A true musical citizen of the world, French born, NYC based
vocalist Chloe Perrier has one goal every time she and her French Heart Jazz
Band take the stage at clubs throughout Manhattan - to make people happy and
transport them away from the chaos and stress of life in the modern world.
Drawing from such influences as Josephine Baker, Ella Fitzgerald and Blossom
Dearie, the singer uses her velvety voice, spellbinding style and charming
accent to transform any room she plays into a realm harkening back to the
golden age of jazz.
Holding court onstage these past three years at venues as
Club Bonafide, Cornelia Street Café and the McKittrick Hotel, Chloe and her
“dream team” of musicians dive deep into a repertoire of French “chansons” and
American jazz standards from the jazz age, taking their audiences on a journey
back in time for a soul transportive experience she playfully describes as
“Gatsby in Paris.” The idea sparked in 2016, when the Consulate General of
France invited her to put together a “Gatsby themed soirée” to celebrate the
90th anniversary of its residence on Fifth Avenue. Chloe eventually built an
entire show around the concept.
Now, with her new album Petite Fleur, released and
distributed worldwide by the independent label Jazzheads, Chloe brings her
alluring Parisian charm beyond the Big Apple for the first time. The October
22nd drop of the album will be celebrated with a party and performance at The
Cutting Room, and prior to that, the album's lead single “Comes Love” and its
music video -- created by Chloe and Los Angeles based cinematographer Jesse
Green -- will premiere on September 13th. Simultaneously, Chloe and the French
Heart Jazz Band will be performing at the Sunset-Sunside jazz club in Paris.
Before moving to New York from Paris six years ago to
develop her career as a singer and actress, Chloe had already visited the city,
working on an arts-related documentary. While she was gathering footage of the
daily lives of New York based artists, she met guitarist Akira Ishiguro, who later
introduced her to drummer Rodrigo Recabarren: the chemistry was immediate and
she launched her first trio – which ultimately evolved into the French Heart
Jazz band, when upright bassist Jim Robertson was added to the band.
Petite Fleur features soulful, lyrical and swinging
performances by the original quartet, joined memorably for this project by
special guests clarinetist Jon Hunt and - adding touches of magical
retro-romance – violinist Caroline Bugala. The 12-track collection was produced
by Chloe and recorded at the Samurai Hotel Recording Studio in Queens by
Grammy-winning sound engineer Max Ross from System Two.
Drawn from favorites among the band’s ever-expanding
repertoire, Petite Fleur includes two of French songwriter Charles Trenet's greatest
hits, “Menilmontant” and “Que reste-t-il de nos amours”; a tribute to American
jazz vocalist Helen Merrill’s seductive and whimsical “Lorsque tu m’embrasses
(Just Squeeze Me)”; George Shearing's Ella Fitzgerald popularized sexy swinger
“Lullaby of Birdland”; the sensual “J’ai deux amours” originally written for
Josephine Baker in 1930; an unexpected high energy take on Edith Piaf's classic
“La Vie En Rose”; the briskly paced “Je voudrais en savoir d’avantage” made
famous by 1930s bandleader Ray Ventura, which lends itself to Chloe’s quick,
rhythmic phrasing; and of course, the “hidden” title track “Petite Fleur,” by
the great Sidney Bechet, recorded by Chloe in honor of her grandfather's
favorite song.
The album’s tracks in English include a classic of the
Django Reinhardt repertoire, the spirited call and response tune “Coquette”;
“Guilty,” one of Al Bowlly's signature songs, previously included in the
soundtrack of popular French film Amélie; and the bolero-mambo classic “Sway,”
given a touch of international class and sass via Chloe’s French accent.
“What I love about this period from the 1920s to the ‘40s is
that the music is really happy, and it brings people great joy when I sing it,”
says the singer. “This is an atmosphere I love to communicate to my audiences.
Coeur de Francaise, my first album that I recorded in France before moving to
New York, was more romantic and melancholic, based on songs from the 60s
through the 90s. Petite Fleur is about love and its sound is decidedly more joyful
and upbeat."
“The times we live in are pretty dark,” she adds, “and I
like the opportunity to take people away from their problems and help them stay
positive, even if just for an hour. People tell me at the end of the show that
they feel like they’re in Paris in the 30s. The challenge is to keep those who
have seen the show multiple times engaged, so I am always YouTube hopping or
buying old vinyls in search of unique jazz standards and French chansons from
that era."
Born in the French Alps, Chloe started ballet dancing and
playing the violin at a young age. At age ten she moved to Paris where she
started acting and singing, and by age thirteen she was already working
professionally in the entertainment industry. After a well-received first
concert at “Le Reservoir” -- thrown together on a dare, after a bet with famous
actor and comedian Mouss Diouf -- she began focusing on music, studying vocal
jazz with Sara Lazarus as well as composition and piano with Joe Makholm for
three years at the Bill Evans Piano Academy in Paris. During this time, Chloe
started to compose her first songs. Furthering her education, Chloe
participated in various workshops with prominent French and American
musicians.
After years of performing in France and releasing her successful
first album, she decided “to follow her dream and dive into the wonderful world
of NYC Jazz." "Barely speaking English, I moved to the Big Apple with
my artist visa and my microphone. During my time here, I’ve been able to meet
and work with wonderful musicians from all around the world including my dream
team, which I call my brothers from another mother. After playing all over the
city that doesn’t sleep, I created a new band with them called the French Heart
Jazz Band.”
Nowadays Chloe
performs with these and other musicians in different formats, from duet to
septet, in several locations and clubs both in Paris and in NYC -- at the Zinc
Bar, The Iridium, Feinstein's/54 Below, Winter Cabaret festival, Summer Cabaret
Festival, Vintage Train Swing Festival, Why Not jazz club, Cornelia Street
Cafe, Club Bonafide,The Manderley and Gallow Green at The Mc Kittrick Hotel
(Home of the famous show Sleep No More), The Top of the Standard, The Plaza,
Lotte New York Palace, The Beekman Hotel, the Flatiron Room and Fine & Rare
and more. The singer has also performed live on radio and TV shows like
“Jazzbox” on Radio Aligre, “La bande Passante” on RFI, Bastille TV, and
“Telematin” France 2.
“As a little girl growing up in France,” Chloe says, “I fell
in love with music and I was listening to old records of Claude Nougaro, Serge
Gainsbourg and the musical for kids ‘Emilie Jolie’ all the time. All these
years later, it’s a wonderful pleasure to sing for people and provide a type of
musical therapy for others the way my favorite music has always been an
uplifting and healing force in my life. Club Bonafide where I have a residency
and other clubs has been a wonderful ‘laboratory’ for me and my band to try out
new material and develop arrangements and a repertoire that helps lift
everybody’s mood. Together, we capture a vintage feeling with a modern twist –
and were able to take that into the studio and, with Max Ross’ help, make some
real magic!”
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