Spin Cycle
Assorted Colors One of the freshest sounding bands to emerge on the jazz scene
in this or any decade, Spin Cycle follows up its critically acclaimed eponymous
debut from 2016 with the release on April 6 of Assorted Colors (Sound Footing
Records). The new recording, coming after two years of intensive touring that
further refined their distinctive take on jazz, sustains the praise bestowed by
DownBeat's Ed Enright in his rave review of their first album that hailed the
band as "a cohesive unit that commands an exceptional stylistic range and
exhibits a go-for-broke attitude."
On their
sophomore release, the piano-less quartet delivers more of the "bright
melodic lines, deep-seated grooves, catchy rhythmic devices and sophisticated
harmony" cited by Enright, who praised them for "improvisations run
wild, as soloists embrace aggressive and daring ideas from the realms of modal
jazz, free-jazz, second-line and soul, not to mention good old-fashioned
swing."
Founded in
2014 and co-led by drummer Scott Neumann and saxophonist Tom Christensen, who
have known and played with each other in various settings for well over 25
years, Spin Cycle is rounded out by guitarist Pete McCann and bassist Phil
Palombi. The four musicians are mainstays of the New York jazz scene.
The title
Assorted Colors alludes in part to the broad and eclectic stylistic palettes
Christensen and Neumann each draw upon while crafting the compositions that
define Spin Cycle's musical direction. (Christensen contributed six tunes to
the session, Neumann five.) "One of our aims was to develop the songs not
by adding sections but by building on the form itself via solos or
concepts," Neumann says. "We wrote things that got to the heart of
the matter, but also were vehicles that allowed us to stretch," Christensen
adds.
Spin Cycle's
decision to use a guitar rather than a piano in the band enables the creation
of unusual blends of airy textures that are a trademark of the band's tonal
tapestries. "Guitar chords are more sparse than piano chords, they're more
open sounding," says Christensen.
Among the
Christensen tunes on Assorted Colors are the arresting minor-key "Possum
Dark," in his words a "swaggering bad ass blues" named after the
enforcer in the post-apocalyptic novella Ginny Sweethips' Flying Circus, and
the stripped-down, minimalism-streaked "Two Pan Man," on which he
lets it rip on tenor while guitarist McCann, according to the composer,
"sounds almost like a second wind player."
Neumann's
compositions include the sharp-angled, Monk-inspired "Break Tune,"
whose infectious swing and sense of fun provide a spirited introduction to the
album. Neumann, who spent a week in Cuba in 2017 studying with Cuban drummers,
also composed "To the Puente," an intriguing blend of the son montuno
and modern mambo accents à la Chick Corea. "Affirmation" has a cool,
rolling vibe recalling some of Pat Metheny's classic recordings.
Scott
Neumann Tom ChristensenTom Christensen (b. 1961, Ventura, California; at right
in photo) studied classical music and jazz at both undergraduate and graduate
levels at the Eastman School of Music in Rochester, NY, and moved to New York
in 1989. For eight years, he was a member of the Toshiko Akiyoshi Jazz
Orchestra, appearing on five of their albums. He also has played on such
notable recordings as Joe Lovano's Celebrating Sinatra, Rufus Reid's Quiet
Pride, and the David Liebman Big Band's Tribute to Wayne Shorter. His 2000
debut, Gualala, and 2002 effort, Paths, team him with multi-reedist Charles
Pillow. His other recordings include Americana (2003) and Kailash (2007), on
which he joins the Kailash Trio.
Scott
Neumann (b. 1962, Bartlesville, Oklahoma; at left in photo above) attended North
Texas State and, before moving to New York in 1988, played with the Woody
Herman Orchestra for a year. On his 2006 album, Osage County, he led a quartet
including pianist David Berkman and saxophonist Sam Newsome; he recorded
Blessed in 2014 as part of the Neu3 Trio, with Michael Blake and Mark Helias. A
busy player on the New York scene who has collaborated with such luminaries as
Kenny Barron and Ben Allison, Neumann has also accrued impressive credits as a
vocal accompanist, a Broadway musician, and educator (he directs the drum
studies program at Lehigh University).
Spin Cycle
will be performing a CD release show at Smalls, NYC, on Friday 4/13. They've
also scheduled several appearances in Ohio, including a concert and master
class at Youngstown State (Bliss Hall), in Youngstown, 1-4pm on 4/5; concert at
Andrews House, Delaware, OH 4/6; concert with Denison University Jazz Band,
Granville, 8pm on 4/7; and the Bop Stop in Cleveland, 4/7.
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