E. J. Strickland, Charles Tolliver, Peter Bernstein and more.

Spend the weekend in Saratoga Springs, NY, at the 30th Annual Freihofer's Jazz Festival, at Saratoga Springs Performing Arts Center June 23 - 24, starting at noon with a line-up of world-renowned artists including George Benson, India.Arie, David Sanborn, Al Green, Trio Beyond featuring Jack DeJohnette, John Scofield & Larry Goldings, The Dizzy Gillespie All-star Big Band and more. Tickets go on sale May 13. For more information, visit www.spac.org.

JVC Jazz Festival - Newport, now celebrating the 53rd year of the famed Newport Jazz Festival, is set for August 11 - 13 at Fort Adams State Park. Artists will be announced on April 24.

Additional support for the JVC Jazz Festival - New York is provided by NYC & Co., Macy's and media partners The Village Voice and Jazz 88/WBGO-FM.

Hotel 57, located at 130 East 57th Street between Park & Lexington, is the official host hotel of the JVC Jazz Festival - New York. For the special festival rate, call (212) 753-8841 and mention the JVC Jazz Festival and visit www.hotel57.com.
For more information, visit the official JVC Jazz Festival - New York website at www.festivalproductions.net.

Tickets and information for JVC Jazz Festival - New York concerts are available at respective box offices or by telephone: JazzReach at The Ailey/Citigroup Theater www.ticketweb.com; The Allen Room (212) 721-6500; JazzReach at B. B. King Blues Club & Grill (212) 307-7171; Blue Note (212) 475-8592; Carnegie Hall (212) 247-7800; Incorporation of Artists on the Move at Citibank Financial Center (212) 665-5313; Harlem Branch Library (212) 348-5620; Iridium (212) 582-2121; Jazz Standard (212) 576-2232; Kaye Playhouse at Hunter College (212) 772-4448; Langston Hughes House (212) 860-6969; Macy's (212) 695-4400; New School (212) 229-5488; Nokia Theatre Times Square (212) 307-7171; The Oak Room (212) 419-9331; Prospect Park Bandshell (718) 855-7882; Rubin Museum of Art (212) 620-5000; Saint Peter's Church (212) 935-2200; Schomburg Center (212) 491-2200; Smoke (212) 864-6662; Studio Museum in Harlem (212) 864-4500; Sweet Rhythm (212) 255-3626; The Town Hall (212) 307-4100; Zankel Hall (212) 247-7800; Zinc (212) 477-8337. For information and a Festival brochure, call (646) 862-0458 weekdays from 10:00 a.m. - 6:00 p.m. or write JVC Jazz Festival - New York, P.O. Box 1169, Ansonia Station, New York, NY 10023.

JVC, sponsor of JVC Jazz Festivals worldwide since 1984, is one of the world's largest manufacturers of high quality audio and video products.

MOCEAN WORKER – ‘CINCO de MOWO!’ – NEW CD DUE OUT THIS SUMMER

On the fifth album of his career, appropriately titled Cinco De MOWO!, Adam Dorn a.k.a. Mocean Worker (pronounced Motion Worker) has assembled the quintessential feel-good summer record of 2007. To be released on his own label MOWO! Inc. (distributed by RYKO Distribution) in summer 2007, the opening number, quite simply, says it best: “Shake Ya Boogie.” In what has become the incomparable Mocean Worker sound, Dorn mixes and matches the best of modern beat-making with live musicians like trumpeters Herb Alpert (”Changes”) and Steven Bernstein (”Shake Your Boogie”), bassist Marcus Miller (”Brown Liquor”), alto saxophonist Cochemea Gastelum (”Les & Eddie” and “Son of Sanford”) and vocalists Morley (”I Got You”) and Alana Da Fonseca (”Que Bom”). Also contributing to the sessions from “the great beyond” is the late and legendary jazz icon Rahsaan Roland Kirk (”Reykjavik” and “Siss Boom Bah”).

“I don't hear anybody else making records that sound like this, so I'm happy to be that guy,” states Dorn. “That's why it was so significant to get Herb Alpert on board because much like he appealed to a lot of people back in the day, my records are likewise making single women in Iowa dance to that scary four letter word 'jazz' without them even knowing it. And simultaneously it's not compromising or dumbing the music down at all.”

Cinco De MOWO! follows up Mocean Worker's 2005 release Enter The MOWO!, which has gone on to become Adam Dorn's biggest record to date after having success at radio across the country. It's also where Dorn's true vision for the definitive Mocean Worker sound began to gel. Shedding the expectations of the electronica scene with which he was often associated at the outset of his career, Dorn began to more liberally embrace his jazz and funk influences, while keeping the focus on crafting songs with undeniable hooks. On Cinco De MOWO!, that vision has come into full focus. More than just funky break beats, tunes like “Shake Ya Boogie,” “Tickle It” and “Sis Boom Bah” find their way deep into the sub-conscious with melodies that reverberate long after the record has ended.

Dorn also further explored sounds and flavors from different periods in music's history, re-conceptualizing them for the 21st century. “Les & Eddie” and “Changes” are obvious nods to the late '60s/early '70s soul-jazz-funk gumbo of artists like Les McCann & Eddie Harris, while songs such as “Tickle It,” “Son of Sanford” and “Brown Liquor” draw from '30s big band swing. Jump ahead to the late '70s/early '80s and “Que Bom” parlays elements of Nuyorican soul. Go even deeper and “Pretty” is a contemporary Bossa Nova.

“This time out I wanted to mess around more with things that sounded old, but present them in a new context,” explains Dorn. “There are tunes that emulate music from the 1930s, like if Cab Calloway was making records now. That music had mass appeal, but was rooted in jazz. It's a perfect indication of what my goals were while I was making the album.”

On Cinco De MOWO!, the Mocean Worker sound is ultimately defined. From the opening rumble of “Shake Ya Boogie,” it's audibly apparent you've entered the world of Mocean Worker. Subtle improvisations emerge within tight arrangements, grooves appear inside of grooves, samples of samples are re-imagined and mingle comfortably among some of the world's finest living, breathing jazz musicians and always present are the hooks that make for the tastiest of tasty ear candy.

Dorn concludes: “I really just want people, all kinds of people to put this record on and have a nice time, enjoy themselves, clean their houses, drink themselves into a stupor, whatever it takes, it's all good.”

Mocean Worker is confirmed to appear at Bumbershoot 2007 and will host a residency this summer at New York City's Nublu, which will feature his live band and rotating cast of special guests.

SIRIUS SATELLITE RADIO TO PREMIRE SIRIUSLY SINATRA APRIL 19

Sirius Satellit (Nasdaq: SIRI) and the family of Frank Sinatra announced today that they will premiere their new, one-of-a-kind radio channel dedicated to the music, time and spirit of Frank Sinatra this Thursday, April 19 at 3 pm ET. The Siriusly Sinatra channel will debut with a special live performance from Frank Sinatra recorded at the Sands Hotel in Las Vegas in 1966.

Siriusly Sinatra will be the only channel available on radio produced by the Sinatra family and will broadcast recordings spanning Sinatra's entire career- including his extensive catalog of hits, rarities and his wonderful concerts - as well as favorite standard hits performed by other classic artists from our time. Siriusly Sinatra will be heard exclusively on Sirius Satellite Radio on channel 75.

In addition to playing Sinatra's music, the Siriusly Sinatra channel will feature The Chairman's Hour, hosted by Frank himself, created by the Sinatra family and SIRIUS using archival material. Nancy Sinatra will also host The Nancy Sinatra Show, a weekly show. The launch dates of these shows will be announced shortly.

Nancy Sinatra said, "My father's music finally has a home so every generation can drop by and listen to all of his wonderful music. I'm thrilled that all of dad's songs will be playing on SIRIUS around the clock"

"SIRIUS is proud to work with the Sinatra family to create this truly special channel," Scott Greenstein, SIRIUS President, Entertainment and Sports, said. "Over 60 years after his first single, Frank Sinatra still thrills music fans everywhere. The Siriusly Sinatra channel is certain to be one of the jewels in the SIRIUS lineup, and it's an example of the exclusive and outstanding music programming that makes SIRIUS The Best Radio on Radio."

A recipient of 13 GRAMMY(R) awards, Frank Sinatra and his recording career is unmatched in American popular music. From a recording catalog ranging from hits like "I'll Never Smile Again," which was #1 for twelve weeks in 1940, to the 1980 classic "Theme from New York, New York," few other recording artists have had the staying power of Sinatra in our shared musical experience. Reprise, the record company founded by Sinatra, recently released Sinatra: Vegas, the critically-acclaimed and best-selling box set of previously- unreleased, legendary Sinatra Las Vegas performances. Sinatra, a multi-media production, concluded a five-month engagement at the Palladium in London last year, and is scheduled to tour Europe and parts of Asia in the coming year.

BUDDY GUY TOUR DATES

Buddy Guy will perform the following concerts: April 3 at Birchmere in Alexandria VA, April 5 at Kimmel Center in Philadelphia PA, April 6 at House of Blues in Atlantic City NJ, April 7 at Count Basie Theatre in Red Bank NJ, April 8 at Wolf Den in Uncasville CT, April 9 at The Birchmere in Alexandria VA, April 11 at BB King's Blues Club in New York NY, April 12 at Hampton Beach Casino Ballroom in Hampton Beach NH, April 13 at B.B. King's Blues Club in New York City, April 14 at Zeiterion Theatre in New Bedford MA, April 15 at Baravon Opera House in Poughkeepsie NY, April 17 at Ridgefield Playhouse in Ridgefield CT, April 18 at House of Blues in Cleveland OH, April 20 at Centre in the Square in Kitchener ON, April 21 at Massey Hall in Toronto ON, April 22 at Hamilton Place Theatre in Hamilton ON, April 23 at Congress Center in Rouyn-Noranda QC, April 27 at House of Blues in New Orleans LA, April 28 at Double Decker Arts Festival in Oxford MS, May 11 at Harrah's Lake Tahoe in Stateline NV, May 12 at San Jose State University in San Jose CA, May 13 at Majestic Ventura Theatre in Ventura CA, May 15 at Coach House in San Juan Capistrano CA, May 17 at Humphrey's Concerts by the Bay in San Diego CA, May 18 at House of Blues in Las Vegas NV, May 20 at Ikeda Theatre in Mesa AZ, May 22 at Lensic Performing Arts Center in Santa Fe NM, May 24 at House of Blues in Dallas TX, May 25 at Rib America Festival in St. Louis MO, May 26 at Riverblast Festival in Dayton OH, June 16 at Playboy Jazz Festival in Los Angels CA, June 17 at Russian River Blues Festival in Guerneville CA, June 19 at Red Rocks Amphitheatre in Morrison CO, June 21 at Stubb's BBQ in Austin TX, June 23 at Monterey Bay Blues Festival in Monterey CA, June 29 at Casino Regina Show Lounge in Regina SK, June 30 at Saskatchewan Jazz Fest in Saskatoon SK, July 3 at Summerfest in Milwaukee WI, July 7-8 at Metropolis in Montreal QC, July 13 at Rib America Festival in Des Moines IA, July 16 at North Fork Theater in Westbury NY, July 19 at Paramount Theatre in Rutland VT, July 20 at Lowell Summer Music Series in Lowell MA, July 21 at Green River Festival in Greenfield MA, July 22 at New York State Blues Festival in Syracuse NY, August 1 at Music in the Zoo in Apple Valley MN, August 2 at Ravinia in Highland Park IL, August 5 at Chesapeake Bay Blues Festival in Annapolis MD, September 3 at Rib America Festival in Indianapolis IN, and September 15 at Wall to Wall Guitar Festival in Urbana IL.

JAZZ ASPEN SNOWMASS ANNOUNCES 2007 SUMMER LINE-UP

Jazz Aspen Snowmass (JAS) has just announced the most diverse summer season line-up in its 17-year history, including such artists as Herbie Hancock, Steve Winwood, Angelique Kidjo, The Black Crowes, The Allman Brothers Band, Joss Stone and many more. The premiere music festival opens with the June Festival, presented by Calamos Investments, which runs from June 21st through the 24th. The season runs as follows:

JAS June Festival - Rio Grand Town Park in downtown Aspen
June 21 - Herbie Hancock w/special guests Terence Blanchard, Larry Coryell and others, with Madeleine Peyroux opening
June 22 - Earth Wind and Fire w/JAS Academy Band opening
June 23 - Steve Winwood w/Angelique Kidjo opening
June 24 - The Black Crowes w/Marcus Miller opening
June 26 - An Evening with Wynton Marsalis & Jazz at Lincoln Center Orchestra (at the Benedict Music Tent).

JAS in July
July 19 - Christian McBride and Edger Meyer (at Harris Hall)
July 21 - JASummerNight Mambo (JAS' National Council education and performance benefit) (at ABO at Aspen Airport) featuring Arturo Sandoval and his Big Band. The event also features Carla Cook and Yerba Buena.

JAS Labor Day Weekend - At Snowmass Town Park
August 31st - Ben Harper & The Innocent Criminals w/openers Nickel Creek
September 1st - Joss Stone w/headliner TBA
September 2nd - the Allman Brothers Band w/openers TBA
September 3rd - Government Mule, the Derek Trucks Band with Susan Tedeschi w/openers TBA

For series tickets, call 866-JAS-TIXX or go on-line at jazzaspen.org. Tickets for the Wynton Marsalis performance and the Christian McBride/Edgar Meyer performance are available at the Aspen Music Festival Box Office, 970-925-9042 or aspenmusicfestival.com. Tickets for the JASummerNight Mambo w/Arturo Sandoval are available at 970-920-4996.

SIRIUS-XM RADIO MERGER UPDATE

SIRIUS Satellite Radio (Nasdaq: SIRI) and XM Satellite Radio (Nasdaq: XMSR) announced that SIRIUS Chief Executive Officer, Mel Karmazin, testified today in a hearing before the Senate Committee on Commerce, Science & Transportation regarding the SIRIUS-XM merger. Mr. Karmazin's testimony highlighted the significant benefits for consumers resulting from the proposed merger and the extensive competition that satellite radio faces from a wide range of players in the audio entertainment market. In his testimony, Mr. Karmazin stated:

The Combined Company Will Offer Consumers More Choice At Lower Prices

The key to getting more subscribers will not be to widen the price gap between free and what satellite radio charges. Instead, it will be to offer consumers a better value.

The merger will allow us to lower prices. Consumers who want fewer channels than currently offered will be able to select one or more packages of channels for less than $12.95 per month.

Importantly, significant portions of the savings achieved through the merger will be shared with customers immediately and in the long-term through lower prices and improved service offerings.

Satellite Radio is a Small Part of a Highly Competitive and Ever-Expanding Market for Audio Entertainment

The audio entertainment market today is vibrant, competitive, and innovative, and every indication is that it will be even more so in the future. We believe that the combination of SIRIUS and XM will be good for consumers as it will intensify this competition, expand the choices for consumers, and reduce prices.

The market for audio entertainment in the United States is robustly competitive and rapidly evolving. SIRIUS and XM must compete directly and intensely with a host of other audio providers for consumer attention.

The Merger Will Help Accelerate Deployment of Advanced Technology

The combined company will be able to offer consumers access to advanced technology sooner than would otherwise occur. In particular, the marriage of the companies' two engineering organizations will ensure better results from each dollar invested in research and development.

While no radio will become obsolete as a result of this transaction, we fully expect the merger to stimulate the development of new interoperable, highly portable, low-cost, and user-friendly devices.

SIRIUS, "The Best Radio on Radio," delivers more than 130 channels of the best programming in all of radio. SIRIUS is the original and only home of 100% commercial free music channels in satellite radio, offering 69 music channels. SIRIUS also delivers 65 channels of sports, news, talk,entertainment, traffic, weather and data. SIRIUS is the Official Satellite Radio Partner of the NFL, NASCAR, NBA and NHL, and broadcasts live play-by- play games of the NFL, NBA and NHL, as well as live NASCAR races. All SIRIUS programming is available for a monthly subscription fee of only
$12.95.

SIRIUS Internet Radio (SIR) is a CD-quality, Internet-only version of the SIRIUS radio service, without the use of a radio, for the monthly subscription fee of $12.95. SIR delivers more than 75 channels of talk, entertainment, sports, and 100% commercial free music. SIRIUS products for the car, truck, home, RV and boat are available in more than 25,000 retail locations, including Best Buy, Circuit City, Crutchfield, Costco, Target, Wal-Mart, Sam's Club, RadioShack and at shop.sirius.com. SIRIUS radios are offered in vehicles from Audi, Bentley, BMW, Chrysler, Dodge, Ford, Infiniti, Jaguar, Jeep(R), Land Rover, Lexus, Lincoln, Mercury, Maybach, Mazda, Mercedes-Benz, MINI, Mitsubishi, Nissan, Rolls Royce, Scion, Toyota, Volkswagen, and Volvo. Hertz also offers SIRIUS in its rental cars at major locations around the country.

XM (Nasdaq: XMSR) is America's number one satellite radio company with more than 7.6 million subscribers. Broadcasting live daily from studios in Washington, DC, New York City, Chicago, the Country Music Hall of Fame in Nashville, Toronto and Montreal, XM's 2007 lineup includes more than 170 digital channels of choice from coast to coast: commercial-free music, premier sports, news, talk radio, comedy, children's and entertainment programming; and the most advanced traffic and weather information. XM, the leader in satellite-delivered entertainment and data services for the automobile market through partnerships with General Motors, Honda, Hyundai, Nissan, Porsche, Subaru, Suzuki and Toyota is available in 140 different vehicle models for 2007.

HARRY CONNICK JR. TOUR DATES

Harry Connick, Jr. will perform the following concerts: April 4 at Stephens Auditorium in Ames IA, April 5 at Orpheum Theatre in Minneapolis MN, April 6 at Milwaukee Theatre in Milwaukee WI, April 7 at Morris Performing Arts Center in South Bend IN, April 9 at State Theatre in Cleveland OH, April 11 at Benedum Center in Pittsburgh PA, April 12 at Stranahan Theatre in Toledo OH, April 13 at Shea's Performing Arts Center in Buffalo NY, April 14 at Hummingbird Centre in Toronto ON, April 15 at John Labatt Centre in London ON, April 17 at Scotiabank Place in Ottawa ON, April 19 at Providence Performing Arts Center in Providence RI, April 20 at Borgata Hotel & Casino in Atlantic City NJ, April 21 at Radio City Music Hall in New York NY, April 22 at Auditorium Theatre in Rochester NY, April 23 at Proctor's Theatre in Schenectady NY, April 25 at Wang Theatre in Boston MA, April 26 at Landmark Theatre in Syracuse NY, April 27 at Chevrolet Theatre in Wallingford CT, April 28 at Meyerhoff Symphony Hall in Baltimore MD, May 6 at New Orleans Jazz & Heritage Festival in New Orleans LA, May 8 at Majestic Theatre in San Antonio TX, May 10 at Bass Performing Arts Center in Fort Worth TX, May 11 at CW Mitchell Pavilion in The Woodlands TX, May 12 at Nokia Theatre in Grand Prairie TX, May 14 at Sandia Casino Amphitheatre in Albuquerque NM, May 15 at Dodge Theatre in Phoenix AZ, May 17 at Embarcadero Marina Park South in San Diego CA, May 18 at Greek Theatre in Los Angeles CA, May 19 at McCallum Theatre in Palm Desert CA, May 20 at Arlington Theatre in Santa Barbara CA, May 22 at Saroyan Theatre in Fresno CA, May 23 at Rabobank Arena Theatre in Bakersfield CA, May 24 at Davies Hall in San Francisco CA, May 26 at Sonoma Jazz Festival in Sonoma CA, May 27 at Grand Sierra Resort in Reno NV, May 29 at INB Performing Arts Center in Spokane WA, May 30 at Hult Center for the Performing Arts in Eugene OR, June 1 at Arlene Schnitzer Hall in Portland OR, June 2 at Chateau Ste. Michelle Winery in Seattle WA, June 7 at Red Rocks in Morrison CO, June 21 at Wolf Trap in Vienna VA, June 24 at Chastain Park Amphitheatre in Atlanta GA, and June 30 at Montreal Jazz Festival/Place des Arts in Montreal QC.

NORAH JONES TOUR DATES - UPDATE

Norah Jones will perform the following concerts: April 13 at Chevy Theatre in Wallingford CT, April 14 at Orpheum Theatre in Boston MA, April 15 at Merrill Auditorium in Portland ME, April 17 at Performing Arts Center in Providence RI, April 18 at Madison Square Garden in New York NY, April 20 at Tower Theatre in Philadelphia PA, April 21 at Borgata Hotel & Casino in Atlantic City NJ, April 23 at DAR Constitution Hall in Washington DC, April 24 at War Memorial Auditorium in Greensboro NC, April 26 at Ryman Auditorium in Nashville TN, April 27 at Tabernacle in Atlanta GA, April 28 at Jazz & Heritage Festival in New Orleans LA, April 30 at BJCC in Birmingham AL, May 1 at Murat Theatre in Indianapolis IN, May 2 at Fox Theatre in St. Louis MO, May 4 at Michigan Theatre in Ann Arbor MI, May 5 at Riverside Theatre in Milwaukee WI, May 6 at Orpheum Theatre in Minneapolis MN, May 8 at Chicago Theatre in Chicago IL, May 9 at State Theatre in Cleveland OH, May 11 at Massey Hall in Toronto ON, May 12 at St. Denis Theatre in Montreal QC, June 1 at Red Rocks in Morrison CO, June 4 at Kansas City Music Hall in Kansas City MO, June 5 at Orpheum in Omaha HE, June 7 at Robinson Center Hall in Little Rock AR, June 8 at Mud Island Amphitheatre in Memphis TN, June 9 at Tulsa Performing Arts Center in Tulsa OK, June 11 at Nokia Theatre in Grand Prairie TX, June 12 at Jones Hall in Houston TX, June 15 at The Backyard in Austin TX, June 16 at Majestic Theatre in San Antonio TX, June 18 at Dodge Theatre in Phoenix AZ, June 19 at Embarcadero Marina Park in San Diego CA, June 21 at Greek Theatre in Los Angeles CA, June 22 at Santa Barbara Bowl in Santa Barbara CA, June 23 at Greek Theatre in Berkeley CA, June 25 at Mountain Winery in Saratoga CA, June 29 at Marion Oliver McCaw Hall in Seattle WA, and June 30 at Arlene Schnitzer Hall in Portland OR.

6th ANNUAL ROCHESTER INTERNATIONAL JAZZ FESTIVAL

The sixth annual Rochester International Jazz Festival has announced the lineup for its biggest and most diverse festival of creative improvised music. More than 600 artists from 13 countries will perform in more than 200 concerts at 18 venues during the nine-day event June 8-16. Headliners include Dave Brubeck, Wynton Marsalis with the Lincoln Center Jazz Orchestra, Jerry Lee Lewis, Madeleine Peyroux, Dr. John, Solomon Burke, Raul Midon, Jean Luc Ponty, John Scofield, Jack DeJohnette & Larry Goldings & MORE!

The diverse artist roster includes Dave Brubeck, Wynton Marsalis with the Lincoln Center Jazz Orchestra performing “Congo Square,” Jerry Lee Lewis, Madeleine Peyroux + Dr. John, Solomon Burke + Raul Midon, Jean Luc Ponty + Trio Beyond featuring John Scofield, Jack DeJohnette & Larry Goldings, plus Los Lonely Boys, Maceo Parker, Rusted Root, Shooter Jennings, Cowboy Mouth and Toots & The Maytalls

Other celebrated jazz, blues and world artists include, Eldar, Kyle Eastwood Band, Geri Allen Trio, Randy Brecker 5tet, Esperanza Spalding, Omar Sosa, Mamadou Diabate, Nossa Trio (Brazil), a new Nordic Jazz Now Series (featuring nine groups from Denmark, Finland, Norway and Sweden), Christian Scott, Bill Frisell Trio, Olu Dara, Dan Hicks & The Hot Licks and Corey Harris.

“This year marks the most extensive and by far the most diverse lineup we have ever presented,” said John Nugent, founder, Artistic Director and Co-producer. “Each year as we expand our event, our main goal is to present a multifaceted artistic celebration of all forms of American music in a smorgasbord of musical tastes. We always work hard to leave no ears behind!”

“Thanks to the City of Rochester’s increased support, we have been able to expand the number of free concerts and are adding another major free outdoor stage,” said Marc Iacona, Executive Director and Co-producer.

“That means more fantastic music for the tens of thousands of people who will come here from all over the nation, adding to Rochester’s reputation as one of the nation’s fastest growing music destinations.“

Festival Series – ticketed and free concerts (see www.rochesterjazz.com for schedule)

- Senator Jim Alesi Eastman Theatre Series: tickets $27.50-$80 plus service charges, on sale April 6 at 10 AM at all Ticketmaster outlets, 585-232-1900, www.ticketmaster.com and www.rochesterjazz.com. Also purchase at Ticket Express, 885 E Main St, (585) 222-5000 (service charge for Eastman shows is $1 per ticket).

Shows start at 8 p.m.
June 8: Raul Midon and King Solomon Burke
June 9: Jerry Lee Lewis
June 11: ESM-RIJF 2007 Jazz Scholarships Concert w/ John Fedchock
June 12: Jean Luc Ponty, Trio Beyond w/John Scofield, Jack DeJohnette & Larry Goldings
June 13: Dave Brubeck Quartet
June 14: Lincoln Center Jazz Orchestra W/Wynton Marsalis Play Congo Square
June 15: Dr. John, Madeleine Peyroux

- Club Pass Series Presented by Lacy Katzen LLP - 125+ shows – Entry first-come first-served with the Club Pass or individual tickets for sale at the door, $20-$25, no advance sales. Kilbourn Hall, Max of Eastman Place, Harro East, Robert Mondavi Festival Tent, Montage Grille, High Fidelity, the Reformation Lutheran Church, Crowne Plaza State Street Bar and Grille. Purchase the Club Pass at all Ticketmaster outlets, 585-232-1900, www.ticketmaster.com and www.rochesterjazz.com. $109 + $4 service charge until April 6 at noon. $119 + $4 service charge April 6 at 12:01pm until festival begins, $129 June 8-16 during the festival while supplies last. Club Passes sold out last year.

- Museum & Gallery Series (free) – Memorial Art Gallery, George Eastman House, Rochester Museum & Science Center, Mary Jemison Riverboat, Strong National Museum of Play, and Rochester Public Library.

- Three Open Air Outdoor Stages (free) – City of Rochester Jazz Street Stage presented by Rochester Area Community Foundation on Gibbs Street, City of Rochester Stage at East Avenue at Chestnut St., and new this year, the City of Rochester Stage at East Avenue and Alexander St.

What’s New
- Third outdoor free stage, the City of Rochester Stage at East Ave. and Alexander St.
- Two new Club Pass venues, Harro East and Reformation Lutheran Church
- Nordic Jazz Now Series - featuring nine groups from Denmark, Finland, Norway and Sweden
- Three more venues in the Museums and Gallery Series, the Strong National Museum of Play, Rochester Museum and Science Center and Rochester Public Library join the previous venues, George Eastman House, Memorial Art Gallery, and Mary Jemison Riverboat on the Genesee River.
- The 6-part Music Series, Rochester International Jazz Festival, produced by WXXI Public Broadcasting in Rochester, will air this year on PBS stations around the country. The five half-hour programs and a one-hour compilation - including highlights from each episode - were shot in high-definition, and offer an unsurpassed look into the 2006 Festival.

18 Venues: The Festival is presented in 18 venues, most within walking distance, including the Eastman Theatre, Kilbourn Hall, Max of Eastman Place, Harro East Ballroom, Robert Mondavi Festival Tent, Montage Grille, High Fidelity, Memorial Art Gallery, George Eastman House, Rochester Museum & Science Center, Strong National Museum of Play, Mary Jemison Riverboat, Nordic Jazz Now at the Reformation Lutheran Church, Crowne Plaza State Street Bar & Grille, City of Rochester Jazz Street Stage presented by Rochester Area Community Foundation, City of Rochester East Ave. Stage at Alexander St., City of Rochester East Ave. Stage at Chestnut St.

International Soul: Artists will be coming from 13 countries and the U.S. including Lithuania, Sweden, Hungary, Scotland, Spain, Finland, Norway, Canada, Madagascar, Cuba, Netherlands, Brazil, and Russia.

The 2007 Lineup: 4 Brothers 7, 8Ryan Shaw, Andy Milne's "Dapp Theory, Alytaus Diksielandas (Lithuania), Andreas Petterson 4tet (Sweden), Avishai Cohen Trio, Bettye Lavette, Bill Frisell Trio, Bob Sneider Trio, Bonerama, Brockport Community Big Band, Catherine Russell, Christian Scott, CNYJO with Brett Z, Corey Harris, Corneliu Tutu (Hungary), Cowboy Mouth, Dan Hicks & The Hot Licks, Das Contras (Scotland), Dave Brubeck, Dave Glasser 4tet, Dave Rivello Ensemble + guest , Don Byron’s “Ivey Dyvey”, Eastman School of Music Trio, Eldar (Russia), Esperanza Spalding (Spain), Fedchock, Five Corners 5tet (Finland), Fred Costello Quartet , Fred Hersch Trio, Gap Mangione, Gene Bertoncini solo, Geri Allen Trio, Hannah Flanigan 4tet , Harry Allen Quartet, Hilario Duran Trio, Ilmiliekki Quartet (Finland), In The Country (Norway), James Moody 4tet, Jason & Bandwagon, Jazz Animated Films, Jens Winther European Quintet, Jerry Lee Lewis, Jonathan Kriesberg Trio, Josh Irving 4tet , Kyle Eastwood Band, Lalo, Layah Jane (Canada), Los Lonely Boys, Lotte Anker (Denmark), Maceo Parker, Madagascar Slim (Madagascar), Madeleine Peyroux + Dr. John, Mamadou Diabate Ensemble, Mambo Kings, Martin Rickert 4tet (Canada), Matt Wilson Arts & Crafts, Michelle Lambert Bebop for Babies, Midaircondo (Sweden), Mike Cottone Quartet, Motor Kings, Mr. Something Something, Music Educators Big Band, Nancy Kelly, Olu Dara, Omar Sosa (Cuba), Paradigm Shift + Gray/Marcus/Wycliffe, Paul Tillotson Love Trio, Peter Asplund Quartet (Sweden), Randy Brecker 5tet, Revision, Rick Holland-Evan Dobbins, Rik Emmit, Robin Eubanks EB3, Rusted Root, Saskia Laroo (Netherlands), Scott Goudie (Canada), Shooter Jennings, Shuffle Demons, Sisters Euclid (Canada), Solomon Burke + Raul Midon, Soul Rebels (New Orleans), Stephane Wrembel Trio, Steps Ahead, Ted Michaels Sings Sinatra, Tessa Souter, The Capital C’s, The Latin Side of Miles Davis, Tony Caramia, Toots & The Maytalls, Trio Beyond / Jean Luc Ponty, Tiempo Libre, Trio Nossa (Brazil), Vince Ercolamento Quartet, Walter Wolfman, Wynton Marsalis w/ Lincoln Center Jazz Orchestra, Zanussi 5 (Norway), Zapp String Quartet (Netherlands) and Animated Jazz Shorts from the Hubley Studio.

RICK BRAUN'S JAZZ ATTACK

Smooth Jazz trumpeter Rick Braun has just completed a new, as-yet-untitled album of original tunes with saxman Richard Elliot, his ARTizen Music Group label partner. The CD will be released this summer, when Braun will be back on the road with Jazz Attack, the superstar group featuring Braun, Peter White, Richard Elliot and Jonathan Butler. Jazz Attack will kick off their tour on April 14th at the Jacksonville Jazz Festival in Jacksonville, Florida, then continue on to other jazz fests on the summer circuit, as well as regular dates. The foursome will be touring nonstop through late August, with several dates into October. Their band on the road will be drummer Rayford Griffin, guitarist Dwight Sills, keyboardist Ron Reinhardt and bassist Stan Sargeant.

Dates for Rick Braun's Jazz Attack Summer tour are as follows:
April 14th - Jacksonville, FL - Jacksonville Jazz Festival
April 15th - Santa Rosa Beach, FL - Sea Breeze Festival
April 20th - Phoenix, AZ - Celebrity Theater
April 21st - Las Vegas, NV - Las Vegas Jazz Fest
May 6th - West Palm Beach, FL - SunFest
May 12th - Temecula, CA - Thornton Winery
May 19th - Cerritos, CA - Cerritos Performing Arts
May 31st - Washington, DC - 15th Annual Capitol Jazz Festival
June 1st - York, PA - Shrine Capitol Performing Arts Center
June 2nd - Philadelphia, PA - Keswick Theatre
June 3rd - Westbury, NY - North Fork Theater
June 8th - Clearwater, FL - Ruth Eckard Hall
June 15th - Uncasville, CT - Mohegan Sun
June 20th - Cleveland, OH - Palace Theatre
June 21st - Kettering, OH - Frazee Pavillion
June 22nd - Detroit, MI - City of Southfield Civic Center
June 23rd - Healdsburg, CA - Rodney Strong Vineyards
June 24th - Big Bear Lake, CA - Big Bear Ski Resort
July 14th - Sacramento, CA - Radisson Hotel
July 20th - St. Louis, MO - The Pageant
July 21st - Chicago, IL - Chicago Theater
July 29th - Spring Mountain, NV - Jazz Under The Stars, Spring Mountain State Park
August 4th - Valencia, CA - The Paseo Tennis Club
August 11th - Long Beach, CA - Long Beach Jazz Festival
August 25th - Michigan City, IN - Guy Foreman Amphitheater, Washington Park
October 14th - Catalina, CA - Catalina Jazz Festival

ELVIS COSTELLO TOUR DATES

Elvis Costello will perform the following concerts: May 2 at House of Blues in West Hollywood CA, May 3 at Warfield Theatre in San Francisco CA, May 4 at Silver Legacy Casino in Reno NV, May 6 at Fillmore in Denver CO, May 8 at Myth in Maplewood MN, May 9 at House of Blues in Chicago IL, May 11 at State Theatre in Detroit MI, May 15 at Avalon in Boston MA, May 16 at Times Square Theatre in New York NY, May 18 at 9:30 Club in Washington DC, and May 19 at Electric Factory in Philadelphia PA.

ANDRE WARD RELEASES THIRD ALBUM 'CRYSTAL CITY'

Andre Ward will release his third album Crystal City on April 24, 2007. Now with his third release the growth and innovative approach showcased on his previous projects continues to be consistent. A product of Orpheus Music/Hush Productions, Crystal City is a ground-breaking masterpiece executive produced by Beau and Charli Huggins. “From Alex Bugnon to newcomer saxophonist Rob White, Orpheus Music / Hush Production’s name has been synonymous with quality music,” stated Beau Huggins, President of Orpheus Music. “Young, accomplished and edgy, Andre continues to build on the foundation laid by his Orpheus/ Hush predecessors, Najee and Kenny G.” Crystal City invites music lovers to a magical place that shines with unusual brilliance, where Andre Ward is the tour guide. The musical journey begins with the funk laced, They Keep Calling Me, followed by the dreamy Wishful Thinking, which is accented by the vocal prowess of Barbara Fowler, whose voice is reminiscent of a young Anita Baker. The Yasha produced, Andre’s Theme, is a smooth jazzy tune reflective of Ward’s laid back style, while, I Don’t Want To Be In Love, produced by Marc Nelson (AZ Yet) and Chicago Here We Go, offers a soulful excursion for R&B music fans. But one of the most meaningful and personal songs on the album is New Orleans Lights penned as a tribute to the great city and the birthplace of jazz, where Andre shows off his technical abilities with heartfelt emotion. Andre Ward continues to evolve into the type of musician that truly lives for the love of making music that respects the past, yet steps into the future. And with his newest release, he continues to do just that. Crystal City is the perfect escape that will keep Smooth Jazz on the map.

BRIAN MCKNIGHT VH1 SOUL TOUR TO BEGIN APRIL 25

Best-selling soul star Brian McKnight will hit the road in April for a U.S. tour supporting his current album "Ten," which was released by Warner Bros. Records in December. The tour, which is sponsored by VH1 Soul, begins April 25th in San Diego, California, and features support from multi-platinum R&B crooner Joe and gold-selling R&B songstress Sunshine Anderson.

McKnight will showcase tracks from "Ten," the Grammy-nominated singer, composer, and producer's tenth album overall. The album, which is McKnight's debut for Warner Bros. Records, has spawned two Top 5 singles at Urban AC radio, "Find Myself In You" and "Used To Be My Girl," with a third, "What's My Name," also climbing the Urban AC chart.

McKnight has sold more than 16 million records worldwide since his platinum self-titled debut was released in 1992. As a songwriter and producer, the Buffalo, New York, native has recorded and written with some of the music industry's biggest stars, including Mariah Carey, Justin Timberlake, Willie Nelson, Nelly, Robin Thicke and Kenny G. To learn more about him, check out the video for "What's My Name," or sign up for email news updates, click to www.brian-mcknight.com.

Brian McKnight's upcoming tour dates are as follows:
April 25 San Diego, CA Spreckles Theatre
April 26 Phoenix, AZ Celebrity Theatre
April 27 Oakland, CA Paramount Theatre
April 28 Fresno, CA Warnos Theatre
April 29 Los Angeles, CA Gibson Amphitheatre
May 3 St. Louis, MO Fox Theater
May 4 Detroit, MI Fox Theater
May 5 Chicago, IL Star Plaza
May 6 Cleveland, OH State Theater
May 9 Hartford, CT Chevrolet Theatre
May 10 Providence, RI Lincoln Park Events Center
May 11 Philadelphia, PA Tower Theatre
May 12 Washington, DC Constitution Hall
May 13 New York, NY Beacon Theatre
May 17 Ft. Pierce, FL Sunrise Theatre
May 19 Atlanta, GA Chastain Park
May 20 Virginia Beach, VA Verizon Wireless Amph.
May 25 Louisville, KY Whitney Hall
May 26 Charlotte, NC Crickett Pavilion
May 27 Orlando, FL House of Blues
June 1 Houston, TX Verizon Wireless Theatre
June 2 Dallas, TX Palladium Ballroom
June 3 Tulsa, OK Brady Theatre

eMusic MOMENTUM CONTINUES; TOPS 300,000 SUBSCRIBERS

eMusic, the world's largest retailer of independent music and the world's second largest digital music service after iTunes, continues its forward momentum: today the service announced that its subscriber base has topped 300,000 and that its global catalogue has reached 2.5 million tracks. The new subscriber tally comes approximately four months since eMusic hit the 250,000 subscriber mark.

"Consumers are now shaping the music industry," said eMusic President and CEO David Pakman. "They determine whether an artist is successful or not, what format music should take, and how much it should cost. eMusic's success to date demonstrates that there are many consumers out there unsatisfied by the mainstream who are interested in buying music they love that's well-priced, and in a format that plays on any device."

eMusic is continually adding to its genre-spanning catalogue of independent music. It now boasts more than 13,000 independent labels, including celebrated world music label Luaka Bop, Spanish indie label Siesta, extreme metal pioneers Relapse, and Swedish pop giants Labrador, as well as international aggregators like World's Fair (which distributes the indiepop label Rough Trade and innovative hip-hop label Def Jux), Phonofile, Idol Distribution and many more.

"eMusic can now bring home up to 1/2 our digital sales and with some records charging well over the 25% mark in total digital sales eMusic has become a huge account for Worlds Fair," commented Kevin Wortis, Co-Founder of World's Fair. "eMusic has been ahead of the curve now for years both with the subscription model and the non DRM encumbered downloads, its no wonder they have grown as rapidly as they have. Wortis added, "We've enjoyed the marketing opportunities and the knowledgeable staff immensely and on a personal note, strictly as a music fan myself, eMusic has become one of my favorite places to buy music."

Yale Evelev, representative for the Luaka Bop label, put it another way. "In the future we will be able to go to a site that has all the coolest indie music in one place. Oh, wait, we can do that now -- it's called eMusic."

A complete listing of labels and aggregators added to the ever-increasing eMusic catalogue are as follows:
Absolute Marketing & Distribution Ltd. (UK)
Actua Musica (Spain)
All Tomorrow's Parties (UK)
Amato Distribution (UK)
Artspages (Norway)
Audio Bee/GMG Entertainment (US)
Awal UK Ltd. (UK)
Bagpak Music (US)
Believe Digital (France)
Blanco Y Negro Music S.A. (Spain)
Bliss Corporation SRL (Italy)
BOA Cor S.A. (Spain)
CAM Cine TV Music (Italy)
Carcrash Records (US)
CBuJ Entertainment (US)
Cda Distribution LLC (US)
Click Record Productions (UK)
Curve Music Inc. (Canada)
Digital Delivery Services (US)
Direct to Tape (DTR) (US)
Ditto Ltd. (UK)
Edizioni Ishtar SNC (Italy)
Emubands Ltd. (Scotland)
EPM Musiconline.com (Holland)
Fractal Entertainment LLC (US)
Headphone Treats Records (US)
Hits the Fan Records (Scotland)
Horus Music Ltd. (UK)
Idol Distribution (France)
Idol Records (US)
Immergent (US)
In Da Jungle (Canada)
In2Music (Canada)
Inversion Media & Marketing SL (Spain)
Jazzland (Norway)
Kindred Rhythm (US)
Kontor Media (Germany)
Labrador AB (Sweden)
LAD Publishing & Records (Portugal)
Listenable Records (France)
Luaka Bop Inc. (US)
MAC Developments Ltd. (UK)
Mainstream Records (US)
Massproduktion (Sweden)
Munich Records BV (Netherlands)
Music Forte (US)
Navarre Corporation (US)
New World Records (US)
Nimbit, Inc. (US)
Oakland Media AB (Sweden)
Oseao Music Group (US)
Partisian Recordings (UK)
Pentatone (Netherlands)
Phonofile AS (Norway)
Pickwick Group Ltd. (UK)
Plumosus Inc. (US)
Pool Or Pond (US)
Popstock Distribucionnes SL (Spain)
Quazarcom.com (France)
Quinlan Road LLC (Canada)
Rebeat Music (Austria)
Record Collection (US)
Red Sauce Music Ltd. (UK)
Relapse Records / Release Entertainment (US)
RND Productions, Inc (US)
Rossiter Road (UK)
SCI Fidelity Records (US)
Service (Sweden)
Setanta Songs Ltd. (UK)
Shizzer! Entertainment (New Zealand)
Shock Distribution (Australia)
Show Off Recordings (Australia)
Siesta Records SL (Spain)
Sound Pollution (Sweden)
Spade Kitty Records LLC (US)
Star 69 Entertainment, Ltd. (US)
Subconcious Music (UK)
Swami Records LLC (US)
Syntax Distribution (US)
Third Stanza Music LLC (US)
Thirty Tigers (US)
Time Records, Inc. (US)
Twenty First Century Music Co. (US)
Upstairs Recordings (Canada)
Vendetta Digital Distribution (Switzerland)
Warlock (US)
West End Records (US)
White Whale Records (Canada)
World Sound LLC (US)
World's Fair (US)
X5 Music/X5 Group AB (Sweden)

eMusic sets itself apart from other digital music services not only by offering tracks in the MP3 format, but by appealing to the serious music fan who seeks material outside the commercial mainstream, including breaking indie rock, classical and jazz. With deep relationships with the world's top independent labels, guidance from the best music editorial experts and a passionate music community, eMusic caters to music fans aged 25+. As a subscription service, it offers plans starting at $9.99 for 30 songs a month up to $74.99 for 300 songs per month.

eMusic (http://www.emusic.com) is the world's leading digital retailer of independent music, second only to iTunes in number of downloads sold. The eMusic Web site offers a global catalogue of more than 2.5 million tracks from established and emerging artists in every genre from the world's leading independent labels. Created by music experts for music fans, it features award-winning editorial content, a vibrant online community and unrivaled music discovery tools. A subscription-based service that offers 25 free downloads at sign-up, eMusic gives consumers an inexpensive, low-risk way to explore great new music they wouldn't find otherwise, and unlike other download services, its universally compatible MP3 files play on any device including the iPod®. Based in New York with an office in London, eMusic.com Inc. is wholly owned by Dimensional Associates, Inc., the private equity arm of JDS Capital Management, Inc.

JUDGE RULES NO CHANGE IN MUSIC ROYALTY RATES

The Copyright Royalty Board (CRB) today upheld its earlier decision on fair royalty rates to be paid to musical artists and record labels for the use of their work on Internet radio. The three-judge panel denied motions by Internet radio operators for a rehearing of the Board's March 1, 2007 decision setting performance royalty rates for Internet radio from 2006 to 2010.

The CRB wrote in its decision, " ... none of the moving parties have made a sufficient showing of new evidence or clear error or manifest injustice that would warrant rehearing. To the contrary ... most of the parties' arguments in support of a rehearing or reconsideration merely restate arguments that were made or evidence that was presented during the proceeding."

SoundExchange Executive Director John Simson declared that this is a victory for performing artists and record labels who work long and hard to produce music for all to enjoy. "Our artists and labels look forward to working with the Internet Radio industry -- large and small, commercial and non-commercial -- so that together we can ensure it succeeds as a place where great music is available to music lovers of all genres," said Simson.

"AFTRA recording artists applaud the Copyright Royalty Board for upholding their decision on Internet radio," said Kim Roberts Hedgpeth, National Executive Director of the American Federation of Television and Radio Artists (AFTRA). "They deserve to be paid fairly for the use of the creativity, talent, and hard work they put into making music. Internet radio is growing and successful because fans want to listen to the music created by artists. The CRB's decision recognizes that, as these businesses grow, both featured and non-featured artists should be compensated at fair market rates for their contributions to the growth of these companies."

The CRB also wrote, " ... it appears that all evidence discussed in the motions had either been discovered during the proceeding or could have been discovered during the proceeding, with reasonable diligence." Additionally, the CRB found: "In the absence of an adequate showing of new evidence, the parties' arguments in their respective motions amount to nothing more than a rehash of the arguments that the Judges considered in the Initial Determination."

Michael Huppe, General Counsel of SoundExchange, in noting that SoundExchange is now looking forward to the next steps in the wake of the CRB ruling, said, "We are gratified that the CRB has upheld its decision. With the resolution of these motions, it is now time to move forward with business. It's in everyone's best interest to ensure a vibrant and thriving marketplace for Internet Radio and we intend to work with webcasters towards achieving that goal."

Additionally, the CRB denied the request of webcasters to stay implementation of the new royalty rates (2006-2010) until all legal appeals had been exhausted. In doing so, the CRB pointed to specific language established by Congress in the Copyright Act. The CRB wrote, " ... Congress, not the Judges determined the effective dates for the royalty rates ..." The CRB went on, "Moreover Congress determined that these rates would go into effect, notwithstanding any pending motions for rehearing..."

Barry Bergman, President of the Music Managers Forum-US, said, "For many artists a royalty check can mean the difference between continuing to create new and exciting music for a living, or allowing musical talents to be silenced. In recognizing the value musical artists bring to the success of Internet radio, the CRB has taken a necessary step in helping to ensure that many artists are able to continue using their special talents which are enjoyed by all."

The CRB also made two points of clarification regarding its Initial Decision. First, at the request of the webcasters, the CRB will allow them to use estimated ATH (Aggregate Tuning Hours) measures to determine audience listening for 2006 and 2007. However, the CRB said this is only for a transitional period, during which webcasters who have not yet implemented systems to track the music that they play will have the chance to do so.

Also, in response to SoundExchange's request for clarification, regarding whether the Initial Decision covers webcasting services delivered over cellular networks, the CRB indicated it did.

On March 2, 2007, the Copyright Royalty Board issued a fair and reasonable decision that sets compensation rates to be paid artists and record labels for the public performance of their works by Internet radio broadcasters from 2006-2010. The three-judge panel heard testimony from dozens of witnesses and conducted a comprehensive review of tens of thousands of pages of evidence submitted by all interested parties over an 18-month period. The decision is a reflection of the need for artists to be fairly compensated for the performance of their work by webcasters who benefit - financially or otherwise - from their talents. As the music industry evolves from CD-only sales to multiple distribution platforms it is critical that creators of music share in revenues from all platforms.

SoundExchange is the first performance rights organization in the United States to collect and distribute digital audio transmission royalties to artists and sound recording copyright owners. SoundExchange represents over 2000 record companies and thousands of recording artists, and is seeking out more labels and artists who are owed royalties for sound recordings played on digital cable and satellite television music services, satellite radio services or streamed via non-interactive webcast. The non-profit organization is governed by a board of artist and label representatives. Services include track level accounting of performances to all members and collection and distribution of foreign royalties to all members.