Congratulations to acclaimed pianist, composer and
bandleader Chucho Valdés on his 2019 Latin Grammy® Award nomination for Best
Latin Jazz Album with his latest release, Jazz Batá 2. This is Valdes’ eleventh
nomination, having previously won three Latin Grammy® Awards, one each for the
albums New Conceptions and Canciones Ineditas as well as the 2018 Lifetime
Achievement Award from the Latin Grammy® Awards Association.
Jazz Batá 2, composer, pianist and bandleader
Chucho Valdés’ first album for Mack Avenue Records, marks a new peak of
creativity for the artist, even as it revisits the small-group concept of his
1972 Cuban album Jazz Batá. That album upon release was originally considered
experimental at the time, but the trio project – featuring no drum set and two
virtuosi who would subsequently be charter members of Irakere: Carlos del
Puerto (bass) and Oscar Valdés (batâ: the sacred, hourglass shaped drums of the
Yoruba religion in Cuba) – would now be considered contemporary.
Recorded in two and a half days at John Lee’s studio in New
Jersey, Jazz Batá 2 is both rhythmic and lyrical at once. The six-hand
complexity of the batá repertoire – the deep classical music of West Africa –
permeates Valdés’ piano solos throughout the album. “I applied to my solos the
different rhythms of the batá,” he says. “The piano is of course a harmonic
instrument, but it’s percussive too, and you can play percussion with it.”
It’s an exceptionally tight band. All of the three
supporting musicians – Yaroldy Abreu Robles, Dreiser Durruthy Bombalé, and
Yelsy Heredia – are from the Guantánamo region and have deep roots in Cuban
musical culture as well as being conservatory-trained. Yelsy and Dreiser grew
up together, went through music school together, graduated together, and have
been playing music side-by-side literally all their lives. Yaroldy, who plays a
wide variety of drums – congas, batá, bongó, orchestral percussion – has been
working with Valdés for 20 years. “He always knows what I’m going to want to
do,” says Valdés.
Jazz Batá 2 also marks the centenary of Valdés’ late father
and teacher, Ramón “Bebo” Valdés (b. 1918).
These two giants of Cuban music
shared a birthday – October 9 – so Bebo’s 100th will be Chucho’s 77th. Between
the two of them, they’ve exercised a massive musical influence since the 1940s.
Bebo’s 1952 creation of the commercially failed but artistically successful
batanga – which combined batá drums with a state-of-the-art jazz band – was a
direct inspiration for the batá-driven jazz of Irakere, as well as for Jazz
Batá and its sequel being released 46 years later. This stretch of time
reinforces the enduring and magnificent career Valdés has cultivated over the
77 years of his life, with no signs of slowing down and never one to conform or
expand the boundaries of his musical inventions.
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