Dubbed "Lady Day" by jazz saxophonist, Lester
Young, Billie Holiday (1915-1959) is one of the most influential and iconic
jazz vocalists of all time. Her uniquely expressive voice, with its
unmistakable tone, timbre, and horn-like phrasing, had an emotional sincerity
that made everything she sang seem an honest reflection of her own personal
struggles in life. Holiday was born Eleanora Fagan in Philadelphia and after
experiencing a difficult childhood, found an escape through music. She began
singing professionally as a teenager in the late 1920s and signed her first
recording contract in 1935, before going on to work with the swing-era big
bands of Count Basie and Artie Shaw. By the 1940s, she was a big solo star but
behind the showbiz glamour there was a dark underside of drug and alcohol
dependency, which eventually hastened her tragic demise (she died in 1959 aged
44).
Classic Lady Day catches up with Holiday at the dawn of the
LP age in the 1950s when she recorded for the Clef and Verve labels founded by
jazz impresario and producer, Norman Granz. The opening album in the set is
1957's Solitude: Songs By Billie Holiday, which was first issued in 1952 as a
10-inch LP called Billie Holiday Sings for Granz's Clef imprint. It's a
delightful small group session where Holiday's beguiling voice is framed by
sympathetic and lightly-swinging arrangements played by sidemen that include
pianist Oscar Peterson and guitarist Barney Kessell. Holiday's mournful version
of Duke Ellington's immortal "Solitude," with Charlie Shavers on
trumpet, is particularly arresting. Holiday also puts her own inimitable stamp
on the standards "You Go To My Head" and "These Foolish
Things."
A Recital By Billie Holiday is a 1956 compilation that
includes fine readings of "What A Little Moonlight Can Do" and
"Stormy Weather," while Velvet Moods - Songs By Billie Holiday issued
the same year on Clef contains "Nice Work If You Can Get It" and
"I've Got A Right To Sing The Blues." Also issued in 1956 was
Holiday's most famous album, Lady Sings The Blues, which she released to
coincide with the publication of her same-titled autobiography. It contains the
classic title song - co-written by the singer - and another original iconic
tune, "God Bless The Child." Another highlight is her haunting
version of American writer Lewis Allan's provocative but poignant anti-lynching
poem set to music, "Strange Fruit."
Classic Lady Day concludes with the 1958 Verve LP, All Or Nothing At
All, released a year before the singer's death. It contains memorable performances
of "April In Paris," "Sophisticated Lady," and "Love
Is Here To Stay."
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