Patrice Rushen | Prelusion

Craft Recordings and Jazz Dispensary celebrate the five-decade-long career of singer, songwriter, and multi-instrumentalist Patrice Rushen with a reissue of her long-out-of-print debut, Prelusion. While the three-time GRAMMY® nominee became best known as an R&B singer and barrier-breaking musical director, this 1974 album showcases Rushen’s talents as a jazz musician, composer, and improviser and features such esteemed sidemen as Joe Henderson, Oscar Brashear, and George Bohanon. 

Set for release on August 23rd and available for pre-order today, Prelusion marks the latest title in Jazz Dispensary’s album-centric Top Shelf series—which reissues the highest-quality, hand-picked rarities. As with all releases in the series, the LP features all-analog remastering by Kevin Gray at Cohearent Audio and is pressed on 180-gram vinyl at RTI. A tip-on jacket, replicating Prelusion’s original design, completes the package. 

In 1982, Patrice Rushen soared to stratospheric heights with her GRAMMY-nominated album, Straight from the Heart (featuring the enduring hit, “Forget Me Nots”). Yet, while Rushen found international fame as an R&B singer-songwriter, her career was actually rooted in jazz tradition. Just eight years earlier, at the age of 20, she embarked on her musical journey with Prelusion—a spectacular debut that introduced Rushen as a formidable new star on the jazz scene.

A classically trained pianist, Rushen scored her big break at 17, earning a chance to perform at the prestigious Monterey Jazz Festival after winning a high school talent competition. Before long, she caught the attention of legendary label Prestige Records (home to such greats as John Coltrane, Miles Davis, Sonny Rollins, and Thelonious Monk), who signed the promising teenager to a three-album deal. 

The first of these recordings was Prelusion, which paired Rushen with some of the era’s top-tier musicians, including Joe Henderson (tenor saxophone), Oscar Brashear (trumpet), Hadley Caliman (Flute), George Bohanon (Trombone), Leon “Ndugu” Chancler (drums), Tony Dumas (bass), and Kenneth Nash (percussion). The album also marked Rushen’s first of many projects with her longtime producer and mentor, Reggie Andrews. 

Rushen not only shines as a musician on the album—where she switches between the piano, electric keyboard, synth, and clavinet—but also as a composer, with five original works. Performing primarily post-bop selections (including the energetic opener, “Shortie’s Portion,” and the jaunty “Traverse”), Rushen also incorporates a variety of unique sonic textures, plus elements of fusion, as heard in the reflective, percussion-heavy “7/73,” the bluesy, Rhodes-driven “Haw-Right Now,” and the cosmic “Puttered Bopcorn.” 

Released in 1974, Prelusion introduced Rushen as one of the genre’s most promising talents and marked the beginning of her long and celebrated career. In retrospective reviews, AllMusic praised that the album gave listeners “every reason to believe that [Rushen] would become a major figure in the jazz world,” adding, “One can only speculate on where her career in jazz might have gone had she not switched to R&B singing.” Downbeat, meanwhile, noted that Rushen’s “enchanting debut… boasted her extraordinary gifts as an improviser, composer and arranger” adding that “Rushen’s “impressionistic harmonies and intricate arrangements revealed a maturity well beyond her 20 years.” 

After releasing two more jazz-focused albums (1975’s Before the Dawn and 1977’s Shout It Out), Rushen successfully transitioned into a career as an R&B singer-songwriter. In the ensuing years, she released such best-selling albums as the aforementioned Straight from the Heart (1982), Now (1984), and the GRAMMY-nominated Signature (1997), while hits like “Forget Me Nots” (1982) would later earn new generations of fans through sampling—most famously in Will Smith’s “Men in Black” (1997) and George Michael’s “Fastlove” (1996). 

Beyond her solo career, Rushen is also an esteemed musical director and prolific composer for film and TV, including scores for Waiting to Exhale, Men in Black, HBO’s America’s Dream, and the theme song to The Steve Harvey Show. Among other accomplishments, Rushen stands as the first woman to serve as Musical Director for the 46th, 47th, and 48th GRAMMY Awards, the first woman to hold the role of Head Composer/Musical Director for the Emmy® Awards, as well as the first female Musical Director of both the NAACP Image Awards and People’s Choice Awards.